Sir George Howland Beaumont seventh Baronet, 1753–1827
Leasehold Farm Boxted
1791
13
Robert Mabon, died 1798
African Woman Sitting on a Chair
undated
14
Robert Mabon, died 1798
African Woman
undated
15
Robert Mabon, died 1798
Rough Sketch of African Woman with Baskets
undated
16
Robert Mabon, died 1798
Sketch of Nana Fadnavis
undated
17
Robert Mabon, died 1798
A Species of Wild Duck
undated
18
James Wales, ca.1747–1795
Great Indian Bustard
undated
19
Robert Mabon, died 1798
Flamingo
undated
20
Robert Mabon, died 1798
Necklaces
undated
21
Robert Mabon, died 1798
Rou Water Holder
undated
22
Robert Mabon, died 1798
Jeweled Box for Buttee Nuts
undated
23
Robert Mabon, died 1798
View from Panwell
undated
24
Robert Mabon, died 1798
Landscape with River or Lake
undated
25
Robert Mabon, died 1798
Landscape with Rocks
undated
26
Robert Mabon, died 1798
Buildings by a River
undated
27
Robert Mabon, died 1798
Unfinished Sketch of an Elaborately Saddled Horse
undated
28
Robert Mabon, died 1798
A Hindu Devotee
undated
29
Robert Mabon, died 1798
Landscape with Rocks
undated
30
Robert Mabon, died 1798
African Woman with Baskets
undated
31
Nicholas Pocock, 1740–1821
View from Ashton Meadows, Bristol
1791
32
unknown artist
Memorial to Theodore King of Corsica in St. Ann, Westminster
1791
33
unknown artist
Stowe's Monument in St. Andrew, Undershaft
1791
34
unknown artist
Newgate
1791
35
unknown artist
Pye Corner, Smithfield
1791
36
unknown artist
Samuel Cooper's Monument in St. Pancras Church
1791
37
unknown artist
In St. Mary Overie's or St. Saviour's, Southwark
1791
38
William Ellis, 1747–1810
Hackney
1791
39
Jacob C. Schnebbelie, 1760–1792
Painting on the South Side Severts Tomb
1791
40
unknown artist
Speed's Monument in the Chancel of St. Giles, Cripplegate
1791
41
Matthew Haughton, 1768–1821
Girl and Boy Anglers
1791
42
William Hayes, active 1775–1794
A Crane
1791
43
Thomas Jones, 1742–1803
Study of Rocks, near Pencerrig, Wales
ca. 1796
44
James Malton, 1761–1803
The North Foreland Lighthouse, Kent
1791
45
James Wyatt, 1746–1813
Cobham Hall, Kent: Drawing at large for the ornament in the center of the ceiling of the vestibule at Cobham
1791
46
Richard Westall, 1765–1836
Rosebud, or the Judgement of Paris
1791
47
Captain T. Richbell, active 1792–1825
Man of War with Other Shipping
1791
48
John Webber, 1752–1793
Pont-y-Pair on the River Llugwy near Betws-y-Coed, Denbigh
1791
49
Lady Salesbury, active 1791
The Misses Van and Lady Salisbury
1791
50
John Webber, 1752–1793
View in Oheitepeha Bay, Otaheite
1791
51
Robert Mabon, died 1798
Hilt of the Peshwa's Sword
undated
52
Robert Mabon, died 1798
Bottom of Sword Sheath
undated
53
Robert Mabon, died 1798
Breast Buckle
undated
54
Robert Mabon, died 1798
Bottom of Sword Sheath
undated
55
Robert Mabon, died 1798
Mahometan Devotee
undated
56
Robert Mabon, died 1798
Persian Sword Hilt Set with Diamonds
undated
57
Susannah Wales, Lady Malet, 1779–1868
A Cheetah Hunting Party with Charles Warre Malet
undated
58
Robert Mabon, died 1798
Jewelry Designs
undated
59
Robert Mabon, died 1798
Indian Guard Room
undated
60
Robert Mabon, died 1798
Hamalls or Potters Resting after Laying down their Burdens
undated
61
Robert Mabon, died 1798
Englishmen with an Indian Hunting Party
undated
62
Robert Mabon, died 1798
A Man Making his Turban
undated
63
Robert Mabon, died 1798
A Waterman with his Ox or Bullock
undated
64
Robert Mabon, died 1798
A Brahmin
undated
65
Robert Mabon, died 1798
Two Coorgs in their Proper Uniform
undated
66
Robert Mabon, died 1798
Short Sword in Sheath
undated
67
Robert Mabon, died 1798
A Sepoy Punishment
undated
68
Robert Mabon, died 1798
Scene in a Famine: Quarreling for Carrion
undated
69
Thomas Girtin, 1775–1802
View of Rochester
1791
70
James Moore, 1762–1799
Salisbury Cathedral
1791
71
James Moore, 1762–1799
Weymouth Harbour
1791
72
John Raphael Smith, 1752–1812
A Wife - Une Femme Mariee
1791
73
John Raphael Smith, 1752–1812
What You Will - Ce Qui Vous Plaira
1791
74
James Moore, 1762–1799
Part of Weymouth Harbour, Dorset, England
1791
75
John Raphael Smith, 1752–1812
A Maid - Une Pucelle
1791
76
John Raphael Smith, 1752–1812
A Widow - Une Veuve
1791
77
William Hincks, 1752–1797
Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water
1791
78
William Hincks, 1752–1797
Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
1791
79
William Hincks, 1752–1797
Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
1791
80
William Hincks, 1752–1797
Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
1791
81
William Hincks, 1752–1797
Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
1791
82
William Hincks, 1752–1797
Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
1791
83
William Hincks, 1752–1797
Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ..
1791
84
William Hincks, 1752–1797
Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
1791
85
William Hincks, 1752–1797
Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
1791
86
William Hincks, 1752–1797
Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it
1791
87
William Hincks, 1752–1797
Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
1791
88
Thomas Girtin, 1775–1802
Rievaulx Abbey, Yorkshire
ca. 1796
89
Thomas Girtin, 1775–1802
A Village in a Wood
ca. 1796
90
George Siegmund Facius, 1750–1804
George III
1791
91
Print made by John Condé, 1765–1794
T. Banks, Sculptor, R. A
1791
92
Samuel Hieronymus Grimm, 1733–1794
Haverfordwest, Pembrokeshire
1791
93
John White Abbott, 1763–1851
The Mouth of the Cavern at Castleton in the Peak of Derby