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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSubject Terms sitting
Remove constraint Subject Terms: sittingSearch Results
1
- Apuleia in Search of Apuleius
- between 1813 and 1823
2
- Tenth Plague of Egypt
- 1816
3
- 'Tis greatly wise to talk with our past hours' (Page 31)
- ca. 1797
4
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
5
- Water (Plate 4)
- 1793
6
- Air (Plate 6)
- 1793
7
- I Have Said to the Worm, Thou Art My Mother & My Sister (Plate 18)
- 1793
8
- Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
- 1794
9
- Does Thy God O Priest Take such Vengeance as This? (Plate 14)
- 1793
10
- The Ecchoing Green (Plate 8)
- 1789
11
- The Chimney Sweeper (Plate 10)
- 1789
12
- Laughing Song (Plate 14)
- 1789
13
- "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
- 1793
14
- III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)
- 1789
15
- Famine (Plate 8)
- 1794
16
- Chapter IV, "From the caverns of his jointed spine..." (Plate 14)
- 1794
17
- "Does thy God O Priest take such vengeance as this?" (Plate 14)
- 1826
18
- "I have said to the Worm: Thou art my mother & my sister" (Plate 18)
- 1826
19
- Water (Plate 4)
- 1826
20
- Air (Plate 6)
- 1826
21
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
22
- The Ecchoing Green (Plate 10)
- 1789
23
- On Anothers Sorrow (Plate 24)
- 1789
24
- Laughing Song (Plate 28)
- 1789
25
- "Became a Space & an Allegory..." (Plate 85)
- 1804 to 1820
26
- 'Tis greatly wise to talk with our past hours' (Page 31)
- 1797
27
- Poems by Mr. Gray; Title Page
- between 1797 and 1798
28
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
29
- III. "From a perception of only 3 senses..." (Plate 5)
- ca. 1788
30
- There Is No Natural Religion; Frontispiece (Plate 1)
- ca. 1788
31
- "Bath who is Legions..." (Plate 41)
- 1804 to 1820
32
- Chapter 3 Frontispiece (Plate 51)
- 1804 to 1820
33
- "Then all the Males conjoined into One Male..." (Plate 69)
- 1804 to 1820
34
- Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
35
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
36
- Epitaph on Mrs. Clarke; Title Page
- between 1797 and 1798
37
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
38
- "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
- between 1797 and 1798
39
- "Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
- between 1797 and 1798
40
- Study for a Destroying Deity
- 1820 to 1825
41
- Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
- 1789-1794
42
- Achilles Wounded
- undated
43
- Statue Hall or the Modern Register Office
- 1769
44
- Repose in Egypt
- ca. 1776
45
- Repose in Egypt
- ca. 1776
46
- View of the Clifton Suspension Bridge
- undated
47
- Landscape with Oak Trees
- ca. 1812
48
- Road Scene, Trowse Hall, near Norwich
- 1813
49
- Wooded Landscape
- ca. 1812
50
- West Tower, Wymondham Church
- 1810
51
- Cottage at Diss
- 1811
52
- The Undergraduate's Room
- undated
53
- Rowlandson and Wigstead on Tour
- undated
54
- Vue Generale de l'Eglise de l'Abbaye de Tournus
- 1825
55
- Prospero Conjuring a Masque for Ferdinand and Miranda
- ca. 1810
56
- Claudio and Isabella
- 1823
57
- Lady Mortimer's Welsh Song
- 1825
58
- Falstaff with Mistress Quickly and Bardolph
- 1825
59
- Hotspur and the Plotters at Bangor
- 1825
60
- Oberon and Puck
- 1825
61
- Launce with his Dog Crab
- ca. 1821
62
- The Death of Ophelia
- ca. 1810
63
- Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'
- after 1850
64
- Set of Needle-Box Prints
- after 1850
65
- Scene Illustration: Milton's 'L'Allegro'
- between 1860 and 1885
66
- Swiss Costumes
- after 1850
67
- Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
- 1789
68
- Madona Col Bambino
- 1791
69
- Laurence Sterne, A.M
- 1760
70
- Mahadji Scindia in his Tent
- undated
71
- Devotee in a Green Turban
- between 1790 and 1796
72
- Man with a Blue Cloth over his Legs
- between 1790 and 1796
73
- Study of a Male Nude
- 1806
74
- Study of a Seated Male Nude
- 1806
75
- The Murder of Duncan - The Sleeping Groom
- between 1809 and 1811
76
- The Bride, Paul and Virginia, the Chalees Satoon, East India
- after 1850
77
- Bacharach
- after 1850
78
- Eight Rural Subjects
- after 1850
79
- Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
- after 1850
80
- Oriental Scenes
- after 1850
81
- Death's Door
- 1808, published 1813
82
- The Picnic
- undated
83
- Man Sitting
- 1811
84
- Portrait of a Girl Sketching
- undated
85
- Landscape with Sheep
- undated
86
- Albanian Scenes
- after 1850
87
- Bacharach and View near Bingen
- after 1850
88
- View near Bingen
- after 1850
89
- Ben Nevis
- after 1850
90
- Double Hairpin Set
- after 1850
91
- William Robertson, D.D
- 1772
92
- Nelly O'Brien (Lady Mary O'Brien)
- 1774
93
- Job's Comforters
- undated
94
- A Dutch Packet in a Rising Breeze
- 1791
95
- A Study of Children
- 1811
96
- Medallions of F. Hutcheson and L. Natter
- 1780
97
- The Baron's Hall
- 1844
98
- Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
- 1791
99
- The Double Deliverance, 1588–1605
- 1621
100
- Clapham Manor-House, Surry
- between 1804 and 1822