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Collection Prints and Drawings

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Period 18th century

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1. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

2. Shepherdess Cutting an Inscription on a Tree

Shepherdess Cutting an Inscription on a Tree
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink; verso: gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 16 3/8 inches (32.1 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

3. Spring, from Songs of Innocence

Spring, from Songs of Innocence
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1795
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 1 7/8 x 2 3/4 inches (4.8 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4. The Shepherd, from Songs of Innocence

The Shepherd, from Songs of Innocence
Creator:
William Blake, 1757–1827
Date:
ca. 1795
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 x 2 1/2 inches (7.6 x 6.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. Songs of Innocence and of Experience

Songs of Innocence and of Experience
Creator:
William Blake, 1757–1827
Date:
1789-1794
Materials & Techniques:
Relief etching printed in dark-brown ink, with watercolor and pen and ink on wove paper
Dimensions:
Spine: 7 3/8 inches (18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Poems of Thomas Gray, Design 65, "The Bard."

The Poems of Thomas Gray, Design 65, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)

Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)

Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)

Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Songs of Innocence, Plate 26, "Spring" (Bentley 23)

Songs of Innocence, Plate 26, "Spring" (Bentley 23)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Sheep, and Three Animals

Sheep, and Three Animals
Creator:
Richard Brookes, 1721–1763
Date:
ca. 1760
Materials & Techniques:
Pen and black ink with gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 3/4 × 3 3/8 inches (14.6 × 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Couple in a Farmyard

Couple in a Farmyard
Creator:
Paul Sandby, 1731–1809
Date:
1782
Materials & Techniques:
Watercolor and pen with black and brown ink over graphite on very thick, moderately textured, beige wove paper
Dimensions:
Sheet: 26 1/8 x 19 5/8 inches (66.4 x 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Landscape with beech trees and man driving cattle and sheep

Landscape with beech trees and man driving cattle and sheep
Creator:
style of Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, gouache, and black chalk on medium, slightly textured, cream laid paper on blue wove paper mount
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Artist Sketching Mlle. de St. Legier as a Shepherdess

The Artist Sketching Mlle. de St. Legier as a Shepherdess
Creator:
James Moore, 1762–1799
Date:
1787
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Roslin Castle, Midlothian

Roslin Castle, Midlothian
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1780
Materials & Techniques:
Gouache on medium laid paper, mounted on board
Dimensions:
Sheet: 18 1/8 x 25 1/8 inches (46 x 63.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Ruins of the College of Lincluden, Near Dumfries

The Ruins of the College of Lincluden, Near Dumfries
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1778
Materials & Techniques:
Watercolor and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 x 10 inches (18.1 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. A Park Landscape with Shepherd and Sheep

A Park Landscape with Shepherd and Sheep
Creator:
Samuel Howitt, 1756–1822
Date:
1793
Materials & Techniques:
Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 × 8 1/4 inches (14.3 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. View from Skiddaw over Derwentwater

View from Skiddaw over Derwentwater
Creator:
Thomas Hearne, 1744–1817
Date:
between 1772 and 1782
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 10 3/4 x 12 3/4 inches (27.3 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Temple of Venus and Rome from the Colosseum

Temple of Venus and Rome from the Colosseum
Creator:
William Pars, 1742–1782
Date:
1781
Materials & Techniques:
Watercolor with pen and brown and black ink over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/16 x 16 3/8 inches (30.6 x 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Ipswich from the Grounds of Christchurch Mansion

Ipswich from the Grounds of Christchurch Mansion
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/8 x 18 1/8 inches (30.2 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Italianate Landscape with Travellers no. 2

Italianate Landscape with Travellers no. 2
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1760
Materials & Techniques:
Watercolor, pen and gray and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 21 inches (36.8 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Italianate Landscape with Travelers, No. 1

Italianate Landscape with Travelers, No. 1
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1765
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 21 3/16 inches (37.5 x 53.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Farmyard Animals: Tribulation

Farmyard Animals: Tribulation
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
1797
Materials & Techniques:
Watercolor and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 11 1/4 inches (21.9 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Hampton Court, Herefordshire

Hampton Court, Herefordshire
Creator:
Print made by James Walker, 1748–1808
Date:
1797
Materials & Techniques:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 10 inches (18.7 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Elgin Cathedral, Morayshire

Elgin Cathedral, Morayshire
Creator:
Print made by James Walker, 1748–1808
Date:
1797
Materials & Techniques:
Line engraving, 2nd published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 1/8 inches (20.3 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Adelaide

Adelaide
Creator:
Francis Wheatley, 1747–1801
Date:
between 1785 and 1786
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, smooth, cream laid paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/2 x 4 1/2 inches (8.9 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Ruins of the College of Lincluden

The Ruins of the College of Lincluden
Creator:
Print made by William Byrne, 1743–1805
Date:
1782
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 13/16 x 14 15/16 inches (27.5 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Kielder Castle, Northumberland

Kielder Castle, Northumberland
Creator:
William Beilby, 1740–1819
Date:
undated
Materials & Techniques:
Watercolor on slightly textured, medium, beige laid paper
Dimensions:
Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. North East View of Dunster Castle, Somersetshire

North East View of Dunster Castle, Somersetshire
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1800
Materials & Techniques:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 16 1/8 inches (29.5 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Young Male Shearing a Sheep

Young Male Shearing a Sheep
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/4 x 10 3/16 inches (36.2 x 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Valle Crucis Abbey, near Llangollen

Valle Crucis Abbey, near Llangollen
Creator:
imitator of Thomas Girtin, 1775–1802
Date:
between 1798 and 1801
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 1/4 × 11 5/8 inches (21 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Wooded Landscape with Herdsmen and Cattle, Buildings on a Hill, and Rustic Lovers

Wooded Landscape with Herdsmen and Cattle, Buildings on a Hill, and Rustic Lovers
Creator:
Thomas Gainsborough, 1727–1788
Date:
ca. 1770
Materials & Techniques:
Black chalk, white chalk, gray wash and stumping on thin, slightly textured, light blue laid paper
Dimensions:
Sheet: 10 1/2 x 13 inches (26.7 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund and Iola S. Haverstick Fund

44. Wooded Landscape with Shepherd and Sheep

Wooded Landscape with Shepherd and Sheep
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1765 and 1770
Materials & Techniques:
Pen and brown ink with black and gray wash, heavily varnished on medium, slightly textured, cream laid paper, laid down on laid paper
Dimensions:
Sheet: 6 7/8 x 9 1/4 inches (17.5 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Mountain Landscape with Figures, Sheep and Fountain

Mountain Landscape with Figures, Sheep and Fountain
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1785 and 1788
Materials & Techniques:
Gray wash, black wash, white wash and black chalk with varnish on medium, slightly textured, cream laid paper, laid onto wove paper
Dimensions:
Sheet: 8 1/2 x 11 7/8 inches (21.6 x 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Wooded Landscape with Peasant Reading an Inscription on a Tombstone beside a Ruined Church, Figures, Donkey, Sheep and Distant Mountains

Wooded Landscape with Peasant Reading an Inscription on a Tombstone beside a Ruined Church, Figures, Donkey, Sheep and Distant Mountains
Creator:
attributed to Thomas Gainsborough, 1727–1788
Date:
1742
Materials & Techniques:
Black chalk and white chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 x 15 inches (29.2 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Design for a Frontispiece: Shepherds with Flock

Design for a Frontispiece: Shepherds with Flock
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Pen in black ink, graphite, and red chalk, incised and squared for transfer on medium, slightly textured, cream laid paper
Dimensions:
Mount: 11 3/8 × 11 1/8 inches (28.9 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Prudhoe Castle, Northumberland

Prudhoe Castle, Northumberland
Creator:
William Beilby, 1740–1819
Date:
undated
Materials & Techniques:
Watercolor on slightly textured, medium, beige laid paper
Dimensions:
Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Bridge at Alnwick Castle, Northumberland

Bridge at Alnwick Castle, Northumberland
Creator:
William Beilby, 1740–1819
Date:
undated
Materials & Techniques:
Watercolor on slightly textured, medium, beige laid paper
Dimensions:
Sheet: 8 1/8 × 10 3/4 inches (20.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. In the Camp Vaccinio at Rome

In the Camp Vaccinio at Rome
Creator:
John Warwick Smith, 1749–1831
Date:
ca. 1777
Materials & Techniques:
Watercolor and gouache over graphite on medium, rough, cream laid paper
Dimensions:
Sheet: 15 1/8 x 23 13/16 inches (38.4 x 60.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. The Lake of Nemi

The Lake of Nemi
Creator:
John Robert Cozens, 1752–1797
Date:
between 1783 and 1785
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 x 21 1/8 inches (37.1 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. The Thames from Richmond Hill Looking Southwest

The Thames from Richmond Hill Looking Southwest
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1791
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 x 20 5/8 inches (36.2 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. The Lake of Albano and Castle Gandolfo

The Lake of Albano and Castle Gandolfo
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1779
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 x 25 1/8 inches (44.5 x 63.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Rocca del Papa, with Monte Cavo

Rocca del Papa, with Monte Cavo
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 x 9 1/4 inches (16.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. An Arcadian Landscape

