A Procession of the Damned: Study for Dante's "Inferno"
1780s
On view at YUAG
2
George Stubbs, 1724–1806
Tygers at Play
1780
3
Joseph Mallord William Turner, 1775–1851
Fisherman's Cottage, Dover
ca. 1790s
4
Willey Reveley, 1760–1799
Views in the Levant: Paestum
ca. 1785
5
Attributed to Willey Reveley, 1760–1799
Views in the Levant: Malta
ca. 1785
6
Willey Reveley, 1760–1799
Views in the Levant: View of the domes and spires of Hagia Sophia, Istanbul
ca. 1785
7
Paul Sandby, 1731–1809
Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands
ca. 1785
8
Paul Sandby, 1731–1809
Views in the Levant: The Sacred Cave of Archidamus
ca. 1785
9
Willey Reveley, 1760–1799
Views in the Levant: Temple Ruins at Paestum
ca. 1785
10
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
11
Thomas Rowlandson, 1756–1827
Bucks of the First Head
ca. 1785
12
James Caldwall, 1739–1819
Fete Champetre, 9 June 1774 (Inside of the Supper-Room)
1780
13
Print made by James Caldwall, 1739–1819
Inside view of the Supper-room & part of the Ball-room in a Pavilion erected for a Fete Champetre in the Garden of the Earl of Derby
1780
14
unknown artist
Ecclesiastical, and, Political, State of the Nation
1780
15
Joseph Zucchi, 1730–1790
The Muse Erato
1780
16
Charles Reuben Ryley, 1752–1798
Bacchanalian with Maiden
1780
17
Charles Reuben Ryley, 1752–1798
Putti Dancing to the Pipe and Tambourine
1780
18
Charles Reuben Ryley, 1752–1798
Monster with Maiden
1780
19
Robert Blyth, 1750–1784
Fisherman
1780
20
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
21
Robert Blyth, 1750–1784
Rustick Dance
1780
22
Robert Blyth, 1750–1784
Portraits of James Smithson, Marshall of the King's Bench 1422 and his wife Alice Whitworth (Laid down on the same sheet as B1977.14.12074)
1780
23
Robert Blyth, 1750–1784
Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
1780
24
Robert Blyth, 1750–1784
Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
1780
25
Print made by Robert Blyth, 1750–1784
Belisarius
1780
26
Print made by Robert Blyth, 1750–1784
Belisarius
1780
27
Joseph Haynes, 1760–1829
Saint Paul Preaching to the Britons
1780
28
Charles Reuben Ryley, 1752–1798
Two Women at Toilette
1780
29
Robert Blyth, 1750–1784
Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968)
1780
30
Robert Blyth, 1750–1784
Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)
1780
31
Joseph Haynes, 1760–1829
Banditti
1780
32
John Raphael Smith, 1752–1812
Lady Beauchamp
1780
33
Johann Jacobé, 1733–1797
Edward Chamberlayne
1780
34
Valentine Green, 1739–1813
Anne Townshend, Marchioness Townshend
1780
35
William Doughty, 1757–1782
The Sleeping Child
1780
36
Thomas Watson, 1743–1781
Lucy Hardinge (née Long)
1780
37
Valentine Green, 1739–1813
Sir Joshua Reynolds
1780
38
Valentine Green, 1739–1813
Mary Isabella, Duchess of Rutland
1780
39
James Fittler, 1758–1835
View of the Encampment in the Museum Gardens, August 1780
1780
40
Francis Chesham, 1749–1806
View of the Encampment in Hyde Park, from Marshal Sac's Tent
1780
41
Daniel Lerpiniere, c.1745–1785
A North View of the Cities of London and Westminster, with part of Highgate taken from Hampstead Heath, near the Spaniards
1780
42
unknown artist
The Old Boat Public House, Cromer Street, Judd Street
1780
43
unknown artist
The Three Hats Public-house and other Old House, Islington
1780
44
William Watts, 1752–1851
Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One)
1780
45
Adam Callander, active 1780–1811
High Cliff Castle (Hants)
undated
46
Charles Reuben Ryley, 1752–1798
Soldier with A Pike
1780
47
John Raphael Smith, 1752–1812
The Fruit Barrow
1780
48
J. Carwitham, active 1720–1740
A South-East View of the City of Boston in North America
undated
49
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
50
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
51
unknown artist
The Burning and Plundering of Newgate and Setting the Felons at Liberty by the Mob
1780
52
Henry Roberts, ca. 1710–1790
An Exact Representation of the Burning, Plundering, and Destruction of Newgate by the Rioters
1780
53
John Raphael Smith, 1752–1812
The Fruit Barrow
1780
54
Joseph Haynes, 1760–1829
Six Banditti with Dog (no.1 of 10)
1780
55
Joseph Haynes, 1760–1829
Bandit with old man and young woman (no.2 of 10)
1780
56
Joseph Haynes, 1760–1829
Woman warding off Monster (no.4 of 10)
1780
57
Joseph Haynes, 1760–1829
Banditti and Women (no.6 of 10)
1780
58
Joseph Haynes, 1760–1829
Banditti at market (no.2 of 10)
1780
59
Joseph Haynes, 1760–1829
Banditti (no.7 of 10)
1780
60
Print made by Agostino Brunias, 1728–1796
Free Natives of Dominica
1780
61
Thomas Bowles III, ca. 1712–1767
A Perspective View of the Town and Fortifications of Malta
between 1780 and 1815
62
Print made by unknown artist
A View of Rotterdam, and the River Maese with Variety of Shipping
between 1780 and 1815
63
Print made by Thomas Bowles III, ca. 1712–1767
A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
between 1780 and 1815
64
Print made by Thomas Bowles III, ca. 1712–1767
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
65
Print made by John Couse, active 1753–1764
The City of Lisbon as before the dreadful Earthquake of November 1st 1755;..
