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Collection Prints and Drawings

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Date 1827

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Designs for Gothic Ornamentation
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 1/4 × 5 1/2 inches (18.4 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Baptismal Font
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 × 5 1/2 inches (25.4 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elevation of a Baptismal Font
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Pen and black ink on thin, smooth, cream tracing paper
Dimensions:
Sheet: 11 x 11 3/4 inches (27.9 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketch of a Gothic Church
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite on thin, smooth, blue wove paper
Dimensions:
Sheet: 8 x 9 7/8 inches (20.3 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Stained Glass Window
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on thin, smooth, blue wove paper
Dimensions:
Sheet: 7 × 8 inches (17.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketch of a Gothic Church
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Pen and gray ink and graphite on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 7/8 x 9 5/8 inches (20 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bishop's Chapel Bishop Eton (built c. 1845-1850)
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Lithograph on thin, smooth, blue wove paper
Dimensions:
Sheet: 11 1/8 × 8 1/2 inches (28.3 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 1/8 × 7 7/8 inches (28.3 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of a Gothic Church
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 3 3/4 inches (13.3 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Place Royale, Paris
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 4 5/8 x 8 5/8 inches (11.7 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait Head of Samuel Palmer
Creator:
George Richmond, 1809–1896
Date:
1827
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 5/16 × 3 3/8 inches (11 × 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aldborough, Suffolk
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aldborough, Suffolk
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Orford, Suffolk
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Orford, Suffolk
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Prudoe Castle, Northumberland
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Straits of Dover
Creator:
Print made by William Miller, 1796–1882
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Valle Crucis Abbey, Denbighshire
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Buckfastleigh Abbey, Devonshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to Fowey Harbour, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lancaster Sands
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Malmsbury Abbey, Wiltshire
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lancaster Sands
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof (completed)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Malmsbury Abbey, Wiltshire
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lancaster Sands
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Knaresborough, Yorkshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Knaresborough, Yorkshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Louth, Lincolnshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Louth, Lincolnshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Louth, Lincolnshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Louth, Lincolnshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Great Yarmouth, Norfolk
Creator:
Print made by William Miller, 1796–1882
Date:
1827-1838
Materials & Techniques:
Engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Great Yarmouth, Norfolk
Creator:
Print made by William Miller, 1796–1882
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hampton Court Palace
Creator:
Print made by Charles Westwood, active 1819–1838
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Devonport and Dockyard, Devonshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hampton Court Palace
Creator:
Print made by Charles Westwood, active 1819–1838
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dunstanborough Castle, Northumberland
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof (touched)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Carisbrook Castle, Isle of Wight
Creator:
Print made by Charles Westwood, active 1819–1838
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dunstanborough Castle, Northumberland
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cowes, Isle of Wight
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Carisbrook Castle, Isle of Wight
Creator:
Print made by Charles Westwood, active 1819–1838
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stamford, Lincolnshire
Creator:
Print made by William Miller, 1796–1882
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stamford, Lincolnshire
Creator:
Print made by William Miller, 1796–1882
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Alnwick Castle, Northumberland
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Alnwick Castle, Northumberland
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Alnwick Castle, Northumberland
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stamford, Lincolnshire
Creator:
Print made by William Miller, 1796–1882
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Mawes, Cornwall
Creator:
Print made by James H. Kernot, active early 19th century
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Mawes, Cornwall
Creator:
Print made by James H. Kernot, active early 19th century
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ludlow Castle, Shropshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ludlow Castle, Shropshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Square in the Village of Los Silos, Tenerife
Creator:
Alfred Diston, active 1818–1829
Date:
1827
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream wove paper mounted to thick brown card
Dimensions:
Sheet: 6 7/8 × 9 1/4 inches (17.5 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Saltash, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof (earlier)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Saltash, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Saltash, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Etching and engraving, with scraping out and touched with graphite ( Engraver's Proof )
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Saltash, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Launceston, Cornwall
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and engraving, engraver's proof (touched)
Dimensions:
Image: 6 1/2 x 9 1/16in. (16.5 x 23cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Line engraving, second published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bolton Abbey, Yorkshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bolton Abbey, Yorkshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, moderately textured, cream laid paper, with cream chine collé
Dimensions:
Sheet: 27 × 29 1/4 inches (68.6 × 74.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aldborough, Suffolk
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Prudoe Castle, Northumberland
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to Fowey Harbour, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Buckfastleigh Abbey, Devonshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Valle Crucis Abbey, Denbighshire
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to Fowey Harbour, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Okehampton, Devonshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Okehampton, Devonshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Okehampton, Devonshire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Malmsbury Abbey, Wiltshire
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Knaresborough, Yorkshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Devonport and Dockyard, Devonshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Devonport and Dockyard, Devonshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dunstanborough Castle, Northumberland
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cowes, Isle of Wight
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Saltash, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Barnard Castle, Durham
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Launceston, Cornwall
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Launceston, Cornwall
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof (touched)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Barnard Castle, Durham
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and engraving, with scraping out and touched with graphite ( Engraver's Proof )
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fall of the Tees
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fall of the Tees
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Barnard Castle, Durham
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof (finished)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dartmouth Cove
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dartmouth Cove
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Custom House
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1827
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 5/16 inches (30.2 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Custom House
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1827
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 5/8 inches (30.2 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching; open etched state (earlier than R.207 engraver's proof) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 23 3/8 × 34 7/8 inches (59.4 × 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tivoli, a Composition
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/2 × 33 7/8 inches (62.2 × 86 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection