Illustrations of the Book of Job, pl. 19 (page 18): [Job's Sacrifice]
1826
322
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 21 (page 20): [Job and his Daughters]
1826
323
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 22 (page 21): [Job and his Wife restored to Prosperity]
1826
324
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
325
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
326
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
327
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
1821, reprinted 1977
328
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
1821, reprinted 1977
329
William Blake, 1757–1827
Pl. 15: `The Conjugal Union of Cupid'
1796
330
William Blake, 1757–1827
Pl. 16: `Cupid & Psyche'
1796
331
William Blake, 1757–1827
Pl. 18: `Iron Age'
1796
332
William Blake, 1757–1827
Pl. 12: `Psyche Disobeys.'
1796
333
William Blake, 1757–1827
Pl. 19: `Aristophanes Clouds. Scene I'
1796
334
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 20 (page 19): [Job Accepting Charity]
1826
335
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
336
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
337
William Blake, 1757–1827
Pl. 19: `Aristophanes Clouds. Scene I'
1796
338
William Blake, 1757–1827
Pl. 23: `Anacreon Ode LII'
1796
339
William Blake, 1757–1827
Pl. 13: `Psyche Repents.'
1796
340
William Blake, 1757–1827
Pl. 14: `Venus Counsels Cupid'
1796
341
William Blake, 1757–1827
Pl. 15: `The Conjugal Union of Cupid'
1796
342
William Blake, 1757–1827
Pl. 16: `Cupid & Psyche'
1796
343
William Blake, 1757–1827
Pl. 23: `Anacreon Ode LII'
1796
344
William Blake, 1757–1827
Each creature, Thenot, to his task is born
1821, reprinted 1977
345
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
346
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
347
William Blake, 1757–1827
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
348
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
349
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
350
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
351
William Blake, 1757–1827
My sheep quite spent through travel and ill fare
1821, reprinted 1977
352
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 1 (Title Page): 'Illustrations of/ the/ Book/ of/ Job'
1826
353
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 2 (page 1): [Job and his Family]
1826
354
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 6 (page 5): [Satan going forth from the Presence of the Lord]
1826
355
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 7 (page 6): [Satan smiting Job with Boils]
1826
356
Print made by William Blake, 1757–1827
Illustrations of the Book of Job, pl. 8 (page 7): [Job's Comforters]
1826
357
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 9 (page 8): [Job's Despair]
1826
358
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 10 (page 9): [The Vision of Eliphaz]
1826
359
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 12 (page 11): [Job's Evil Dreams]
1826
360
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 15 (page 14): [The Creation]
1826
361
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 4 (page 3): [The Destruction of Job's Sons]
1826
362
William Blake, 1757–1827
Illustrations of the Book of Job, p. 5 (page 4): [The Messengers tell Job of the Misfortunes that have Befallen Him]
1826
363
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 3 (page 2): [Satan before the Throne of God]
1826
364
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 11 (page 10): [Job rebuked by his Friends]
1826
365
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 13 (page 12): [The Wrath of Elihu]
1826
366
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 14 (page 13): [The Lord answering Job out of the Whirlwind]
1826
367
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 16 (page 15): [Behemoth and Leviathan]
1826
368
William Blake, 1757–1827
And now behold the sun's departing ray
1821, reprinted 1977
369
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
370
William Blake, 1757–1827
Pl. 12: 'Psyche Disobeys'
1796
371
William Blake, 1757–1827
Pl. 13: `Psyche Repents'
1796
372
William Blake, 1757–1827
Pl. 14: `Venus Councels Cupid'
1796
373
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
374
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
375
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 18 (page 17): [The Vision of God]
1826
376
William Blake, 1757–1827
Illustrations of the Book of Job, pl. 17 (page 16): [The Fall of Satan]
1826
377
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
378
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
379
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
380
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
381
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
382
Sir Frank Short, 1857–1945
View of the Thames at Greenwich
1904
383
Sir Robert Smirke the younger, 1781–1867
Sketch of Part of a Column
1802-1804
384
Dame Laura Knight, 1877–1970
A Southern Blonde
1926
385
Print made by Sir David Young Cameron, 1865–1945
Ponte della Trinita, Florence
between 1902 and 1907
386
Sir David Young Cameron, 1865–1945
Sound of Kerrera
1925
387
Sir David Young Cameron, 1865–1945
Dunstaffnage
1915
388
Print made by Pieter de Jode II, ca. 1606–1674
Adam de Coster
ca. 1635
389
Print made by Sir David Young Cameron, 1865–1945
Killundine
1929
390
Sir David Young Cameron, 1865–1945
Royal Scottish Academy
1916
391
Print made by Sir David Young Cameron, 1865–1945
Ponte della Trinita, Florence
between 1902 and 1907
392
Print made by Sir David Young Cameron, 1865–1945
Stonehenge
1928
393
Sir David Young Cameron, 1865–1945
Ralia
1912
394
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
395
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
396
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
397
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
398
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
399
unknown artist
[One in an] Album of caricature drawings and prints
ca. 1819
400
unknown artist
[One in an] Album of caricature drawings and prints