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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsPeriod 18th century
Remove constraint Period: 18th centurySubject Terms clouds
Remove constraint Subject Terms: cloudsSearch Results
1
- Miranda, Prospero, and Caliban: The Tempest
- ca. 1786–90
- On view at YUAG
2
- A Procession of the Damned: Study for Dante's "Inferno"
- 1780s
- On view at YUAG
3
- Study for the Foundlings
- ca. 1739
4
- View of Ely Cathedral
- ca. 1796
5
- Christ Church Gate, Canterbury
- ca. 1792–1794
6
- The Bridge over the River Rye at Helmsley, with the Castle Beyond
- between 1798 and 1799
7
- Villa in a Valley near Vietri sul Mare
- ca. 1794
8
- A River View near Grindelwald, Looking towards the Wetterhorn
- ca. 1794–7
9
- Landscape with Trees and Figures
- ca. 1796
10
- St. Augustine's Gate, Canterbury
- between 1792 and 1793
11
- North East View of Grantham Church, Lincolnshire
- ca. 1797
12
- Windsor
- ca. 1798
13
- A Great Tree
- ca. 1794
14
- Tail Piece, or the Bathos
- 1764
15
- 'Teaching, we learn; and giving, we retain' (Page 35)
- ca. 1797
16
- 'One radiant mark, – the death-bed of the just' (Page 41)
- ca. 1797
17
- Infant Joy (Plate 28)
- 1789
18
- Introduction (Plate 34)
- 1794
19
- Visions of the Daughters of Albion; Frontispiece (Plate 1)
- 1793
20
- Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
- 1793
21
- Visions of the Daughters of Albion; Title Page (Plate 2)
- 1793
22
- "But when the morn arose, her lamentation renewd..." (Plate 8)
- 1793
23
- The Chimney Sweeper (Plate 45)
- 1794
24
- 'Swift on His Downy Pinion Flies from Woe' (Page 1)
- ca. 1797
25
- 'As if the sun could envy, check'd his beam' (Page 49)
- ca. 1797
26
- The Christian Triumph; Title Page
- ca. 1797
27
- 'His hand the good man fastens on the skies' (Page 86)
- ca. 1797
28
- Air (Plate 6)
- 1793
29
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- ca. 1797
30
- Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
- 1794
31
- At Length for Hatching Ripe He Breaks the Shell (Plate 8)
- 1793
32
- Help! Help! (Plate 12)
- 1793
33
- Albion's Angel; Frontispiece (Plate 1)
- 1793
34
- "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
- 1793
35
- Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
- 1793
36
- "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
- 1793
37
- America, A Prophecy; Title Page (Plate 2)
- 1793
38
- "Appear to the Americans upon the cloudy night..." (Plate 6)
- 1793
39
- "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
- 1793
40
- "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
- 1794
41
- "Albions Angel rose upon the Stone of Night..." (Plate 12)
- 1794
42
- "The shrill winds wake!..." (Plate 6)
- 1794
43
- "Arise 'O Rintrah eldest born..." (Plate 9)
- 1794
44
- Chapter V, "Two Nostrils bent down to the deep..." (Plate 16)
- 1794
45
- "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
- between 1797 and 1798
46
- A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
- between 1797 and 1798
47
- "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
- between 1797 and 1798
48
- The Lamb (Plate 8)
- 1789
49
- 'Time, in advance, behind him hides his wings' (Page 24)
- 1797
50
- 'Swift on his downy pinion flies from woe' (Page 1)
- 1797
51
- 'One radiant mark, – the death-bed of the just' (Page 41)
- 1797
52
- 'As if the sun could envy, check'd his beam' (Page 49)
- 1797
53
- The Christian Triumph; Title Page
- 1797
54
- 'The Sun beheld it – No, the shocking scene' (Page 75)
- 1797
55
- 'His hand the good man fastens on the skies' (Page 86)
- 1797
56
- Elizabeth. "Girt with many a Baron bold..." (Design 63)
- between 1797 and 1798
57
- "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
- between 1797 and 1798
58
- 'Teaching, we learn; and giving, we retain' (Page 35)
- 1797
59
- "Oft did the harvest to their sickle yield..." (Design 109)
- between 1797 and 1798
60
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
61
- "O'er thy country hangs The scourge of Heav'n..." (Design 59)
- between 1797 and 1798
62
- Moses Receiving the Law
- ca. 1780
63
- Satan Approaching the Court of Chaos
- 1784 to 1785
64
- Aerial Group: The Tempest
- undated
65
- Shepherdess Cutting an Inscription on a Tree
- late 1770s
66
- Views in the Levant: Temple Ruins at Paestum
- ca. 1785
67
- A View of Erith, Looking Up the Thames
- 1750
68
- Smugglers Defeated
- ca. 1798
69
- The Boscawen and Sheerness Privateers
- 1753
70
- A Calm
- 1754
71
- A Small Breeze
- 1753
72
- Morning
- 1753
73
- Evening
- 1755
74
- Greenland Fishery
- 1754
75
- Noon
- 1753
76
- The Wreck of the Nuestra Senora de los Remedios
- 1753
77
- Bristol High Cross
- 1734
78
- The Judgment of Paris
- 1771
79
- A New Drawing Book of Variety of Landskips
- ca. 1730
80
- Wooded Landscape with a River Leading to Distant Buildings
- undated
81
- Sisters Contemplating on Mortality
- 1770
82
- Juno
- undated
83
- Mrs. Blake as Juno
- 1771
84
- Mary Hale (née Chaloner) as Euphrosyne in 'L'Allegro'
- between 1762 and 1764
85
- Mrs. Jordan in the Character of the Comic Muse
- 1787
86
- Miss Farren
- 1792
87
- Miss Elliot
- undated
88
- Fortune
- 1796
89
- Design for Little Frogmore: Elevation
- 1791
90
- The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
- July 14, 1792
91
- Carnedd Llewelyn and Carnedd David, Carnarvonshire, Seen Across the River Ogwen
- undated
92
- An Encampment in St. James Park
- ca. 1780
93
- Château Vilain sur la Riviere Dain, Franche Comte
- undated
94
- The Wild Bull of Chillingham
- 1781
95
- A Strong Gale or Squall
- 1745
96
- Shipwreck
- 1745
97
- A Ship in Distress
- 1745
98
- Queen Katherine's Dream - "Henry VIII"
- 1788
99
- Barbara Palmer (née Villiers) Countess of Castlemaine
- undated
100
- West Window of the Chapel, New College Oxford: The Virtues - Hope
- 1781