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Collection Prints and Drawings

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Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Subject Terms woman

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Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
Samuel Palmer The Homeward Star
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
George Stubbs The Farmer's Wife and the Raven
George Stubbs, 1724–1806
The Farmer's Wife and the Raven
1788
John Constable Mary Constable Reading
John Constable, 1776–1837
Mary Constable Reading
1812
Robert Polhill Bevan The Pink Apron
Robert Polhill Bevan, 1865–1925
The Pink Apron
ca. 1904
William Hogarth Study of a Female Nude
William Hogarth, 1697–1764
Study of a Female Nude
undated
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
etching begun before 1861; impression printed in 1926
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner The Deluge
Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner Tenth Plague of Egypt
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
Joseph Mallord William Turner Procris and Cephalus
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1794
William Blake A Cradle Song (Plate 26)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
William Blake The Little Boy Lost (Plate 16)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake The Descent of Odin, An Ode; Title Page
William Blake, 1757–1827
The Descent of Odin, An Ode; Title Page
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake "Hie thee hence, and boast at home..." (Design 85)
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
William Blake Ode for Music, Performed in the Senate-House; Title Page
William Blake, 1757–1827
Ode for Music, Performed in the Senate-House; Title Page
between 1797 and 1798
William Blake "Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
William Blake, 1757–1827
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
William Blake A Cradle Song (Plate 18)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
William Blake On Anothers Sorrow (Plate 24)
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
William Blake Introduction (Plate 3)
Print made by William Blake, 1757–1827
Introduction (Plate 3)
1789
William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake "At the chapel-door stand sentry... (Design 31)
William Blake, 1757–1827
"At the chapel-door stand sentry... (Design 31)
between 1797 and 1798
William Blake There Is No Natural Religion; Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
There Is No Natural Religion; Frontispiece (Plate 1)
ca. 1788
William Blake "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
Print made by William Blake, 1757–1827
"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
1804 to 1820
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake Elegy Written in a Country Church-Yard; Title Page
William Blake, 1757–1827
Elegy Written in a Country Church-Yard; Title Page
between 1797 and 1798
William Blake Ode on a Distant Prospect of Eton College; Title Page
William Blake, 1757–1827
Ode on a Distant Prospect of Eton College; Title Page
between 1797 and 1798
William Blake A Long Story; Title Page
William Blake, 1757–1827
A Long Story; Title Page
between 1797 and 1798
William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
William Blake Mary Magdalen at the Sepulchre
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
William Blake Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
Prints made by William Blake, 1757–1827
Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul
1789-1794
George Romney The Bath of Bath-sheba
George Romney, 1734–1802
The Bath of Bath-sheba
early 1770s
George Romney A Seated Woman
George Romney, 1734–1802
A Seated Woman
early 1770s
George Romney A Pensive Lady
George Romney, 1734–1802
A Pensive Lady
early 1770s
George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
George Romney Studies of a Seated Woman
George Romney, 1734–1802
Studies of a Seated Woman
undated
William Blake Canto V. Verse 43
Print made by William Blake, 1757–1827
Canto V. Verse 43
1803
Richard Parkes Bonington Le Repos
Print made by Richard Parkes Bonington, 1802–1828
Le Repos
1826
Robert Smirke Allegorical Scene
Robert Smirke, 1752–1845
Allegorical Scene
undated
Robert Smirke Study of a Woman and Child
Robert Smirke, 1752–1845
Study of a Woman and Child
undated
James Barry Repose in Egypt
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
James Barry Repose in Egypt
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
William Nutter Sunday Morning, A Cottage Family Going to Church
William Nutter, 1754–1802
Sunday Morning, A Cottage Family Going to Church
1795
James Caldwall A Ladies Maid Purchasing a Leek
Print made by James Caldwall, 1739–1819
A Ladies Maid Purchasing a Leek
1772
John Browne After Sun-Set
Print made by John Browne, 1741–1801
After Sun-Set
ca. 1797
John Browne Moon-Light
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
John Browne Moon-Light
Print made by John Browne, 1741–1801
Moon-Light
ca. 1797
Samuel Freeman Mamma at Romps
Print made by Samuel Freeman, 1773–1857
Mamma at Romps
1810
James Bretherton Fille d'Auberge
Print made by James Bretherton, ca. 1730–1806
Fille d'Auberge
1774
Charles Bretherton Lady Pointing with a Stick
Print made by Charles Bretherton, ca. 1760–1783
Lady Pointing with a Stick
1782
James Bretherton A Maid
Print made by James Bretherton, ca. 1730–1806
A Maid
1774
James Bretherton A Modern Spread Eagle
Print made by James Bretherton, ca. 1730–1806
A Modern Spread Eagle
1782
Henry William Bunbury Paysanne de la France
Print made by Henry William Bunbury, 1750–1811
Paysanne de la France
1769-1770
James Bretherton Strephon and Chloe
Print made by James Bretherton, ca. 1730–1806
Strephon and Chloe
1801
James Bretherton Study of a Lady
Print made by James Bretherton, ca. 1730–1806
Study of a Lady
1781
Henry William Bunbury The Battle of the Cataplasm
Print made by Henry William Bunbury, 1750–1811
The Battle of the Cataplasm
between 1773 and 1817
Thomas Goff Lupton Procris and Cephalus
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
George Cruikshank Fitting out. - Plate 1
Print made by George Cruikshank, 1792–1878
Fitting out. - Plate 1
1820
Charles West Cope The Spring Flood
Print made by Charles West Cope, 1811–1890
The Spring Flood
1865
Charles West Cope Morning Prayer
Print made by Charles West Cope, 1811–1890
Morning Prayer
1844
Valentine Green Mrs. Cosway
Print made by Valentine Green, 1739–1813
Mrs. Cosway
1787
John Sell Cotman Spanish Student
Print made by John Sell Cotman, 1782–1842
Spanish Student
ca. 1830
Robert Dixon Cottage at Diss
Robert Dixon, 1780–1815
Cottage at Diss
1811
Michael "Angelo" Rooker The Gate at Blenheim
Michael "Angelo" Rooker, 1746–1801
The Gate at Blenheim
1787
Thomas Rowlandson Mrs. Abington
Thomas Rowlandson, 1756–1827
Mrs. Abington
undated
Thomas Rowlandson Cat Like Courtship
Thomas Rowlandson, 1756–1827
Cat Like Courtship
undated
unknown artist A Wood Stream with Angler
unknown artist
A Wood Stream with Angler
undated
James Watson Mrs. Abington as 'the Comic Muse'
Print made by James Watson, 1740–1790
Mrs. Abington as 'the Comic Muse'
ca. 1769
Benjamin West An Artist Sketching in Windsor Park
Benjamin West, 1738–1820
An Artist Sketching in Windsor Park
1789
William Turner of Oxford A Mountain Lake
William Turner of Oxford, 1789–1862
A Mountain Lake
undated
Thomas Rowlandson Bucks of the First Head
Thomas Rowlandson, 1756–1827
Bucks of the First Head
ca. 1785
unknown artist Bucks of the First Head
Print made by unknown artist
Bucks of the First Head
Paul Sandby The Toilet
Paul Sandby, 1731–1809
The Toilet
undated
Thomas Hosmer Shepherd The Vine Inn, Vine Yard, Aldersgate in the City of London
Thomas Hosmer Shepherd, 1792–1864
The Vine Inn, Vine Yard, Aldersgate in the City of London
undated
John Thomas Smith Joseph Nollekens R.A. and Mrs. Nollekens: The pair of compasses and the pair of callipers side by side
John Thomas Smith, 1766–1833
Joseph Nollekens R.A. and Mrs. Nollekens: The pair of compasses and the pair of callipers side by side
undated
Francis Towne Dunkerswell Abbey, August 20, 1783
Francis Towne, 1740–1816
Dunkerswell Abbey, August 20, 1783
1783
Samuel Wale An Illustration to the Newgate Calendar: Raby Finding a Woman's Ring Difficult to Be Pulled Off, Cut Off Her Finger, Near Finchley
Samuel Wale, 1721–1786
An Illustration to the Newgate Calendar: Raby Finding a Woman's Ring Difficult to Be Pulled Off, Cut Off Her Finger, Near Finchley
undated
James Ward A Sheet of Slight Sketches
James Ward, 1769–1859
A Sheet of Slight Sketches
undated
unknown artist A Large Christmas Card
Print made by unknown artist
A Large Christmas Card
1895
Robert Smirke She Never Told Her Love, But Sat Like Patience on a Monument
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument
1827
Rose Joseph Lemercier La Conversation
Print made by Rose Joseph Lemercier, 1803–1887
La Conversation
1826
Richard Parkes Bonington Le Silence Favorable
Print made by Richard Parkes Bonington, 1802–1828
Le Silence Favorable
1826
Richard Parkes Bonington Le Retour
Print made by Richard Parkes Bonington, 1802–1828
Le Retour
1826
Richard Parkes Bonington Pierre de Vaivre
Print made by Richard Parkes Bonington, 1802–1828
Pierre de Vaivre
1827