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Collection Prints and Drawings

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Date 1791

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Classification Prints

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1. A Sleeping Leopard

A Sleeping Leopard
Creator:
Print made by George Stubbs, 1724–1806
Date:
1791
Materials & Techniques:
Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 13 3/4 inches (25.4 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Hay-Makers

Hay-Makers
Creator:
George Stubbs, 1724–1806
Date:
1791
Materials & Techniques:
Stipple engraving, second state
Dimensions:
Sheet: 16 11/16 x 21 13/16in. (42.4 x 55.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Memorial to Theodore King of Corsica in St. Ann, Westminster

Memorial to Theodore King of Corsica in St. Ann, Westminster
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 7/8 x 6 3/4in. (22.5 x 17.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Stowe's Monument in St. Andrew, Undershaft

Stowe's Monument in St. Andrew, Undershaft
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 7/8 x 7 13/16in. (22.5 x 19.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Newgate

Newgate
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Pye Corner, Smithfield

Pye Corner, Smithfield
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Samuel Cooper's Monument in St. Pancras Church

Samuel Cooper's Monument in St. Pancras Church
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 9 x 6 7/8in. (22.9 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. In St. Mary Overie's or St. Saviour's, Southwark

In St. Mary Overie's or St. Saviour's, Southwark
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Hackney

Hackney
Creator:
William Ellis, 1747–1810
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Painting on the South Side Severts Tomb

Painting on the South Side Severts Tomb
Creator:
Jacob C. Schnebbelie, 1760–1792
Date:
1791
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Speed's Monument in the Chancel of St. Giles, Cripplegate

Speed's Monument in the Chancel of St. Giles, Cripplegate
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 7/8 x 6 7/8in. (22.5 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. A Wife - Une Femme Mariee

A Wife - Une Femme Mariee
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 7/8 × 14 1/2 inches (50.5 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. What You Will - Ce Qui Vous Plaira

What You Will - Ce Qui Vous Plaira
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 23 3/16 × 17 1/4 inches (58.9 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. A Maid - Une Pucelle

A Maid - Une Pucelle
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 7/8 × 14 1/8 inches (47.9 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. A Widow - Une Veuve

A Widow - Une Veuve
Creator:
John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Colored stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 5/8 × 14 1/4 inches (49.8 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving

Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn

Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax

Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. George III

George III
Creator:
George Siegmund Facius, 1750–1804
Date:
1791
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/8 × 10 1/16 inches (33.3 × 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

28. T. Banks, Sculptor, R. A.

T. Banks, Sculptor, R. A.
Creator:
Print made by John Condé, 1765–1794
Date:
1791
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/16 x 5 1/16 inches (21.4 x 12.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Mr. H. Angelo's Fencing Academy

Mr. H. Angelo's Fencing Academy
Creator:
Charles Rosenberg, active 1790–1820
Date:
1791
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 12 7/8 x 19 3/4in. (32.7 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Lollard's Prison

Lollard's Prison
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Memorial in St. Mary's, Lambeth

Memorial in St. Mary's, Lambeth
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Pedlar and his Dog, St. Mary's, Lambeth

Pedlar and his Dog, St. Mary's, Lambeth
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Resist Unto Blood, the True Christian Warfare, The Spirit Against the Flesh (A Clerical Boxing Match)

Resist Unto Blood, the True Christian Warfare, The Spirit Against the Flesh (A Clerical Boxing Match)
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/8 x 15in. (23.2 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. A Stroke at the Plenipo or Mary's Mistake

A Stroke at the Plenipo or Mary's Mistake
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 12 3/4in. (21 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. A Disunion or the Family Compact Disturbed

A Disunion or the Family Compact Disturbed
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 12 13/16in. (21.6 x 32.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Rights of Man Alias French Liberty Alias Entering Volunteers for the Republic (from: Caricature, vol. 3) ( from: Caricature, vol. 3)

Rights of Man Alias French Liberty Alias Entering Volunteers for the Republic (from: Caricature, vol. 3) ( from: Caricature, vol. 3)
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 1/4 x 14in. (23.5 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Patience on a Monument

Patience on a Monument
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Coming-on of the Monsoons; - or - The Retreat from Seringapatam

The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Lubber's Hole - alias - The Crack'd Jordan

Lubber's Hole - alias - The Crack'd Jordan
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. The Siege of Blenheim - or - The New System of Gunning Discoverd -

The Siege of Blenheim - or - The New System of Gunning Discoverd -
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan

The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard

Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
Creator:
Print made by John Carter, 1748–1817
Date:
1791
Materials & Techniques:
Etching on slightly textured, medium, white wove paper
Dimensions:
Sheet: 3 1/8 × 3 9/16 inches (7.9 × 9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Les Trois Magots

Les Trois Magots
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. French Democrats surprizing the Royal Runaways

French Democrats surprizing the Royal Runaways
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -

The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
Creator:
Print made by Peter Simon, 1750–1810
Date:
1791
Materials & Techniques:
Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/8 × 29 3/8 inches (51.1 × 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)

King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
Creator:
Print made by Jean B. Michel, active 1803
Date:
1791
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 29 1/2 × 19 3/4 inches (74.9 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Sir Robert Strange

Sir Robert Strange
Creator:
Robert Strange, 1721–1792
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Ex Libris of George Lambert

Ex Libris of George Lambert
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1791
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

50. Trade Card for Thomas Sandby, Jr.

Trade Card for Thomas Sandby, Jr.
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Line engraving and stipple engraving on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 5 13/16 × 5 11/16 inches (14.8 × 14.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of William Drummond

51. An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Painting on the South Side Seberts Tomb

An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Painting on the South Side Seberts Tomb
Creator:
Jacob C. Schnebbelie, 1760–1792
Date:
1791
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Somerset Place

Somerset Place
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1791
Materials & Techniques:
Aquatint printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

53. The House of the Cevaliere D'eon at Tonnerrel

The House of the Cevaliere D'eon at Tonnerrel
Creator:
Print made by William Thomas, active 1783– died 1800
Date:
1791
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

54. Somerset Place

Somerset Place
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1791
Materials & Techniques:
Etching and aquatint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

55. Analysis of Beauty, Plate I

Analysis of Beauty, Plate I
Creator:
Print made by J. Barlow, active 1791
Date:
1791
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

56. Analysis of Beauty, Plate II

Analysis of Beauty, Plate II
Creator:
Print made by J. Barlow, active 1791
Date:
1791
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

57. Analysis of Beauty, Plate I

Analysis of Beauty, Plate I
Creator:
Print made by J. Barlow, active 1791
Date:
1791
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

58. Analysis of Beauty, Plate I

Analysis of Beauty, Plate I
Creator:
Print made by J. Barlow, active 1791
Date:
1791
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

59. Collection of Prints by Notable Dilettanti

Collection of Prints by Notable Dilettanti
Creator:
Print made by unknown artist
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Guy, Earl of Warwick, From a Basso Relievio in Warwick Lane

Guy, Earl of Warwick, From a Basso Relievio in Warwick Lane
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Domestic Architecture - N. E. View of an Old House lately Standing in Sweedon's Passage, Grub Street

Domestic Architecture - N. E. View of an Old House lately Standing in Sweedon's Passage, Grub Street
Creator:
John Thomas Smith, 1766–1833
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. A View of Albion Mill on Fire

A View of Albion Mill on Fire
Creator:
John William Edy, 1760–1820
Date:
1791
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. London Stone in Cannon Street

London Stone in Cannon Street
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. A Basso Relievo of a Gardiner. Against Mr. Holylands stables Gardiners Lane, the corner of High Timber Street, is this Sculpture: but why put up, cannot learn. Tradition says the site was once Gardens.

A Basso Relievo of a Gardiner. Against Mr. Holylands stables Gardiners Lane, the corner of High Timber Street, is this Sculpture: but why put up, cannot learn. Tradition says the site was once Gardens.
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. London Stone in Cannon Street

London Stone in Cannon Street
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Vignette: Four Putti, Two Holding Hands

Vignette: Four Putti, Two Holding Hands
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Vignette: Four Putti, Two Holding Hands

Vignette: Four Putti, Two Holding Hands
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Stad en Revier Van Rochester. Chatham (The Dutch Fleet in Medway) 12-23 June 1667

Stad en Revier Van Rochester. Chatham (The Dutch Fleet in Medway) 12-23 June 1667
Creator:
Bastiaen Stopendael, 1636/7–c.1708
Date:
Published 1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 9 7/16 x 13 3/8in. (24 x 34cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. A Curious Pump

A Curious Pump
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. North End, Hampstead

North End, Hampstead
Creator:
Francis Jukes, 1747–1812
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Hornsey

Hornsey
Creator:
William Ellis, 1747–1810
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Monmouth House, Soho Square

Monmouth House, Soho Square
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. A Specimen of Ancient Building (Old houses in King Street)

A Specimen of Ancient Building (Old houses in King Street)
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Gateway of the Old Palace at Richmond

Gateway of the Old Palace at Richmond
Creator:
George Isham Parkyns, 1749/50–c.1820
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Rosamond's Pond

Rosamond's Pond
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Contemplation

Contemplation
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. William Augustus Bowles, Chief of the Embassy from the Creeke & Cherokee Nations

William Augustus Bowles, Chief of the Embassy from the Creeke & Cherokee Nations
Creator:
Joseph Grozer, ca. 1755–1798
Date:
1791
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 3/4 × 11 7/16 inches (42.5 × 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

78. St. Paul

St. Paul
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. The Departure of Hagar

The Departure of Hagar
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. A Sacrifice To Diana The Goddess Of Hunting

A Sacrifice To Diana The Goddess Of Hunting
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Pye Corner, Smithfield

Pye Corner, Smithfield
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. A View of Westminster Bridge, the Abbey and Church

A View of Westminster Bridge, the Abbey and Church
Creator:
John William Edy, 1760–1820
Date:
1791
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Portrait of Joseph Haydn

Portrait of Joseph Haydn
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 9/16 x 8 5/8 inches (29.4 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Bequest of Ralph Kirkpatrick, Yale MA (HON.) 1965

84. George, Prince of Wales

George, Prince of Wales
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Mary Isabella, Duchess of Rutland

Mary Isabella, Duchess of Rutland
Creator:
Print made by John Keyse Sherwin, c.1751–1790
Date:
1791
Materials & Techniques:
Line engraving (only state) on thick, rough, cream laid paper
Dimensions:
Sheet: 23 3/4 × 17 1/2 inches (60.3 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

86. Madona col Bambino

Madona col Bambino
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1791
Materials & Techniques:
Mezzotint (Ham.II) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 1/4 × 14 3/8 inches (51.4 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

87. Caroline, Duchess of Marlborough

Caroline, Duchess of Marlborough
Creator:
Print made by John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 1/4 × 14 7/8 inches (64.1 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

88. Mrs. Bunbury

Mrs. Bunbury
Creator:
Print made by John Young, 1755–1825
Date:
1791
Materials & Techniques:
Mezzotint (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 × 9 1/2 inches (32.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

89. Miss Farren

Miss Farren
Creator:
Print made by Charles Knight, 1743–c.1826
Date:
1791
Materials & Techniques:
Etching and stipple engraving (second state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 3/8 × 14 1/8 inches (51.8 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

90. Miss Farren

Miss Farren
Creator:
Print made by Charles Knight, 1743–c.1826
Date:
1791
Materials & Techniques:
Etching and stipple engraving (first state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 3/8 × 14 inches (54.3 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

91. Miss Farren

Miss Farren
Creator:
Print made by Charles Knight, 1743–c.1826
Date:
1791
Materials & Techniques:
Etching and stipple engraving (third state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 1/8 × 17 1/4 inches (63.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

92. A Brewhouse Yard

A Brewhouse Yard
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1791
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 21 3/8 × 27 1/8 inches (54.3 × 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

93. Rear Admiral Sir Charles Douglas

Rear Admiral Sir Charles Douglas
Creator:
John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 14 7/8 x 24in. (37.8 x 61cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

94. Admiral Edward Vernon

Admiral Edward Vernon
Creator:
John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 17 x 26 1/2in. (43.2 x 67.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

95. A Memorial to Shakespeare

A Memorial to Shakespeare
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 x 4 1/4in. (17.8 x 10.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

96. Sylvia

Sylvia
Creator:
John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Stipple Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/4 × 14 15/16 inches (48.9 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"

Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
Creator:
John Keyse Sherwin, c.1751–1790
Date:
1791
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 9 5/8 × 7 9/16 inches (24.4 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Mary Isabella Manners (née Somerset), Duchess of Rutland

Mary Isabella Manners (née Somerset), Duchess of Rutland
Creator:
John Keyse Sherwin, c.1751–1790
Date:
1791
Materials & Techniques:
Stipple engraving, line engraving, and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 × 15 inches (51.4 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Beatrice Listening to Hero and Ursula - "Much Ado About Nothing", Act III, Scene I

Beatrice Listening to Hero and Ursula - "Much Ado About Nothing", Act III, Scene I
Creator:
John Jones, ca. 1745–1797
Date:
1791
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 22 x 18in. (55.9 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

100. All's Well... Act III, Sc. V

All's Well... Act III, Sc. V
Creator:
W. Taylor, active 1790–1810
Date:
1791
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection