Collection: Prints and Drawings / On-site Access: Accessible by appointment in the Study Room / Associated Places: Yorkshire

1. Leeds

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Watercolor, scraping out and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 17 inches (29.2 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Steeton Manor House, Near Farnley

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1815 and 1818
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/8 x 6 5/8 inches (11.1 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Fishermen's Houses at Sculcoats near Hull, Yorkshire

Creator:: James Duffield Harding, 1798–1863
Date:: 1827
Materials & Techniques:: Watercolor with pen and brown ink, over graphite, with gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 × 9 1/4 inches (17.8 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Laid Out Wall Plan of a Room for Clifton Castle

Creator:: Attributed to Thomas Harrison, 1744–1829
Date:: between 1780 and 1790
Materials & Techniques:: Pen and black ink and green and gray washes on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 30 × 26 7/16 inches (76.2 × 67.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Nave of Rievaulx Abbey, Yorkshire

Creator:: unknown artist
Date:: 1787
Materials & Techniques:: Graphite, pen and gray ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 13 1/2 inches (25.7 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Byland Abbey, Yorkshire

Creator:: John Varley, 1778–1842
Date:: 1808
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper, mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 7/8 x 15 1/4 inches (27.6 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. A Yorkshire Road

Creator:: John Glover, 1767–1849
Date:: undated
Materials & Techniques:: Watercolor over graphite with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/4 x 7 1/4 inches (10.8 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Part of Roche Abbey, Yorkshire

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/8 × 15 1/4 inches (24.4 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Scarborough Harbour, Yorkshire - Moonlight

Creator:: Henry Barlow Carter, 1804–1868
Date:: 1850
Materials & Techniques:: Watercolor on medium moderately textured cream wove paper
Dimensions:: Sheet: 9 5/8 x 13 3/4 inches (24.4 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Sheffield

Creator:: Print made by James Walker, 1748–1808
Date:: 1798
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Richmond Castle, Yorkshire

Creator:: follower of John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 13 1/2 inches (24.1 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Staithes, Yorkshire

Creator:: Francis Nicholson, 1753–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 x 12 7/16in. (23.2 x 31.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Crofton Hall, Yorkshire

Creator:: Robert Havell, 1769–1832
Date:: 1813
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/2 x 17 3/16 inches (29.2 x 43.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Caricature of the County Yorkshire

Creator:: John Leech, 1817–1864
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 5 1/2 inches (18.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Lighthouse on Flambro' head, Yorkshire

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Rievaulx Abbey, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1796
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 5 inches (34.9 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Ripon Minster, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: 1800
Materials & Techniques:: Watercolor with pen and black and brown ink and scraping over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 10 13/16 x 17 3/16 inches (27.5 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Sandsend, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Watercolor over graphite on thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 1/2 x 20 7/8 inches (31.8 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Vicar Selling his Horse

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 7/16 x 7 9/16 inches (11.3 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Surprise

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 9/16 x 7 1/2 inches (11.6 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The Family Picture

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1817
Materials & Techniques:: Pen in gray and red-brown ink and watercolor; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Fair Penitent

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and gray, brown, and red-brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 5/8 x 7 1/4 inches (11.7 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Attendance on a Nobleman

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and gray-brown and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 3/8 inches (11.4 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Scold, with News of Olivia

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Vicar Preaching to the Prisoners

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor with pen and ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 9/16 x 7 1/4 inches (11.6 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The St. Leger, Doncaster: The Finish

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 16 7/8 inches (31.1 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Stanwich Park, Yorkshire

Creator:: William Beilby, 1740–1819
Date:: undated
Materials & Techniques:: Watercolor on slightly textured, medium, beige laid paper
Dimensions:: Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Crofton

Creator:: Robert Havell, 1769–1832
Date:: 1813
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 5/8 x 17 3/8 inches (29.5 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Crofton

Creator:: Robert Havell, 1769–1832
Date:: 1813
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 9/16 x 17 3/16 inches (29.4 x 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Crofton Hall, Yorkshire

Creator:: Robert Havell, 1769–1832
Date:: 1813
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 9/16 x 17 3/8 inches (29.4 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. A Race on the Knavesmire at York

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and gray ink on thick, slightly textured, brown wove paper
Dimensions:: Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The St. Leger, Doncaster: Preparing to Start

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 5/16 inches (27.3 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Vicar of Wakefield: Frontispiece

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1817
Materials & Techniques:: Watercolor, with pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 x 4 5/8 inches (16.5 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Welcome

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown and gray-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Vicar's Family on the Road to Church

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Fortune-Telling

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. View of Richmond Castle, Yorkshire

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor heightened with gouache on two sheets of laid paper, laid on a contemporary wash line mount
Dimensions:: Sheet: 16 13/16 x 31 inches (42.7 x 78.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

38. A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848

Creator:: Attributed to Thomas Baker of Leamington, 1809–1864
Date:: 1848
Materials & Techniques:: Watercolor, and pen and black ink on moderately thick, rough, cream wove paper
Dimensions:: Mount: 8 15/16 × 12 15/16 inches (22.7 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. A Ball at Scarborough

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1820
Materials & Techniques:: Watercolor, pen and red ink, brown ink, black ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 x 9 3/8 inches (14.4 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. A Yorkshire Farm

Creator:: attributed to Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 8 5/16 × 12 1/4 inches (21.1 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Esquire's Intrusion

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 7/16 inches (11.4 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Dance

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, with pen, and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Departure from Wakefield

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Kirkstall Abbey, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1801
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 15/16 x 8 1/16 inches (10 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Flower-Garden Porch at Farnley (Vignette)

Creator:: Print made by unknown artist
Date:: 1814
Materials & Techniques:: Etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 20 1/4 inches (41.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. Gateway to the Flower Garden at Farnley

Creator:: Print made by unknown artist
Date:: 1814
Materials & Techniques:: Etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 20 1/4 inches (41.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

47. Bay Windows in the Flower Garden at Farnley

Creator:: Print made by unknown artist
Date:: 1814
Materials & Techniques:: Etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 20 1/4 inches (41.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. Barden Tower, Yorkshire

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 21 7/8 x 16 3/16 inches (55.6 x 41.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. A Yorkshire Road

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 7 5/8 x 16 7/8 inches (19.4 x 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Copse, Great Smeaton, Yorkshire, England

Creator:: Michael Kenna, born 1953
Date:: 1991
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 7 5/8 × 7 1/2 inches (19.4 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

51. Shipbuilding on the Yorkshire Coast

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 16 5/8 inches (24.1 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. West Front of Byland Abbey, Yorkshire

Creator:: imitator of John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 3/8 x 6 1/4 inches (21.3 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Near Whitby, Yorkshire

Creator:: John Sell Cotman, 1782–1842
Date:: 1814
Materials & Techniques:: Graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 7 1/4 x 9 5/8 inches (18.4 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Bolton Castle

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 15 x 23 inches (38.1 x 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Byland Abbey, Yorkshire

Creator:: imitator of John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 x 10 inches (35.2 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Bolton Priory, Yorkshire

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1803
Materials & Techniques:: Graphite and gray wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 3/4 x 16 1/2 inches (22.2 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Sheriff Hutton Castle, Yorkshire

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1808
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 13 x 8 1/2 inches (33 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. East End of Howden Church, Yorkshire

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1803
Materials & Techniques:: Graphite and gray wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 15 3/8 x 11 3/4 inches (39.1 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Wave, Scarborough, Yorkshire, England

Creator:: Michael Kenna, born 1953
Date:: 1981
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 7 1/4 × 9 3/8 inches (18.4 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

60. Harewood House, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 7/16 x 14 1/4 inches (18.9 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Bolton Abbey, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1801
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 8 3/8 inches (14.6 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Richmond Park

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and red ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 8 1/2 x 11 inches (21.6 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Abbey of St. Mary, Yorkshire, England

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Middleham, Yorkshire

Creator:: attributed to Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 10 3/8 x 18 1/2 inches (26.4 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Village of Kirkstall, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: 1801
Materials & Techniques:: Watercolor with pen and black and brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 12 7/16 x 19 1/4 inches (31.6 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Conservatory at Wentworth Woodhouse, Yorkshire

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, white laid paper
Dimensions:: Sheet: 6 1/4 × 9 1/2 inches (15.9 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Tea Room at Wentworth Woodhouse, Yorkshire

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, white laid paper
Dimensions:: Sheet: 6 3/4 × 8 5/8 inches (17.1 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Hoober Stand at Wentworth Woodhouse, Yorkshire

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, white laid paper
Dimensions:: Sheet: 5 1/2 × 8 1/2 inches (14 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Rievaulx Abbey, Yorkshire

Creator:: John Piper, 1903–1992
Date:: 1942
Materials & Techniques:: Pen and black ink, watercolor and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 15 inches (27.3 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

70. Architectural Remains removed to Farnley, by Walter Fawkes Esqr. from Different Ancient Hall Houses in his Possession

Creator:: Print made by unknown artist
Date:: 1814
Materials & Techniques:: Folio of etchings on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 20 1/4 inches (41.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

71. Portrait of Master Cornelius Stovey, at Doncaster

Creator:: John Raphael Smith, 1752–1812
Date:: 1810
Materials & Techniques:: Pastel on medium, moderately textured, beige wove paper, mounted on canvas
Dimensions:: Sheet: 9 5/8 × 8 inches (24.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Mill Bridge, Saltaire, Yorkshire, England

Creator:: Michael Kenna, born 1953
Date:: 1983
Materials & Techniques:: Sepia toned gelatin silver print on photographic paper
Dimensions:: Sheet: 9 × 6 inches (22.9 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

73. Thomas Sutton, M. A. Rector, The Parish Church of St. Nicholas, West Tanfield

Creator:: Rubbed by Townsend Rich, 1909–1998
Date:: 1966
Materials & Techniques:: Crayon rubbing on thin, smooth, white wove paper
Dimensions:: Image: 23 × 13 inches (58.4 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Townsend Rich

74. Thomas de Topclyffe and His Wife Mabel, The Parish Church of St. Columba, Topcliffe

Creator:: Rubbed by Townsend Rich, 1909–1998
Date:: 1966
Materials & Techniques:: Crayon rubbing on two sheets of thin, smooth, white wove paper
Dimensions:: Image: 69 × 37 inches (175.3 × 94 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Townsend Rich

75. Doncaster Racecourse

Creator:: James Pollard, 1792–1867
Date:: ca. 1839
Materials & Techniques:: Watercolor and pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 x 24 inches (34 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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Collection Prints and Drawings

On-site Access Accessible by appointment in the Study Room

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1. Leeds

2. Steeton Manor House, Near Farnley

3. Fishermen's Houses at Sculcoats near Hull, Yorkshire

4. Laid Out Wall Plan of a Room for Clifton Castle

5. The Nave of Rievaulx Abbey, Yorkshire

6. Byland Abbey, Yorkshire

7. A Yorkshire Road

8. Part of Roche Abbey, Yorkshire

9. Scarborough Harbour, Yorkshire - Moonlight

10. Sheffield

11. Richmond Castle, Yorkshire

12. Staithes, Yorkshire

13. Crofton Hall, Yorkshire

14. Caricature of the County Yorkshire

15. Lighthouse on Flambro' head, Yorkshire

16. Rievaulx Abbey, Yorkshire

17. Ripon Minster, Yorkshire

18. Sandsend, Yorkshire

19. The Vicar Selling his Horse

20. The Surprise

21. The Family Picture

22. The Fair Penitent

23. Attendance on a Nobleman

24. The Scold, with News of Olivia

25. The Vicar Preaching to the Prisoners

26. The St. Leger, Doncaster: The Finish

27. Stanwich Park, Yorkshire

28. Crofton

29. Crofton

30. Crofton Hall, Yorkshire

31. A Race on the Knavesmire at York

32. The St. Leger, Doncaster: Preparing to Start

33. The Vicar of Wakefield: Frontispiece

34. The Welcome

35. The Vicar's Family on the Road to Church

36. Fortune-Telling

37. View of Richmond Castle, Yorkshire

38. A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848

39. A Ball at Scarborough

40. A Yorkshire Farm

41. The Esquire's Intrusion

42. The Dance

43. The Departure from Wakefield

44. Kirkstall Abbey, Yorkshire

45. Flower-Garden Porch at Farnley (Vignette)

46. Gateway to the Flower Garden at Farnley

47. Bay Windows in the Flower Garden at Farnley

48. Barden Tower, Yorkshire

49. A Yorkshire Road

50. Copse, Great Smeaton, Yorkshire, England

51. Shipbuilding on the Yorkshire Coast

52. West Front of Byland Abbey, Yorkshire

53. Near Whitby, Yorkshire

54. Bolton Castle

55. Byland Abbey, Yorkshire

56. Bolton Priory, Yorkshire

57. Sheriff Hutton Castle, Yorkshire

58. East End of Howden Church, Yorkshire

59. Wave, Scarborough, Yorkshire, England

60. Harewood House, Yorkshire

61. Bolton Abbey, Yorkshire

62. Richmond Park

63. The Abbey of St. Mary, Yorkshire, England

64. Middleham, Yorkshire

65. The Village of Kirkstall, Yorkshire

66. The Conservatory at Wentworth Woodhouse, Yorkshire

67. Tea Room at Wentworth Woodhouse, Yorkshire

68. Hoober Stand at Wentworth Woodhouse, Yorkshire

69. Rievaulx Abbey, Yorkshire

70. Architectural Remains removed to Farnley, by Walter Fawkes Esqr. from Different Ancient Hall Houses in his Possession

71. Portrait of Master Cornelius Stovey, at Doncaster

72. Mill Bridge, Saltaire, Yorkshire, England

73. Thomas Sutton, M. A. Rector, The Parish Church of St. Nicholas, West Tanfield