Collection: Prints and Drawings / Exhibition History: Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)

1. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 10 3/8 inches (36.6 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Harvest under a Crescent Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: ca. 1826
Materials & Techniques:: Wood engraving on thin, smooth, cream laid paper
Dimensions:: Sheet: 5 13/16 x 5 1/4 inches (14.8 x 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Brambles

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 8 7/8 inches (17.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Bellman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/8 x 14 3/16 inches (23.1 x 36.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

6. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1880
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 15/16 x 10 5/8 inches (20.2 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

7. The Lonely Tower

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1879
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 1/16 inches (26.1 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

8. Cornfield and Church by Moonlight

Creator:: Samuel Palmer, 1805–1881
Date:: early 1830s
Materials & Techniques:: Brush and black ink on very thick, smooth, cream wove paper
Dimensions:: Sheet: 6 x 7 1/4 inches (15.2 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Old Cedar Tree in Botanic Garden, Chelsea

Creator:: Samuel Palmer, 1805–1881
Date:: 1854
Materials & Techniques:: Black chalk and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. A Barn with a Mossy Roof, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, white gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 14 7/8 inches (27.6 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Sunset

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1861
Materials & Techniques:: Watercolor, gouache, gum, and graphite on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 5/8 x 15 1/4 inches (27 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. At Hailsham, Sussex: a Storm Approaching

Creator:: Samuel Palmer, 1805–1881
Date:: 1821
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 12 1/2 inches (21 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Lonely Tower

Creator:: Samuel Palmer, 1805–1881
Date:: 1868
Materials & Techniques:: Watercolor, gouache and gum arabic on London board: a high-quality pasteboard sheet made of Whatman's finest drawing paper
Dimensions:: Sheet: 20 1/4 x 27 7/8 inches (51.4 x 70.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. View from Rook's Hill, Kent

Creator:: Samuel Palmer, 1805–1881
Date:: 1843
Materials & Techniques:: Watercolor with gouache and pen and brown ink and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 20 5/8 x 16 1/4 inches (52.4 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Pistil Mawddach, North Wales

Creator:: Samuel Palmer, 1805–1881
Date:: between 1835 and 1836
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 x 21 inches (44.1 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Foxgloves

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, white laid paper
Dimensions:: Sheet: 6 3/4 x 8 3/4 inches (17.1 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Labourers

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1789
Materials & Techniques:: Etching, stipple engraving, roulette and rocker on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 28 inches (54 x 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. A Sleeping Leopard

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1791
Materials & Techniques:: Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 13 3/4 inches (25.4 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. A Tiger and a Sleeping Leopard

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1788
Materials & Techniques:: Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 12 1/2 inches (24.8 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Human Figure, Lateral View, Undissected (Finished Study for Table VIII)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper, with a strip of same wove paper joined to bottom edge
Dimensions:: Sheet: 22 1/4 x 16 inches (56.5 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Fowl Skeleton, Lateral View (Finished Study for Table V)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 x 16 inches (54.6 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Tiger Skeleton, Lateral View (Finished Study for Table IV)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper lined with Japanese paper
Dimensions:: Sheet: 15 3/4 x 21 1/4 inches (40 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 x 21 1/4 inches (40.6 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite; verso: graphite with pen and red-brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 19 1/4 x 15 1/4 inches (48.9 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Fowl, Lateral View, with Skin and Underlying Fascial Layers Removed (Finished Study for Table XV)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)

Creator:: George Stubbs, 1724–1806
Date:: Between 1795 and 1806
Materials & Techniques:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/2 x 16 inches (54.6 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite and red and black chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 20 1/2 inches (39.4 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 x 21 inches (40.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)

Creator:: George Stubbs, 1724–1806
Date:: between 1795 and 1806
Materials & Techniques:: Graphite on thick, moderately textured, cream wove paper with traces of well-defined platemarks along margins
Dimensions:: Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Male Nude

Creator:: John Constable, 1776–1837
Date:: 1808
Materials & Techniques:: Graphite and white gouache on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 21 3/4 x 17 1/2 inches (55.2 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

33. Hogarth Painting the Comic Muse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1764
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 x 14 inches (40.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

35. The First Stage of Cruelty: Children Torturing Animals

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

36. The Fourth Stage of Cruelty: The Reward of Cruelty

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

37. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

38. Study of a Female Nude

Creator:: William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Graphite, black chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:: Sheet: 10 1/4 × 17 1/8 inches (26 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. An Angel with a Trumpet

Creator:: William Blake, 1757–1827
Date:: between 1805 and 1808
Materials & Techniques:: Graphite, watercolor, and pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 4 1/8 inches (19.7 x 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Near Suez, 1 pm, 16 January 1849 (48)

