Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
5
Print made by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
6
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
7
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
8
Edward Lear, 1812–1888
Albenga
1864
9
Print made by Edward Calvert, 1799–1883
The Sheep of His Pasture
ca. 1828
10
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1830
11
John Linnell, 1792–1882
Beddgelert
1834
12
Louis Haghe, 1806–1885
Thornbury Castle, Gloucestershire
between 1823 and 1835
13
Print made by William Bromley, 1769–1842
David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
1811
14
Print made by George Cruikshank, 1792–1878
Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
after 1857
15
James Heath, 1757–1834
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
16
John Linnell, 1792–1882
Horses in a Paddock
1811
17
Print made by George Baxter, 1804–1867
The Belle of the Village
1854
18
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
19
Print made by Sir David Young Cameron, 1865–1945
The Leaf Cart
1894
20
Henry Morton, ca. 1807–1825
St. Thomas' Church, Winchelsea
undated
21
T. E. Jeffers, active 1836
Barnes Common, June 1836
1836
22
Robert Havell, 1769–1832
Crofton Hall, Yorkshire
1813
23
James Hakewill, 1778–1843
Llanrumny Estate, St. Mary's, Jamaica
between 1820 and 1821
24
David Charles Read, 1790–1851
Landscape With Figures and a Wagon
undated
25
David Charles Read, 1790–1851
Landscape With a Ploughed Field in the Foreground
undated
26
David Charles Read, 1790–1851
Landscape with Hills in the Distance
undated
27
David Charles Read, 1790–1851
Landscape with Trees
undated
28
George Alken, 1794–active 1837
Exercising a Racehorse
undated
29
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
30
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
31
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
32
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
33
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
34
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
35
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
36
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it No How
1818
37
Hablot Knight Browne, 1815–1882
"Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "
undated
38
Hablot Knight Browne, 1815–1882
The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "
undated
39
Hablot Knight Browne, 1815–1882
The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"
undated
40
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"
undated
41
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Sheweth Them the Way They Should Go"
undated
42
George Alken, 1794–active 1837
Releasing a Bag-Fox
1821
43
Henry Thomas Alken, 1785–1851
A Whipper-In and a Couple of Hounds Running Hard in Open Country
undated
44
George Alken, 1794–active 1837
Full Cry. 1821: Riders Taking a Wooden Fence
1821
45
Henry Thomas Alken, 1785–1851
Two Riders Exercising Horses at a Gallop
undated
46
Henry Thomas Alken, 1785–1851
Wild Duck Shooting
undated
47
Henry Thomas Alken, 1785–1851
Two Riders Taking a Double Fence
undated
48
Walter Paris, 1842–1906
A Cricket Match of the Royal Marine Artillery, London
1888
49
Charles Claude Pyne, 1802–1878
The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas
1872
50
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1822
51
John Linnell, 1792–1882
Donkey Beside a Tree, Hampstead
undated
52
Possibly Henry Thomas Alken, 1785–1851
Gone Away
undated
53
Hablot Knight Browne, 1815–1882
The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"
undated
54
Henry Thomas Alken, 1785–1851
Rider on a Brown Horse Going at a Wall
undated
55
Henry Thomas Alken, 1785–1851
Gone Away
undated
56
Henry Thomas Alken, 1785–1851
'Rather Too Slow'
undated
57
Henry Thomas Alken, 1785–1851
'Getting Across the Country Like a Gentleman'
undated
58
Henry Thomas Alken, 1785–1851
'Riding to Horses with Difficulty'
undated
59
Henry Thomas Alken, 1785–1851
'Rather Too Fast'
undated
60
Henry Thomas Alken, 1785–1851
Rider Holding on to a Gray Horse After a Fall
undated
61
Henry Thomas Alken, 1785–1851
Steeplechasing: The Field Jumping in and Out of a Lane
undated
62
Henry Thomas Alken, 1785–1851
Steeplechasing: The Field taking a Stone Wall and Gate
undated
63
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
undated
64
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
undated
65
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
undated
66
Henry Thomas Alken, 1785–1851
Foxhunting: The Refreshment
undated
67
Henry Thomas Alken, 1785–1851
"The National Sports of Great Britain," 1821: Owling
1821
68
Edwin Gill, active 1810, died 1868
Grouse Shooting
undated
69
James Pollard, 1792–1867
Partridge Shooting
undated
70
Henry Thomas Alken, 1785–1851
Grouse Shooting
undated
71
Henry Thomas Alken, 1785–1851
The St. Leger, Doncaster: Preparing to Start
undated
72
John J. Hinchliff, 1805–1875
Lough Foyle, Londonerry
undated
73
Sir Francis Seymour Haden, 1818–1910
Cowdray
1882
74
Sir Francis Seymour Haden, 1818–1910
Cowdray
1882
75
Print made by James Mitan, 1776–1822
Turin, from the Portico of the Superga Church
1820
76
Print made by Robert Wallis, 1794–1878
Buckfastleigh Abbey, Devonshire
1828
77
Print made by J. C. Varrall, active 1815–1827
Valle Crucis Abbey, Denbighshire
1828
78
Print made by W. R. Smith, active 1819–1851
Leicester Abbey, Leicestershire
1834
79
Print made by W. R. Smith, active 1819–1851
Leicester Abbey, Leicestershire
1834
80
Print made by Thomas Talbot Bury, 1811–1877
The Royal Naval School at New Cross
undated
81
Sir Francis Seymour Haden, 1818–1910
Cottages behind Horsley's House
1865
82
Sir Francis Seymour Haden, 1818–1910
Cottages behind Horsley's House
1865
83
George Price Boyce, 1826–1897
Brickfield at Pitland Street, Surrey
1866
84
George Lothian Hall, 1825–1888
The Rock of Gibraltar, from the North Front Guard Room
1843
85
Thomas Hearne, 1744–1817
The Poor House, Hadley, Hertfordshire
1802
86
William Henry Hunt, 1790–1864
Bushey Church from the South West
ca. 1820
87
William Henry Hunt, 1790–1864
The Flagstaff, Margate
undated
88
attributed to William Henry Hunt, 1790–1864
A Fallen Oak
ca. 1815
89
John Linnell, 1792–1882
View from Mr. Sheppard's Window, The Ridge, Gloucestershire
undated
90
John Linnell, 1792–1882
Rye House
1814
91
John Linnell, 1792–1882
Tythrop
1817
92
imitator of John Linnell, 1792–1882
Terraced Cottages with Fallen Trees
undated
93
John Martin, 1789–1854
Landscape with Courting Couple
1839
94
Cornelius Varley, 1781–1873
Mountain Panorama in Wales, Cader Idris
1803
95
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
96
Print made by James Basire II, 1769–1822
View of Oxford from the South Side of Heddington Hill
1808
97
Print made by James Basire II, 1769–1822
View of Oxford from the South Side of Heddington Hill