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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsPeriod 18th century
Remove constraint Period: 18th centurySubject Terms literary theme
Remove constraint Subject Terms: literary themeSearch Results
1
- The Farmer's Wife and the Raven
- 1788
2
- Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII
- 1746
3
- Hudibras Vanquished by Trulla
4
- Mr. Garrick in the Character of Richard III
- 1746
5
- Paradise Lost Sketchbook
- ca. 1793
6
- The Witches' Cavern
- between 1792 and 1793
7
- Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
- undated
8
- Lear Awakened by Cordelia
- ca. 1774
9
- John Henderson as Falstaff
- 1780
10
- Sketchbook Drawing
- ca. 1793
11
- Sketchbook Drawing
- ca. 1793
12
- Sketchbook Drawing
- ca. 1793
13
- Sketchbook Drawing
- ca. 1793
14
- Sketchbook Drawing
- ca. 1793
15
- Sketchbook Drawing
- ca. 1793
16
- Sketchbook Drawing
- ca. 1793
17
- Sketchbook Drawing
- ca. 1793
18
- Sketchbook Drawing
- ca. 1793
19
- Sketchbook Drawing
- ca. 1793
20
- Sketchbook Drawing
- ca. 1793
21
- Sketchbook Drawing
- ca. 1793
22
- The Banquet Scene
- ca. 1792
23
- Sketchbook Drawing
- ca. 1793
24
- Miranda, Prospero, and Caliban: The Tempest
- undated
25
- Prospero and Miranda
- ca. 1787
26
- Daphnis and Chloe
- undated
27
- Standing Figure, Probably for Lady Macbeth
- undated
28
- Sketchbook Drawing
- ca. 1793
29
- Sketchbook Drawing
- ca. 1793
30
- Sketchbook Drawing
- ca. 1793
31
- Sketchbook Drawing
- ca. 1793
32
- Sketchbook Drawing
- ca. 1793
33
- Sketchbook Drawing
- ca. 1793
34
- Sketchbook Drawing
- ca. 1793
35
- Sketchbook Drawing
- ca. 1793
36
- Sketchbook Drawing
- ca. 1793
37
- Sketchbook Drawing
- ca. 1793
38
- Sketchbook Drawing
- ca. 1793
39
- A Procession of the Damned: Study for the Damned in Dante's "Inferno"
- undated
40
- "Lear in the Storm," King Lear, Act III, Scene II
- undated
41
- Lear Awakened by Cordelia
- between 1774 and 1775
42
- The Death of Juliet
- 1799
43
- Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
- ca. 1797
44
- Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
- ca. 1797
45
- Young's Night Thoughts, Page 23, "We censure nature for a span too short"
- ca. 1797
46
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
47
- Romeo and Juliet, Act IV, Scene V
- 1799
48
- The Shepherd, from Songs of Innocence
- ca. 1795
49
- The Book of Thel, Plate 4, "Why should the mistress . . . ."
- 1789
50
- Pity
- ca. 1795
51
- Satan Approaching the Court of Chaos
- 1784 to 1785
52
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
53
- Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
- ca. 1797
54
- Songs of Innocence and of Experience
- 1789-1794
55
- Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
- 1797
56
- Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
- 1797
57
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
58
- The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
59
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
60
- The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
61
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
62
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
63
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
64
- The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
65
- The Poems of Thomas Gray, Design 33, "A Long Story."
- between 1797 and 1798
66
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
67
- The Poems of Thomas Gray, Design 37, "Ode to Adversity."
- between 1797 and 1798
68
- The Poems of Thomas Gray, Design 39, "Ode to Adversity."
- between 1797 and 1798
69
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
70
- The Poems of Thomas Gray, Design 61, "The Bard."
- between 1797 and 1798
71
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
72
- The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
- between 1797 and 1798
73
- The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
74
- The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
- between 1797 and 1798
75
- The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
- between 1797 and 1798
76
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
77
- The Poems of Thomas Gray, Design 81, "The Descent of Odin."
- between 1797 and 1798
78
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
79
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
80
- The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
- between 1797 and 1798
81
- The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
- between 1797 and 1798
82
- The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
83
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
84
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
85
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
86
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
87
- There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
- ca. 1788
88
- There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
- ca. 1788
89
- There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
- ca. 1788
90
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
91
- There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
- ca. 1788
92
- Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
- 1797
93
- Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
- 1797
94
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
95
- Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
- 1797
96
- Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
- 1797
97
- Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
- 1797
98
- Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
- 1797
99
- There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
- ca. 1788
100
- There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
- ca. 1788