between 1780 and 1815
66
Print made by Thomas Bowles III, ca. 1712–1767
A Perspective View of Venice
between 1780 and 1815
67
unknown artist
A View of the Palace of Triano towards the Flower Garden
between 1780 and 1815
68
Print made by Remi Parr, 1743–after 1750
A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
between 1780 and 1815
69
Print made by Thomas Bowles III, ca. 1712–1767
A View of Little St. Mark's Place at Venice to the Sea
between 1780 and 1815
70
Print made by Francis Patton, active 1740–1770
The City of Dresden
between 1780 and 1815
71
Print made by Nathaniel Parr, active 1742–1751
A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
between 1780-1815
72
unknown artist
A View of the Ruins of the Temple of Jupiter Olympius at Athens
between 1780 and 1815
73
Print made by Nathaniel Parr, active 1742–1751
The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
between 1780-1815
74
Print made by unknown artist
The Remains of the Great Temple in Palmira seen from the West. ..
between 1780 and 1815
75
Print made by unknown artist
The Entrance into the Temple of the Sun in Palmira from the East
between 1780 and 1815
76
John Hamilton Mortimer, 1740–1779
Sleeping Monsters
1780
77
Print made by Francesco Bartolozzi, 1728–1815
Medallions of F. Hutcheson and L. Natter
1780
78
Print made by Thomas Bowles III, ca. 1712–1767
A View of Amsterdam on each side the Old Rampart as seen from the Harbor
between 1780 and 1815
79
Print made by unknown artist
A View of the City of Oporto
between 1780 and 1815
80
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
81
Print made by Francesco Bartolozzi, 1728–1815
Angelica Kauffman
1780
82
Joseph Haynes, 1760–1829
Two Women and a Man (no.9 of 10)
1780
83
John Hamilton Mortimer, 1740–1779
Revengeful Monsters
1780
84
Joseph Haynes, 1760–1829
Winged Monster (no.10 of 10)
1780
85
Francesco Bartolozzi, 1728–1815
Cupid's Manufactory
ca.1785
86
Print made by Francesco Bartolozzi, 1728–1815
Paris and Oenone
1780
87
Print made by Francesco Bartolozzi, 1728–1815
Sir Henry Clinton
1780
88
Print made by Francesco Bartolozzi, 1728–1815
Sir Henry Clinton
1780
89
Print made by Francesco Bartolozzi, 1728–1815
Sir Henry Clinton
1780
90
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
91
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
92
James Gillray, 1756–1815
John Bull Triumphant
1780
93
James Gillray, 1756–1815
The Triumphant Britons
1780
94
James Gillray, 1756–1815
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
95
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
96
Thomas Rowlandson, 1756–1827
Nap in the Country - Nap in Town
ca. 1785
97
Attributed to Willey Reveley, 1760–1799
Views in the Levant: View From a Hillside Over Looking a Seaside Village in Turkey
ca. 1785
98
Willey Reveley, 1760–1799
Views in the Levant: A Ruined Byzantine Church
ca. 1785
99
Workshop of Willey Reveley, 1760–1799
Views in the Levant: Place of Worship with Three Bell Towers with Crosses
ca. 1785
100
Willey Reveley, 1760–1799
Views in the Levant: View of a Harbour and Town From the Sea, Turkey