Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
811
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
812
Edward Lear, 1812–1888
View near Palermo
1847
813
Edward Lear, 1812–1888
Gozo, near Malta
1866
814
Edward Lear, 1812–1888
The Capo Sant' Angelo, Amalfi
ca. 1885
815
Edward Lear, 1812–1888
Albania
between 1848 and 1849
816
Edward Lear, 1812–1888
Wied Zurrik (Malta)
1848
817
Edward Lear, 1812–1888
The Pontine Marshes above Terracina
ca. 1880
818
Edward Lear, 1812–1888
A Weasel
1832
819
Edward Lear, 1812–1888
Bavella, Corsica
ca. 1868
820
Edward Lear, 1812–1888
Abu Simbel, 11-11:30 am, 8 February 1867 (374)
1867
821
Edward Lear, 1812–1888
Cefalù
822
Edward Lear, 1812–1888
Rocca di Falconiera
823
Edward Lear, 1812–1888
Segesta
824
Edward Lear, 1812–1888
Borghetto
825
Edward Lear, 1812–1888
Monte Pellegrino
826
Edward Lear, 1812–1888
Segesta
827
Edward Lear, 1812–1888
Sommantino
828
Edward Lear, 1812–1888
Landscape Study with Ancient Ruins
829
Edward Lear, 1812–1888
Agrigento
830
Edward Lear, 1812–1888
Agrigento
831
Edward Lear, 1812–1888
Pantalica
832
Edward Lear, 1812–1888
Favara
833
Edward Lear, 1812–1888
Pantalica
834
Edward Lear, 1812–1888
Agrigento
835
Edward Lear, 1812–1888
Syracuse
836
Edward Lear, 1812–1888
Syracuse
837
Edward Lear, 1812–1888
Taormina
838
Edward Lear, 1812–1888
Castel D'Aci
839
Edward Lear, 1812–1888
Taormina
840
Edward Lear, 1812–1888
Syracuse
ca. 1845
841
Edward Lear, 1812–1888
Mola
842
Edward Lear, 1812–1888
Graphite sketch on loose sheet
843
after William Hogarth, 1697–1764
Album Collection of Sixty-six Engravings after William Hogarth
844
after William Hogarth, 1697–1764
Simon, Lord Lovat
1746
845
George Romney, 1734–1802
Study of a Clouded Moonlit Sky
undated
846
George Romney, 1734–1802
A Seated Woman
undated
847
George Romney, 1734–1802
The Bath of Bath-sheba
undated
848
George Romney, 1734–1802
Study of a Lady Standing
undated
849
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
850
George Romney, 1734–1802
Learning to Walk
undated
851
George Romney, 1734–1802
The Wave
undated
852
George Romney, 1734–1802
Achilles Wounded
undated
853
attributed to George Romney, 1734–1802
Study of the Head of a Young Man
undated
854
George Romney, 1734–1802
Profile of a Grotesque Head Facing Right
undated
855
George Romney, 1734–1802
Seated Woman Feeding an Animal
undated
856
George Romney, 1734–1802
Mythological Group of Women and Children
undated
857
George Romney, 1734–1802
Studies of a Seated Woman
undated
858
George Romney, 1734–1802
Studies for the Head of a Lady (Studies of a Woman's Head)
undated
859
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
860
George Romney, 1734–1802
A Pensive Lady
undated
861
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
862
William Blake, 1757–1827
The Book of Thel
1789
863
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 17
1821
864
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 18
1821
865
William Blake, 1757–1827
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
866
William Blake, 1757–1827
Epicurus
1821
867
William Blake, 1757–1827
Theocritus
1821
868
William Blake, 1757–1827
Octavius Augustus Cæsar
1821
869
William Blake, 1757–1827
From Antique Coins
1821
870
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
871
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
872
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 15
1821
873
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 14
1821
874
William Blake, 1757–1827
Caius Julius Cæsar
1821
875
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
876
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
877
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
878
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
879
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
880
William Blake, 1757–1827
A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
881
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
882
Print made by William Blake, 1757–1827
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
1804
883
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
884
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
885
William Blake, 1757–1827
Europe. A Prophecy, 1793 (printed 1795)
1793, printed 1795
886
William Blake, 1757–1827
Chaucer's Canterbury Pilgrims
1810 to 1820
887
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."