Collection: Prints and Drawings / Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: food

1. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/16 x 9 1/16 inches (15.7 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 13/16 x 12 15/16 inches (27.4 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching and drypoint on thick, smooth, cream wove paper
Dimensions:: Sheet: 4 3/4 x 6 5/16 inches (12 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching and drypoint, retouched with white watercolor, gouache or chalk on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 9/16 x 8 1/4 inches (29.3 x 20.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun ca. 1880
Materials & Techniques:: Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 9 5/16 inches (16.8 x 23.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun ca. 1880; impression printed in 1924
Materials & Techniques:: Etching and drypoint, with plate tone on thin, moderately textured, cream laid paper
Dimensions:: Sheet: 6 7/16 x 9 1/2 inches (16.4 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching and drypoint, retouched with graphite on thick, smooth, beige wove paper
Dimensions:: Sheet: 11 13/16 x 8 1/2 inches (30 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. A Midnight Modern Conversation

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 7/8 × 17 7/8 inches (32.7 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Morning of Life

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1860-1861
Materials & Techniques:: Etching, engraving and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 12 5/16 inches (22.6 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. 'O treacherous conscience!' (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Ecchoing Green (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Laughing Song (Plate 28)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. 'Measuring his motions by revolving spheres' (Page 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. 'O treacherous conscience! while she seems to sleep" (Page 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. 'Like that, the dial speaks; and points to thee' (Page 33)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. 'Love, and love only, is the loan for love' (Page 37)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. "Oft did the harvest to their sickle yield..." (Design 109)

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Illustrations of Imitation of Eclogue I, Page 18

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Dinner Given to the Kentish Volunteers (at the Mote, Maidstone)

Creator:: William Alexander, 1767–1816
Date:: ca. 1800
Materials & Techniques:: Aquatint engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. La rue des Prouvaires et l'église saint Eustache, Paris

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1833
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 15/16 x 11 11/16 inches (43 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Barbadoes Mulatto Girl

Creator:: Print made by Agostino Brunias, 1728–1796
Date:: 1779
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 19 9/16 x 12 5/8 inches (49.7 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. John Jehu L'Inghilterra

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1772
Materials & Techniques:: Etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 8 1/4 inches (29.6 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Breakfast at Breteuil

Creator:: unknown artist
Date:: 1801
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/4 × 26 3/8 inches (48.9 × 67 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Margate Hoy

Creator:: Print made by Charles Catton the elder RA, 1728–1798
Date:: 1785
Materials & Techniques:: Etching, aquatint and hand-coloring on moderately thick, slightly textured, gray laid paper
Dimensions:: Sheet: 11 15/16 × 18 inches (30.4 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

Creator:: William Alexander, 1767–1816
Date:: ca. 1799
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 17 5/8 × 24 3/4 inches (44.8 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Actresses Dressing Room at Drury Lane

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1800 and 1810
Materials & Techniques:: Watercolor with pen and red-brown and gray ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 6 inches (18.7 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Rowlandson and Wigstead on Tour

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/16 x 11 7/16 inches (18.6 x 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. A Groom on Horseback, Drinking

Creator:: Samuel Scott, ca. 1702–1772
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 x 4 inches (15.6 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. An Oat Cake

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/8 x 6 1/2 inches (7.9 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Les Plaisirs Paternels

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 13/16 x 5 13/16 inches (19.8 x 14.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Chamber Idyll

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1831
Materials & Techniques:: Wood-engraving on thin, smooth, cream Asian paper
Dimensions:: Sheet: 2 1/8 x 3 7/16 inches (5.4 x 8.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Cyder Feast

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1828
Materials & Techniques:: Wood-engraving on thin, smooth, cream Asian paper
Dimensions:: Sheet: 3 7/16 x 5 1/2 inches (8.8 x 13.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Ploughman

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1827
Materials & Techniques:: Wood-engraving on medium, smooth, cream Asian paper
Dimensions:: Sheet: 3 11/16 x 5 1/2 inches (9.4 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Fete Champetre, 9 June 1774 (Inside of the Supper-Room)

Creator:: James Caldwall, 1739–1819
Date:: 1780
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 1/2 x 22 3/4in. (44.5 x 57.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Dinner Given to the Kentish Volunteers

Creator:: William Alexander, 1767–1816
Materials & Techniques:: Proof, unfinished
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Inside view of the Supper-room & part of the Ball-room in a Pavilion erected for a Fete Champetre in the Garden of the Earl of Derby

Creator:: Print made by James Caldwall, 1739–1819
Date:: 1780
Materials & Techniques:: Etching and line engraving
Dimensions:: Sheet: 16 5/8 x 22 1/4in. (42.2 x 56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Morning

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: undated
Materials & Techniques:: Stipple engraving and etching, hand colored on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 × 10 1/2 inches (33 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Peasant's Repast

Creator:: Christian Josi, ca. 1765–1828
Date:: 1797
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Shepherd's Meal

Creator:: John Raphael Smith, 1752–1812
Date:: 1803
Materials & Techniques:: hand colored mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 11/16 × 17 3/16 inches (55.1 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. City Steam and Boat Company: Dinner to Captains

Creator:: Edwin Jewitt, active 1855
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Scytheman's Refreshment

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/16 x 10 1/4 inches (36.1 x 26.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Balcony

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: between 1835 and 1854
Materials & Techniques:: Etching and line engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 x 13 11/16 inches (50.8 x 34.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Intemperance

Creator:: Print made by Guillaume Sulpice Chevalier, 1804–1866
Date:: undated
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 9/16 x 20 inches (34.4 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Woman Taking Coffee

Creator:: Print made by Louis Marin Bonnet, 1736–1793
Date:: ca. 1774
Materials & Techniques:: Crayon manner, colored, heightened with gold on moderately thick, textured, cream laid paper
Dimensions:: Sheet: 12 1/2 × 9 13/16 inches (31.8 × 25 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Eight Rural Subjects

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 × 11 3/16 inches (31.8 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Last Supper

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: ca. 1854
Materials & Techniques:: Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 5 5/8 × 8 3/4 inches (14.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Licensed Victualler's Annual Dinner, held at the Highbury Barn Tavern

Creator:: unknown artist
Date:: 1836
Materials & Techniques:: Lithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Picnic

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite; verso: graphite on medium, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 x 16 7/16 inches (27.8 x 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. London Cries: "Black Heart Cherries..."

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 x 5 5/8 inches (17.8 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Queen's Breakfast Room, Buckingham House

Creator:: Daniel Havell, 1785–1826
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 11 1/4 x 15in. (28.6 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Double Hairpin Set

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:: Sheet: 6 5/8 × 7 5/16 inches (16.8 × 18.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Melton Breakfast

Creator:: Charles G. Lewis, 1808–1880
Date:: 1839
Materials & Techniques:: Hand colored stipple engraving
Dimensions:: Sheet: 18 1/8 x 28 1/4in. (46 x 71.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/16 × 9 1/16 inches (18.6 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 1/2 inches (10.5 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Breakfast before the Hunt

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1790
Materials & Techniques:: Pen and black and gray ink with brown and blue wash on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 x 8 inches (12.7 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/16 × 10 1/16 inches (35.7 × 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Death of the Great Wolf

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 3/8 × 17 7/16 inches (34 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Plate 2. The Repast

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1813
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 5/8 x 18in. (34.6 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Distribution of His Majesty's Maundy...Chapel Royal at Whitehall

Creator:: James Basire, 1730–1802
Date:: 1777
Materials & Techniques:: engraving
Dimensions:: Sheet: 16 1/2 x 24 1/2in. (41.9 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Distribution of His Majesty's Maundy Ante Chapel at Whitehall

Creator:: James Basire, 1730–1802
Date:: 1789
Materials & Techniques:: engraving
Dimensions:: Sheet: 16 7/8 x 24 5/8in. (42.9 x 62.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/16 x 17 1/2 inches (36 x 44.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Tower Hill

Creator:: Charles Heath, 1785–1848
Date:: 1825
Materials & Techniques:: Etching with chine collé on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 13/16 x 12 1/16 inches (25 x 30.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Miss Hibernia at John Bulls Family Dinner

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1799
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 1/4 x 19 5/8in. (26 x 49.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Marriage A-La-Mode, Plate II: The Breakfast Scene

