Creator Gender: male - YCBA Collections Search Search Results

James S. Storer, 1771–1853

Burnham Abbey, Bucks

Print made by Charles Heath, 1785–1848

Thomas Gray

undated

George Vertue, 1684–1756

King William the Conquerer

1745

James S. Storer, 1771–1853

Eton College, Bucks

John Le Keux, 1783–1846

Salisbury Cathedral Church. View of the North Aisle Looking West

George Vertue, 1684–1756

Edward III, King of England and France

1732

Print made by James Basire, 1730–1802

Mr. Thomas Gray

ca. 1771

Jacob Hogg, active 1751

Canterbury Tales: Three Gamblers and Time (Notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)

1787

John Keyse Sherwin, c.1751–1790

Canterbury Tales: January and May (Notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)

George Vertue, 1684–1756

Richard III, King of England

1732

Print made by George Vertue, 1684–1756

King Henry VII and Elizabeth of York, Queen of England

Jacob Hogg, active 1751

Canterbury Tales: The Frere and Thomas (Notes to number 77-78 of Catalogue Mortimer Exhibition 1968)

1787

George Vertue, 1684–1756

Edward I, King of England, Lord of Ireland and Duke of Aquitaine

undated

William Holl II, 1807–1871

Adam Smith

George Vertue, 1684–1756

Edward Prince of Wales and Aquitaine, Duke of Cornwall

undated

John Hamilton Mortimer, 1740–1779

Lear, from King Lear, Act III, Scene ii

1776

John Hamilton Mortimer Twelve etchings of Characters from Shakespear: 3) Cassandra, from Troilus and Cressida, Act II, Scene 4 (sic)(Catalogue Mortimer Exhibition 1968 - Number 79)

John Hamilton Mortimer, 1740–1779

Twelve etchings of Characters from Shakespear: 3) Cassandra, from Troilus and Cressida, Act II, Scene 4 (sic)(Catalogue Mortimer Exhibition 1968 - Number 79)

John Hamilton Mortimer Twelve etchings of Characters from Shakespeare: 4) Richard II, from Richard II, Act III, Scene 2 (Catalogue Mortimer Exhibition 1968 - Number 79)

John Hamilton Mortimer, 1740–1779

Twelve etchings of Characters from Shakespeare: 4) Richard II, from Richard II, Act III, Scene 2 (Catalogue Mortimer Exhibition 1968 - Number 79)

1775

John Hamilton Mortimer, 1740–1779

Edgar, from King Lear, Act III, Scene iii

John Hamilton Mortimer, 1740–1779

'Poet, from A Midsummer Night's Dream, Act V, Scene i'

1775

John Hamilton Mortimer Twelve etchings of Characters from Shakespeare: 5) Beatrice, from Much Ado About Nothing, Act 1, Scene 2 (sic)(Catalogue Mortimer Exhibition 1968 - Number 79)

John Hamilton Mortimer, 1740–1779

Twelve etchings of Characters from Shakespeare: 5) Beatrice, from Much Ado About Nothing, Act 1, Scene 2 (sic)(Catalogue Mortimer Exhibition 1968 - Number 79)

John Hamilton Mortimer Twelve etchings of Characters from Shakespeare: 8) Bardolph, from Henry IV, Act II, Scene 9 (Catalogue Mortimer Exhibition 1968 - number 79)

John Hamilton Mortimer, 1740–1779

Twelve etchings of Characters from Shakespeare: 8) Bardolph, from Henry IV, Act II, Scene 9 (Catalogue Mortimer Exhibition 1968 - number 79)

Edward Scriven, 1775–1841

Mary Queen of Scots

Edward Scriven, 1775–1841

Sir Frederick William Herschel

ca.1830

Print made by George F. Schmidt, 1712–1775

Felice Salimbeni

1751

John Hamilton Mortimer, 1740–1779

Ophelia, from Hamlet, Act IV, Scene 7

1775

Giovanni Battista Cipriani, 1727–1785

John Milton

Michael Challenger, born 1939

To My Constant Visitors

1972

George Dawe, 1781–1829

Francis Blomefield A.M. F.S.A

1805

John Hamilton Mortimer Twelve etchings of Characters from Shakespeare: 12) Shylock, from The Merchant of Venice, Act IV, Scene 1 (Catalogue Mortimer Exhibition 1968 - number 79)

John Hamilton Mortimer, 1740–1779

Twelve etchings of Characters from Shakespeare: 12) Shylock, from The Merchant of Venice, Act IV, Scene 1 (Catalogue Mortimer Exhibition 1968 - number 79)

John Hamilton Mortimer, 1740–1779

Twelve etchings from Shakespeare: 10) York, from Henry IV, Part 2, Act V, Scene 4 (Catalogue Mortimer Exhibition 1968 - number 79)

John Hamilton Mortimer, 1740–1779

Falstaff. Second part Henry IV, Act V, Scene 4th. "There's a merry heart good master Silence / I'll give you a health for that anon."

