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Credit Line Yale Center for British Art, Paul Mellon Collection

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Edward Lear Palermo
Edward Lear, 1812–1888
Palermo
Edward Lear Vignette
Edward Lear, 1812–1888
Vignette
Edward Lear Palermo
Edward Lear, 1812–1888
Palermo
Edward Lear Palermo
Edward Lear, 1812–1888
Palermo
Edward Lear Landscape Study
Edward Lear, 1812–1888
Landscape Study
Edward Lear Termini
Edward Lear, 1812–1888
Termini
Edward Lear Cefalù
Edward Lear, 1812–1888
Cefalù
Edward Lear Catania
Edward Lear, 1812–1888
Catania
Edward Lear People on the Road Near Kalicut, Malabar
Edward Lear, 1812–1888
People on the Road Near Kalicut, Malabar
undated
Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear View near Palermo
Edward Lear, 1812–1888
View near Palermo
1847
Edward Lear Gozo, near Malta
Edward Lear, 1812–1888
Gozo, near Malta
1866
Edward Lear The Capo Sant' Angelo, Amalfi
Edward Lear, 1812–1888
The Capo Sant' Angelo, Amalfi
ca. 1885
Edward Lear Albania
Edward Lear, 1812–1888
Albania
between 1848 and 1849
Edward Lear Wied Zurrik (Malta)
Edward Lear, 1812–1888
Wied Zurrik (Malta)
1848
Edward Lear The Pontine Marshes above Terracina
Edward Lear, 1812–1888
The Pontine Marshes above Terracina
ca. 1880
Edward Lear A Weasel
Edward Lear, 1812–1888
A Weasel
1832
Edward Lear Bavella, Corsica
Edward Lear, 1812–1888
Bavella, Corsica
ca. 1868
Edward Lear Abu Simbel, 11-11:30 am, 8 February 1867 (374)
Edward Lear, 1812–1888
Abu Simbel, 11-11:30 am, 8 February 1867 (374)
1867
Edward Lear Cefalù
Edward Lear, 1812–1888
Cefalù
Edward Lear Rocca di Falconiera
Edward Lear, 1812–1888
Rocca di Falconiera
Edward Lear Segesta
Edward Lear, 1812–1888
Segesta
Edward Lear Borghetto
Edward Lear, 1812–1888
Borghetto
Edward Lear Monte Pellegrino
Edward Lear, 1812–1888
Monte Pellegrino
Edward Lear Segesta
Edward Lear, 1812–1888
Segesta
Edward Lear Sommantino
Edward Lear, 1812–1888
Sommantino
Edward Lear Landscape Study with Ancient Ruins
Edward Lear, 1812–1888
Landscape Study with Ancient Ruins
Edward Lear Agrigento
Edward Lear, 1812–1888
Agrigento
Edward Lear Agrigento
Edward Lear, 1812–1888
Agrigento
Edward Lear Pantalica
Edward Lear, 1812–1888
Pantalica
Edward Lear Favara
Edward Lear, 1812–1888
Favara
Edward Lear Pantalica
Edward Lear, 1812–1888
Pantalica
Edward Lear Agrigento
Edward Lear, 1812–1888
Agrigento
Edward Lear Syracuse
Edward Lear, 1812–1888
Syracuse
Edward Lear Syracuse
Edward Lear, 1812–1888
Syracuse
Edward Lear Taormina
Edward Lear, 1812–1888
Taormina
Edward Lear Castel D'Aci
Edward Lear, 1812–1888
Castel D'Aci
Edward Lear Taormina
Edward Lear, 1812–1888
Taormina
Edward Lear Syracuse
Edward Lear, 1812–1888
Syracuse
ca. 1845
Edward Lear Mola
Edward Lear, 1812–1888
Mola
Edward Lear Graphite sketch on loose sheet
Edward Lear, 1812–1888
Graphite sketch on loose sheet
William Hogarth Album Collection of Sixty-six Engravings after William Hogarth
after William Hogarth, 1697–1764
Album Collection of Sixty-six Engravings after William Hogarth
William Hogarth Simon, Lord Lovat
after William Hogarth, 1697–1764
Simon, Lord Lovat
1746
George Romney Study of a Clouded Moonlit Sky
George Romney, 1734–1802
Study of a Clouded Moonlit Sky
undated
George Romney A Seated Woman
George Romney, 1734–1802
A Seated Woman
undated
George Romney The Bath of Bath-sheba
George Romney, 1734–1802
The Bath of Bath-sheba
undated
George Romney Study of a Lady Standing
George Romney, 1734–1802
Study of a Lady Standing
undated
George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
George Romney Learning to Walk
George Romney, 1734–1802
Learning to Walk
undated
George Romney The Wave
George Romney, 1734–1802
The Wave
undated
George Romney Achilles Wounded
George Romney, 1734–1802
Achilles Wounded
undated
George Romney Study of the Head of a Young Man
attributed to George Romney, 1734–1802
Study of the Head of a Young Man
undated
George Romney Profile of a Grotesque Head Facing Right
George Romney, 1734–1802
Profile of a Grotesque Head Facing Right
undated
George Romney Seated Woman Feeding an Animal
George Romney, 1734–1802
Seated Woman Feeding an Animal
undated
George Romney Mythological Group of Women and Children
George Romney, 1734–1802
Mythological Group of Women and Children
undated
George Romney Studies of a Seated Woman
George Romney, 1734–1802
Studies of a Seated Woman
undated
George Romney Studies for the Head of a Lady (Studies of a Woman's Head)
George Romney, 1734–1802
Studies for the Head of a Lady (Studies of a Woman's Head)
undated
George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
George Romney A Pensive Lady
George Romney, 1734–1802
A Pensive Lady
undated
William Blake Plate 33 (page 72): 'And vapid; sense and reason shew the door'
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
William Blake The Book of Thel
William Blake, 1757–1827
The Book of Thel
1789
William Blake Illustrations of Imitation of Eclogue I, Page 17
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 17
1821
William Blake Illustrations of Imitation of Eclogue I, Page 18
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 18
1821
William Blake Illustrations of Eclogue I, Introductory, The Giant Polypheme
William Blake, 1757–1827
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
William Blake Epicurus
William Blake, 1757–1827
Epicurus
1821
William Blake Theocritus
William Blake, 1757–1827
Theocritus
1821
William Blake Octavius Augustus Cæsar
William Blake, 1757–1827
Octavius Augustus Cæsar
1821
William Blake From Antique Coins
William Blake, 1757–1827
From Antique Coins
1821
William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
William Blake Illustrations of Imitation of Eclogue I, Page 16
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
William Blake Illustrations of Imitation of Eclogue I, Page 15
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 15
1821
William Blake Illustrations of Imitation of Eclogue I, Page 14
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 14
1821
William Blake Caius Julius Cæsar
William Blake, 1757–1827
Caius Julius Cæsar
1821
William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
William Blake An Essay on Sculpture on a Series of Epistles to John Flaxman
William Blake, 1757–1827
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
William Blake Illustrations of Imitation of Eclogue I, Frontispiece
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
William Blake A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
William Blake, 1757–1827
A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.
Print made by William Blake, 1757–1827
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
1804
William Blake A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
William Blake "The Book of Thel William Blake Original Wrappers 1789"
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
William Blake Europe. A Prophecy, 1793 (printed 1795)
William Blake, 1757–1827
Europe. A Prophecy, 1793 (printed 1795)
1793, printed 1795
William Blake Chaucer's Canterbury Pilgrims
William Blake, 1757–1827
Chaucer's Canterbury Pilgrims
1810 to 1820
William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
William Blake Abraham and Isaac
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
William Blake Christ Giving Sight to Bartimaeus
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
William Blake Landscape with Spire
William Blake, 1757–1827
Landscape with Spire
ca. 1801
William Blake The Entrance Front of Hayley's House at Eartham
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
William Blake Joseph and Potiphar's Wife
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
William Blake An Angel with a Trumpet
William Blake, 1757–1827
An Angel with a Trumpet
between 1805 and 1808
William Blake A Visionary Head
William Blake, 1757–1827
A Visionary Head
1819 to 1820
William Blake The Parable of the Wise and Foolish Virgins
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
William Blake The Man Sweeping the Interpreter's Parlour
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
William Blake Pity
Print made by William Blake, 1757–1827
Pity
ca. 1795
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake Mary Magdalen at the Sepulchre
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785