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Credit Line Yale Center for British Art, Paul Mellon Collection

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George Romney Study of a Clouded Moonlit Sky
George Romney, 1734–1802
Study of a Clouded Moonlit Sky
undated
On view at YUAG
Francis Danby The Ferry
Francis Danby, 1793–1861
The Ferry
ca. 1840
Francis Danby Hope near Bergen
Francis Danby, 1793–1861
Hope near Bergen
ca. 1840
Robert Polhill Bevan Under the Hammer
Robert Polhill Bevan, 1865–1925
Under the Hammer
between 1912 and 1913
Samuel Palmer Harvest under a Crescent Moon
Print made by Samuel Palmer, 1805–1881
Harvest under a Crescent Moon
ca. 1826
Samuel Palmer Timber Wagon Crossing a Stream
Samuel Palmer, 1805–1881
Timber Wagon Crossing a Stream
undated
Samuel Palmer A Page from a Cornish Sketchbook: Cornwall 32
Samuel Palmer, 1805–1881
A Page from a Cornish Sketchbook: Cornwall 32
undated
Samuel Palmer A Page from a Cornish Sketchbook: Cornwall 30
Samuel Palmer, 1805–1881
A Page from a Cornish Sketchbook: Cornwall 30
undated
Samuel Palmer Opening the Fold: Early Morning
Samuel Palmer, 1805–1881
Opening the Fold: Early Morning
ca. 1880
Samuel Palmer Evening, Cattle Watering
Samuel Palmer, 1805–1881
Evening, Cattle Watering
undated
Samuel Palmer A Shepherd and his Flock under the Moon and Stars
Samuel Palmer, 1805–1881
A Shepherd and his Flock under the Moon and Stars
ca. 1827
John Constable Brighton Beach Looking West
John Constable, 1776–1837
Brighton Beach Looking West
undated
John Constable Mr. Hobson of Markfield and Family
John Constable, 1776–1837
Mr. Hobson of Markfield and Family
ca. 1806
John Constable Landscape with Windmill
attributed to John Constable, 1776–1837
Landscape with Windmill
between 1825 and 1830
William Hogarth Study for the Foundlings
William Hogarth, 1697–1764
Study for the Foundlings
ca. 1739
Joseph Mallord William Turner View of Ely Cathedral
Joseph Mallord William Turner, 1775–1851
View of Ely Cathedral
ca. 1796
Joseph Mallord William Turner A Three Storied Georgian House in a Park
Joseph Mallord William Turner, 1775–1851
A Three Storied Georgian House in a Park
ca. 1795
Joseph Mallord William Turner Steeton Manor House, Near Farnley
Joseph Mallord William Turner, 1775–1851
Steeton Manor House, Near Farnley
between 1815 and 1818
William Blake The Angel (Plate 40)
Print made by William Blake, 1757–1827
The Angel (Plate 40)
1794
William Blake The Divine Image (Plate 24)
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
William Blake The Little Girl Found (Plate 22)
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 22)
1789
William Blake Night (Plate 30)
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
William Blake Infant Joy (Plate 28)
Print made by William Blake, 1757–1827
Infant Joy (Plate 28)
1789
William Blake A Cradle Song (Plate 26)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
William Blake Songs of Experience, Frontispiece (Plate 32)
Print made by William Blake, 1757–1827
Songs of Experience, Frontispiece (Plate 32)
1794
William Blake Nurses Song (Plate 37)
Print made by William Blake, 1757–1827
Nurses Song (Plate 37)
1794
William Blake London (Plate 39)
Print made by William Blake, 1757–1827
London (Plate 39)
1794
William Blake Holy Thursday (Plate 38)
Print made by William Blake, 1757–1827
Holy Thursday (Plate 38)
1794
William Blake The Clod & the Pebble (Plate 36)
Print made by William Blake, 1757–1827
The Clod & the Pebble (Plate 36)
1794
William Blake A Poison Tree (Plate 41)
Print made by William Blake, 1757–1827
A Poison Tree (Plate 41)
1794
William Blake The Tyger (Plate 42)
Print made by William Blake, 1757–1827
The Tyger (Plate 42)
1794
William Blake The Chimney Sweeper (Plate 45)
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 45)
1794
William Blake The Human Abstract (Plate 46)
Print made by William Blake, 1757–1827
The Human Abstract (Plate 46)
1794
William Blake My Pretty Rose Tree (Plate 47)
Print made by William Blake, 1757–1827
My Pretty Rose Tree (Plate 47)
1794
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake Introduction (Plate 3)
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
William Blake The Shepherd (Plate 4)
Print made by William Blake, 1757–1827
The Shepherd (Plate 4)
1789
William Blake The Ecchoing Green (Plate 8)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
William Blake The Chimney Sweeper (Plate 10)
Print made by William Blake, 1757–1827
The Chimney Sweeper (Plate 10)
1789
William Blake The Little Black Boy (Plate 6)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
William Blake Laughing Song (Plate 14)
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
William Blake Spring (Plate 12)
Print made by William Blake, 1757–1827
Spring (Plate 12)
1789
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake The Little Girl Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake A Little Boy Lost (Plate 43)
Print made by William Blake, 1757–1827
A Little Boy Lost (Plate 43)
1794
William Blake "He meets his Saviour in the Grave..." (Plate 20)
Print made by William Blake, 1757–1827
"He meets his Saviour in the Grave..." (Plate 20)
1826
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake The Ecchoing Green (Plate 10)
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 10)
1789
William Blake The Divine Image (Plate 12)
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
William Blake Infant Joy (Plate 14)
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
William Blake Night (Plate 16)
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
William Blake A Cradle Song (Plate 18)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
William Blake Nurse's Song (Plate 22)
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
William Blake On Anothers Sorrow (Plate 24)
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
William Blake Spring (Plate 26)
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
William Blake Laughing Song (Plate 28)
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
William Blake A Dream (Plate 4)
Print made by William Blake, 1757–1827
A Dream (Plate 4)
1789
William Blake The Little Girl Found (Plate 6)
Print made by William Blake, 1757–1827
The Little Girl Found (Plate 6)
1789
William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
William Blake Illustrations of Eclogue I, Introductory, The Giant Polypheme
Print made by William Blake, 1757–1827
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
William Blake The Little Black Boy (Plate 30)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
Robert Smirke Allegorical Scene
Robert Smirke, 1752–1845
Allegorical Scene
undated
Richard Ansdell Sleepest or Wakest Thou?
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
Robert Smirke Figure Study of a Bacchanalia Celebration in a Wooded Landscape
Robert Smirke, 1752–1845
Figure Study of a Bacchanalia Celebration in a Wooded Landscape
undated
Robert Smirke Study for a Relief with Romanesque Figures
Robert Smirke, 1752–1845
Study for a Relief with Romanesque Figures
undated
Robert Smirke Study of a Chair
Robert Smirke, 1752–1845
Study of a Chair
undated
Robert Smirke Diana, Goddess of the Hunt, with Satyrs, sleeping Cupid and a Pegasus in a Wooded Landscape
Robert Smirke, 1752–1845
Diana, Goddess of the Hunt, with Satyrs, sleeping Cupid and a Pegasus in a Wooded Landscape
undated
Robert Smirke His Majesty George IVth
Robert Smirke, 1752–1845
His Majesty George IVth
James Charles Armytage Eastnor Castle
