"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
4
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
5
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
6
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Title Page (Plate 1)
1826
7
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
8
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
9
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
10
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
11
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
12
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
1797
13
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
14
Print made by William Blake, 1757–1827
'Angels should paint it, angels ever there' (Page 40)
1797
15
Print made by William Blake, 1757–1827
'One radiant mark, – the death-bed of the just' (Page 41)
1797
16
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
17
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
18
William Blake, 1757–1827
Elizabeth. "Girt with many a Baron bold..." (Design 63)
between 1797 and 1798
19
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
20
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
21
Print made by William Blake, 1757–1827
"And Rahab Babylon the Great..." (Plate 75)
1804 to 1820
22
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
23
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
24
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
25
William Blake, 1757–1827
Ode on the Spring; Title Page
between 1797 and 1798
26
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
27
William Blake, 1757–1827
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)
between 1797 and 1798
28
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
29
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
30
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
31
George Romney, 1734–1802
Fall of the Rebel Angels
undated
32
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
33
Print made by William Say, 1768–1834
The Ecstasy of St. Francis
1809
34
Print made by William Say, 1768–1834
Hagar and Ishmael
1812
35
Print made by Johann Philip Koch, ca. 1716–1796
Le Ete - Der Sommer
undated
36
Isaac Taylor, 1730–1807
Unidentified Periodical/Play Illustration
undated
37
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
1805
38
Richard Earlom, 1743–1822
The West Window of the Chapel, New College Oxford
1785
39
Print made by Bernard Lens II, 1659–1725
Salvator Mundi
undated
40
Print made by Bernard Lens II, 1659–1725
Salvator Mundi
undated
41
Print made by John Smith, the mezzotinter, 1652–1743
Plaudit Ave Regina
undated
42
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808, published 1813
43
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808, published 1813
44
Richard Westall, 1765–1836
The Birth of Christ (Luke 2:15)
before 1836
45
Print made by William Dickinson, 1746–1823
Mrs. Sheridan as 'St. Cecilia'
1776
46
Print made by Charles Howard Hodges, 1764–1837
Guardian Angels
1786
47
Edward Francis Burney, 1760–1848
Allegory of Napoleonic Battles
undated
48
Edward Francis Burney, 1760–1848
Allegory of Steam
undated
49
circle of John Linnell, 1792–1882
Satan before the Throne of God
undated
50
Print made by John Baptist Jackson, 1701–1780
The Virgin in the Clouds and Six Saints
1742
51
Figures engraved by William Sharp, 1749–1824
Niobe
1792
52
circle of John Linnell, 1792–1882
Title Page: Illustrations of the Book of Job
after 1825
53
circle of John Linnell, 1792–1882
The Creation
undated
54
circle of John Linnell, 1792–1882
Behemoth and Leviathan
undated
55
circle of John Linnell, 1792–1882
The Fall of Satan
undated
56
circle of John Linnell, 1792–1882
Job and His Family
undated
57
circle of John Linnell, 1792–1882
Satan Going Forth from the Presence of the Lord
undated
58
Attributed to John Martin, 1789–1854
The Release of Saint Peter from Prison
undated
59
Thomas Carwitham, active 1723
Design for a Ceiling Decoration
1723
60
unknown artist
The Destruction of Sodom and Gomorrah
undated
61
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
62
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
63
Edward Francis Burney, 1760–1848
Pastoral
undated
64
Edward Francis Burney, 1760–1848
The Arts
undated
65
Edward Francis Burney, 1760–1848
Charity
undated
66
Edward Francis Burney, 1760–1848
Love Vindicated (L'Amour Vinqe')
undated
67
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
68
Edward Francis Burney, 1760–1848
Pamphilia
undated
69
Edward Francis Burney, 1760–1848
Pamphilia
undated
70
Sir James Thornhill, 1675–1734
A Design for a Ceiling
undated
71
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
72
Sir James Thornhill, 1675–1734
The Birth of Venus
undated
73
Sir James Thornhill, 1675–1734
Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
ca. 1723
74
Thomas Carwitham, active 1723
Raphael receiving the money of Tobias from Gabael: Tobit 9:5
undated
75
Richard Cosway, 1742–1821
Cupid Overpowering a Satyr
undated
76
Richard Cosway, 1742–1821
Flight into Egypt
undated
77
Bernard Lens III, 1682–1740
Victorious Hero Takes Occasion to Conclude Peace
1720
78
Print made by Francesco Bartolozzi, 1728–1815
For the Benefit of Mr. Borghi
1789
79
James Gillray, 1756–1815
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
80
Giovanni Battista Cipriani, 1727–1785
Selling of Cupids
undated
81
Attributed to Mauritius Lowe, 1746–1793
Classical Figures in Battle
undated
82
Isaac Fuller, ca. 1620–1672
The Nymph Galatea
undated
83
John Flaxman, 1755–1826
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
undated
84
John Flaxman, 1755–1826
To Phoebus at His Birth, From Aeschylus, Furies
undated
85
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
86
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
87
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
88
Print made by Ralph Hudson, active ca. 1820
Pilgrim's Progress Illustrated, Uncut Panorama
ca. 1820
89
Print made by Robert Hartley Cromek, 1770–1812
Portrait of Thomas Malkin as a Young Child, Frontispiece