George Shaw; A Corner of a Foreign Field, edited by Mark Hallett, 2018
1966 2018
Archival
402
George Stubbs (1724-1806), Designed by Derek Birdsall RDI
1985
Archival
403
George Stubbs in the Collection of Paul Mellon: A Memorial Exhibition, Catalogue by Patrick McCaughey, Malcolm Warner, Scott Wilcox, Elisabeth Fairman, Gillian Forrester, and Timothy Barringer
1999
Archival
404
Paul Mellon Centre for Studies in British Art
George Stubbs, Painter: Catalouge Raisonné, by Judy Egerton
2007
Archival
405
Paul Mellon Centre for Studies in British Art
Georgian London, by John Summerson and Howard Montagu Colvin
2003
Archival
406
German Romanticism and English Art by William Vaughan
1979
Archival
407
Gilded Scenes and Shining Prospects, by Ralph Hyde
1985
Archival
408
Paul Mellon Centre for Studies in British Art
Gothic Art in Ireland, 1169-1550: Enduring Vitality, by Colum Hourihane
2003
Archival
409
Goya to Matisse: Paintings, Sculpture and Drawings from the Wadsworth Atheneum of Hartford, Connecticut: book
1991
Archival
410
Pope, G. R.
G.R. Pope letter to Frank B. Mason (?)
1934 November 22
Archival
411
Great British Paintings from American Collections: Holbein to Hockney, by Malcolm Warner and Robyn Asleson
2001
Archival
412
Great British Watercolors: From the Paul Mellon Collection, by Matthew Hargraves
2008
Archival
413
Hughes, George Ravensworth
George Ravensworth Hughes letter to Margaret Kaye
1936 August 4
Archival
414
Paul Mellon Centre for Studies in British Art
Imperial Gothic: Religious Architecture and High Anglican Culture in the British Empire: 1840-1870, by G. A. Bremner
2013
Archival
415
Paul Mellon Centre for Studies in British Art
Imperial Landscapes: Britain's Global Visual Culture, 1745-1820, by John E Crowley
2011
Archival
416
Paul Mellon Centre for Studies in British Art
Imperial London: Civil Government Building in London, 1851-1915, by M. H. Port
1995
Archival
417
In Praise of Paul Mellon, essays by various authors: book
1987
Archival
418
Paul Mellon Centre for Studies in British Art
Inigo Jones and the European Classicist Tradition, by Giles Worsley
2007
Archival
419
Paul Mellon Centre for Studies in British Art
Inigo Jones: The Architect of Kings, by Vaughan Hart
2011
Archival
420
Ink Publications, "The Yale Center for British Art: the Passion of Paul Mellon", issue 3.12: magazine
December 2008
Archival
421
Interior Housepainting Colours and Technology, 1615-1840 by lan C. Bristow
1996
Archival
422
"Into the Light of Things": Rebecca Salter, Edited by Gillian Forrester
2011
Archival
423
Paul Mellon Centre for Studies in British Art
Ireland and the Picturesque: Design, Landscape Painting and Tourism 1700-1840, by Finola O'Kane
2013
Archival
424
Paul Mellon Centre for Studies in British Art
Ireland's Painters 1600-1940, by Anne O. Crookshank and Knight of Glin
2002
Archival
425
Paul Mellon Centre for Studies in British Art
Irish Furniture: Woodwork and Carving in Ireland from the Earliest Times to the Act of Union, by Knight of Glin and James Peill
2007
Archival
426
Irish Portraits, 1660-1860 / catalogue by Anne Crookshank and the Knight of Glin
1969
Archival
427
Issue 1
1995-12
Archival
428
Issue 1
2015-10
Archival
429
Issue 2
1996-06
Archival
430
Issue 2
2016-01
Archival
431
Issue 3
1996-12
Archival
432
Issue 3
2016-05
Archival
433
Greenwhich: an Architectural History of the Royal Hospital for Seamen and the Queen's House / John Bold
1966 2018
Archival
434
Gwen John: an Interior Life / Cecily Langdale and David Fraser Jenkins
1986
Archival
435
Gwen John with a Catalogue Raisonne of the Paintings and a Selection of the Drawings / Cecily Langdale
1966 2018
Archival
436
Raverat, Gwen, 1885–1957
Gwen Raverat letter to Evelyn Hunt
1937?
Archival
437
Raverat, Gwen, 1885–1957
Gwen Raverat letter to Evelyn Hunt
1937?
Archival
438
Gardner, H. Vernon
H. Vernon Gardner letter to Frank B. Mason
1934 October 8
Archival
439
Paul Mellon Centre for Studies in British Art
Ham House: 400 Years of Collecting and Patronage, by Christopher Rowell
2013
Archival
440
Paul Mellon Centre for Studies in British Art
Hampton Court: A Social and Architectural History, by Simon Thurley
2004
Archival
441
Hanging the Head: Portraiture and Social Formation in Eighteenth-Century England, Marcia Pointon
1993
Archival
442
Hard Times: Victorian Social Realism, by Julian Treuherz
1988
Archival
443
Collector of Genius: A Life of Sir George Beaumont, David Brown, Felicity Owen
1988
Archival
444
Color Printing in England, 1486-1870 / by Joan M. Friedman
1978
Archival
445
Colour and Transparency: The Watercolours of Lesley Dumbrell, Robert Jacks, Victor Majzner: catalogue
1986
Archival
446
Compass and Rule: Architecture and Mathematical Practice, by Anthony Gerbino and Stephen Johnston
2010
Archival
447
Concise Catalogue of Paintings in the YCBA, by Malcolm Cormack
1985
Archival
448
Conference on British Art, proceedings: book
1965
Archival
449
Constance Stuart Larrabee: Time Exposure
1995
Archival
450
Paul Mellon Centre for Studies in British Art
Constructed Abstract Art in England After the Second World War: a Neglected Avant Garde, by Alastair Ian Grieve
2005
Archival
451
Paul Mellon Centre for Studies in British Art
Above the Battlefield: Modernism and the Peace Movement in Britain, 1900-1918, by Grace Brockington
2011
Archival
452
Acceptance speech made by Duncan Robinson on behalf of Paul Mellon at the Skowhegan 50th anniversary awards dinner
1996
Archival
453
Acquisitions : the First Decade, 1977-1986
1986
Archival
454
Acquisitions: The First Decade, Designed by The Burlington Magazine
1986
Archival
455
Adapting the Eye, Designed by Elena Grossman
2011
Archival
456
Address by Paul Mellon on receiving the annual award of the Thoroughbred Club of America
1975
Archival
457
Book Illustrators of 18th C England, edited and completed by T. S. R. Boase
1975
Archival
458
Books on the Horse and Horsemanship: Riding, Hunting, Breeding Racing, 1400-1941, by John B, Podeschi : a catalogue
1981
Archival
459
Paul Mellon Centre for Studies in British Art
Brilliant Effects: a Cultural History of Gem Stones and Jewellery, by Marcia Pointon
2010
Archival
460
"Britain in the World" Highlights from the Yale Center for British Art
1965 2019
Archival
461
Britannia and Muscovy: English Silver at the Court of the Tsars, Edited by Olga Dmetriva and Natalya Abramova
2006
Archival
462
Paul Mellon Centre for Studies in British Art
British and Irish Paintings in Public Collection, by Christopher Wright, Catherine Gordon, and Mary Peskett Smith
2006
Archival
463
British Art Treasures From Russian Imperial Collections In the Hermitage Edited by Brian Allen and Larissa Dukelskaya
1996
Archival
464
British Biscuit Tins: Aspects of Commercial Design, by Robin Cembalest and Leslie Picot; edited by Joan M. Friedman
1982
Archival
465
British Comic Art by Patricia Crown
1988
Archival
466
British Sporting and Animal Drawings: 1500-1850, by Judy Egerton and Dudley Snelgrove: a catalogue
1978
Archival
467
British Sporting and Animal Paintings 1655-1867, by Judy Egerton: a catalogue
1978
Archival
468
British Sporting and Animal Paintings, 1655-1867, by Judy Egerton : book purchase pamphlet
1978
Archival
469
British Sporting and Animal Prints, 1658-1874, by Dudley Snelgrove
1981
Archival
470
British Sporting and Animal Prints 1658-1874, by Dudley Snelgrove: a catalogue
1981
Archival
471
British Sporting Paintings: the Paul Mellon collection in the Virginia Museum of Fine Arts, by Judy Edgerton: book
1985
Archival
472
Apollo Magazine: 2009 Awards, Exhibition of the Year: magazine
December 2009
Archival
473
Apollo Magazine: British Art at Yale, v. CV, No. 182: magazine
April 1977
Archival
474
Apollo Magazine: David Hockney: magazine
January 2010
Archival
475
Apollo Magazine: Modern British Art: magazine
January 2007
Archival
476
Apollo Magazine: The Yale Center for British Art: magazine
April 2007
Archival
477
Architectural Colour in British Interiors, 1615-1840 / by Ian C. Bristow
1996
Archival
478
Architecture for Art: American Art Museums 1938-2008, ed. Scott J. Tilden: book
2004
Archival
479
Art and Decoration in Elizabethan and Jacobean England, by Anthony Wells-Cole, 1997
1966 2018
Archival
480
Art and Decoration in Elizabethan and Jacobean England by Anthony Wells-Cole
1997
Archival
481
Art and Emancipation in Jamaica, by Barringer, Forrest, Martinez-Ruez
2007
Archival
482
Art and Emancipation in Jamaica Text by Tim Barringer, Gillian Forrester and Barbaro Martinez-Ruiz
2007
Archival
483
Art and Science in America: Issues of Representation: book
1999
Archival
484
Art and Science in America: Issues of Representation, published in Huntington Library Quarterly, Vol 59, Numbers 2 & 3 :journal
1998
Archival
485
Paul Mellon Centre for Studies in British Art
Art as Evidence: Writings on Art and Material Culture, by Jules David Prown
2002
Archival
486
Art as evidence: writings on art and material culture, by Jules Prown: book
2001
Archival
487
Art Beyond the Gallery by Richard Cork
1985
Archival
488
Art for All: British Posters for Transport, Edited by Teri J. Edelstein
2010
Archival
489
Paul Mellon Centre for Studies in British Art
Art for Art's Sake: Aestheticism in Victorian Painting, by Elizabeth Prettejohn
2008
Archival
490
Art, Lux and Veritas
2012
Archival
491
Paul Mellon Centre for Studies in British Art
Art on the Line: the Royal Academy Exhibitions at Somerset House, 1780-1836, by Courtauld institute Gallery and David Hersh Solkin
2001
Archival
492
Arthur Boyd: Agony and Ecstasy, "Arthur Boyd and Sidney Nolan: Victims and Heroes": essay in book
2014
Archival
493
[?] at the Brick House
1994, undated
Archival
494
Andrew Forge: A Retrospective, Designed by Julie Lavorgna
1996
Archival
495
Paul Mellon Centre for Studies in British Art
Angelica Kauffman: Art and Sensibility, by Angela Rosenthal
2006
Archival
496
Cambridge University, Fitzwilliam Museum
1999-2007
Archival
497
Camden Town Group, by Wendy Baron and Malcolm Cormack
1980
Archival
498
Dodgson, Campbell, 1867–1948
Campbell Dodgson letter to Evelyn Hunt
1937 November 28
Archival
499
Canaletto in England: A Venetian Artist Abroad, Edited by Charles Beddington
2006
Archival
500
Canaletto to Constable: Paintings of Town and Country from the Yale Center for British Art, Intro by Cynthia E. Roman