etching begun ca. 1880; impression printed in 1924
13
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
14
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
15
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
16
George Stubbs, 1724–1806
Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
1795 to 1806
17
George Stubbs, 1724–1806
Dorking Hen, Lateral View
1795 to 1806
18
George Stubbs, 1724–1806
Tiger Body, Lateral View (Shows the third stage in dissection)
1795 to 1806
19
George Stubbs, 1724–1806
Tiger Body, Standing in Human Posture
1795 to 1806
20
George Stubbs, 1724–1806
Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)
1795 to 1806
21
William Hogarth, 1697–1764
Benjamin Read
ca. 1757
22
William Hogarth, 1697–1764
Hudibras and the Lawyer (no.7)
23
Print made by William Hogarth, 1697–1764
Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
1747
24
Print made by William Hogarth, 1697–1764
Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
1747
25
Print made by William Hogarth, 1697–1764
Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
1747
26
Print made by William Hogarth, 1697–1764
Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
1747
27
Print made by William Hogarth, 1697–1764
Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
1747
28
Print made by William Hogarth, 1697–1764
Plate 11, The Idle 'Prentice Executed at Tyburn
1747
29
Print made by William Hogarth, 1697–1764
Plate 12, The Industrious 'Prentice Lord Mayor of London
1747
30
Print made by William Hogarth, 1697–1764
Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
1747
31
Print made by William Hogarth, 1697–1764
Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
1747
32
Print made by William Hogarth, 1697–1764
Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
1747
33
Print made by William Hogarth, 1697–1764
Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
1747
34
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
35
Joseph Mallord William Turner, 1775–1851
On the Washburn
ca. 1815
36
Print made by Joseph Mallord William Turner, 1775–1851
Shields Lighthouse
between 1820 and 1826
37
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
38
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Calm
1812
39
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
40
Etched by Joseph Mallord William Turner, 1775–1851
The Fifth Plague of Egypt
1808
41
Etched by Joseph Mallord William Turner, 1775–1851
The Stork and Aqueduct
between 1813 and 1823
42
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Interior of a Church
1819
43
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
44
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
45
Etched by Joseph Mallord William Turner, 1775–1851
River Wye
1812
46
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
47
Etched by Joseph Mallord William Turner, 1775–1851
Basle
1807
48
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
49
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
50
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Mer de Glace, Valley of Chamouni, Savoy
1812
51
Etched by Joseph Mallord William Turner, 1775–1851
Lauffenbourgh on the Rhine
1811
52
Etched by Joseph Mallord William Turner, 1775–1851
Windmill and Lock
1811
53
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Junction of Severn and Wye
1811
54
Etched by Joseph Mallord William Turner, 1775–1851
Ships in a Breeze
1808
55
Etched by Joseph Mallord William Turner, 1775–1851
Mt. St. Gothard
1808
56
Etched by Joseph Mallord William Turner, 1775–1851
The Woman and Tambourine
1807
57
Etched and engraved by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
58
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Calm
1812
59
Etched and engraved by Joseph Mallord William Turner, 1775–1851
The Crypt of Kirkstall Abbey
1812
60
Etched by Joseph Mallord William Turner, 1775–1851
Scene in the Campagna
1812
61
Etched by Joseph Mallord William Turner, 1775–1851
Morpeth, Northumberland
1809
62
Edward Lear, 1812–1888
Knowsley Hall
undated
63
Edward Lear, 1812–1888
Landscape Near Segni
1838
64
George Romney, 1734–1802
Reclining Nude
undated
65
George Romney, 1734–1802
Sketches for "The Accusation of Susanna"
undated
66
George Romney, 1734–1802
Prison Scene
undated
67
George Romney, 1734–1802
Two Children Embracing
undated
68
George Romney, 1734–1802
Anger, Envy, and Fear
undated
69
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
70
William Blake, 1757–1827
Five Visionary Heads of Women
1819 to 1820
71
Print made by William Blake, 1757–1827
Introduction to the Fables, The Shepherd and the Philosopher
1793
72
Print made by William Blake, 1757–1827
Fable VI. The Miser and Plutus
1793
73
Print made by William Blake, 1757–1827
Fable XXII. The Goat Without a Beard
1793
74
Print made by William Blake, 1757–1827
Fable XXIV. The Butterfly and the Snail
1793
75
Print made by William Blake, 1757–1827
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
76
Print made by William Blake, 1757–1827
Fable XXX. The Setting-dog and the Partridge
1793
77
Print made by William Blake, 1757–1827
Fable XLI. The Owl and the Farmer
1793
78
Print made by William Blake, 1757–1827
Fable I. The Dog and the Fox
1793
79
Print made by William Blake, 1757–1827
Fable XVI. The Ravens, the Sexton, and the Earth-Worm
1793
80
Print made by William Blake, 1757–1827
Fable XVI. The Pin and the Needle
1793
81
Print made by William Blake, 1757–1827
Fable XIII. The Tame Stag
1793
82
Print made by William Blake, 1757–1827
Fable XII. Pan and Fortune
1793
83
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
84
Etched by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
85
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
86
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of a Stone Relief, Depicting a Bird of Prey
1802-1804
87
Sir Robert Smirke the younger, 1781–1867
Study of the Capital of a PIllar
1802-1804
88
Sir Robert Smirke the younger, 1781–1867
Study of the Capital of a Pillar
1802-1804
89
Sir Robert Smirke the younger, 1781–1867
Gateway in the Ruins of the Ancient Walls of Arpino
1802-1804
90
Sir Robert Smirke the younger, 1781–1867
Ruins at Capua
1802-1804
91
Sir Robert Smirke the younger, 1781–1867
View From Cori Towards Villetri
1802-1804
92
Sir Robert Smirke the younger, 1781–1867
Sketch of a Window and Arches of the Nave in the Church of St. Wensceslas in Prague