Creator:: Bernard Baron, 1696–1762
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 17 5/8in. (35.6 x 44.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Calais

Creator:: A. J. Finberg, 1866–1939
Date:: 1924
Materials & Techniques:: Etching and drypoint on moderately thick, textured, blue laid paper
Dimensions:: Sheet: 10 3/16 x 12 1/4 inches (25.9 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Boy Holding an Apple for a Girl with Two Girls Beyond

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 7 1/16 inches (20.9 x 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Antonius Van Dyck Eques and Peter Paul Rubens Eques

Creator:: Print made by Paulus Pontius, 1603–1658
Date:: between 1618 and 1658
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 17 5/8 inches (32.7 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Inside of Westminster Hall, the King, Queen, Nobility and at Dinner

Creator:: unknown artist
Date:: 1821
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Playing the Games of Quadrille

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 1/16 x 12 5/8 inches (23 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. A Illustration of Vauxhall Gardens showing a Dinner Party with the Orchestra in the background

Creator:: unknown artist
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Characters in the Streets of London

Creator:: Benjamin West, 1738–1820
Date:: 1799
Materials & Techniques:: Brown wash with pen and brown ink on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 7/8 x 15 13/16 inches (30.2 x 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Fisherfolk on the Beach, Ostend

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 3 9/16 × 6 1/4 inches (9 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. View of Bath from Spring Gardens

Creator:: Thomas Hearne, 1744–1817
Date:: 1790
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 x 18 1/8 inches (30.8 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Welsh Curate

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Gray wash, pen and gray ink, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Contemporary drawn border: 7 1/4 × 9 7/8 inches (18.4 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Roman Pilgrims

Creator:: John Frederick Lewis, 1804–1876
Date:: 1854
Materials & Techniques:: Watercolor, gouache, gum and graphite on thick, moderately textured, cream wove paper mounted on board
Dimensions:: Sheet: 21 7/8 × 30 1/8 inches (55.6 × 76.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Figures and Animals in a Vineyard

Creator:: John Frederick Lewis, 1804–1876
Date:: ca. 1829
Materials & Techniques:: Watercolor and gouache with gum over graphite, with scratching out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 20 1/2 inches (41.9 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance

Creator:: John Frederick Lewis, 1804–1876
Date:: 1856
Materials & Techniques:: Watercolor, gouache and graphite on slightly textured, beige wove paper mounted on board
Dimensions:: Sheet: 26 1/4 x 53 1/2 inches (66.7 x 135.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. A Dead Hare and a Cooked Lobster on a Bench

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1827
Materials & Techniques:: Watercolor and brown ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 6 1/4 x 10 3/4 inches (15.9 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Plums and Mulberries

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1860
Materials & Techniques:: Watercolor, gouache, and gum over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 3/4 x 9 1/2 inches (19.7 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Apple, Grapes and a Cob-Nut

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1850
Materials & Techniques:: Watercolor and gouache over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 7 3/8 inches (12.7 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Man and Woman Holding Baby, Seated on Bank

Creator:: Benjamin West, 1738–1820
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/16 x 5 3/16 inches (16.4 x 13.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Harvesting - The Noontide Rest

Creator:: Charles Vincent Barber, 1784–1854
Date:: 1811
Materials & Techniques:: Graphite and watercolor on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 22 5/8 x 31 3/4 inches (57.5 x 80.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Figures Seated at a Table Being Served Food, Crockem Wells, Devonshire

Creator:: John Nixon, ca. 1760–1818
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 7 1/8 inches (11.4 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Landing a Catch of Mackerel, Hastings

Creator:: Joshua Cristall, 1768–1847
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 11 1/4 inches (20.3 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Bachelor's Hall

Creator:: Robert Dighton, 1752–1814
Date:: undated
Materials & Techniques:: Watercolor, gouache, pen, brown ink, and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 7/8 inches (34.6 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Giving Notice of Arrival of a Bit of Wine... Naples

Creator:: Isaac Weld, 1774–1856
Date:: 1819
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 14 7/8 inches (25.4 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Wine Tasting

Creator:: Isaac Weld, 1774–1856
Date:: 1819
Materials & Techniques:: Pen and brown ink, graphite, and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 16 7/16 inches (25.7 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Dr. Syntax Made Free of the Cellar

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown and gray ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 8 3/8 inches (13.3 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Grace Before Meat

Creator:: Sir David Wilkie, 1785–1841
Date:: 1839
Materials & Techniques:: Watercolor with brown and red ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 10 1/8 inches (21 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. London Cries: A Girl with a Basket of Oranges

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 6 3/4 inches (18.8 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Benjamin Disraeli, Sketched at a Royal Academy Dinner

Creator:: George Richmond, 1809–1896
Date:: 1876
Materials & Techniques:: Pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 1/2 × 4 5/8 inches (19.1 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Union Club

Creator:: Charles Williams, active 1796–1830
Date:: undated
Materials & Techniques:: Pen and black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 1/4 x 16 7/16 inches (31.1 x 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Club Room

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and gray ink over graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 15/16 x 8 13/16 inches (12.5 x 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Tea Party

Creator:: Marcellus Laroon the Younger, 1679–1772
Date:: ca. 1770
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 17 7/8 × 13 inches (45.4 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Flying Breakfast, or the Contents of a Night Coach

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 11/16 x 12 9/16in. (19.5 x 31.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Collection Prints and Drawings

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms food

Search Results

1. The Homeward Star

2. The Homeward Star

3. The Vine

4. The Vine

5. The Homeward Star

6. The Homeward Star

7. The Vine

8. A Midnight Modern Conversation

9. The Morning of Life

10. 'Like that, the dial speaks; and points to thee' (Page 33)

11. 'O treacherous conscience!' (Page 27)

12. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

13. The Ecchoing Green (Plate 8)

14. Laughing Song (Plate 28)

15. 'Measuring his motions by revolving spheres' (Page 26)

16. 'O treacherous conscience! while she seems to sleep" (Page 27)

17. 'Like that, the dial speaks; and points to thee' (Page 33)

18. 'Love, and love only, is the loan for love' (Page 37)

19. 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

20. "Oft did the harvest to their sickle yield..." (Design 109)

21. Illustrations of Imitation of Eclogue I, Page 18

22. Dinner Given to the Kentish Volunteers (at the Mote, Maidstone)

23. La rue des Prouvaires et l'église saint Eustache, Paris

24. The Barbadoes Mulatto Girl

25. John Jehu L'Inghilterra

26. Breakfast at Breteuil

27. The Margate Hoy

28. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

29. The Actresses Dressing Room at Drury Lane

30. Rowlandson and Wigstead on Tour

31. A Groom on Horseback, Drinking

32. An Oat Cake

33. Les Plaisirs Paternels

34. The Chamber Idyll

35. The Cyder Feast

36. The Ploughman

37. Fete Champetre, 9 June 1774 (Inside of the Supper-Room)

38. Dinner Given to the Kentish Volunteers

39. Inside view of the Supper-room & part of the Ball-room in a Pavilion erected for a Fete Champetre in the Garden of the Earl of Derby

40. Morning

41. The Peasant's Repast

42. Shepherd's Meal

43. City Steam and Boat Company: Dinner to Captains

44. The Scytheman's Refreshment

45. The Balcony

46. Intemperance

47. The Woman Taking Coffee

48. Eight Rural Subjects

49. The Last Supper

50. The Licensed Victualler's Annual Dinner, held at the Highbury Barn Tavern

51. The Picnic

52. London Cries: "Black Heart Cherries..."

53. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

54. The Queen's Breakfast Room, Buckingham House

55. Double Hairpin Set

56. The Melton Breakfast

57. Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome

58. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"

59. Breakfast before the Hunt

60. Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

61. The Death of the Great Wolf

62. Plate 2. The Repast

63. Distribution of His Majesty's Maundy...Chapel Royal at Whitehall

64. Distribution of His Majesty's Maundy Ante Chapel at Whitehall

65. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

66. Tower Hill

67. Miss Hibernia at John Bulls Family Dinner

68. Marriage A-La-Mode, Plate II: The Breakfast Scene

69. Calais

70. Boy Holding an Apple for a Girl with Two Girls Beyond

71. Antonius Van Dyck Eques and Peter Paul Rubens Eques

72. The Inside of Westminster Hall, the King, Queen, Nobility and at Dinner

73. Playing the Games of Quadrille