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Period 18th century
Remove constraint Period: 18th centuryWidth [cm] 31
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1
- An Exercise in Haute Ecole: the Passage to the Left along a Wall, after Vanderbank
- ca. 1730
- Not on view
2
- Coccinia abyssinica (Lam.) Cogn. : finished drawing of flowering shoot, with details below
- undated
3
- Design for a blacksmith's shop
- between 1780 and 1790
4
- Design for Clifton Castle, Yorkshire: Plan and Elevation in the Classical Style
- ca. 1780-1790
5
- Italianate Landscape with Castle, Cascade and Anglers
- between 1780 and 1790
6
- A View of Several Palaces at Naples at Sun Rise
- undated
7
- Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)
- between 1713 and 1718
8
- A Lieutenant Colonel
- 1798
9
- The Palace of Mont Alto at Naples
- undated
10
- Peter Oliver, A Celebrated Painter in the Reign of James I and Charles I
- ca. 1765
11
- Spanish Palace at Naples
- undated
12
- Design after a Greek Vase
- undated
13
- Market Day
- 1796
14
- A Perspective View of Hatfield House, the Seat of the Right, Honorable the Lord Salisbury
- 1751
15
- A Perspective View of Esher in Surry, the Seat of the Late Rt. Hon.able Henry Pelham Esq
- undated
16
- Design for a Ceiling
- undated
17
- The Striking Likeness or Harlequin Turn'd Painter
- 1770s to 1790s
18
- Gloucester Cathedral
- ca. 1795
19
- The Promenade
- 1781
20
- The Conservatory at Wentworth Woodhouse, Yorkshire
- undated
21
- North Front of the Bank
- 1797
22
- Inside of the Mews
- 1794
23
- The Melancholy Prospect of London Bridge South West, April 12th, 1758
- 1758
24
- South Front of the Bank
- 1798
25
- An East Prospect of St. Leonard Shoreditch in Middlesex
- 1735
26
- Fox in a Trap & The Constitution Preserved
- 1784
27
- Good News from Madras
- 1791
28
- The Political Sampson in Revenge Sets Fire to the Country
- 1784
29
- The May Garland
- 1784
30
- An Epilogue - to the Way to get Married
- 1795
31
- Venus and Cupid
- undated
32
- The Northern Colossus, Or Earl of Toadstool Arm'd with a Poll Axe
- 1786
33
- Salvia nilotica Juss. ex Jacq. (Nile Sage): finished drawing of a flowering shoot with details of floral dissections
- undated
34
- Albuca abyssinica Murrary (Ethiopian Squill): finished drawing of flowering plant, with floral details
- undated
35
- Kniphofia pumila (Ait.) Kunth (Redhot Poker): finished drawing of leaves and inflorescence, with floral details
- undated
36
- Kniphofia pumila (Ait.) Kunth (Redhot Poker): finished drawing of flowering plant
- undated
37
- Coleus species 1: finished drawing of habit of flowering plant
- undated
38
- Panicum deustum Thunb. (Wild Millet): finished drawing of whole plant in flower
- undated
39
- Elevations of a Room
- undated
40
- Verbascum sinaiticum Benth. (Mullein): finished drawing of flowering shoot and root
- ca. 1768
41
- Verbascum sinaiticum Benth. (Mullein): finished drawing section of stem and leaves, with floral details
- undated
42
- Solanum marginatum Linn.f. (Nightshade): finished drawing of whole plant with root
- ca. 1768
43
- Solanum marginatum Linn. f. (Nightshade): finished drawing of plant in flwoers with floral details
- undated
44
- Solanum capsicoides Allioni (Nightshade): finished drawing of flowering and fruiting plant, with details of fruit and flowers
- ca 1775
45
- Woman near a River
- after 1797
46
- Samuel Johnson
- 1791
47
- Slender Billy & hopping Harry trying to bring a wild Irish bull to Westminster to be baited by English bull dogs
- 1800
48
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
49
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
50
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
51
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
52
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
53
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
54
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
55
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
56
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
57
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
58
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
59
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
60
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
61
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
62
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
63
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
64
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
65
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
66
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
67
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
68
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
69
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
70
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
71
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
72
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
73
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
74
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
75
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
76
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
77
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
78
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
79
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
80
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
81
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
82
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
83
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
84
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
85
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
86
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
87
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
88
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
89
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
90
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
91
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
92
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
93
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
94
- Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds