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Collection Prints and Drawings
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1
- Design for an Embroidered Stool
- undated
![John R. Skeaping Cow Nylgha [aka] Reedback Feeding](https://media.collections.yale.edu/thumbnail/ycba/0f73605b-8bf9-42b2-862a-937d2ac80a32)
2
- Cow Nylgha [aka] Reedback Feeding
- 1928
3
- The Flying Pack
- 1898-1899
4
- Who-o-p!
- 1898-1899
5
- Crocks
- ca. 1924
6
- A Cottage among Trees, Shoreham
- undated
7
- The Valley of Vision
- undated
8
- A Barn with a Mossy Roof, Shoreham
- undated
9
- The Primitive Cottage, Shoreham
- undated
10
- The Rising Moon
- 1857
11
- The Bellman
- 1879
12
- The Cypress Grove
- plate etched between ca. 1880 and 1883; impression printed in 1924
13
- The Rising Moon
- 1857
14
- Human Skeleton, Lateral View (in Crawling Posture; finished study for an unpublished table)
- 1795 to 1806
15
- Tiger Skeleton, Lateral View (Highly finished study for Table IV)
- 1795 to 1806
16
- Tiger Skeleton, Lateral View
- 1795 to 1806
17
- Dorking Hen Skeleton, Lateral View (Finished study for an unpublished table)
- 1795 to 1806
18
- Monkey Standing, Anterior View
- 1795 to 1806
19
- Characters and Caricatures: subscription ticket for 'Marriage à la Mode'
- 1743
20
- Mer de Glace, Valley of Chamouni, Savoy
- 1812
21
- Dumblain Abbey, Scotland
- 1816
22
- Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
- 1819
23
- East Gate, Winchelsea, Sussex
- 1819
24
- Isis
- 1819
25
- Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham
- 1819
26
- The Alcove, Isleworth
- 1819
27
- Ben Arthur, Scotland
- 1819
28
- Sheep-Washing, Windsor
- between 1813 and 1823
29
- Via Mala
- between 1813 and 1823
30
- Ingleborough from Chapel-Le-Dale
- between 1810 and 1815
31
- Upper Fall of the Reichenbach: Rainbow
- 1810
32
- Landscape with Waterfall
- ca. 1796
33
- Pembury Mill, Kent
- 1808
34
- Pembury Mill, Kent
- 1808
35
- Original Sketch of a Picture for W. Leader, Esq
- 1809
36
- Hind Head Hill
- 1811
37
- The Hindoo Worshipper
- 1811
38
- Junction of Severn and Wye
- 1811
39
- Calm
- 1812
40
- Rispah: 2nd Book of Samuel, Chap. 21
- 1812
41
- Bridge and Cows
- 1807
42
- Lake of Thun, Switzerland
- 1808
43
- Windmill and Lock
- 1811
44
- Water Mill
- 1812
45
- From Spenser's Fairy Queen
- 1811
46
- Crypt of Kirkstall Abbey
- 1812
47
- Flounder Fishing, Battersea
- between 1813 and 1823
48
- Apuleia in Search of Apuleius
- between 1813 and 1823
49
- Ben Arthur, Scotland
- 1819
50
- Entrance of Calais Harbour
- 1816
51
- Solway Moss
- 1816
52
- Jason
- 1807
53
- Tenth Plague of Egypt
- 1816
54
- Peat Bog, Scotland
- 1812
55
- Norham Castle on the Tweed
- 1816
56
- Picture in the Possession of Sir John Mildmay, Bart
- 1812
57
- Marine Dabblers
- 1811
58
- London from Greenwich
- 1811
59
- The Hindoo Worshipper
- 1811
60
- The Drawing of the Clyde
- 1809
61
- Original Sketch of a Picture for W. Leader, Esq
- 1809
62
- Pembury Mill, Kent
- 1808
63
- The Castle above the Meadows
- 1808
64
- Hedging and Ditching
- 1812
65
- Winchelsea, Sussex
- 1812
66
- Procris and Cephalus
- 1812
67
- Martello Towers near Bexhill, Sussex
- 1811
68
- Little Devil's Bridge over the Russ above Altdorft, Switzerland
- 1809
69
- Rocky Valley of Mosta, Malta
- 1866
70
- Mqabba, Qrendi
- 1866
71
- Abyssinian Parrakeet (Plate 39)
- 1832
72
- Prison Scene
- undated
73
- The Bath of Bath-sheba
- undated
74
- Studies of a Seated Woman
- undated
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
75
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
![William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]](https://media.collections.yale.edu/thumbnail/ycba/acf4d172-dfee-4b27-8478-2be8df5a19cb)
76
- Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
- 1827
![William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]](https://media.collections.yale.edu/thumbnail/ycba/2377c317-1278-492a-94c3-bda0566322ac)
77
- Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
- 1827
![William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]](https://media.collections.yale.edu/thumbnail/ycba/7f5ea7d3-2e50-4064-bf5d-a66c163c0237)
78
- Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
- 1827
![William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]](https://media.collections.yale.edu/thumbnail/ycba/a649b6a5-30dd-4484-bf7c-0a2c0cbcf2b6)
79
- Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
- 1827
![William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]](https://media.collections.yale.edu/thumbnail/ycba/374dc78e-dd18-49c1-b553-b3cf58cc9df1)
80
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
81
- Iustus Lipsius
- ca. 1635
82
- Second Temple of Hera, in the Foreground, First Temple of Hera in the Background, at Paestum
- 1802-1804
83
- Artus Wolfart
- ca. 1635
84
- Study of a Stone Wall
- 1802-1804
85
- Franciscus Franck Iunior
- ca. 1635
86
- Ioannes T'Serclaes
- ca. 1635
87
- Iacobus Iordaens
- ca. 1635
88
- Diodorus Tuldenus
- ca. 1635
89
- Temple of Olympian Zeus, Athens and the Parthenon
- 1802-1804
90
- Gierusalemme
- ca. 1750
91
- Unfinished View of the Palatine in Rome
- ca. 1750
92
- French Songs
- 1946
93
- Cæsar Alexander Scaglia
- ca. 1635
94
- Beziers, France
- undated
95
- Crinum zeylanicum
- undated
96
- Semezza (Ruttya speciosa)
- 1770
97
- Château des Comtes de Flandre, Ghent
- ca. 1833
98
- A Macarony at a Sale of Pictures
- 1771
99
- Now Sir, You're a Complete Macaroni
- 1772
100
- Portrait of Fuseli
- undated