A Plan of Grove Hill, Camberwell, Surrey, Belonging to J.C. Letteome, M.D
1817
14
unknown artist
North West View of the Ancient Structure of Merchant-Taylors Hall and the Alms-Houses Adjoining in Threadneedle Street
1817
15
Print made by George Cruikshank, 1792–1878
Specimens of Waltzing
1817
16
Charles Turner, 1774–1857
Sir Isaac Heard
1817
17
Thomas Shotter Boys, 1803–1874
The Footbridge
undated
18
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
19
Capt. Thomas Hastings, 1778–1854
Near Gravesend from the High Road
1817
20
Joseph Constantine Stadler, active 1780–1812
A South View of the New Customs House
1817
21
William Woolnoth, active 1806–1830
View in Edward the Confessor's Chapel
1817
22
William Wise, Active 1823–1876
The Crypt of the Nunnery of St. Helen
1817
23
William Wise, Active 1823–1876
The Crypt of the Ancient Nunnery of St. Helen
1817
24
Bartholomew Howlett, 1767–1827
Southwest View of te Interior of the Church of St. Helen
1817
25
unknown artist
Plan of the Nunnery and Church of St. Helen
1817
26
John Greig, active 1803–1853
Funsbury Square
1817
27
William Wallis, 1794– active 1830
The London Institution
1817
28
Dean Wolstenholme, 1798–1882
[Racing] Set of Four: The High Mettled Racer
1817
29
Dean Wolstenholme, 1798–1882
[Racing] Set of four: The High Mettled Racer
1817
30
Dean Wolstenholme, 1798–1882
[Racing] Set of Four: The High Mettled Racer
1817
31
Richard Parkes Bonington, 1802–1828
A Seascape
undated
32
Richard Parkes Bonington, 1802–1828
A Wooded Stream and a Farmhouse in Normandy
undated
33
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
34
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
35
Richard Parkes Bonington, 1802–1828
Study of a Seated Woman
undated
36
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
37
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
38
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
39
Thomas Shotter Boys, 1803–1874
Queen Anne Boleyn's Room, Windsor Castle
undated
40
Thomas Shotter Boys, 1803–1874
A Christening
undated
41
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
42
John Thomas Smith, 1766–1833
The Smock Exposed
1817
43
John Thomas Smith, 1766–1833
The Reconcilation
1817
44
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
45
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
46
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
47
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
48
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
49
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
50
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
51
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
52
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
53
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
54
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
55
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
56
S. Springsguth, active 1816–1819
The Opening of Waterloo Bridge
1817
57
unknown artist
His Royal Highness The Prince Regent and Duke of Wellington and a First Visit to Waterloo Bridge
1817
58
Robert Havell, 1769–1832
Shooting: Set of six with title-page and printed wrapper: Sporting Miseries, or Six Red Letter Days in the country
1817
59
Henry Thomas Alken, 1785–1851
[Hunting Discoveries] ... Discover when half over the next field ..
1817
60
Henry Thomas Alken, 1785–1851
[Hunting Discoveries] ... Discover that your girts are broken ..
1817
61
Henry Thomas Alken, 1785–1851
[Hunting Discoveries] ... Discover the whole face of the country ..
1817
62
Henry Thomas Alken, 1785–1851
Easter Monday [Stag Hunting]: A View near Windsor
1817
63
Henry Thomas Alken, 1785–1851
[Hunting Discoveries] ... Discover if you intend to do the thing well ..
1817
64
Henry Thomas Alken, 1785–1851
[Hunting Discoveries] ... Discover that the only means you can adopt ..
1817
65
Henry Thomas Alken, 1785–1851
Easter Monday [Stag Hunting]: A View near Epping
1817
66
Henry Thomas Alken, 1785–1851
[Hunting Discoveries] ... at Length perceive a light which you Discover ..
1817
67
Sir Edwin Henry Landseer, 1802–1873
Sportsman and Two Dogs
undated
68
Attributed to John Frederick Tayler, 1802–1889
Four Hooded Falcons
undated
69
John Frederick Tayler, 1802–1889
Six Foxhounds Resting
undated
70
John Frederick Tayler, 1802–1889
Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
undated
71
James Ward, 1769–1859
Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel
ca. 1822
72
Samuel William Reynolds, 1773–1835
Thomas Girtin
1817
73
Sir Edwin Henry Landseer, 1802–1873
Huntsman with Hounds
undated
74
John Frederick Tayler, 1802–1889
Study of a Startled Horse
undated
75
possibly John Frederick Tayler, 1802–1889
Hunting Scene: The Meet
undated
76
style of Sir Edwin Henry Landseer, 1802–1873
A Dappled Horse in a Stable
undated
77
Sir Edwin Henry Landseer, 1802–1873
A Herd of Deer Grazing in a Park
undated
78
John Frederick Tayler, 1802–1889
A Ploughboy Riding One of a Pair of Draught-horses Up a Hill
undated
79
Richard Parkes Bonington, 1802–1828
Ile de la Cite
undated
80
Print made by Joseph Stannard, 1797–1830
The Footbridge
ca.1822
81
Robert Havell, 1769–1832
The Method of Catching Wild Elephants by the Kraal in Island of Ceylon in the East Indies
1817
82
Robert Havell, 1769–1832
London. Waterloo Bridge, part of Somerset House
1817
83
Robert Pollard, 1755–1838
A Portrait of the East Indiaman built at Mr. Bayley's Ship Yard, Ipswich, Launched Aug. 1817
1817
84
Joseph Constantine Stadler, active 1780–1812
A South View of Somerset House from Waterloo Bridge
1817
85
unknown artist
Plan of the Ancient Inn, Situated in Tooley Street, Southwark
1817
86
unknown artist
North View of the Oratory of the Antient Inn
1817
87
James Fittler, 1758–1835
Benjamin West, P.R.A
1817
88
John Buckler FSA, 1770–1851
South West View of Rushton Hall, Northamptonshire; the Seat of the Honourable Mrs. Cockayne
1817
89
John Buckler FSA, 1770–1851
Interior View of the Hall at Rushton
1817
90
John Buckler FSA, 1770–1851
North Front of Belton house Lincolnshire
1817
91
John Buckler FSA, 1770–1851
Flower Garden at Belton, Lincolnshire
1817
92
John Buckler FSA, 1770–1851
The Gallery at Newby Hall; the Seat of the Right Hon'ble Lord Grantham
1817
93
Thomas Sutherland, ca. 1785–1838
Carlton House
1817
94
William Bernard Cooke, 1778–1855
Richmond Hill
1817
95
unknown artist
[Ticket for Box at the] Aquatic Theatre, Sadler's Wells, 1817
1817
96
Samuel Rawle, 1771–1860
Colonnade of the Opera House and Waterloo Place
1817
97
James Stow, ca. 1770–after 1820
The Proscenium of the English Opera House in the Strand
1817
98
Thomas Sutherland, ca. 1785–1838
Improvements opposite Carlton House (Showing the view up Regent Street)