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1. Lisbon from the Convent of St. Francis da Citadel

Lisbon from the Convent of St. Francis da Citadel
Creator:
Charles Gore, 1729–1807
Date:
1774
Materials & Techniques:
Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 x 17 1/2 inches (27.3 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Tower of the Clergy, Oporto

The Tower of the Clergy, Oporto
Creator:
James Holland, 1799–1870
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 6 3/4 inches (23.5 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. Madeira Fishman, January 14, '68

Madeira Fishman, January 14, '68
Creator:
unknown artist
Date:
1868
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Pass in the Mountains Between Nisa and Villa Velha

Pass in the Mountains Between Nisa and Villa Velha
Creator:
William Bradford, active 1809
Date:
1809
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 8 1/8 × 12 inches (20.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
Creator:
Thomas Bowles, ca. 1712–died 1753
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...

The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...
Creator:
J. Couse, active 1750
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/4 × 15 3/4 inches (26 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. A View of the City of Oporto

A View of the City of Oporto
Creator:
unknown artist
Date:
between 1780 and 1815
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Funchal, Madeira: A Square with a Church

Funchal, Madeira: A Square with a Church
Creator:
Samuel Davis, 1760–1819
Date:
1779
Materials & Techniques:
Watercolor, pen, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 7/8 x 16 7/8 inches (32.7 x 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Portuguese Boy (Madeira) January 25, 1868

Portuguese Boy (Madeira) January 25, 1868
Creator:
unknown artist
Date:
1868
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 × 7 inches (25.4 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. No.8 The March of the 3rd. Division through the Sierra de Estiella or de Neve, May 16, 1811

No.8 The March of the 3rd. Division through the Sierra de Estiella or de Neve, May 16, 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. No.6 Battle of Fuontes d'Ouoro, 5th July 1811

No.6 Battle of Fuontes d'Ouoro, 5th July 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. No. 10 Troop bivoacked below the village of the villa Velha, 19th May 1811

No. 10 Troop bivoacked below the village of the villa Velha, 19th May 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. No. 11 The Passage of the Tagus by the 3rd Division at Villa Velha, 20 May 1811

No. 11 The Passage of the Tagus by the 3rd Division at Villa Velha, 20 May 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. No.2 Battle of Sierra de Basaco above St. Antonio de Cantaro

No.2 Battle of Sierra de Basaco above St. Antonio de Cantaro
Creator:
Charles Turner, 1774–1857
Date:
1810
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. No.1 Passage of the Mondego at Pena Cova by the 3rd Division of allied Army, 1810

No.1 Passage of the Mondego at Pena Cova by the 3rd Division of allied Army, 1810
Creator:
T. St. Clair, active 1810–1815
Date:
1810
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. No.3 City of Coimbra on the Mondego in 1810

No.3 City of Coimbra on the Mondego in 1810
Creator:
Charles Turner, 1774–1857
Date:
1810
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. No.4 Town of Poinbal. Evacuated by the French on the Morning of 11 March 1811

No.4 Town of Poinbal. Evacuated by the French on the Morning of 11 March 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. No.5 Sabugal on the River Coa French pickets in the foreground the Allies preparing to cross the River.

No.5 Sabugal on the River Coa French pickets in the foreground the Allies preparing to cross the River.
Creator:
Charles Turner, 1774–1857
Date:
1810-1815
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. No. 9 The Frontier of Pina Macor. Portugese Troops on the March to Costello Branco, 18th May 1811

No. 9 The Frontier of Pina Macor. Portugese Troops on the March to Costello Branco, 18th May 1811
Creator:
Charles Turner, 1774–1857
Date:
1811
Materials & Techniques:
Aquatint, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy

No cover image available
Creator:
Henry William Parish, active 1792
Date:
1792-1793
Materials & Techniques:
Watercolor, graphite, pen and brown and black ink on medium, slightly textured, cream laid paper
Dimensions:
Cover: 4 1/8 × 10 13/16 inches (10.5 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Ruines du Château du Maure, à Cintra (Ruins of the Moorish Castle in Sintra, Portugal)

No cover image available
Creator:
Charles Clifford, ca. 1800–1863
Date:
ca. 1857
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper
Dimensions:
Sheet: 12 1/4 × 16 1/8 inches (31.1 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.