Fowl Skeleton, Lateral View (Finished Study for Table V)
between 1795 and 1806
2
George Stubbs, 1724–1806
Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)
Between 1795 and 1806
3
Print made by David Lucas, 1802–1881
Salisbury Cathedral
1837
4
Robert Pollard, 1755–1838
Vaux-Hall
1785
5
Victor Marie Picot, 1744–1805
A Pastoral Scene with Cow
1777
6
James Wyatt, 1746–1813
Design for Little Frogmore: Elevation
1791
7
Marie C. Prestel, 1747–1794
A Country Churchyard. Verse from Gray's Elegy
1790
8
Anker Smith, 1759–1819
Field Marshal the Duke of Wellington, K.G.&c.&c. Giving Orders to His Generals Previous to a General Action
1822
9
William Ward, 1766–1826
Daughters of Sir Thomas Frankland
1797
10
John Rubens Smith, 1775–1849
Breaking the Ice
1798
11
John Raphael Smith, 1752–1812
Cottage Family
1803
12
John Raphael Smith, 1752–1812
Shepherd's Meal
1803
13
John Martin, 1789–1854
The Destroying Angel
1836
14
John Martin, 1789–1854
The Crucifixion
1834
15
Print made by Samuel William Reynolds, 1773–1835
Death of Captain Alexander Hood
1798
16
Print made by Edward Goodall, 1795–1870
Caligula's Palace and Bridge, Bay of Baiæ
1842
17
Print made by William Miller, 1796–1882
Modern Italy
1842
18
Print made by William Miller, 1796–1882
Modern Italy
1842
19
Print made by William Miller, 1796–1882
Venice, the Piazzetta
1853-1874
20
Print made by John Samuel Agar, ca. 1773–1858
Anne (née Bermingham) Caulfield, Countess of Charlemont
1812
21
Print made by James C. Allen, active 1821–1831
Harborough Sands
ca. 1830
22
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Artemis at Ephesus
ca. 1750
23
Giovanni Battista Borra, 1713–1770
Sepolcro di Zagaria
ca. 1750
24
Giovanni Battista Borra, 1713–1770
Upper Image: Sepolcri Dei Re Di Giuda; Lower Image: Villagio di S. Giovanni in Giudea
ca. 1750
25
Giovanni Battista Borra, 1713–1770
Plan of Jerusalem
ca. 1750
26
James Hakewill, 1778–1843
Mill Yard, Holland Estate, St. Thomas in the East
between 1820 and 1821
27
James Hakewill, 1778–1843
Holland Estate, St. Thomas in the East, View from the Change of Air House
between 1820 and 1821
28
James Hakewill, 1778–1843
Holland Estate, St. Thomas in the East, Jamaica
between 1820 and 1821
29
John Faber the Younger, ca. 1695–1756
Her Grace the duchess of Marlborough
30
Print made by Paul van Somer II, ca. 1649–1714
Louise, Duchess of Portsmouth
ca. 1680
31
Print made by Andreas van der Myn, born 1714
Miss Anna Maria Falkner
between 1750 and 1768
32
Print made by unknown artist
The Lady Essex Finch
between 1681 and 1685
33
Richard Purcell, active 1746–1766
Lady Fenoulhet (Miss Day)
34
James McArdell, ca. 1729–1765
The Honourable Susanna Fitzpatrick
35
John Faber the Younger, ca. 1695–1756
Mrs. Faber
36
James Watson, 1740–1790
Miss Fordyce
37
Print made by Charles Turner, 1774–1857
Two Durham Oxen
1828
38
John Jones, ca. 1745–1797
The Father of the Turf. Tregonwell Frampton, Esquire of Moreton in Dorsetshire - Keeper of Running Horses at Newmarket, to their Majesties William the Third, Queen Anne, George the First & George the Second. ..
1791
39
George Townly Stubbs, 1748–1815
Warren Hastings on his Arabian Horse
ca. 1796
40
James Wyatt, 1746–1813
Hinton St. George, Somerset: Plan of Staircase
1804
41
James Hakewill, 1778–1843
Llanrumny Estate, St. Mary's, Jamaica
between 1820 and 1821
42
James Hakewill, 1778–1843
Lyssons Estate, St. Thomas in the East, Jamaica
between 1820 and 1821
43
Francis Jukes, 1747–1812
View of the Forth, Including the Queen's Ferry
1792
44
John Jones, ca. 1745–1797
Beatrice, Hero and Ursula
ca. 1771
45
Charles Hunt, 1803–1877
[Racing] The British Stud: Pl. 5. (lower left) "Rebecca" / Bred by R. Cock, Esqr. in 1831 ... ; (lower right) "Muley Moloch" / Bred by the Duke of Cleveland, in 1830 ..
1845
46
Print made by S. W. Fores, 1761–1838
Hog Hunting: The Find
ca. 1840
47
Charles Robert Cockerell, 1788–1863
Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)
1816
48
Print made by Theodore Henry Adolphus Fielding, 1781–1851
The Enterprize Steam Vessel, passing through Madras Roads
1825
49
William Nutter, 1754–1802
The Benevolent Cottager
1788
50
William Nutter, 1754–1802
The Benevolent Cottager
1788
51
Print made by William Ward, 1766–1826
The Disaster
1789
52
George Denholm Armour, 1864–1949
Some Have Greatness Thrust Upon Them
undated
53
Print made by William Woollett, 1735–1785
Solitude
1778
54
Hablot Knight Browne, 1815–1882
I am not learned in Vaccine Matters - but I think those look like Charley's Calves
Undated
55
Print made by William Henry Simmons, 1811–1882
The Departure (Second Class)
1857
56
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical Plan of his Majesty's Dockyard, Deptford
1755
57
Print made by James Watson, 1740–1790
Rt. Hon. John Manners, Marquess of Granby, and a Servant
undated
58
John Raphael Smith, 1752–1812
Edward Jenner, M.D. F.R.S. & c
1801
59
William Ward, 1766–1826
The Widow's Tale
1789
60
William Ward, 1766–1826
The Widow's Tale
1789
61
John Burnet, 1784–1868
Chelsea Pensioners
1831
62
Abraham Raimbach, 1784–1868
Distraining for Rent
1828
63
John Burnet, 1784–1868
Chelsea Pensioners
1831
64
James Mitchell, 1791–1852
Rat Hunters
1830
65
Abraham Raimbach, 1784–1868
The Spanish Mother
1836
66
Robert Thew, 1758–1802
Shakespeare's Tempest Act IV Scene I. Prospero's Cell
1800
67
unknown artist
Design after a Greek Vase
undated
68
unknown artist
Design after a Greek Vase
undated
69
unknown artist
Design after a Greek Vase
undated
70
unknown artist
Design after a Greek Vase
undated
71
unknown artist
Design after a Greek Vase
undated
72
unknown artist
Design after a Greek Vase
undated
73
unknown artist
Design after a Greek Vase
undated
74
unknown artist
Design after a Greek Vase
undated
75
James Wyatt, 1746–1813
Cobham Hall, Kent: Chamber Floor Plan of the Stables
1789
76
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of the chamber story of part of the offices
1798
77
James Bruce, 1730–1794
No. 3 sketch of temple remains at Baalbec
undated
78
James Bruce, 1730–1794
No. 5 sketch of Temple remains at Baalbec or Palmyra
undated
79
James Bruce, 1730–1794
No. 6 Drawing of Ornamental detail of the entablature and capital of temple remains at Baalbec or Palmyra
undated
80
James Bruce, 1730–1794
No. 8 Sketch of Temple remains at Baalbec or Palmyra
undated
81
James Bruce, 1730–1794
No. 14 sketch of temple remains at Palmyra or Baalbec
undated
82
James Bruce, 1730–1794
Details of Temple at Sheitla
undated
83
James Bruce, 1730–1794
Measured sketches of arch at Assuras
undated
84
James Bruce, 1730–1794
Temple of Jupiter and Minerva, Thugga
undated
85
James Bruce, 1730–1794
Labiatae (indeterminate species): finished drawing of a leafy shoot, without flowers
ca. 1769
86
James Bruce, 1730–1794
Capitol Thamugas
undated
87
Attributed to Thomas Harrison, 1744–1829
Variant Ceiling Plan for Clifton Castle
ca. 1780-1790
88
Joseph Nash, 1808–1878
The Long Gallery, Haddon Hall, Derbyshire
1839
89
Joseph Nollekens, 1737–1823
Study for the Monument to Naval Captains William Bayne, William Blair and Lord Robert Manner
ca. 1782
90
Peter Paillou the younger, active 1757–1831
A Capuchin
undated
91
James Ward, 1769–1859
Study of a Climbing Plant (Pumpkin Family)
undated
92
James Bruce, 1730–1794
Centre Composite Temple Suttetula Modern Sheitla
undated
93
James Bruce, 1730–1794
Triumphal Arch of Hieron of Temples Sheitla
undated
94
James Bruce, 1730–1794
Entrance Gate Zaghouan
ca. 1768
95
James Bruce, 1730–1794
Slight graphite sketch of ruins of Hieron of Temples at Shietla
undated
96
James Bruce, 1730–1794
Measured drawing of section of pediments of temple Baalbec