One of a set of four: Leamington Grand Steeple Chase ... 1837. Plate 3. Mr. Clifford on Countess ..
1837
22507
John Harris, 1811–1865
One of a set of four: The Liverpool Great National Steeple-Chase
1839
22508
George Morland, 1763–1804
Travellers
1794
22509
Charles Hunt, 1803–1877
One of a set of four: Leamington Grand Steeple Chase ... 1837. Plate 2. Mr. Christian on Scripton ..
1837
22510
Thomas Sutherland, ca. 1785–1838
A set of four - Shooting: Plate II. Game found
1823
22511
Charles Hunt, 1803–1877
One of a set of four: Leamington Grand Steeple Chase ... 1837. Plate 1. Capt. Beecher on Vivian ..
1837
22512
Thomas Sutherland, ca. 1785–1838
A set of four - Shooting: Plate IV. Refreshing
1823
22513
Thomas Sutherland, ca. 1785–1838
A set of four - Shooting: Plate III. Dogs brought the Fame & reloading
1823
22514
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]
1735
22515
George Morland, 1763–1804
The First of September - Evening
1796
22516
L. Truchy, 1721–1764
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]
1735
22517
Peter Pasquin, active 1824–1826
One of a set of 6 (3): A Day's Journal of a Sponge
1824
22518
Thomas Rowlandson, 1756–1827
Set of eight (5): Cries of London
1799
22519
unknown artist
A View from Lord Suffok's Bedchamber Window At Elford Down into the Stable Court, 1759
1759
22520
Thomas Rowlandson, 1756–1827
Set of Sixteen: Outlines of Figure and Landscapes
1790-1792
22521
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
22522
Thomas Rowlandson, 1756–1827
Set of sixteen: Outlines of Figures and Landscapes
1790-1792
22523
Print made by John Robert Cozens, 1752–1797
Bath: The South Parade
1773
22524
Cornelius Varley, 1781–1873
View in Suffolk
1803
22525
George Dawe, 1781–1829
The Inheritance
ca. 1825
22526
George Dawe, 1781–1829
The Gambling House
ca. 1825
22527
Daniel Thomas Egerton, c.1800–1842
Fashionable Bores, or Coolers in High Life
1824
22528
Daniel Thomas Egerton, c.1800–1842
Fashionable Bores, or Coolers in High Life
1824
22529
formerly John Varley, 1778–1842
Old Mill at Battersea
undated
22530
Daniel Thomas Egerton, c.1800–1842
Fashionable Bores, or Coolers in High Life
1824
22531
John Phillips, active 1840–1852
One of a Set of Four: Much Ado About Nothing or Illustrations of Old Sayings
1828
22532
unknown artist
Hoober Stand at Wentworth Woodhouse, Yorkshire
undated
22533
George Morland, 1763–1804
Set of Five: Five studies of Peddlers
1791-1795
22534
George Morland, 1763–1804
Set of Five: Studies of Laborers
1791-1795
22535
William West of Clifton near Bristol, 1801–1861
A Far Eastern Subject with Palm Trees and Figures on Shore or in Small Rowing Boats
undated
22536
George Morland, 1763–1804
The Coquette at Her Toilet
1787
22537
John Harris, 1811–1865
One of a set of four: The Liverpool Great National Steeple-Chase
1839
22538
Thomas Rowlandson, 1756–1827
Set of eight (6): Cries of London
1799
22539
Thomas Rowlandson, 1756–1827
Set of eight (2): Cries of London
1799
22540
William Alexander, 1767–1816
The Traveling Barge
undated
22541
George Morland, 1763–1804
Cottagers
1794
22542
John Harris, 1811–1865
One of a set of four: The Liverpool Great National Steeple-Chase
1839
22543
Thomas Rowlandson, 1756–1827
Set of eight (7): Cries of London
1799
22544
Thomas Rowlandson, 1756–1827
Set of eight (5): Cries of London
1799
22545
Print made by John Robert Cozens, 1752–1797
Bath: The Crescent
1773
22546
Print made by John Robert Cozens, 1752–1797
Bath: The North Parade
1773
22547
Print made by John Robert Cozens, 1752–1797
South View of Bath
1773
22548
Richard Ansdell, 1815–1885
The Caledonian Coursing Meeting
22549
George Morland, 1763–1804
Rural Amusement
1788
22550
Thomas Stothard, 1755–1834
[One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations
1802 - 1825
22551
Attributed to Willey Reveley, 1760–1799
Views in the Levant: Malta
ca. 1785
22552
James Barry, 1741–1806
The Thames or the Triumph of Navigation (Designs for the Great Room of the Society for the Encouragement of the Arts)
after 1783
22553
Attributed to Willey Reveley, 1760–1799
Views in the Levant: Gateway in a City Wall With Towers
undated
22554
George Siegmund Facius, 1750–1804
The Birth of Venus
ca. 1778
22555
Willey Reveley, 1760–1799
Views in the Levant: Paestum
ca. 1785
22556
James Mitan, 1776–1822
Designs for the Great Room of the Society of Arts (4 of 1 sheet)
1808
22557
James Barry, 1741–1806
Job Reproved by his Friends
1777
22558
James Barry, 1741–1806
Elysium and Tartarus or the State of Final Retribution
1791
22559
Thomas Stothard, 1755–1834
[One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations
1802 - 1825
22560
James Barry, 1741–1806
King Lear and Cordelia, Act V, Scene 10
1776
22561
Print made by James Barry, 1741–1806
King Lear and Cordelia
1776
22562
James Barry, 1741–1806
Jupiter and Juno on Mount Ida
ca. 1809
22563
John Raphael Smith, 1752–1812
Mercury Inventing the Lyre
1775
22564
James Barry, 1741–1806
Philoctetes in the Island of Lemnos
1777
22565
Paul Sandby, 1731–1809
Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands
ca. 1785
22566
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
22567
Print made by James Barry, 1741–1806
Repose in Egypt
ca. 1776
22568
James Barry, 1741–1806
Temptation of Adam
1776
22569
Henry Swinburne, 1743–1803
Citadel of Montpellier, France
undated
22570
James Barry, 1741–1806
Jonah
ca. 1800
22571
Print made by Bernard Lens II, 1659–1725
Farm with a Woman Milking a Goat
undated
22572
John Harris, active 1686–1740
The Revolt of the Fleet, 1642
ca. 1710
22573
Henry Swinburne, 1743–1803
Plan of the Palaces of Charles the Fifth, and of the Moorish Kings in the Alhambra of Granada
1775 to 1776
22574
Henry Swinburne, 1743–1803
Architectural Sketches of Sections in Alhambra of Granada
1775 to 1776
22575
Willey Reveley, 1760–1799
Views in the Levant: Man in a Boat Being Rowed Past a Pavilion
undated
22576
Henry Swinburne, 1743–1803
Court of the Lions in the Alhambra of Granada
1775 to 1776
22577
Henry Swinburne, 1743–1803
Gates of the Alhambra: Puerta de los Siete Suelos
1775 to 1776
22578
Henry Swinburne, 1743–1803
Court of the Lions in the Alhambra of Granada
1775 to 1776
22579
Henry Swinburne, 1743–1803
Cupboard in the Hall of the Embassadors
1775 to 1776
22580
Henry Swinburne, 1743–1803
Six Capitals of Columns in the Court of Lions in the Alambra of Granada
1775 to 1776
22581
Henry Swinburne, 1743–1803
Entrance of the Torre de las dos Hermanas in the Alhambra
1775 to 1776
22582
Henry Swinburne, 1743–1803
Sketches for Capitals of Columns and Mosaic Squares at Alhambra
1775 to 1776
22583
Henry Swinburne, 1743–1803
The Great Bath of the Alhambra
1775 to 1776
22584
Henry Swinburne, 1743–1803
Column of the Court of Lions
1775 to 1776
22585
Henry Swinburne, 1743–1803
Coat of Arms Design
undated
22586
Henry Swinburne, 1743–1803
Garonne River
undated
22587
Henry Swinburne, 1743–1803
Measures of Mequita as it was in the Time of the Arabians
1775 to 1776
22588
Henry Swinburne, 1743–1803
Tree Study
undated
22589
Henry Swinburne, 1743–1803
Coat of Arms
1777
22590
Henry Swinburne, 1743–1803
Door of the New Palace at the Alhambra
1775 to 1776
22591
Henry Swinburne, 1743–1803
Landscape with Ruins in the Foreground, Harbor and Village, in Background