The Right Hon'ble Adam Duncan, Viscount Duncan of Camperdown and Baron Duncan of Lundie in the Shire of Fairfax, Admiral of the Blue Squadron and Knight of the Russian Imperial Order of S.r. Alexander Nevsky
1798
2
James Ward, 1769–1859
Ruins of Richbro' Castle, Isle of Thanet
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3
James Ward, 1769–1859
Farm Buildings
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4
James Ward, 1769–1859
A Brown long-eared bat (Plecotus auritus)
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5
James Ward, 1769–1859
Studies of Figures
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6
James Ward, 1769–1859
Study of a Kid
1796
7
James Ward, 1769–1859
Studies of Pigs
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8
James Ward, 1769–1859
Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."
1820 to 1830
9
James Ward, 1769–1859
A Little Boy with Red Shoes (Child with Red Shoes and a Top Hat)
undated
10
attributed to James Ward, 1769–1859
Study of a Seated Woman
1787
11
James Ward, 1769–1859
Kenilworth Castle
1807
12
James Ward, 1769–1859
Landscape with Three Horses and a Tree in the Foreground
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13
James Ward, 1769–1859
Studies of Anatomy, Measurements and Writing
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14
James Ward, 1769–1859
The Old Double Bridge, Bury St. Edmunds
1833
15
James Ward, 1769–1859
A Study for the Central Character in Ward's Painting "The Deer Stealer"
1820
16
James Ward, 1769–1859
Study of a Calf
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17
attributed to James Ward, 1769–1859
Study of a Cow
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18
James Ward, 1769–1859
Study from Nature, One of the Children of Charity for the Large Picture of the Waterloo Allegory
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19
James Ward, 1769–1859
Dolbadarn Castle
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20
James Ward, 1769–1859
Scottish Peasant Women
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21
James Ward, 1769–1859
Mother and Infant
ca. 1798
22
James Ward, 1769–1859
The Wood Cutter
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23
James Ward, 1769–1859
Cottage and Farm Buildings
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24
attributed to Samuel Shelley, 1750–1808
Studies of Two Women
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25
James Ward, 1769–1859
The Old Hall, Tabley, Surrounded by Parkland, July 20, 1814 (1819?)
ca. 1814
26
James Ward, 1769–1859
An Approaching Storm
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27
James Ward, 1769–1859
Boy Carrying a Pail on His Head
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28
James Ward, 1769–1859
Sky Study
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29
James Ward, 1769–1859
Study of a Drayman (A Study for "Sides - all")
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30
James Ward, 1769–1859
Ferrets
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31
James Ward, 1769–1859
Landscape with a Castle on a Hill
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32
James Ward, 1769–1859
A Shepherd Boy
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33
James Ward, 1769–1859
Sky Study
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34
James Ward, 1769–1859
Studies after Anthony van Dyck's Portrait of Arthur Goodwin
1825
35
James Ward, 1769–1859
A View near Hamilton
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36
James Ward, 1769–1859
An Outhouse Wall
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37
James Ward, 1769–1859
An Old Oak Tree
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38
James Ward, 1769–1859
A Stunted Oak
1822
39
James Ward, 1769–1859
A Satyr's Head
1836
40
James Ward, 1769–1859
Mrs. Morland's Portrait
ca. 1802
41
James Ward, 1769–1859
Studies of Horses
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42
James Ward, 1769–1859
A Tree Trunk on the Ground
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43
James Ward, 1769–1859
Two Girls (or Lady and Child) on a Garden Terrace near an Ornamental Urn
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44
James Ward, 1769–1859
Back View of Country Woman in Hat and Shawl
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45
James Ward, 1769–1859
A Rustic Carrying Ducks
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46
James Ward, 1769–1859
Head of a Man Blowing a Pipe
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47
James Ward, 1769–1859
View Overlooking Fields to Distant Mountains, with a Cottage at Right
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48
James Ward, 1769–1859
Farm Workers Flailing Corn
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49
James Ward, 1769–1859
A Boy Leaning against a Table
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50
James Ward, 1769–1859
Sea Breaking on Stony Cliffs at Left
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51
James Ward, 1769–1859
A Thatched Cottage and Trees at the Turn of a Country Road
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52
James Ward, 1769–1859
Study of a Hill Top and Sky
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53
James Ward, 1769–1859
Ben Lomond, August 17
ca. 1805
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James Ward, 1769–1859
The Quarry
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55
James Ward, 1769–1859
Head and Shoulders of a Cart Horse
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James Ward, 1769–1859
Study for The Mother's Bribe, or The Temptation to be Washed
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57
James Ward, 1769–1859
Landscape with Cottages and Figures
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58
James Ward, 1769–1859
A Cedar on a Rise with a Herd of Deer Grouped Beneath its Shade
1814
59
James Ward, 1769–1859
Study of a Cossack: Gregory Yellowstuff
1814
60
James Ward, 1769–1859
A Farm amongst Trees
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61
James Ward, 1769–1859
Study of Two Headless Classical Statues
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62
James Ward, 1769–1859
Aberdulais Mill, Glamorganshire
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63
James Ward, 1769–1859
Snowdon, an Approaching Storm
1853
64
James Ward, 1769–1859
Landscape with a Farm and Cornstalks
ca. 1803
65
James Ward, 1769–1859
Study for the View of Cambridge from Castle Hill
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66
James Ward, 1769–1859
The Vale of Llangollen
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67
James Ward, 1769–1859
River Landscape with a Waterfall
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68
James Ward, 1769–1859
Drawing of a Man's Skeleton
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69
James Ward, 1769–1859
Mr. Thompson's Wire Mill, Tintern
1807
70
James Ward, 1769–1859
Waterfall, North Wales
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71
James Ward, 1769–1859
Landscape with Trees
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72
James Ward, 1769–1859
Study of a Mountain with Trees
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73
James Ward, 1769–1859
Study of the Head of a Ram
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74
James Ward, 1769–1859
Study of a Climbing Plant (Pumpkin Family)
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James Ward, 1769–1859
Study of a Sleeping Dog
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76
James Ward, 1769–1859
Study of a Tree
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77
James Ward, 1769–1859
View near Swansea, South Wales
ca. 1800
78
James Ward, 1769–1859
A Foliated Branch
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James Ward, 1769–1859
A Sheet of Slight Sketches
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80
James Ward, 1769–1859
A Broad-Wheeled Road Waggon
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James Ward, 1769–1859
Henry James William Ward, Son of the Artist
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James Ward, 1769–1859
Larch Tree
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James Ward, 1769–1859
A Gnarled Tree
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84
James Ward, 1769–1859
A Farm Cart
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85
James Ward, 1769–1859
A Craggy Hillside
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86
James Ward, 1769–1859
Studies of a Hilly Coast, and a Rocky Waterfall
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87
James Ward, 1769–1859
Landscape
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88
James Ward, 1769–1859
Sheet of Sketches: Wagon, Horse, Milkmaid and Other Figure Studies
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89
James Ward, 1769–1859
Study of a Turkey
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90
James Ward, 1769–1859
Studies of Hands
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91
James Ward, 1769–1859
Head of a Man Wearing a Loose Scarf
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92
James Ward, 1769–1859
A Rocky Hillside with Trees and Figures
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93
James Ward, 1769–1859
Looking Upwards from Devil's Bridge, Cardiganshire, Wales
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94
James Ward, 1769–1859
Studies of Dogs lying down
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James Ward, 1769–1859
Two Studies of a Tiger; above: Head and Shoulders; below: Hindquarters