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Collection Prints and Drawings
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1
- Study for "The Golden Age"
- 1827
2
- Sky Study with Rainbow
- 1827
3
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
4
- Carlisle
- ca. 1832
5
- Entrance to the Port of Marseille
- undated
6
- People on the Road Near Kalicut, Malabar
- undated
7
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
8
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
9
- Venice, the Doge's Palace
- undated
10
- English Country Town
- undated
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
11
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
![William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]](https://media.collections.yale.edu/thumbnail/ycba/acf4d172-dfee-4b27-8478-2be8df5a19cb)
12
- Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
- 1827
![William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]](https://media.collections.yale.edu/thumbnail/ycba/2377c317-1278-492a-94c3-bda0566322ac)
13
- Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
- 1827
![William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]](https://media.collections.yale.edu/thumbnail/ycba/7f5ea7d3-2e50-4064-bf5d-a66c163c0237)
14
- Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
- 1827
![William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]](https://media.collections.yale.edu/thumbnail/ycba/a649b6a5-30dd-4484-bf7c-0a2c0cbcf2b6)
15
- Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
- 1827
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
16
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
![William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]](https://media.collections.yale.edu/thumbnail/ycba/374dc78e-dd18-49c1-b553-b3cf58cc9df1)
17
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
18
- Milfield, East Cowes, Isle of Wight
- 1827
19
- Lord Henry Seymour's Estate
- 1827
20
- The Road between East Cowes and Newport, 1 September 1827
- 1827
21
- Distant View of West Cowes, Isle of Wight
- 1827
22
- Beaulieu, Hampshire
- 1827
23
- Bonchurch, Isle of Wight
- 1827
24
- Beaulieu, Hampshire
- 1827
25
- Portsmouth, Hampshire
- 1827
26
- Dover
- 1827
27
- Dover
- 1827
28
- Calais Pier - the English Packet Arriving
- 1827
29
- Ramsgate
- 1827
30
- Ramsgate
- 1827
31
- Ramsgate
- 1827
32
- Study of a Cottage by a lane
- undated
33
- Farm Buildings
- undated
34
- Fishermen's Houses at Sculcoats near Hull, Yorkshire
- 1827
35
- St. Goarhausen on the Rhine between Koblenz and Mainz
- 1827
36
- The Via Mala
- 1827
37
- The Valley of Lutscheuen
- 1827
38
- Tyrolese Hunters
- between 1827 and 1828
39
- The Fortune Teller
- 1827
40
- Exeter
- 1827-1838
41
- Exeter
- 1827-1838
42
- Exeter
- 1827-1838
43
- Tynemouth, Northumberland
- 1827-1838
![Charles J. Hullmandel Hammersmith Suspension Bridge, The first Stone laid 7th May, 1825 by H.R.H. the Duke of Sussex, and opened [by him], [ ] Oct. 1827](https://media.collections.yale.edu/thumbnail/ycba/f3ed05bb-ba12-4cb2-8d43-46933b91e536)
44
- Hammersmith Suspension Bridge, The first Stone laid 7th May, 1825 by H.R.H. the Duke of Sussex, and opened [by him], [ ] Oct. 1827
- 1827
45
- Sketch of Boatmen on the Shore, Ships in the Distance
- 1827
46
- A Capriccio of Windsor Castle
- 1827
47
- Banditti of Kurdistan Assisting Georgians in Surprising and Carrying off Circassian Women
- 1827
48
- River Tamar, near Endsleigh, Devon
- ca. 1832
49
- St. Paul's from Southwark by Sunset
- ca. 1832
50
- Old London Bridge and Vicinity
- 1827
51
- Kilgarren Castle, Pembroke
- 1827-1838
52
- Temple of Minerva, Cape Colonna
- ca. 1832
53
- Buckfastleigh Abbey, Devonshire
- 1827
54
- Vesuvius in Eruption
- 1827
55
- Fashionable Men and Women Promenading
- 1827
56
- City of London, Arch of Waterloo Bridge
- 1827
57
- Wilsdon Church, Middlesex
- 1827
58
- Ancient Sculpture on the Walls of St. Dunstans Stebenlethe
- 1827
59
- The London Institution, Funsbury Circus
- 1827
60
- Ticket for a Performance of Sacred Music on 1st March 1827
- 1827
61
- Enfield, Outer Suburb North
- 1827
62
- This Northwest Perspective View front Elevation of the New Church of St. George, Camberwell..
- 1827
63
- Exeter
- 1827-1838
64
- Tynemouth, Northumberland
- 1827-1838
65
- Trees and a Cottage by a River
- 1827
66
- The Bridge at Llangollen
- undated
67
- Advanced Guard - Sunrise
- ca. 1832
68
- Shepherd and Shepherdess by Moonlight
- undated
69
- A Mountain Torrent
- undated
70
- Study of a Rustic Interior Scene
- undated
71
- Music: Composition in a Garden
- ca. 1832
72
- The Bridge
- undated
73
- Sketches of Towns People
- 1827
74
- Design for London Bridge Approach
- between 1827 and 1835
75
- Design for London Bridge Approach
- between 1827 and 1835
76
- Study of a Gentleman in 17th Century Costume
- between 1827 and 1828
77
- Design for a Wreath of Oak and Acorn, possibly related to Designs for the Speaker's Chair
- undated
78
- Design for a Gothic Kneeler
- undated
79
- Design for a Gothic Wall Lamp
- undated
80
- Chapel of the Archbishop's Palace, Croydon: View from the East End
- 1827
81
- Design for a Gothic Staff
- undated
82
- Design for an Unidentified House: Elevations and Plans
- undated
83
- Design for Inkstand for Westminster No. 1, End Elevation
- undated
84
- Design for Branch for the Speaker's Chair
- undated
85
- Design for a Decorative Object
- undated
86
- Elevation, Plan and Section of a Bell Tower
- undated
87
- Designs for Gothic Ornamentation
- undated
88
- Designs for Gothic Tables
- undated
89
- Design for a Gothic Table
- undated
90
- Fragment of a Design for a Gothic Table
- undated
91
- Designs for Gothic Candle Sticks and Branches
- undated
92
- Designs for Gothic Ornamentation
- undated
93
- Design for a Baptismal Font
- undated
94
- Elevation of a Baptismal Font
- undated
95
- Sketch of a Gothic Church
- undated
96
- Design for a Stained Glass Window
- undated
97
- Sketch of a Gothic Church
- undated
98
- Bishop's Chapel Bishop Eton (built c. 1845-1850)
- undated
99
- Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches
- undated
100
- Interior of a Gothic Church
- undated