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Collection Prints and Drawings

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Subject Terms New Testament

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1. Christ and the Woman of Samaria

Christ and the Woman of Samaria
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Christ Giving Sight to Bartimaeus

Christ Giving Sight to Bartimaeus
Creator:
William Blake, 1757–1827
Date:
1799 to 1800
Materials & Techniques:
Tempera with pen and black ink on canvas
Dimensions:
Sheet: 10 1/4 x 15 inches (26 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Repose in Egypt

Repose in Egypt
Creator:
Print made by James Barry, 1741–1806
Date:
ca. 1776
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 8 1/8 x 10 9/16 inches (20.6 x 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Repose in Egypt

Repose in Egypt
Creator:
Print made by James Barry, 1741–1806
Date:
ca. 1776
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 8 × 10 3/8 inches (20.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Christ's Charge to Peter

Christ's Charge to Peter
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Death of Ananias

The Death of Ananias
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 3/4 x 7 1/16 inches (12 x 18 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Resurrection

The Resurrection
Creator:
John Jones, ca. 1745–1797
Date:
1796
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 7/8 × 19 1/8 inches (65.7 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene

West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene
Creator:
George Siegmund Facius, 1750–1804
Date:
1785
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 26 15/16 × 18 1/8 inches (68.4 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Study of Christ Raising Lazarus

Study of Christ Raising Lazarus
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 5/8 × 5 11/16 inches (9.2 × 14.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Study of the Resurrection of Lazarus

Study of the Resurrection of Lazarus
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 9 5/8 inches (16.5 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Study of the Resurrection of Lazarus

Study of the Resurrection of Lazarus
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 3 5/8 inches (14.3 × 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Study of the Resurrection of Lazarus

Study of the Resurrection of Lazarus
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pan and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 9 5/8 inches (21.3 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Study of the Resurrection of Lazarus

Study of the Resurrection of Lazarus
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 10 9/16 inches (19.4 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Study For, Christ's Entry into Jerusalem

Study For, Christ's Entry into Jerusalem
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
1814 to 1820
Materials & Techniques:
Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 1/2 × 3 1/2 inches (14 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Study of the Crucifixion

Study of the Crucifixion
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Black chalk and white chalk on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 12 1/4 × 10 3/16 inches (31.1 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Death of the Good Old Man

The Death of the Good Old Man
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Good Samaritan

The Good Samaritan
Creator:
Simon François Ravenet, 1706–1774
Date:
1772
Materials & Techniques:
Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 1/4 × 22 1/2 inches (48.9 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Pool of Bethesda

The Pool of Bethesda
Creator:
Simon François Ravenet, 1706–1774
Date:
1772
Materials & Techniques:
Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 3/8 x 22 5/8 inches (49.2 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Adoration

The Adoration
Creator:
Hamlet Winstanley, 1698–1756
Date:
1723
Materials & Techniques:
Gray wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 9 1/4 inches (20.3 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Daughters of Jerusalem Weeping by the Waters of Babylon

The Daughters of Jerusalem Weeping by the Waters of Babylon
Creator:
John Martin, 1789–1854
Date:
1834
Materials & Techniques:
Gray wash and pen and black ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:
Mount: 6 5/16 x 8 inches (16 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Death of Ananias

The Death of Ananias
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The Conversion of Saul

The Conversion of Saul
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Christ Preaching to the Elders in the Temple

Christ Preaching to the Elders in the Temple
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Stoning of Saint Stephen

The Stoning of Saint Stephen
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Release of Saint Peter from Prison

The Release of Saint Peter from Prison
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Baptism of Christ

The Baptism of Christ
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Christ Stilling the Tempest

Christ Stilling the Tempest
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. An Elderly Man Petitioning Christ

An Elderly Man Petitioning Christ
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, pen and brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Christ Healing the Palsied Man

Christ Healing the Palsied Man
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and black ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Feeding the Five Thousand

Feeding the Five Thousand
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, pen and brown ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Christ Healing a Blind Man

Christ Healing a Blind Man
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and black ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Raising of Lazarus

The Raising of Lazarus
Creator:
attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and black ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. The Miraculous Draught of Fishes

The Miraculous Draught of Fishes
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The Pool of Bethesda

The Pool of Bethesda
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The Stoning of St. Stephen

The Stoning of St. Stephen
Creator:
Imitator of John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash and white gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/2 × 20 1/8 inches (31.8 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. The Entombment of Christ

The Entombment of Christ
Creator:
Print made by Jan de Bisschop, 1628–1671
Date:
1671
Materials & Techniques:
Line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 1/4 × 8 1/16 inches (31.1 × 20.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The Death of Ananias

The Death of Ananias
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on cream card with cream card cutout pasted on top
Dimensions:
Mount: 7 15/16 x 9 5/8 inches (20.2 x 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Miraculous Draught of Fishes

The Miraculous Draught of Fishes
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Etching and stipple engraving with aquatint on cream card
Dimensions:
Image: 5 5/16 x 6 3/4 inches (13.5 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. The Conversion of the Proconsul

The Conversion of the Proconsul
Creator:
Print made by George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 11/16 x 7 1/4 inches (14.4 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. The Miraculous Draught of Fishes

The Miraculous Draught of Fishes
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching and stipple engraving with color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 7 3/4 x 8 9/16 inches (19.7 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. The Healing of the Lame Man

The Healing of the Lame Man
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth cream wove paper mounted on contemporary cream card
Dimensions:
Mount: 8 3/8 x 9 15/16 inches (21.2 x 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Healing of the Lame Man

The Healing of the Lame Man
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching and stipple engraving with color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 9/16 x 7 3/16 inches (11.6 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. The Sacrifice at Lystra

The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 6 15/16 x 7 7/8 inches (17.7 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. The Sacrifice at Lystra

The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on beige card
Dimensions:
Image: 4 1/2 x 7 3/16 inches (11.5 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. The Sacrifice at Lystra

The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Etching and stipple engraving with aquatint and red color woodcut on thick, smooth, cream wove paper
Dimensions:
Image: 5 1/4 x 8 1/4 inches (13.4 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. St Paul Preaching in Athens

St Paul Preaching in Athens
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on moderately thick, smooth, beige wove paper
Dimensions:
Image: 5 7/8 x 7 3/8 inches (14.9 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Descent from the Cross

Descent from the Cross
Creator:
Alfred Stevens, 1817–1875
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 8 3/4 inches (13.3 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. St Paul Preaching in Athens

No cover image available
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 7 11/16 x 10 1/8 inches (19.6 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection