Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
3
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
4
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
5
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
6
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
7
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
8
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
9
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
10
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
11
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
12
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
13
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
14
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
15
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
16
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
17
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
18
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
19
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
20
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
21
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
22
William Blake, 1757–1827
Poems by Mr. Gray; Title Page
between 1797 and 1798
23
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
24
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
25
Print made by William Blake, 1757–1827
I. "Man cannot naturally Percieve..."(Plate 3)
ca. 1788
26
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
27
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
28
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
29
William Blake, 1757–1827
Epitaph on Mrs. Clarke; Title Page
between 1797 and 1798
30
William Blake, 1757–1827
Elegy Written in a Country Church-Yard; Title Page
between 1797 and 1798
31
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
32
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
33
William Blake, 1757–1827
Ode on a Distant Prospect of Eton College; Title Page
between 1797 and 1798
34
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
35
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
36
William Blake, 1757–1827
Ode on the Spring; Title Page
between 1797 and 1798
37
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
38
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
39
William Blake, 1757–1827
Ode to Adversity; Title Page
between 1797 and 1798
40
William Blake, 1757–1827
The Progress of Poesy, A Pindaric Ode; Title Page
between 1797 and 1798
41
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
42
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
43
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
44
William Blake, 1757–1827
The Bard, A Pindaric Ode; Title Page
between 1797 and 1798
45
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
46
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
47
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
48
George Romney, 1734–1802
John Henderson as Falstaff
1780
49
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
50
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
51
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
52
Isaac Taylor, 1730–1807
Scene from the play, "The Careless Husband"
undated
53
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
54
Print made by Prince Rupert, 1619–1682
The Little Executioner
ca. 1662
55
Robert Smirke, 1752–1845
Illustration for Don Quixote, Two Figures at a Table
undated
56
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument
1827
57
Robert Smirke, 1752–1845
Katherina and Grumio
1821
58
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
59
Sawrey Gilpin, 1733–1807
Study for "Gulliver's Travels"
undated
60
Valentine Green, 1739–1813
Rinaldo and Armida
1775
61
Print made by Robert Blyth, 1750–1784
The Captive
1781
62
Print made by Philip Dawe, ca.1750–ca.1790
Gadshill
1796
63
Print made by Cornelis Apostool, 1762–1844
Here Nature List'ning Stood
1795
64
Print made by John Doyle ('H.B.'), 1797–1868
A Great Actor between Tragedy and Comedy
1834
65
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene III
undated
66
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene IV
undated
67
Simon François Ravenet, 1706–1774
Isaac Watts
undated
68
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
69
Print made by Bernard Lens II, 1659–1725
Diana and Acteon
undated
70
Print made by Bernard Lens II, 1659–1725
Venus and Adonis
ca. 1690
71
Print made by Bernard Lens II, 1659–1725
Venus and Adonis
undated
72
Print made by Bernard Lens II, 1659–1725
The Judgment of Paris
undated
73
Print made by Bernard Lens II, 1659–1725
Acteon and Diana
undated
74
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808, published 1813
75
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808, published 1813
76
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808, published 1813
77
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
78
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808, published 1813
79
Francesco Bartolozzi, 1728–1815
Reverend Hugh Blair, D.D
1801
80
Print made by John Faber the Younger, ca. 1695–1756
Kitty Clive as Lady Easy in "The Careless Husband"
1739
81
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
82
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
83
Johann Jacobus Haid, 1704–1767
Mr. Garrick in "The Farmer's Return"
1766
84
Giuseppe Marchi, ca. 1735–1808
Portrait of John Moody as Foigard
between 1769 and 1771
85
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
86
Print made by Francesco Bartolozzi, 1728–1815
Celadon and Amelia
1782
87
Print made by Francesco Bartolozzi, 1728–1815
Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
1786
88
Print made by Francesco Bartolozzi, 1728–1815
And Ah! Let Pity Turn Her Dewy Eyes..
1801
89
Valentine Green, 1739–1813
Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III
1776
90
Print made by Sir Frank Short, 1857–1945
Procris and Cephalus
1885
91
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
92
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming