Collection: Prints and Drawings / Date: 1811 / Genre: architectural subject

1. London from Greenwich

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/2 inches (30.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. London from Greenwich

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 3/4 inches (23.8 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. London from Greenwich

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 14 3/4 inches (29.2 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Windmill and Lock

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink Engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 11 1/2 inches (21 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Windmill and Lock

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Lauffenbourgh on the Rhine

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 3/8 inches (28.9 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Martello Towers near Bexhill, Sussex

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 17 1/8 inches (28.6 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Windmill and Lock

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint
Dimensions:: Plate: 8 1/4 x 11 1/2in. (21 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901, Fund

9. Lauffenbourgh on the Rhine

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 7/8 inches (27.3 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Windmill and Lock

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 15 5/8 inches (27.3 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. London from Greenwich

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Young Anglers

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Hindoo Worshipper

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 10 3/8 inches (18.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Martello Towers near Bexhill, Sussex

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 10 7/8 inches (20 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. London from Greenwich

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 3/8 inches (26.7 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

16. Cottage at Diss

Creator:: Robert Dixon, 1780–1815
Date:: 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 8 1/4 inches (25.6 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Devereux House, the Strand, London

Creator:: George Shepheard, ca. 1770–1842
Date:: 1811
Materials & Techniques:: Watercolor, graphite, and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 7 3/4 inches (28.6 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Avranches

Creator:: Ambrose Poynter, 1796–1886
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 12 5/16in. (21 x 31.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Church of Notre Dame, Bruges

Creator:: Samuel Austin, 1796–1834
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 18 5/8 × 22 3/4 inches (47.3 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Foundation of Stratten's Chapel

Creator:: John Linnell, 1792–1882
Date:: 1811
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/8 x 5 5/8 inches (9.8 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Hinton St. George, Somerset: Plan of the East Dining Room

Creator:: James Wyatt, 1746–1813
Date:: 1811
Materials & Techniques:: Graphite and pen and black ink on thick, moderately textured, cream laid paper and masking tape, verso, upper center
Dimensions:: Sheet: 15 1/8 x 21 3/4 inches (38.4 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Landscape with a Ruined Tower

Creator:: Attributed to Julius Caesar Ibbetson, 1759–1817
Date:: 1811
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 9 5/8 inches (19.1 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Building of Waterloo Bridge

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1816
Materials & Techniques:: Pen and brown ink, brown wash, gray wash, and watercolor on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 x 15 5/8 inches (25.4 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Cluny Castle, Aberdeenshire, Scotland: Perspective

Creator:: William Wilkins, 1778–1839
Date:: ca. 1816
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 3/4 × 18 1/2 inches (34.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Vauxhall Bridge

Creator:: John Varley, 1778–1842
Date:: ca. 1816
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 14 7/8 inches (28.9 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. View of Edinburgh from Calton Hill

Creator:: Francis Nicholson, 1753–1844
Date:: 1811
Materials & Techniques:: Watercolor, gouache, and graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/2 × 24 1/4 inches (47 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. View of the Cathedral of Christ Church and Part of Corpus Christi College

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1811
Materials & Techniques:: Line engraving, published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/8 × 18 1/4 inches (35.9 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. High Street, Oxford

Creator:: Print made by Samuel Middiman, ca. 1750–1831
Date:: 1811
Materials & Techniques:: Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 3/8 × 35 inches (59.4 × 88.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Times and Evening Mail Office

Creator:: George Sidney Shepherd, 1784–1862
Date:: 1811
Materials & Techniques:: Watercolor and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 8 5/8 inches (17.5 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. South View of Montacute House

Creator:: John Buckler FSA, 1770–1851
Date:: 1811
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. South View of Sherbone Castle, Dorsetshire The Seat of the Earl of Digby

Creator:: John Buckler FSA, 1770–1851
Date:: 1811
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Entrance to Burleigh park near Stamford

Creator:: John Buckler FSA, 1770–1851
Date:: 1811
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. a. The Staircase at Longleat / b. Ground Plan of Longleat House, Wiltshire

Creator:: John Buckler FSA, 1770–1851
Date:: 1811
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Linlithgow Palace Courtyard, West Lothian

Creator:: David Roberts, 1796–1864
Date:: undated
Materials & Techniques:: Gray was and blue wash with graphite and gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 x 13 7/8in. (24.8 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Palace on a River

Creator:: David Roberts, 1796–1864
Date:: undated
Materials & Techniques:: Graphite with watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 inches (12.1 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. A Country Church

Creator:: David Roberts, 1796–1864
Date:: undated
Materials & Techniques:: Gray and gray-brown wash and graphite on medium, slightly textured, cream wove paper mounted on board
Dimensions:: Sheet: 9 3/4 x 12 15/16in. (24.8 x 32.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Temple of Apollo Epicurius at Bassai, Phigalea

Creator:: John Foster, ca. 1787–1846
Date:: 1811
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 18 inches (29.5 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Hippodrome, Constantinople

Creator:: John Foster, ca. 1787–1846
Date:: between 1811 and 1813
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 16 inches (25.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Plate XIX: St Stephen's Chapel

Creator:: Print made by John Carter, 1748–1817
Date:: 1811
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 18 1/2 × 12 1/2 inches (47 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Plate I. Memorials of the Commissioners for Improving Westminster, 1811

Creator:: Print made by unknown artist
Date:: 1811
Materials & Techniques:: Line engraving on smooth, medium, white wove paper
Dimensions:: Sheet: 7 5/8 × 12 5/8 inches (19.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. North West View of Montacute House, Somersetshire, The Seat of John Phelips Esqr.

Creator:: John Buckler FSA, 1770–1851
Date:: 1811
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. North East View of Sherborne Castle

Creator:: John Buckler FSA, 1770–1851
Date:: 1811
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Plan of Wollaton Hall, Notthinghamshire

Creator:: John Buckler FSA, 1770–1851
Date:: 1811
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. West Front of Longford Castle, Wiltshire the Seat of the Earl of Radnor

Creator:: John Buckler FSA, 1770–1851
Date:: 1811
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Inigo Jones

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1811
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 5 1/16 inches (15.6 × 12.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. South West View of Fountains Hall, near the Abbey, Yorkshire belonging to Miss Larvience of Studley Royal

Creator:: John Buckler FSA, 1770–1851
Date:: 1811
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. South East View of Wollaton Hall. Nottinghamshire; the Seat of Lord Middleton

Creator:: John Buckler FSA, 1770–1851
Date:: 1811
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. South East View of Belton House, Lincolshire the Seat of the Right Hon'ble Earl Brownlow

Creator:: John Buckler FSA, 1770–1851
Date:: 1811
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. North view of Longford Castle, lately erected

Creator:: John Buckler FSA, 1770–1851
Date:: 1811
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey

Creator:: Print made by Thomas Sutherland, ca. 1785–1838
Date:: 1811
Materials & Techniques:: Line engraving on smooth, medium, white wove paper
Dimensions:: Sheet: 10 × 12 1/8 inches (25.4 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Etchings by John Sell Cotman, Volume II

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: 1811
Materials & Techniques:: Etching on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 7/16 x 13 3/4 inches (49.3 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

52. Hillslap

Creator:: David Roberts, 1796–1864
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 6 3/4 inches (12.4 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Interior of Durham Cathedral

Creator:: David Roberts, 1796–1864
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 13 15/16 × 9 3/4 inches (35.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. View of St. Peters, Rome

Creator:: David Roberts, 1796–1864
Date:: undated
Materials & Techniques:: Watercolor over graphite with some scratching out on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 1/16 x 36 1/4 inches (38.3 x 92.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Temple of Aphaia at Aegina: Perspective of Roof

Creator:: Edmund Turrell, active 1835–1860
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured cream wove paper
Dimensions:: Sheet: 7 1/4 × 6 7/8 inches (18.4 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Temple of Venus in the Port at Aegina: Elevations

Creator:: Charles Robert Cockerell, 1788–1863
Date:: 1811
Materials & Techniques:: Etching, proof with graphite notations on smooth, thin, white wove paper
Dimensions:: Sheet: 18 3/8 × 11 5/8 inches (46.7 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Temple of Aphaia at Aegina: Ground Plan, Showing The Temple Restored

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite, pen and black and red ink, and brown and pink wash on two joined sheets of medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 × 25 inches (31.4 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Temple of Aphaia at Aegina: Ground Floor Plan

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite, pen and black, gray and red ink, brown and pink wash on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 1/16 × 19 inches (33.2 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Temple of Aphaia at Aegina: Fieldnotes with Moulding and Column Flute Profiles

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Pen and gray ink with traces of graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 12 1/2 inches (21.3 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Font in Binham Church, Norfolk

Creator:: John Sell Cotman, 1782–1842
Date:: 1811
Materials & Techniques:: Graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/4 x 8 5/8 inches (28.6 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Yarmouth, the North-west Tower

Creator:: John Sell Cotman, 1782–1842
Date:: 1811
Materials & Techniques:: Graphite on medium, moderately textured cream wove paper
Dimensions:: Sheet: 11 7/8 x 8 5/8 inches (30.2 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. South Door, Arminghall Hall, Norfolk

Creator:: John Sell Cotman, 1782–1842
Date:: 1811
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 7/8 x 6 5/8 inches (27.6 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Brampton Church, Norfolk, from the South-East

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1816
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 11 3/8 inches (22.2 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Interior of the Ruins of Yarmouth Priory

Creator:: John Sell Cotman, 1782–1842
Date:: 1811
Materials & Techniques:: Graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 8 3/4 x 11 1/4 inches (22.2 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Temple of Aphaia at Aegina: Molding Details

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Pen and black ink and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 1/2 × 18 7/8 inches (34.3 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Temple of Aphaia at Aegina: Elevation and Partial Section

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 3/4 x 12 1/2 inches (42.5 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Temples of Aegina, Corinth, Theseum, Nemea: Dimensions of Temples

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite on two sheets of medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/4 × 4 3/4 inches (19.7 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Temple of Aphaia at Aegina: Survey

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite on slightly textured, thin, white wove paper
Dimensions:: Sheet: 10 3/8 × 11 5/8 inches (26.4 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Temple of Aphaia at Aegina: Elevation of the Doric Entablature and Roof Section

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Pen and black and red ink, graphite and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 1/2 × 16 13/16 inches (31.8 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Temple of Aphaea at Aegina: Details and Field Notes of Excavation

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 9 11/16 inches (39.1 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Temple of Apollo Epikourios: Front Elevation

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite and pen and brown wash on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 1/4 x 20 1/2 inches (36.2 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Temple of Apollo Epikourios: Details of the Ionic Order

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 15/16 × 18 5/8 inches (32.9 × 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The Temple of Apollo Epikourios: View of the Interior

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite on moderately textured, moderately thick, cream wove paper
Dimensions:: Sheet: 11 3/4 × 19 1/2 inches (29.8 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Temple of Apollo Epikourios: Section through the Cella

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite, pen and brown and gray ink, and brown wash on medium, moderately textured, cream antique laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Convent, Mt. St. Bernard (Switzerland)

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1816
Materials & Techniques:: Watercolor, pen and gray ink, over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 3/16 × 18 1/16 inches (31 × 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. For Dr. T. Monro

Creator:: unknown artist
Date:: 1811
Materials & Techniques:: Graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 3/4 × 12 1/4 inches (22.2 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

77. Interior View of the Bank

Creator:: unknown artist
Date:: 1811
Materials & Techniques:: Hand colored etching on smooth, medium, cream wove paper
Dimensions:: Sheet: 8 15/16 × 5 1/2 inches (22.7 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Strand

Creator:: unknown artist
Date:: 1811
Materials & Techniques:: Engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 11 7/8 × 9 5/8 inches (30.2 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Pope's Villa

Creator:: Print made by John Pye, 1782–1874
Date:: 1811
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 13 3/8 inches (24.4 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Pope's Villa

Creator:: Print made by John Pye, 1782–1874
Date:: 1811
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/16 × 9 1/2 inches (20.5 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Cluny Castle, Aberdeenshire, Scotland: Elevation

Creator:: William Wilkins, 1778–1839
Date:: ca. 1816
Materials & Techniques:: Pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 3/4 × 18 5/8 inches (34.9 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Cluny Castle, Aberdeenshire, Scotland: Elevation

Creator:: William Wilkins, 1778–1839
Date:: ca. 1816
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 3/4 × 18 11/16 inches (34.9 × 47.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Cluny Castle, Aberdeenshire, Scotland: Elevation

Creator:: William Wilkins, 1778–1839
Date:: ca. 1816
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 3/4 × 18 5/8 inches (34.9 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Cluny Castle, Aberdeenshire, Scotland: Elevation

Creator:: William Wilkins, 1778–1839
Date:: ca. 1816
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 3/4 × 18 11/16 inches (34.9 × 47.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Cluny Castle, Aberdeenshire, Scotland: Ground Floor Plan with Proposed Alterations

Creator:: William Wilkins, 1778–1839
Date:: ca. 1816
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 7/8 × 18 1/2 inches (35.2 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Saxon Remains in a Garden in Canterbury

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1811
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 8 inches (21.6 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Flower Garden at Middleton Park, Oxfordshire

Creator:: Lewis Kennedy, active 1775–1811
Date:: 1811
Materials & Techniques:: Gray wash, pen and black ink, graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 18 7/8 × 24 3/8 inches (47.9 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The Plan of the Stable Yard, Westminster

Creator:: unknown artist
Date:: 1811
Materials & Techniques:: Graphite, pen and black ink, and blue, yellow and red watercolor on smooth, medium, white wove paper
Dimensions:: Sheet: 18 1/8 × 23 7/8 inches (46 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Temple of Apollo Epikourios: Distant View

