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Collection Prints and Drawings

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Period 18th century

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William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
William Blake Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
ca. 1797
William Blake Alas!; Plate 9
Print made by William Blake, 1757–1827
Alas!; Plate 9
1793
William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
William Blake Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
William Blake Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
1794
William Blake The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
William Blake Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
1789
William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
Samuel Buck Bristol High Cross
Print made by Samuel Buck, 1696–1779
Bristol High Cross
1734
Charles Bretherton Postiglione Inglese
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Inglese
1772
Jean B. C. Chatelain Wooded Landscape with a River Leading to Distant Buildings
Print made by Jean B. C. Chatelain, 1710–1771
Wooded Landscape with a River Leading to Distant Buildings
undated
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
unknown artist Design for Wall Paper
unknown artist
Design for Wall Paper
ca. 1760
Andrew Fyfe Eragrostis Tef
Andrew Fyfe, 1752–1824
Eragrostis Tef
1775
Peter Tillemans From Hampstead
Peter Tillemans, 1684–1734
From Hampstead
1730
George Barret Tree Study with Stags (Landscape)
George Barret, ca. 1728/32–1784
Tree Study with Stags (Landscape)
undated
Thomas Hearne The Ruins of the College of Lincluden, Near Dumfries
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, Near Dumfries
ca. 1778
William Pars Temple of Venus and Rome from the Colosseum
William Pars, 1742–1782
Temple of Venus and Rome from the Colosseum
1781
William Marlow Nîmes from the Tour Magne
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
George Morland Landscape with Cottage and Figures on Horseback
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
unknown artist Unidentified Country House
unknown artist
Unidentified Country House
between 1700 and 1715
John Landseer Freshwater Bay
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
John Landseer Freshwater Bay
Print made by John Landseer, 1769–1852
Freshwater Bay
1799
Thomas Girtin View of Rochester
Thomas Girtin, 1775–1802
View of Rochester
1791
Thomas Girtin Rochester, Kent: from the North
Thomas Girtin, 1775–1802
Rochester, Kent: from the North
ca. 1790
Thomas Girtin Classical Composition
Thomas Girtin, 1775–1802
Classical Composition
1798 to 1799
Thomas Girtin Kirkstall Abbey from the N.W.
Thomas Girtin, 1775–1802
Kirkstall Abbey from the N.W
ca. 1792
Thomas Girtin Tynemouth Priory, Northumberland
Thomas Girtin, 1775–1802
Tynemouth Priory, Northumberland
ca. 1793
Thomas Girtin Carlisle Cathedral, Cumberland, from the South-west
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west
ca. 1795
Thomas Girtin Rievaulx Abbey, Yorkshire
Thomas Girtin, 1775–1802
Rievaulx Abbey, Yorkshire
ca. 1796
Thomas Girtin A Village in a Wood
Thomas Girtin, 1775–1802
A Village in a Wood
ca. 1796
Thomas Girtin Country House
Thomas Girtin, 1775–1802
Country House
ca. 1797
Thomas Girtin The New Walk, York
Thomas Girtin, 1775–1802
The New Walk, York
ca. 1798
Thomas Girtin Guisborough Priory
follower of Thomas Girtin, 1775–1802
Guisborough Priory
undated
Edward Dayes The Meeting of the Rivers Severn and Wye, near Chepstow
Edward Dayes, 1763–1804
The Meeting of the Rivers Severn and Wye, near Chepstow
1795
Thomas Gainsborough Wooded Landscape with Shepherd and Sheep
Thomas Gainsborough, 1727–1788
Wooded Landscape with Shepherd and Sheep
between 1765 and 1770
Thomas Gainsborough A Woodland Pool with Rocks and Plants
Thomas Gainsborough, 1727–1788
A Woodland Pool with Rocks and Plants
between 1765 and 1770
Thomas Gainsborough Open Landscape with Horsemen and Covered Cart
Thomas Gainsborough, 1727–1788
Open Landscape with Horsemen and Covered Cart
between 1780 and 1788
Thomas Gainsborough Wooded Landscape with Country Cart and Figures Walking down a Lane
Thomas Gainsborough, 1727–1788
Wooded Landscape with Country Cart and Figures Walking down a Lane
ca. 1760
Mary Hoare Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
Mary Hoare, 1744–1820
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780
Thomas Bewick Zebra
Print made by Thomas Bewick, 1753–1828
Zebra
1799
Thomas Gainsborough Landscape with Cows
imitator of Thomas Gainsborough, 1727–1788
Landscape with Cows
undated
Thomas Bewick The Wild Bull, of the Ancient Caledonian Breed, Now in the Park, at Chillingham-Castle, Northumberland.