Creator:: Edward Lear, 1812–1888
Date:: 1849
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 5 3/16 x 9 1/16 inches (13.2 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

41. Abu Simbel, 11-11:30 am, 8 February 1867 (374)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink, pen and black ink and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 13 3/4 × 20 1/8 inches (34.9 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Abu Simbel, 9:00 am, 8 February 1867 (372A)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

43. Abu Simbel, 4:30 pm, 8 February 1867 (379)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 1/2 × 10 inches (8.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

44. Abu Simbel, 10:30 am, 9 February 1867 (383)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink, and white gouache, over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 3 7/8 x 10 1/8 inches (9.8 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

45. Abu Simbel, 1:00 pm, 9 February 1867 (384)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink and gouache over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 3 7/8 x 10 1/16 inches (9.8 x 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

46. Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)

Creator:: Edward Lear, 1812–1888
Date:: 1849
Materials & Techniques:: Watercolor with pen in brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 5 1/16 inches (19.4 x 12.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

47. Dendera, 15 January 1867 (155)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 1/8 × 10 1/8 inches (7.9 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

48. Dendera, 9:00 am, 15 January 1867 (156)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/8 x 10 1/2 inches (8.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

49. Dendera, 9:15 am, 15 January 1867 (157)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/4 × 10 1/2 inches (8.3 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

50. Dendera, 15 January 1867 (158)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 2 7/8 × 12 5/8 inches (7.3 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

51. Luxor, 7:00 am, 20 January 1867 (198)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink and gouache over graphite on moderately thick, slightly textured, gray-green wove paper
Dimensions:: Sheet: 3 9/16 x 10 3/8 inches (9 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

52. Luxor, 7:30 am, 20 January 1867 (199)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 3 1/8 x 10 3/8 inches (7.9 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

53. Abu Simbel, 1:10 pm, 9 February 1867 (385)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink and gouache over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 3 7/16 x 9 7/8 inches (8.7 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

54. The Sheep of His Pasture

Creator:: Print made by Edward Calvert, 1799–1883
Date:: ca. 1828
Materials & Techniques:: Engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 2 3/8 x 4 1/16 inches (6.1 x 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Magicians Marching off After the Success of their Incantations

Creator:: Edward Rooker, 1724–1774
Date:: ca. 1763
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 7/8 x 20 3/8 inches (45.4 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

Creator:: Edward Rooker, 1724–1774
Date:: ca. 1763
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 x 20 1/2 inches (45.1 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Sir Gareth and Lady Lionesse

Creator:: David Jones, 1895–1974
Date:: ca. 1940
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 24 1/4 x 19 inches (61.6 x 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

58. A Tigress

Creator:: John Dixon, ca. 1740–1811
Date:: 1773
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 × 23 inches (48.3 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Labourers

Creator:: Richard Earlom, 1743–1822
Date:: 1790
Materials & Techniques:: Mezzotint, printed in color on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/8 x 26 inches (43.5 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Bride

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1828
Materials & Techniques:: Engraving and drypoint on thin, slightly textured, cream Asian paper
Dimensions:: Sheet: 4 5/16 x 7 inches (10.9 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Ploughman

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1827
Materials & Techniques:: Wood-engraving on medium, smooth, cream Asian paper
Dimensions:: Sheet: 3 11/16 x 5 1/2 inches (9.4 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Return Home

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1830
Materials & Techniques:: Wood-engraving on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 3 11/16 x 6 1/16 inches (9.4 x 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Powerstock Castle

Creator:: John Piper, 1903–1992
Date:: ca. 1945
Materials & Techniques:: Watercolor, pen and black ink, brushed black ink and scraping out on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 22 3/4 x 28 1/4 inches (57.8 x 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

64. Wooded Landscape with Herdsman and Cows

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: 1797
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 13 3/4 inches (27.9 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

Creator:: Simon Gribelin, 1662–1733
Date:: ca. 1720
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 37 3/4 × 18 1/2 inches (95.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: between 1779 and 1780
Materials & Techniques:: Etching and soft-ground etching on medium, slightly textured, blue laid paper
Dimensions:: Sheet: 12 × 15 3/8 inches (30.5 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Inigo Iones

Creator:: Print made by Robert van Voerst, 1597–1636
Date:: ca. 1635
Materials & Techniques:: Line engraving, stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 1/2 × 10 3/16 inches (39.4 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Cupid and Psyche

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: between 1690 and 1699
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 13 inches (24.1 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

69. My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor, pen and gray ink , black chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 6 3/8 inches (19.7 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 5 7/8 inches (19.7 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Portrait of Samuel Palmer, February 5, 1828

Creator:: George Richmond, 1809–1896
Date:: 1828
Materials & Techniques:: Graphite with pen and black ink on medium, slightly textured, cream wove paper 1828, on wove paper
Dimensions:: Sheet: 8 1/8 x 5 7/8 inches (20.6 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Petrus Paulus Rubbens

Creator:: Print made by Paulus Pontius, 1603–1658
Date:: ca. 1635
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 14 1/4 × 11 1/16 inches (36.2 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Worth Matravers, Dorset

Creator:: Paul Nash, 1889–1946
Date:: 1936
Materials & Techniques:: Watercolor, graphite, black chalk and blue chalk on thick, moderately textured, white wove paper
Dimensions:: Sheet: 15 1/2 x 23 inches (39.4 x 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

74. A Plumed Saddle-Horse

Creator:: Attributed to Inigo Jones, 1573–1652
Date:: ca. 1640
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 x 5 inches (14.3 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Old Road: Elegy for the English Elm I

Creator:: Print made by Robin Tanner, 1904–1988
Date:: 1976
Materials & Techniques:: Etching on moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 13 x 10 3/8 inches (33 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

76. Palatium Regis Prope Londinum, Vulgo Whitehall

Creator:: Wenceslaus Hollar, 1607–1677
Date:: ca. 1647
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 x 13 1/8 inches (15.2 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Life School at the Royal Academy

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1773
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/8 x 28 1/2 inches (51.1 x 72.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Procession of the Knights of the Most Noble Order of the Garter

Creator:: Richard Cooper the Younger, 1740–1814
Date:: 1782
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/4 x 54 1/4 inches (50.2 x 137.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. September

Creator:: Paul Drury, 1903–1987
Date:: 1928
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 7 3/4 inches (16.5 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

80. Charles I

Creator:: Print made by William Faithorne, ca. 1620–1691
Date:: 1658
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 6 3/4 inches (26.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward B. Greene, transfer from the Yale University Art Gallery

81. Antonius Van Dyck Eques and Peter Paul Rubens Eques

Creator:: Print made by Paulus Pontius, 1603–1658
Date:: between 1618 and 1658
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 17 5/8 inches (32.7 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Lammas

Creator:: Print made by Graham Vivian Sutherland, 1903–1980
Date:: 1926
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 x 8 5/8 inches (15.9 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

83. The Good Samaritan

Creator:: Simon François Ravenet, 1706–1774
Date:: 1772
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/4 × 22 1/2 inches (48.9 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Pool of Bethesda

Creator:: Simon François Ravenet, 1706–1774
Date:: 1772
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 x 22 5/8 inches (49.2 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Study for Thermaie Antoniniane

Creator:: Sir Lawrence Alma-Tadema, 1836–1912
Date:: 1899
Materials & Techniques:: Graphite on medium, slightly textured, white wove paper
Dimensions:: Sheet: 6 x 10 3/8 inches (15.2 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

86. Maur's Farm

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1913
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 11 3/4 inches (20 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

87. Two Men, One Holding a Whip

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1754
Materials & Techniques:: Red chalk and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 x 5 1/2 inches (19.4 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Lady Maynard

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1757
Materials & Techniques:: Black and red chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 x 4 1/16 inches (17.1 x 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Design for a Temporary Arch Ornamented with Putti and Allegorical Figures of Music and War

Creator:: Inigo Jones, 1573–1652
Date:: ca. 1622
Materials & Techniques:: Pen and brown ink and brown wash; verso: graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 x 6 3/4 inches (24.1 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. A Bedouin Encampment; or, Bedouin Arabs

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1841 and 1851
Materials & Techniques:: Watercolor, white gouache and graphite with scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 13 3/4 x 20 3/8 inches (34.9 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Ramesseum at Thebes

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1841 and 1851
Materials & Techniques:: Watercolor, white gouache, black chalk and graphite with scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 13 3/4 × 20 1/8 inches (34.9 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Sheik Hussein of Gebel Tor and His Son

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1842 and 1843
Materials & Techniques:: Watercolor, white gouache, red chalk, black chalk and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 20 1/8 x 14 1/2 inches (51.1 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance

Creator:: John Frederick Lewis, 1804–1876
Date:: 1856
Materials & Techniques:: Watercolor, gouache and graphite on slightly textured, beige wove paper mounted on board
Dimensions:: Sheet: 26 1/4 x 53 1/2 inches (66.7 x 135.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Man in Egyptian Dress