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured cream laid paper
Dimensions:: Sheet: 8 5/8 × 12 3/8 inches (21.9 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Temples of Aegina, Corinth, Theseum, Nemea: Elevations and Details of Doric Columns

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite on two sheets of moderately thick, moderately textured, cream laid paper and a sheet of thin smooth, beige paper attached on the verso bar scales given
Dimensions:: Sheet: 9 1/8 × 14 1/4 inches (23.2 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Temple of Aphaia at Aegina: Elevation and Details of Doric Columns

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 13 11/16 inches (50.2 × 34.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Temple of Aphaia at Aegina: View of Landscape

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite on thin, smooth, cream wove paper
Dimensions:: Sheet: 5 5/16 × 8 13/16 inches (13.5 × 22.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Temple of Apollo Epikourios: Distant View

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 12 3/8 inches (21.9 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Collection Prints and Drawings

Date 1811

Genre architectural subject

Search Results

1. London from Greenwich

2. London from Greenwich

3. London from Greenwich

4. Windmill and Lock

5. Windmill and Lock

6. Lauffenbourgh on the Rhine

7. Martello Towers near Bexhill, Sussex

8. Windmill and Lock

9. Lauffenbourgh on the Rhine

10. Windmill and Lock

11. London from Greenwich

12. Young Anglers

13. The Hindoo Worshipper

14. Martello Towers near Bexhill, Sussex

15. London from Greenwich

16. Cottage at Diss

17. Devereux House, the Strand, London

18. Avranches

19. Church of Notre Dame, Bruges

20. Foundation of Stratten's Chapel

21. Hinton St. George, Somerset: Plan of the East Dining Room

22. Landscape with a Ruined Tower

23. The Building of Waterloo Bridge

24. Cluny Castle, Aberdeenshire, Scotland: Perspective

25. Vauxhall Bridge

26. View of Edinburgh from Calton Hill

27. View of the Cathedral of Christ Church and Part of Corpus Christi College

28. High Street, Oxford

29. The Times and Evening Mail Office

30. South View of Montacute House

31. South View of Sherbone Castle, Dorsetshire The Seat of the Earl of Digby

32. The Entrance to Burleigh park near Stamford

33. a. The Staircase at Longleat / b. Ground Plan of Longleat House, Wiltshire

34. Linlithgow Palace Courtyard, West Lothian

35. Palace on a River

36. A Country Church

37. The Temple of Apollo Epicurius at Bassai, Phigalea

38. The Hippodrome, Constantinople

39. Plate XIX: St Stephen's Chapel

40. Plate I. Memorials of the Commissioners for Improving Westminster, 1811

41. North West View of Montacute House, Somersetshire, The Seat of John Phelips Esqr.

42. North East View of Sherborne Castle

43. Plan of Wollaton Hall, Notthinghamshire

44. West Front of Longford Castle, Wiltshire the Seat of the Earl of Radnor

45. Inigo Jones

46. South West View of Fountains Hall, near the Abbey, Yorkshire belonging to Miss Larvience of Studley Royal

47. South East View of Wollaton Hall. Nottinghamshire; the Seat of Lord Middleton

48. South East View of Belton House, Lincolshire the Seat of the Right Hon'ble Earl Brownlow

49. North view of Longford Castle, lately erected

50. Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey

51. Etchings by John Sell Cotman, Volume II

52. Hillslap

53. Interior of Durham Cathedral

54. View of St. Peters, Rome

55. The Temple of Aphaia at Aegina: Perspective of Roof

56. The Temple of Venus in the Port at Aegina: Elevations

57. The Temple of Aphaia at Aegina: Ground Plan, Showing The Temple Restored

58. The Temple of Aphaia at Aegina: Ground Floor Plan

59. The Temple of Aphaia at Aegina: Fieldnotes with Moulding and Column Flute Profiles

60. Font in Binham Church, Norfolk

61. Yarmouth, the North-west Tower

62. South Door, Arminghall Hall, Norfolk

63. Brampton Church, Norfolk, from the South-East

64. Interior of the Ruins of Yarmouth Priory

65. The Temple of Aphaia at Aegina: Molding Details

66. The Temple of Aphaia at Aegina: Elevation and Partial Section

67. The Temples of Aegina, Corinth, Theseum, Nemea: Dimensions of Temples

68. The Temple of Aphaia at Aegina: Survey

69. The Temple of Aphaia at Aegina: Elevation of the Doric Entablature and Roof Section

70. The Temple of Aphaea at Aegina: Details and Field Notes of Excavation

71. The Temple of Apollo Epikourios: Front Elevation

72. The Temple of Apollo Epikourios: Details of the Ionic Order

73. The Temple of Apollo Epikourios: View of the Interior