Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
32005
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
32006
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
32007
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
32008
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
32009
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
32010
John Osborn Brown, active 1868
Belah Viaduct
1869
32011
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
32012
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided Ancient Artists
1796
32013
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
32014
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
32015
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
32016
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
32017
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
32018
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
32019
George Cumberland, 1754–1848
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
32020
Samuel John Hodson, 1836–1908
Baker Street Station, Metropolitan Railway
1863
32021
John Osborn Brown, active 1868
Railway Station
1868
32022
Joseph Farington, 1747–1821
View of Greenwich from Deptford Yard
before 1795
32023
Joseph Farington, 1747–1821
View of St. Paul's Cathedral from below Blackfriars
1791
32024
Dennis Flanders, 1915–1994
House of Lords
1940
32025
Attributed to Thomas Frye, 1710–1762
Portrait of a Man
1734
32026
Attributed to Thomas Frye, 1710–1762
Portrait Study of a Young Woman
undated
32027
unknown artist
Sketches for Large and Small Villas, Hotels, Summerhouses/ Plans for Laying out Estates.
1876
32028
Attributed to Daniel Gardner, 1750–1805
Study of a Young Boy in a Landscape Setting
undated
32029
Daniel Gardner, 1750–1805
Portrait of Mrs. Elliot Reigate, or Mrs. Elliot of Reigate
ca. 1780
32030
Attributed to William Faithorne, ca. 1620–1691
Portrait of a Gentleman
between 1680 and 1685
32031
Andrew Geddes, 1783–1844
Study of Two Peacocks
undated
32032
Hubert-François Gravelot, 1699–1773
Design for a Medal: Novum Ex Prole Decus Et Tutamen
1769
32033
Dennis Flanders, 1915–1994
House of Commons
1940
32034
Dennis Flanders, 1915–1994
House of Commons
1951
32035
Dennis Flanders, 1915–1994
Interior View of the House of Lords
1945
32036
Dennis Flanders, 1915–1994
Interior View of the Houses of Parliament
1945
32037
J. Dowse, 1800–1899
King George IV's Chair of State in the House of Lords
1831
32038
James Pollard, 1792–1867
North-Country Mails at the Peacock, Islington
1815 to 1823
32039
Myles Birket Foster, 1825–1899
The Hayrick
1862
32040
John Fulleylove, 1845–1908
Thatched Cottages and Cottage Gardens
1881
32041
Dante Gabriel Rossetti, 1828–1882
Head of a Woman Called Ruth Herbert
1876
32042
Daniel Gardner, 1750–1805
Mrs. Jane Mounsey and Child
ca. 1770
32043
Hubert-François Gravelot, 1699–1773
Design for a Medal: Novum Ex Prole Decus Et Tutamen
ca. 1769
32044
Print made by William Simpson, 1823–1899
The Funeral of the Duke of Wellington. The Ceremony in St. Paul's Cathedral, November 18th 1852
1853
32045
Paul Sandby, 1731–1809
One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View in Hudson's River of Pakepsey and the Catts-Kill Mountains, From Sopos Island in Hudson's River
1761
32046
John William Edy, 1760–1820
Views of Quebec: Falls of Montmorenci
1796
32047
John William Edy, 1760–1820
Views of Quebec: View of Cape Diamond, Plains of Abraham, and part of the Town of Quebec
1795
32048
John William Edy, 1760–1820
Views of Quebec: View of the Falls of Chaudiere
1795
32049
Jacob Viscount Southwell, active ca. 1866
Western Views: "The Far West" (Smoky Hill River)
ca. 1866
32050
Peter Mazell, active 1761–1797
Scenographia Americana: An East View of Port Royal in the Island of Guadaloupe
1758-1760
32051
James Peak, 1703–1782
Scenographia Americana: A View of Roseau in the Island of Dominique, with the Attack Made by Lord Rollo & Sir James Douglas, in 1760
1760
32052
Jacob Viscount Southwell, active ca. 1866
Western Views: "Buffalo Creek"
ca. 1866
32053
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
32054
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
32055
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
32056
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
32057
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
32058
unknown artist
"Mr. Sponge's Sporting Tour"
32059
Edward Duncan, 1803–1882
An Album of twenty-five Agricultural Sketches
1857
32060
Edward Duncan, 1803–1882
An Album of twenty-five Agricultural Sketches
1857
32061
Edward Duncan, 1803–1882
An Album of twenty-five Agricultural Sketches
1857
32062
Edward Duncan, 1803–1882
An Album of twenty-five Agricultural Sketches
1857
32063
Edward Duncan, 1803–1882
An Album of twenty-five Agricultural Sketches
1857
32064
Edward Duncan, 1803–1882
An Album of twenty-five Agricultural Sketches
1857
32065
Edward Duncan, 1803–1882
An Album of twenty-five Agricultural Sketches
1857
32066
Edward Duncan, 1803–1882
An Album of twenty-five Agricultural Sketches
1857
32067
Edward Duncan, 1803–1882
An Album of twenty-five Agricultural Sketches
1857
32068
Edward Duncan, 1803–1882
An Album of twenty-five Agricultural Sketches
1857
32069
Edward Duncan, 1803–1882
An Album of twenty-five Agricultural Sketches
1857
32070
Edward Duncan, 1803–1882
An Album of twenty-five Agricultural Sketches
1857
32071
Edward Duncan, 1803–1882
An Album of twenty-five Agricultural Sketches
1857
32072
Edward Duncan, 1803–1882
An Album of twenty-five Agricultural Sketches
1857
32073
Edward Duncan, 1803–1882
An Album of twenty-five Agricultural Sketches
1857
32074
Charles Rosenberg, active 1790–1820
The Mouse Trap
between 1790 and 1820
32075
Charles Rosenberg, active 1790–1820
The Mouse Trap
32076
Print made by John Greig, active 1803–1853
The Wilderness
1803-1804
32077
Attributed to James Ward, 1769–1859
A series of 45 sketchbook drawings from France including written conversations with John Landseer
32078
John Laporte, 1761–1839
A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
32079
Thomas Patch, 1725–1782
Bound Volume of Caricatures
1768
32080
Rev. Edward Thomas Daniell, 1804–1842
Twelve Etchings Album
1882
32081
Thomas Harvey, 1748–1820
Thirty-two Etchings of Cattle &c. &c
32082
unknown artist
Various Engravings of York Cathedral
1813
32083
Print made by James Basire the younger, 1769–1822
PLATE XV. Elevation of a Window Bay &c
1805
32084
unknown artist
St Stephen's Cloisters
1834
32085
James William Giles, 1801–1870
Kennel Scene No. 2: Sent to Walks
1837
32086
James William Giles, 1801–1870
Kennel Scene No. 3: First Dicipline [sic]
1837
32087
Robert Smirke, 1752–1845
Volume of 10 pen and wash designs for panels
32088
Mrs. P. D. H. Page, 20th century
Noddy Tern, after the original by John White in the British Museum [Caribbean and Oceanic, No. 18]
undated
32089
Mrs. P. D. H. Page, 20th century
Lookdown or Moonfish, after the original by John White in the British Museum [Caribbean andOceanic, No. 20]
undated
32090
Mrs. P. D. H. Page, 20th century
Grouper, after the original by John White in the British Museum [Caribbean and Oceanic, No. 23 A]
undated
32091
Mrs. P. D. H. Page, 20th century
Grunt, after the original by John White in the British Museum [Caribbean and Oceanic, No. 24 A]
undated
32092
unknown artist
Master George Contemplating Jumping a Stream
ca. 1860
32093
Henry Thomas Alken, 1785–1851
Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume
32094
Edward Duncan, 1803–1882
An Album of twenty-five Agricultural Sketches
1857
32095
John Leech, 1817–1864
Twenty drawings illustrating works by R. S. Surtees, mounted and bound in a volume: five drawings for "Handley Cross", four for "Plain or Ringlets ?", seven for "Mr. Facey Romford's Hounds", and four for "Mr. Sponge's Sporting Tour"
32096
unknown artist
Clare College, Cambridge, June 1900
1900
32097
Paul Maze, 1887–1979
Henley Regatta
undated
32098
Paul Maze, 1887–1979
On Parade
undated
32099
Richard Ansdell, 1815–1885
Rabbit Shooting
undated
32100
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'No. 1 Full Trotting - No. 2 Cantering on a Ladys Horse - All with Their Muscles in Action'