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, white gouache, black chalk, red chalk, and graphite with scratching out on medium, slightly textured, cream wove paper mounted on card
Dimensions:: Sheet: 17 x 11 1/2 inches (43.2 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Five Classical Heads

Creator:: Inigo Jones, 1573–1652
Date:: between 1630 and 1639
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/4 x 7 7/8 inches (8.3 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. A Prowling Tiger

Creator:: Elizabeth Pringle, active ca. 1800
Date:: ca. 1800
Materials & Techniques:: Graphite, brushed black ink and white gouache on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 18 7/8 x 23 7/8 inches (47.9 x 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Portrait of Samuel Palmer, Head and Shoulders

Creator:: George Richmond, 1809–1896
Date:: 1830
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 x 4 1/2 inches (18.1 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Whitehall Showing Holbein's Gate and Banqueting Hall

Creator:: Thomas Sandby, 1721–1798
Date:: ca. 1760
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 23 1/2 inches (39.4 x 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Bridgenorth, Shropshire

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1801
Materials & Techniques:: Gouache, watercolor, white chalk, black chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 25 7/8 x 35 1/2 inches (65.7 x 90.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

100. After Work

Creator:: Paul Drury, 1903–1987
Date:: 1926
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 10 1/8 inches (18.7 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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Collection Prints and Drawings

Exhibition History Connections (Yale Center for British Art, 2011-05-26 - 2011-09-11)

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1. The Herdsman's Cottage

2. The Weary Ploughman

3. Harvest under a Crescent Moon

4. Brambles

5. The Bellman

6. Opening the Fold

7. The Lonely Tower

8. Cornfield and Church by Moonlight

9. Old Cedar Tree in Botanic Garden, Chelsea

10. A Barn with a Mossy Roof, Shoreham

11. Sunset

12. At Hailsham, Sussex: a Storm Approaching

13. The Lonely Tower

14. View from Rook's Hill, Kent

15. Pistil Mawddach, North Wales

16. Foxgloves

17. Labourers

18. A Sleeping Leopard

19. A Tiger and a Sleeping Leopard

20. Human Figure, Lateral View, Undissected (Finished Study for Table VIII)

21. Fowl, Lateral View with Most Feathers Removed (Finished Study for Table X)

22. Fowl Skeleton, Lateral View (Finished Study for Table V)

23. Tiger Skeleton, Lateral View (Finished Study for Table IV)

24. Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)

25. Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)

26. Fowl, Lateral View, with Skin and Underlying Fascial Layers Removed (Finished Study for Table XV)

27. Human Figure, Lateral View (Finished study for an unpublished table, representing the last stage in the dissection)

28. Human Skeleton, Lateral View (Close to the Final Study for Table III But Differs in Detail)

29. Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)

30. Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)

31. Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)

32. Male Nude

33. Hogarth Painting the Comic Muse

34. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

35. The First Stage of Cruelty: Children Torturing Animals

36. The Fourth Stage of Cruelty: The Reward of Cruelty

37. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

38. Study of a Female Nude

39. An Angel with a Trumpet

40. Near Suez, 1 pm, 16 January 1849 (48)

41. Abu Simbel, 11-11:30 am, 8 February 1867 (374)

42. Abu Simbel, 9:00 am, 8 February 1867 (372A)

43. Abu Simbel, 4:30 pm, 8 February 1867 (379)

44. Abu Simbel, 10:30 am, 9 February 1867 (383)

45. Abu Simbel, 1:00 pm, 9 February 1867 (384)

46. Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)

47. Dendera, 15 January 1867 (155)

48. Dendera, 9:00 am, 15 January 1867 (156)

49. Dendera, 9:15 am, 15 January 1867 (157)

50. Dendera, 15 January 1867 (158)

51. Luxor, 7:00 am, 20 January 1867 (198)

52. Luxor, 7:30 am, 20 January 1867 (199)

53. Abu Simbel, 1:10 pm, 9 February 1867 (385)

54. The Sheep of His Pasture

55. The Magicians Marching off After the Success of their Incantations

56. A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

57. Sir Gareth and Lady Lionesse

58. A Tigress

59. Labourers

60. The Bride

61. The Ploughman

62. The Return Home

63. Powerstock Castle

64. Wooded Landscape with Herdsman and Cows

65. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

66. Wooded Landscape with Herdsman Driving Cattle over a Bridge, Rustic Lovers and Ruined Castle

67. Inigo Iones

68. Cupid and Psyche

69. My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes

70. London Cries: A Girl with a Basket on Her Head ("Lights for the Cats, Liver for the Dogs")

71. Portrait of Samuel Palmer, February 5, 1828

72. Petrus Paulus Rubbens

73. Worth Matravers, Dorset

74. A Plumed Saddle-Horse