Print made by George Bickham the Younger, ca. 1706–1771
Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing.
1751
26145
Print made by Edward Goodall, 1795–1870
A Village Fair
1834
26146
James Gillray, 1756–1815
Evacuation Before Resignation
1782
26147
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
26148
James Gillray, 1756–1815
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
26149
Augustus Edwin John, 1878–1961
The Chemise
undated
26150
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
26151
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
26152
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
26153
Augustus Edwin John, 1878–1961
Dorelia
undated
26154
James Gillray, 1756–1815
A Hackney Meeting
1796
26155
Isaac Weld, 1774–1856
Studies of Roman Saddles
ca. 1818
26156
James Gillray, 1756–1815
A Portrait ------------
1799
26157
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
26158
James Gillray, 1756–1815
The Grand-Signior Retiring
1796
26159
James Gillray, 1756–1815
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
26160
James Gillray, 1756–1815
Fashionable - Jockeyship
1796
26161
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
26162
Studio of Sir Jeffry Wyatville, 1766–1840
A Design for a Prison: Aerial Perspective
undated
26163
Studio of Sir Jeffry Wyatville, 1766–1840
A Design for a Prison
ca. 1830
26164
Augustus Edwin John, 1878–1961
Study of Gwen John
ca. 1900
26165
unknown artist
Dalmally, Western Highlands, Scotland
1813
26166
James Gillray, 1756–1815
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
26167
James Gillray, 1756–1815
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
26168
unknown artist
the East Prospect of the Ruins of Furness Abbey in Lancashire
1727
26169
unknown artist
Steam Packet Victory off Margate
1821
26170
James Gillray, 1756–1815
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
26171
Peltro W. Tomkins, 1760–1840
Three Actors in a Play
1785
26172
James Gillray, 1756–1815
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
26173
James Gillray, 1756–1815
Patience on a Monument
1791
26174
Augustus Edwin John, 1878–1961
Portrait Sketch of Paul Mellon, 1931 or 1932
undated
26175
John Young, 1755–1825
Chevy Chase
1813
26176
Augustus Edwin John, 1878–1961
Portrait Sketch of Paul Mellon
1931 or 1932
26177
John Young, 1755–1825
The Surrender of Callais
1815
26178
unknown artist
A View of Windsor Castle
1813
26179
John Young, 1755–1825
Chevy Chase
1813
26180
John Young, 1755–1825
The Surrender of Callais
1815
26181
Print made by Georges François Blondel, 1730–ca. 1791
A View of the Vestibule of St. Peter at Rome
1765 to 1767
26182
Print made by Georges François Blondel, 1730–ca. 1791
A View of the Inside of the New Prison at Rome
1765 to 1767
26183
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
26184
Print made by Georges François Blondel, 1730–ca. 1791
A View of the Vestibule of St. Mary at Rome
1765 to 1767
26185
Print made by Georges François Blondel, 1730–ca. 1791
A View of the Temple of Bacchus at Rome
1765 to 1767
26186
Print made by Georges François Blondel, 1730–ca. 1791
A View of the Inside of a Sepulchrale Church
1765 to 1767
26187
James Gillray, 1756–1815
A Uniform Whig ---
1791
26188
James Gillray, 1756–1815
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
26189
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
26190
Richard Bernard Godfrey, 1728–op.1794
Ships in Distress
1796
26191
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
26192
Gwen John, 1876–1939
Study of a Nun
between 1916 and 1918
26193
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
26194
James Gillray, 1756–1815
The April Fool or The Follies of a Night ---
1786
26195
John Goldar, 1729–1795
The Honey-moon from Modern Love III: Modern Love Pl. 2