Etched by Joseph Mallord William Turner, 1775–1851
Flint Castle, Vessels Unloading
1807
6
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
7
Joseph Mallord William Turner, 1775–1851
Landscape with Trees and Figures
ca. 1796
8
Joseph Mallord William Turner, 1775–1851
Autumn Sowing of the Grain
ca. 1794
9
Print made by Samuel David Colkett, 1806–1863
The Gipsy Encampment
1830
10
Print made by David Lucas, 1802–1881
Salisbury Cathedral
1837
11
Print made by Thomas Creswick, 1811–1869
The Blacksmith's Shop
1838
12
Benjamin West, 1738–1820
An Artist Sketching in Windsor Park
1789
13
William Alexander, 1767–1816
The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
ca. 1799
14
William Daniell, 1769–1837
View from the Round Tower, Windsor Castle
1827
15
John Varley, 1778–1842
Harlech Castle and Twgwyn Ferry
1804
16
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
17
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
18
Print made by George Arnald, 1763–1841
Left Bank, Meuse
between 1818 and 1828
19
Print made by George Arnald, 1763–1841
Bouvignes and Dinant
1822
20
Paul Sandby, 1731–1809
North-East View of Sir John Elvil's House on Englefield Green near Egham in Surrey
undated
21
Paul Sandby, 1731–1809
Bayswater - London
undated
22
unknown artist
A Forest Road
undated
23
Charles Hamilton Smith, 1776–1859
River Landscape
undated
24
Print made by Richard Parkes Bonington, 1802–1828
Campos sur les bords du Rio das Velhas
1827
25
Print made by Richard Parkes Bonington, 1802–1828
Glenfinlas
1826
26
Print made by Gregory, Collins and Reynolds, active 1843
The Religion of Europe: Professed and Practiced
ca. 1845
27
Charles Grignion, 1717–1810
A View of the Bridge at Walton-on-Thames in Surrey
1752
28
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
29
Sir Robert Smirke the younger, 1781–1867
Cave of Trophonius
1802-1804
30
Print made by W. R. Smith, active 1819–1851
Dido and Aeneas; The Morning of the Chase
1842
31
John White Abbott, 1763–1851
A View of Core's Library, Dawlish, Devon
1837
32
William Bradford, active 1809
Pass in the Mountains Between Nisa and Villa Velha
1809
33
Thomas Bradshaw, Born 1767
Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground
undated
34
John Linnell, 1792–1882
Horses in a Paddock
1811
35
James Hakewill, 1778–1843
Mill Yard, Holland Estate, St. Thomas in the East
between 1820 and 1821
36
James Hakewill, 1778–1843
Holland Estate, St. Thomas in the East, View from the Change of Air House
between 1820 and 1821
37
Print made by Bradshaw & Blacklock, active ca.1850
Osborne House
after 1850
38
Print made by Austin, Robert, 1895-1973, 1895–1973
Early Spring, Gloucestershire
1922
39
Print made by Austin, Robert, 1895-1973, 1895–1973
The Cathedral, Palma
1928
40
Print made by Sir Muirhead Bone, 1876–1953
Ely Cathedral
1903
41
Print made by Sir Muirhead Bone, 1876–1953
Walberswick Ferry
1913
42
Print made by John Robert Cozens, 1752–1797
The City of Bath taken from the London Road
1773
43
Print made by John Robert Cozens, 1752–1797
Bath: The South Parade
1773
44
Print made by Alfred-Louis Brunet-Debaines, 1845–ca. 1935
Hardwicke Hall
undated
45
Thomas Girtin, 1775–1802
The Village of Kirkstall, Yorkshire
1801
46
Benjamin Thomas Pouncey, active 1772–1799
Farningham, Kent
1784
47
unknown artist
Horses and Landscape
undated
48
Godfrey Thomas Vigne, 1801–1863
Cerco de Paro, Lima
ca. 1855
49
William Simpson, 1823–1899
The Residency, Lucknow
1864
50
William Simpson, 1823–1899
The Dilkoosha, Lucknow in the Distance
1866
51
Print made by Bradshaw & Blacklock, active ca.1850
Castles in England
after 1850
52
Thomas Rowlandson, 1756–1827
View on Exmoor
undated
53
Francois Vivares, 1709–1780
Untitled
54
Print made by Edward Radclyffe, 1809–1863
Lancaster Sands
undated
55
Print made by unknown artist
St. Vincent's Rocks, Clifton (Hotwell House and Baths)
ca. 1840
56
Francois Vivares, 1709–1780
A View from Richmond Hill up the River
57
James Mason, 1710–1783
A View of the Countess of Suffolks House near Twickenham
58
unknown artist
A View of the Fleet at Spithead, Taken from Stone Common near Exbury Distant upwards of 3 Leagues. A, Spithead. B, The Mother Bank. C, Ashey Sea Mark. D, Mouth of Southampton River. E, Portsmouth Tower. F, Gilkiker. G, Castle of Cows
59
David Charles Read, 1790–1851
Landscape With Figures and a Wagon
undated
60
Heinrich W. Schweickhardt, 1746–1797
Haymaking
undated
61
George Alken, 1794–active 1837
Foxhunting: Drawing Covert
undated
62
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
63
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
64
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
65
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
66
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
67
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
68
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
69
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
70
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
71
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
1818
72
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
73
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
74
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
75
Hablot Knight Browne, 1815–1882
Point-to-Point Racing
undated
76
unknown artist
Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)
between 1713 and 1718
77
Charles Cooper Henderson, 1803–1877
A Hay Wagon Drawn by Four Horses
undated
78
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
79
Samuel Howitt, 1756–1822
The Check
undated
80
Samuel Howitt, 1756–1822
Going to Cover
undated
81
Samuel Howitt, 1756–1822
Going out of Kennel
undated
82
Samuel Howitt, 1756–1822
Full Cry
undated
83
James Seymour, 1702–1752
A Boar Hunt
undated
84
James Seymour, 1702–1752
Riders and Hounds in an Open Landscape
undated
85
William Makepeace Thackeray, 1811–1863
A Mail Coach in a Hilly Landscape
undated
86
Hablot Knight Browne, 1815–1882
"Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "
undated
87
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
88
Hablot Knight Browne, 1815–1882
The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "
undated
89
Hablot Knight Browne, 1815–1882
The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"
undated
90
Peter Tillemans, 1684–1734
A Match at Newmarket
undated
91
Hablot Knight Browne, 1815–1882
"You're Not Going to Follow, Belle, Are You?"
undated
92
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Trieth a Little 'High Church' Style"
undated
93
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Then Goes in For Baptism"
undated
94
John Wootton, 1682–1764
A Meet: a Lady Rider Converses with a Gentleman Standing by His Horse..
undated
95
John Wootton, 1682–1764
The Meet
undated
96
Hablot Knight Browne, 1815–1882
The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "
undated
97
George Alken, 1794–active 1837
Full Cry. 1821: Riders Taking a Wooden Fence
1821
98
Henry Thomas Alken, 1785–1851
Two Riders Exercising Horses at a Gallop
undated
99
Possibly Henry Thomas Alken, 1785–1851
Full Cry
undated
100
Samuel Alken, 1756–1815
Stag Hunting - The Hind at Bay: In a Mill-Stream Below a Water-Mill, Right..