1776

Charles Howard Hodges, 1764–1837

Rev. Thomas Warton

1784

Print made by Robert Blyth, 1750–1784

The Captive

1781

John Hamilton Mortimer, 1740–1779

Nature and Genius introducing Garrick to the Temple of Shakespeare (Catalogue Mortimer Exhibition 1968 - number 83)

unknown artist

Don Quixote (Note to number 81 of Catalogue Mortimer Exhibition 1968)

Robert Blyth, 1750–1784

Don Quixote in the Sable Mountains (See number 81 of Catalogue Mortimer Exhibition 1968)

1782

Print made by Frank Auerbach, 1931-2024

Lucian Freud

1981

Charleton Nesbit, 1775–1838

Prospectus for the largest engraving on wood ever attempted

John Hamilton Mortimer, 1740–1779

Tragedy

1778

Print made by Samuel Cousins, 1801–1887

Robert Burns

1830

William James Muller, 1812–1845

Near the Caravan Bridge, Smyrna

1843

Henry Ninham, 1793–1874

Bridge and Mill

1875

John Buckler FSA, 1770–1851

Title page for: Drawings of Droitwich and its Environs

undated

Henry Ninham, 1793–1874

At Hellesdon

1831

Henry Ninham, 1793–1874

The Old Mill - Composition

Henry Ninham, 1793–1874

Cottage and River Scene

unknown artist

North West View of Richmond, (from Eastby Abbey)

1812

Henry Ninham, 1793–1874

On Charing Cross, Norwich

1842

Joseph Constantine Stadler, active 1780–1812

The Pump Room at Bath

1801

Thomas Rowlandson, 1756–1827

Undertakers Regaling

1801

attributed to John Russell, 1745–1806

Portrait of a Gent Called Edmund Burke

undated

Henry Ninham, 1793–1874

View at Sherrignham, Norfolk

1830

Print made by Samuel William Reynolds, 1773–1835

Death of Captain Alexander Hood

1798

Print made by George Dawe, 1781–1829

James Northcote, Esqr. R. A

1803

Print made by Philip Dawe, ca.1750–ca.1790

Gadshill

1796

Sir Hubert von Herkomer, 1849–1914

Old Man

undated

Print made by Henry Kingsbury, active 1750–1780

Samuel, Lord Hood

1783

Print made by James Walker, 1748–1808

The Spell, or Hobnelia

1783

Print made by William Ward, 1766–1826

A Young Lady Encouraging the Low Comedian

1787

Charles Mosley An Exact Perspective View of Dunmow, late the priory in the County of Essex, with a Prepresentation fo the Ceremony, & Procession in that mannor, on Thursday the 20 of June 1751

Charles Mosley, c.1720–c.1770

An Exact Perspective View of Dunmow, late the priory in the County of Essex, with a Prepresentation fo the Ceremony, & Procession in that mannor, on Thursday the 20 of June 1751

Print made by Francis Legat, 1755–1809

King Richard the Third: Act IV, Scene III (The Murder of the Princes in the Tower)

1790

Robert Havell, 1769–1832

Peckwater Quadrangle, Christ Church, Oxford

George Bernard O'Neill, 1828–1917

Group inspecting boy's Drawing

Spencer Frederick Gore, 1878–1914

Study for "On the Sands"

1910

Spencer Frederick Gore, 1878–1914

The Alhambra Theatre, "On the Sands"

1910

after Henry William Brewer, 1836–1903

Aldgate A.D. 1531

undated

Isaac Taylor, 1759–1829

The Murder of David Rizzio on the 9th of March 1566

1803

Samuel William Reynolds, 1773–1835

Louisa Catherine, Marchioness of Sligo

Benjamin Cole, 1697–1783

The Navy Office in Broad Street

undated

unknown artist

Georgina, Lady Leicester

Samuel William Reynolds, 1773–1835

Thomas Girtin

1817

Thomas Ryder, 1746–1810

The Murder of James First, King of Scotland

1792

John Buckler FSA Title Page: Castellated and Domestic Architecture of England and Wales from the 11th Century to the 19th, Vol. 2, Drawn by J. Buckler, F.S.A. & J.C. Buckler for T. L. Parker, Esqr.

John Buckler FSA, 1770–1851

Title Page: Castellated and Domestic Architecture of England and Wales from the 11th Century to the 19th, Vol. 2, Drawn by J. Buckler, F.S.A. & J.C. Buckler for T. L. Parker, Esqr

undated

John Bluck, active 1791–1831

Launch of H.M.S. Hibernia at Plymouth

1804

John Harris, 1811–1865

Panoramic View of Sheffield

John Thomas Smith, 1766–1833

Domestic Architecture, An Upper Apartment of the Same Magnificent Mansion

1812

Francis Jukes, 1747–1812

Pontysyllte Aqueduct, North Wales

1806

Print made by William S. Barnard, 1774–1849

A Correct View of the Golden Lake Genuine Brewery

1807

John Thomas Smith, 1766–1833

Sacred Architecture: the South Entrance of Dukes Place

1814

Print made by Charles E. Wagstaff, 1808–

The Coronation of Queen Victoria

1842

Pierre Charles Canot, ca. 1710–1777

Representation of the Glarious Defeat of the French Fleet off Belleisle on the 20 November 1759

1759

Samuel Rawle, 1771–1860

Part of Audley House, Dukes Place

1802

Thomas Picken Truro River from a field near Cliff Cottage on the Occasion of her Majesty's Visit in the Fairy Yacht on the day of the Truro Regatta, September 7th, 1846

Thomas Picken, 1815–1870

Truro River from a field near Cliff Cottage on the Occasion of her Majesty's Visit in the Fairy Yacht on the day of the Truro Regatta, September 7th, 1846