Print made by Thomas Bewick, 1753–1828
The Wild Bull, of the Ancient Caledonian Breed, Now in the Park, at Chillingham-Castle, Northumberland
1789
Thomas Gainsborough Wooded Landscape with Herdsman and Cows
Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
undated
Hubert-François Gravelot The Sporting Lady
Hubert-François Gravelot, 1699–1773
The Sporting Lady
undated
Thomas Burke Cupid and Cephisa: "One Day as I was Walking in the Woods..."
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "One Day as I was Walking in the Woods..."
1789
Thomas Girtin Saltwood Castle, Kent
Thomas Girtin, 1775–1802
Saltwood Castle, Kent
ca. 1795
Thomas Girtin Tolleshunt-Beckingham, Essex
Thomas Girtin, 1775–1802
Tolleshunt-Beckingham, Essex
ca. 1795
Thomas Girtin Warkworth Castle, Northumberland
Thomas Girtin, 1775–1802
Warkworth Castle, Northumberland
ca. 1796
Thomas Girtin A Devonshire Farm
Thomas Girtin, 1775–1802
A Devonshire Farm
ca. 1798
Thomas Girtin Glasgow Cathedral
Thomas Girtin, 1775–1802
Glasgow Cathedral
between 1794 and 1795
Jean B. C. Chatelain View with Figures in a Classical Landscape with Ruins
Jean B. C. Chatelain, 1710–1771
View with Figures in a Classical Landscape with Ruins
undated
Samuel Davis Sirree
Samuel Davis, 1760–1819
Sirree
July 1793
Thomas Girtin Pluscardine Abbey, Elgin
Thomas Girtin, 1775–1802
Pluscardine Abbey, Elgin
ca. 1793
Thomas Girtin Melville Castle, Midlothian
Thomas Girtin, 1775–1802
Melville Castle, Midlothian
ca. 1796
Thomas Girtin Tempio d' Antonio e Faustina
Thomas Girtin, 1775–1802
Tempio d' Antonio e Faustina
between 1798 and 1799
Thomas Girtin Chapel Church, Surrey
Thomas Girtin, 1775–1802
Chapel Church, Surrey
ca. 1799
Thomas Girtin London from Highgate Hill
Thomas Girtin, 1775–1802
London from Highgate Hill
1792
Thomas Girtin Jedburgh Abbey, Roxburghshire
Thomas Girtin, 1775–1802
Jedburgh Abbey, Roxburghshire
ca. 1793
Thomas Girtin Lichfield Cathedral, Staffordshire
Thomas Girtin, 1775–1802
Lichfield Cathedral, Staffordshire
1794
Thomas Girtin Pevensey Castle, Sussex
Thomas Girtin, 1775–1802
Pevensey Castle, Sussex
ca. 1795
Thomas Girtin View of Winchelsea, Sussex
Thomas Girtin, 1775–1802
View of Winchelsea, Sussex
ca. 1795
William Dickinson The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe
William Dickinson, 1746–1823
The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe
1774
Edward Fisher Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey
Edward Fisher, 1722–1785
Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey
1762
Francis Wheatley Donnybrook Fair, 1782
Francis Wheatley, 1747–1801
Donnybrook Fair, 1782
1782
Benjamin West An Artist Sketching in Windsor Park
Benjamin West, 1738–1820
An Artist Sketching in Windsor Park
1789
Francis Haward Master Bunbury
Print made by Francis Haward, 1759–1797
Master Bunbury
1781
Gerhard Bockman The Guitar Player
Print made by Gerhard Bockman, 1686–1773
The Guitar Player
undated
John Robert Cozens Bath: The South Parade
Print made by John Robert Cozens, 1752–1797
Bath: The South Parade
1773
John Robert Cozens Bath: The North Parade
Print made by John Robert Cozens, 1752–1797
Bath: The North Parade
1773
John Robert Cozens South View of Bath
Print made by John Robert Cozens, 1752–1797
South View of Bath
1773
Thomas Bewick The Wild Bull of Chillingham
Print made by Thomas Bewick, 1753–1828
The Wild Bull of Chillingham
1781
Robert Dighton A Jack in Office
Robert Dighton, 1752–1814
A Jack in Office
1793
Thomas Burke Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
Print made by Thomas Burke, 1749–1815
Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."
1789
M. Coote Dudley Priory in Worcestershire, Plate 2
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
M. Coote Dudley Priory in Worcestershire, Plate 1
Print made by M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 1
before 1786
M. Coote Dudley Priory in Worcestershire, Plate 2
M. Coote, ca. 1758/62–1801
Dudley Priory in Worcestershire, Plate 2
before 1786
Thomas Bonnor Blockley Church
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Blockley Church
1793
William Hincks Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
William Hincks, 1752–1797
Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing
1791
John Dean Moses in the Bulrushes [Reclining Child]
John Dean, 1754–1798
Moses in the Bulrushes [Reclining Child]
1786
Jean B. C. Chatelain A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master
Print made by Jean B. C. Chatelain, 1710–1771
A New Book of Landskips, Pleasant & Useful for to Learn to Draw without a Master
1737