A Shooting Party: Lord Ossulston, Mr. W. Wells, Lord Abercorn and Sir E. Landseer
1833
21
Print made by John Doyle ('H.B.'), 1797–1868
The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring
1847
22
Print made by John Doyle ('H.B.'), 1797–1868
Breaking Cover, Desperate Struggle for the Lead, Consequences of Leaping Short
1849
23
unknown artist
Lancier d'Orleans
undated
24
Print made by unknown artist
Hunting Scene in India
undated
25
Thomas Rowlandson, 1756–1827
Butterfly Hunting
ca. 1806
26
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
27
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
28
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
29
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
30
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
31
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
32
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
33
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
34
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
35
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
36
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
37
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
38
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
39
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
40
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
41
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
42
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
43
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
44
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
45
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
46
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
47
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
48
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
49
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
50
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
51
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it No How
1818
52
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
53
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
54
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
55
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
1818
56
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
57
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
58
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
59
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
60
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
61
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
62
Henry Thomas Alken, 1785–1851
Two Pointers, Facing Right with a Sportsman
undated
63
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
64
Edward Duncan, 1803–1882
Pheasant Shooting
1825
65
Edward Duncan, 1803–1882
Wild Duck Shooting
1825
66
William Heath, 1795–1840
Woodcock Shooting
undated
67
Sir Edwin Henry Landseer, 1802–1873
Sportsman and Two Dogs
undated
68
James Pollard, 1792–1867
Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds
undated
69
Thomas Rowlandson, 1756–1827
The Annual Sculling Race for Doggett's Coat and Badge
between 1805 and 1810
70
Sir Edwin Henry Landseer, 1802–1873
A Hunting Accident
1836
71
James Pollard, 1792–1867
Partridge Shooting
undated
72
James Pollard, 1792–1867
Snipe Shooting
undated
73
James Pollard, 1792–1867
Grouse Shooting
undated
74
C. Blake, active 1825–1826
"The Poacher's Progress:" Poachers Before the Magistrates
undated
75
William Turner of Oxford, 1789–1862
The Exeter College Eight on the Isis, Oxford
1824
76
Henry Thomas Alken, 1785–1851
Snipe Shooting
undated
77
Henry Thomas Alken, 1785–1851
The St. Leger, Doncaster: The Finish
undated
78
Richard Gilson Reeve, 1803–1889
Coaching: The Taglioni Windsor Coach
1837
79
Henry Thomas Alken, 1785–1851
Going at a Rank of Hurdles with Temper and Resolution
1827
80
Henry Thomas Alken, 1785–1851
"Topping a Park fence and doing the thing easy"
1827
81
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Right Sort
undated
82
Henry Thomas Alken, 1785–1851
Grouse Shooting: The Wrong Sort
undated
83
Joseph Crawhall, 1861–1913
Barnett Fair, putting him through his paces
1896
84
unknown artist
A Dangerous Leap
ca. 1850
85
Sir Edwin Henry Landseer, 1802–1873
Huntsman with Hounds
undated
86
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
87
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
88
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
89
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
90
James Seymour, 1702–1752
The Famous Childers
undated
91
unknown artist
Epsom
1896
92
possibly John Frederick Tayler, 1802–1889
Hunting Scene: The Meet
undated
93
James Ward, 1769–1859
Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel
ca. 1822
94
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Sheweth Them the Way They Should Go"
undated
95
Hablot Knight Browne, 1815–1882
The Sporting Parson: "Next a Little Low Church"
undated
96
James Ward, 1769–1859
A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
1827
97
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Trieth a Little 'High Church' Style"
undated
98
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Then Goes in For Baptism"
undated
99
Hablot Knight Browne, 1815–1882
The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "