Print made by Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Standing Candlesticks and Incense Burners
1846
12
unknown artist
"Sheppon Fields"
1846
13
Hercules Brabazon Brabazon, 1821–1906
Venice
undated
14
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
15
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
16
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
17
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
18
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
19
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
20
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
21
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
22
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
23
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
24
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
25
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
26
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
27
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
28
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
29
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
30
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
31
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
32
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
33
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
34
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
35
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
36
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
37
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
38
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
39
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
40
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
41
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
42
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
43
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
44
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
45
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
46
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
47
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
48
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
49
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
50
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
51
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
52
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
53
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
54
Charles Samuel Keene, 1823–1891
Sketchbook Drawing
between 1846 and 1852
55
David Octavius Hill, 1802–1870
'The Porthole,' Sergeant and Private of the 42d Gordon Highlanders
1846
56
Calvert Richard Jones, 1802–1877
Bay of Baia
1846
57
Henry Griffiths, 1835–1849
Martin Archer Shee
1846
58
Leopold Flameng, 1831–1911
Van Dyck et Son Protecteur le Comte de Bristol
undated
59
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
60
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
61
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
62
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
63
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
64
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
65
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
66
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
67
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
68
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
69
Charles E. Wagstaff, 1808–
John Gibson, Esqr. Sculptor, R. A., Member of the Academies of St. Luke at Rome, of Bologna, Ravenna, of the R. A. of Turin and that of New York
1846
70
John Harris, 1811–1865
Fore's Stable Scenes: Thorough Breds
1846
71
John Harris, 1811–1865
Fore's Stable Scenes: The Hunting Stud
1846
72
John Harris, 1811–1865
Fore's Stable Scenes: The Team
1846
73
David Roberts, 1796–1864
From under the Portico of the Temple of Edfu, Upper Egypt
1846
74
Print made by John Doyle ('H.B.'), 1797–1868
A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume
1846
75
Henry Papprill, 1816–d.after 1883
Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate II. "When the brush of Sly Reynard, the coveted prize, / was display'd at his table, joy danced in his eyes; ..."
1846
76
Henry Papprill, 1816–d.after 1883
Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate IV. "The Squire, the Old Squire, is gone to his rest, / his heart was the bravest, his horse was the best, ..."
1846
77
Henry Papprill, 1816–d.after 1883
Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate III. "We were hunting the fox on a lowering day, / with the Squire spurring up on his high-flying grey; ..."
1846
78
John Brett, 1831–1902
Study of Rocks
undated
79
unknown artist
Mons Corvis' Troupe of Monkeys, Goats and Dogs, Military Execution
1846
80
George Arthur Fripp, 1813–1896
Durham Cathedral
1846
81
Arthur James Stark, 1831–1902
Mare and Foal
undated
82
James Thomson, 1789–1850
Sir Thomas Lawrence, late President of the Royal Academy
1846
83
Arthur James Stark, 1831–1902
A Shepherd with Flock Beneath a Large Tree
undated
84
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
85
Alfred Henry Forrester, 1804–1872
The Guards and the Line
ca. 1851
86
John Ruskin, 1819–1900
Champagnole
1846
87
Henry Papprill, 1816–d.after 1883
Fox-Hunting [set of four]: "The Jolly Old Squire" - Plate I. "The Jolly Old Squire was as staunch as a hound, ..."
1846
88
Identifying sitters in a painting by Richard Ansdell, 1815–1885
Engraved Key Plate: The Caledonian Coursing Meeting near the Castle of Ardrossan, the Isle of Arran in the distance