Print made by James Charles Armytage, 1802–1897
Eastnor Castle
ca. 1835
Robert Smirke Untitled: The Persian and the Slave Merchants
Robert Smirke, 1752–1845
Untitled: The Persian and the Slave Merchants
Robert Smirke Taming of the Shrew
Robert Smirke, 1752–1845
Taming of the Shrew
1821
Robert Smirke The Gem for 1830
Robert Smirke, 1752–1845
The Gem for 1830
Henry Swinburne Near Terracina
Henry Swinburne, 1743–1803
Near Terracina
1777 to 1778
Henry Swinburne Castle of Sax
Henry Swinburne, 1743–1803
Castle of Sax
1775 to 1776
Henry Swinburne Vue de la Colline Entre le Tonnelles & Lar Prês de Spa
Henry Swinburne, 1743–1803
Vue de la Colline Entre le Tonnelles & Lar Prês de Spa
undated
Henry Swinburne The Malvern HIlls from the Field near Cheltenham
Henry Swinburne, 1743–1803
The Malvern HIlls from the Field near Cheltenham
undated
Henry Swinburne Near La Rocca
Henry Swinburne, 1743–1803
Near La Rocca
1777 to 1778
Henry Swinburne Landscape, With Windmills, and a Town in the Horizon
Henry Swinburne, 1743–1803
Landscape, With Windmills, and a Town in the Horizon
undated
Henry Swinburne Sketch of a Villiage Set in in Hilly Landscape
Henry Swinburne, 1743–1803
Sketch of a Villiage Set in in Hilly Landscape
undated
Henry Swinburne Brindisi from the HIll South of the New Channel
Henry Swinburne, 1743–1803
Brindisi from the HIll South of the New Channel
1777 to 1780
Henry Swinburne Gressenberg
Henry Swinburne, 1743–1803
Gressenberg
1779
Henry Swinburne Brindisi, Seen From the Bridge on the Via Traiana
Henry Swinburne, 1743–1803
Brindisi, Seen From the Bridge on the Via Traiana
1777 to 1778
Henry Swinburne Lormont Point, France
Henry Swinburne, 1743–1803
Lormont Point, France
undated
Henry Swinburne Villeneuve-les-Avignon, France
Henry Swinburne, 1743–1803
Villeneuve-les-Avignon, France
undated
Henry Swinburne Distant, Panoramic View, of a City and its Surrounding Coast
Henry Swinburne, 1743–1803
Distant, Panoramic View, of a City and its Surrounding Coast
undated
Henry Swinburne View of the Cascine Near Florence
Henry Swinburne, 1743–1803
View of the Cascine Near Florence
1787
Henry Swinburne One of Four Sketches, of Ceilings, in the Vatican Gallery
Henry Swinburne, 1743–1803
One of Four Sketches, of Ceilings, in the Vatican Gallery
1777 to 1778
Henry Swinburne One of Four Sketches, of Ceilings, in the Vatican Gallery
Henry Swinburne, 1743–1803
One of Four Sketches, of Ceilings, in the Vatican Gallery
1777 to 1778
Henry Swinburne Aix la Chapelle
Henry Swinburne, 1743–1803
Aix la Chapelle
undated
Henry Swinburne Skids
Henry Swinburne, 1743–1803
Skids
undated
Samuel Freeman Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and Marine Draftsman to his R. H. The Duke of Clarence
Print made by Samuel Freeman, 1773–1857
Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and Marine Draftsman to his R. H. The Duke of Clarence
1810
John Sell Cotman Tan-y-Bwlch, Merionethshire, North Wales
Print made by John Sell Cotman, 1782–1842
Tan-y-Bwlch, Merionethshire, North Wales
between 1810 and 1817
Thomas Creswick Moonlight
Print made by Thomas Creswick, 1811–1869
Moonlight
1839
Thomas Creswick The Blacksmith's Shop
Print made by Thomas Creswick, 1811–1869
The Blacksmith's Shop
1838
Thomas Goff Lupton The Eddystone Lighthouse (The Small Plate)
Print made by Thomas Goff Lupton, 1791–1873
The Eddystone Lighthouse (The Small Plate)
1829 to 1834
Thomas Goff Lupton Sun-Rise, Whiting Fishing at Margate
Print made by Thomas Goff Lupton, 1791–1873
Sun-Rise, Whiting Fishing at Margate
1829 to 1834
Philippe-Jacques de Loutherbourg Noon
Print made by Philippe-Jacques de Loutherbourg, 1740–1812
Noon
1764
James Sowerby A Dog's Head
James Sowerby, 1756–1822
A Dog's Head
undated
James Sowerby A Bird's Egg
James Sowerby, 1756–1822
A Bird's Egg
undated