Collection: Prints and Drawings / Date: 1826 / Image Available: Unavailable

1. Illustrations of The Book of Job; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Dimensions:: Binding: 17 1/4in. (43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Satan before the Throne of God

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Job and his Family

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Job's Sons and Daughters Overwhelmed by Satan

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Messengers Tell Job of His Misfortunes

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Job's Comforters

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Satan Smiting Job with Sore Boils

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Satan Going Forth from the Presence of the Lord and Job's Charity

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Job's Despair

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Vision of Eliphaz

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Job Rebuked by His Friends

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Job's Evil Dreams

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Wrath of Elihu

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Lord Answering Job out of the Whirlwind

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. When the Morning Stars Sang Together

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Behemoth and Leviathan

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Fall of Satan

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Vision of Christ

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Job's Sacrifice

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Every One also Gave Him a Piece of Money

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Job and His Daughters

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Job and His Family Restored to Prosperity

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Engraving with chine-collé; proof on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Illustrations of The Book of Job

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Bound volume of 21 engravings with chine-collé; proofs on medium, slightly textured, cream wove paper
Dimensions:: Binding: 17 1/4in. (43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Illustrations of The Book of Job

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Folio of engravings with covers in cloth box on medium, slightly textured, cream wove paper
Dimensions:: Overall: 16 × 10 3/4 inches (40.6 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of J. T. Johnston Coe in memory of Henry E. Coe, Yale BA 1878, Henry E. Coe Jr., Yale BA 1917, and Henry E. Coe III, Yale BA 1946

25. Six Designs for Coleridge's Rime of the Ancient Mariner: While Spirits of Peace Descend

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite, red chalk, and tracing on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 5/16 × 9 7/16 inches (31.3 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

26. Front of Wrapper; and Advertisement for Ports of England

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826 to 1828
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. [Fox-hunting] set of four - Worcestershire: 1. Breaking Cover (Hadley Heath)

Creator:: Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 21 1/4in. (34.9 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. [Fox-hunting] set of four - Worcestershire: 2. Full Cry (Westwood Park Hall)

Creator:: Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 21 1/4in. (34.9 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. [Fox-hunting] set of four - Worcestershire: 3. A Check (Near Hampton Lovett)

Creator:: Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 21 1/4in. (34.9 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. [Fox-hunting] set of four - Worcestershire: 4. The Death (Southall Farm)

Creator:: Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 21 1/4in. (34.9 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Church of St. Benoist, Paris

Creator:: James Holland, 1799–1870
Date:: ca. 1831
Materials & Techniques:: Watercolor and graphite
Dimensions:: Sheet: 7 3/8 × 4 1/8 inches (18.7 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. David Ochs, M.D., Tallahassee, Florida

32. Six Designs for Coleridge's Rime of the Ancient Mariner: The Spirit of the South Sends Forth the Albatross as a Sign of Peace to the Ship

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 13/16 × 9 5/16 inches (30 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

33. Six Designs for Colreidge's Rime of the Ancient Mariner: The Spectre Ship Approaches

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite and tracing on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/16 × 9 1/2 inches (31.3 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

34. Six Designs for Coleridge's Rime of the Ancient Mariner: Death and Line-in-Death, Dice for the Crew

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite, red chalk, tracing on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 3/8 × 9 9/16 inches (31.4 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

35. Six Designs for Coleridge's Rime of the Ancient Mariner: The Crew Blames the Mariner for Killing the Albatross

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/8 × 9 inches (30.8 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

36. Christian and Hopeful in the Castle of Giant Despair

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite, red chalk, traced for transfer on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 5/8 × 9 11/16 inches (32.1 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

37. Christian, Accompanied by Discretion, Piety, Charity and Prudence

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: graphite, red chalk, traced for transfer on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 7/8 × 10 3/8 inches (32.7 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

38. Six Designs for Coleridge's Rime of the Ancient Mariner: He Rows Ashore in the Pilot's Boat

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite, red chalk, tracing on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 9 5/16 × 12 9/16 inches (23.7 × 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

39. Hearing the Music of the Spheres

Creator:: David Scott, 1806–1849
Date:: ca. 1831
Materials & Techniques:: Graphite on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 6 15/16 x 7 5/16in. (17.6 x 18.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

40. The Rivals

Creator:: Richard James Lane, 1800–1872
Date:: 1826
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

41. A Girl at her Studies (Volume of 102 Lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1826
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

42. Studies from Nature (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1826
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

43. Miss M. Tree (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1826
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

44. Lord Alexander George Russell (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1826
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

45. Mr. Liston as a Broom Girl (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1826
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

46. The Unwelcome Guest (Volume of 102 lithographs)

Creator:: Richard James Lane, 1800–1872
Date:: 1826
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

47. Old London Bridge from the Surrey Shore, showing Fishmonger's Hall, the Monument, etc.

Creator:: Gideon Yates, active 1825–1837
Date:: 1826
Materials & Techniques:: Pen and black ink and watercolor on medium, smooth, beige wove paper mounted to thick, beige card
Dimensions:: Sheet: 14 × 19 inches (35.6 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Passions of the Horse an entirely New Work described in Six subjects. 2. Love. Each plate dedicated to George IV

Creator:: Henry Bernard Chalon, 1771–1849
Date:: 1826
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 14 5/8 x 19 3/4in. (37.1 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Ornament in Hollow, above Angular and Clerestory Windows

Creator:: unknown artist
Date:: 1826
Materials & Techniques:: Pen and black ink on smooth, medium, brown wove paper
Dimensions:: Sheet: 8 × 18 3/4 inches (20.3 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Statue of Dr. Samuel Johnson

Creator:: unknown artist
Date:: 1826
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 3/4 x 5 1/2in. (22.2 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

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Collection Prints and Drawings

Date 1826

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1. Illustrations of The Book of Job; Title Page

2. Satan before the Throne of God

3. Job and his Family

4. Job's Sons and Daughters Overwhelmed by Satan

5. The Messengers Tell Job of His Misfortunes

6. Job's Comforters

7. Satan Smiting Job with Sore Boils

8. Satan Going Forth from the Presence of the Lord and Job's Charity

9. Job's Despair

10. The Vision of Eliphaz

11. Job Rebuked by His Friends

12. Job's Evil Dreams

13. The Wrath of Elihu

14. The Lord Answering Job out of the Whirlwind

15. When the Morning Stars Sang Together

16. Behemoth and Leviathan

17. The Fall of Satan

18. The Vision of Christ

19. Job's Sacrifice

20. Every One also Gave Him a Piece of Money

21. Job and His Daughters

22. Job and His Family Restored to Prosperity

23. Illustrations of The Book of Job

24. Illustrations of The Book of Job

25. Six Designs for Coleridge's Rime of the Ancient Mariner: While Spirits of Peace Descend

26. Front of Wrapper; and Advertisement for Ports of England

27. [Fox-hunting] set of four - Worcestershire: 1. Breaking Cover (Hadley Heath)

28. [Fox-hunting] set of four - Worcestershire: 2. Full Cry (Westwood Park Hall)

29. [Fox-hunting] set of four - Worcestershire: 3. A Check (Near Hampton Lovett)

30. [Fox-hunting] set of four - Worcestershire: 4. The Death (Southall Farm)

31. Church of St. Benoist, Paris

32. Six Designs for Coleridge's Rime of the Ancient Mariner: The Spirit of the South Sends Forth the Albatross as a Sign of Peace to the Ship

33. Six Designs for Colreidge's Rime of the Ancient Mariner: The Spectre Ship Approaches

34. Six Designs for Coleridge's Rime of the Ancient Mariner: Death and Line-in-Death, Dice for the Crew

35. Six Designs for Coleridge's Rime of the Ancient Mariner: The Crew Blames the Mariner for Killing the Albatross

36. Christian and Hopeful in the Castle of Giant Despair

37. Christian, Accompanied by Discretion, Piety, Charity and Prudence

38. Six Designs for Coleridge's Rime of the Ancient Mariner: He Rows Ashore in the Pilot's Boat

39. Hearing the Music of the Spheres

40. The Rivals

41. A Girl at her Studies (Volume of 102 Lithographs)

42. Studies from Nature (Volume of 102 lithographs)

43. Miss M. Tree (Volume of 102 lithographs)

44. Lord Alexander George Russell (Volume of 102 lithographs)

45. Mr. Liston as a Broom Girl (Volume of 102 lithographs)

46. The Unwelcome Guest (Volume of 102 lithographs)

47. Old London Bridge from the Surrey Shore, showing Fishmonger's Hall, the Monument, etc.

48. Passions of the Horse an entirely New Work described in Six subjects. 2. Love. Each plate dedicated to George IV

49. Ornament in Hollow, above Angular and Clerestory Windows

50. Statue of Dr. Samuel Johnson