An Arcadian Landscape
Creator:
George Lambert, 1700–1765
Date:
1742
Materials & Techniques:
Pastel on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 1/2 x 25 7/8 inches (49.5 x 65.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of Brian Allen, Director of Studies, Paul Mellon Centre for Studies in British Art (1993-2012)

56. Hampton Court, Herefordshire

Hampton Court, Herefordshire
Creator:
Print made by James Walker, 1748–1808
Date:
1797
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 10 1/2 inches (21.6 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Ruins of Newark Castle

Ruins of Newark Castle
Creator:
style of Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 8 9/16 inches (14.3 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Hill Morgan

58. Lady Hamilton as The Sempstress

Lady Hamilton as The Sempstress
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1787
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 3/4 × 11 5/16 inches (37.5 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

59. The Exposition of Cyrus

The Exposition of Cyrus
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1781
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 15/16 x 15 1/4 inches (30.3 x 38.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

60. Celadon and Amelia

Celadon and Amelia
Creator:
Engraved by William Woollett, 1735–1785
Date:
1766
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/4 x 22 3/8 inches (46.4 x 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

61. Miss Mary Palmer as "The Young Shepherdess"

Miss Mary Palmer as "The Young Shepherdess"
Creator:
Print made by Joseph Grozer, ca. 1755–1798
Date:
ca. 1785
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 11/16 × 13 7/8 inches (44.9 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

62. Lady Mary Leslie

Lady Mary Leslie
Creator:
Print made by John Spilsbury, 1730–1795
Date:
ca. 1766
Materials & Techniques:
Mezzotint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 19 1/4 × 14 inches (48.9 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

63. A Shepherdess

A Shepherdess
Creator:
Print made by John Dean, 1754–1798
Date:
1786
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 1/16 x 11 1/8 inches (40.8 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

64. North East View of a House at Ringmer with Cattle and Sheep by a Pond

North East View of a House at Ringmer with Cattle and Sheep by a Pond
Creator:
James Lambert of Lewes, 1725–1788
Date:
1787
Materials & Techniques:
Watercolor and gouache over graphite on thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 20 15/16 inches (37.9 x 53.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Shepherdess

Shepherdess
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 10 1/16 inches (35.5 × 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

66. The City of Bath taken from the London Road

The City of Bath taken from the London Road
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. South View of Bath

South View of Bath
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. The Judgement of Paris

The Judgement of Paris
Creator:
Print made by Henry William Bunbury, 1750–1811
Date:
1771
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/16 × 8 3/8 inches (18.2 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. View of a Portico by the Side of a River, with Herdsmen and Cattle

View of a Portico by the Side of a River, with Herdsmen and Cattle
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1774
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 x 16 5/16 inches (28 x 41.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Theodore Sizer

70. Reapers

Reapers
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1790
Materials & Techniques:
Line engraving and stipple engraving with hand coloring
Dimensions:
Sheet: 22 x 26 1/2in. (55.9 x 67.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Ham Court, the Seat of John Martin, Esq.

Ham Court, the Seat of John Martin, Esq.
Creator:
Print made by James Caldwall, 1739–1819
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 10 1/4 inches (28.6 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)

Two cows and two sheep in a stream, a Pl. for 'New Drawing Book...of Beasts in Various Actions' (1 of 9)
Creator:
Print made by George Bickham the Elder, 1683/4–1758
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream laid paper
Dimensions:
Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Shepherd and Flock Outside a Village

Shepherd and Flock Outside a Village
Creator:
Print made by Jean B. C. Chatelain, 1710–1771
Date:
1737
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Plate: 5 11/16 x 8 11/16 inches (14.5 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Two hunting dogs, a wolf and a sheep, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)

Two hunting dogs, a wolf and a sheep, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)
Creator:
Print made by George Bickham the Elder, 1683/4–1758
Date:
undated
Materials & Techniques:
Etching on medium, smooth, cream laid paper
Dimensions:
Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Classical Landscape

No cover image available
Creator:
Bernard Lens III, 1682–1740
Date:
1717
Materials & Techniques:
Gouache and gum arabic on vellum
Dimensions:
Sheet: 7 5/8 × 10 1/4 inches (19.4 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

76. July

No cover image available
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1789
Materials & Techniques:
Stipple engraving and etching, hand colored on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 1/4 x 13 1/4 inches (41.2 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Master Wynn in the Character of St. John

No cover image available
Creator:
Print made by John Dean, 1754–1798
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 5/8 x 17 13/16 inches (34.6 x 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

78. Sheep-Sheering

No cover image available
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1798
Materials & Techniques:
Stipple engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 × 12 3/16 inches (34.3 × 30.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection