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101. III
- Date:
- 1990
- Materials & Techniques:
- Openbite etching and aquatint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
102. II
- Date:
- 1990
- Materials & Techniques:
- Softground etching with stop-out varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
103. IV
- Date:
- 1990
- Materials & Techniques:
- Aquatint, burnishing, sugarlift, openbite and softground etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
104. VII
- Date:
- 1990
- Materials & Techniques:
- Softground etching and aquatint with crayon resist, openbite, hardground and various stages of burnishing and polishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
105. V
- Date:
- 1990
- Materials & Techniques:
- Aquatint and openbite etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
106. VI
- Date:
- 1990
- Materials & Techniques:
- Softground etching with aquatint, hardground openbite, sugarlift, drypoint and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
107. IX
- Date:
- 1990
- Materials & Techniques:
- Hardground etching using needle, roulette and lavender oil, and openbite on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
108. VIII
- Date:
- 1990
- Materials & Techniques:
- Softground etching, aquatint, openbite, lavender oil on hardground and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
109. X
- Date:
- 1990
- Materials & Techniques:
- Hardground etching with lavender oil, roulette, and openbite on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
110. XI
- Date:
- 1990
- Materials & Techniques:
- Hardground etching with needle and roulette on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
111. XIII
- Date:
- 1990
- Materials & Techniques:
- Sugarlift etching, openbite, scraping and polishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
112. XII
- Date:
- 1990
- Materials & Techniques:
- Hardground etching with lavender oil, needle, and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
113. XIV
- Date:
- 1990
- Materials & Techniques:
- Softground etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
114. XV
- Date:
- 1990
- Materials & Techniques:
- Softground etching with hardground, openbite, burnishing and polishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
115. XVI
- Date:
- 1990
- Materials & Techniques:
- Openbite etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
116. XXI
- Date:
- 1990
- Materials & Techniques:
- Aquatint bitten evenly to black over whole plate then burnished back, hardground etching and openbite on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
117. XVII
- Date:
- 1990
- Materials & Techniques:
- Openbite etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
118. XX
- Date:
- 1990
- Materials & Techniques:
- Aquatint, openbite, sugarlift, and hardground etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
119. XXII
- Date:
- 1990
- Materials & Techniques:
- Aquatint bitten evenly to black, acid brushed onto open plate in several stages, then openbite etching through varnish and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
120. XXIII
- Date:
- 1990
- Materials & Techniques:
- Aquatint, openbite etching and sugarlift on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
121. XIX
- Date:
- 1990
- Materials & Techniques:
- Initial faint hardground drawing, then aquatint and openbite etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
122. XXV
- Date:
- 1990
- Materials & Techniques:
- Openbite etching through varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
123. XXVI
- Date:
- 1990
- Materials & Techniques:
- Coarse aquatint bitten in 3 states, then 5 stages of openbite etching: the plate was then cut down from a square format on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
124. XXVIII
- Date:
- 1990
- Materials & Techniques:
- Openbite etching and aquatint: the plate was cut in half after 6 states on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
125. XXIX
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, sugarlift, openbite and aquatint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
126. XXVII
- Date:
- 1990
- Materials & Techniques:
- Softground etching, aquatint, openbite through varnish and brasso, and burnishing: the plate was then cut in half at state 7 on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
127. XXXII
- Date:
- 1990
- Materials & Techniques:
- Aquatint, openbite etching, hardground, and hand-shaken aquatint: the plate cut down following state 12 on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
128. XXIV
- Date:
- 1990
- Materials & Techniques:
- Aquatint bitten evenly to black over white plate then burnished back and open bitten through stop-out varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
129. XXXIII
- Date:
- 1990
- Materials & Techniques:
- Sugarlift etching in 3 stages, the first bitten in 2 stages on coarse grain aquatint, second bitten in 3 states on fine aquatint, third bitten once only, then two openbites through varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
130. XXXI
- Date:
- 1990
- Materials & Techniques:
- Spitbite etching, then openbite achieved by scraping through stopout varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
131. XXX
- Date:
- 1990
- Materials & Techniques:
- Spitbite etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
132. XXXV
- Date:
- 1990
- Materials & Techniques:
- Spitbite, openbite, softground, and creeping bite etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
133. XXXIV
- Date:
- 1990
- Materials & Techniques:
- Lavender oil on hardground and spitbite etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
134. XXXVI
- Date:
- 1990
- Materials & Techniques:
- Softground etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
135. XXXVII
- Date:
- 1990
- Materials & Techniques:
- Openbite etching and drypoint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
136. XXXVIII
- Date:
- 1990
- Materials & Techniques:
- Softground etching, sugarlift, spitbite, and openbite on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
137. XXXIX
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, aquatint, openbite, drypoint scraping, burnishing, and polishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
138. XL
- Date:
- 1990
- Materials & Techniques:
- Sugarlift and softground etching, lavender oil on hardground, openbite, and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Plate: 7 1/8 × 5 1/8 inches (18.1 × 13 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
139. XLI
- Date:
- 1990
- Materials & Techniques:
- Aquatint, burnishing, openbite etching and drypoint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
140. XLII
- Date:
- 1990
- Materials & Techniques:
- Openbite etching, creeping aquatint bite, and polishing back on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
141. XLIII
- Date:
- 1990
- Materials & Techniques:
- Openbite etching, hardground, 5 sugarlifts, creeping aquatint bite, scraping, burnishing, and drypoint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
142. XLIV
- Date:
- 1990
- Materials & Techniques:
- Softground etching, openbite, creeping aquatint bite, and drypoint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
143. XLV
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, aquatint and openbite: the plate was cut in half, the other half used for plate L on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
144. XLVI
- Date:
- 1990
- Materials & Techniques:
- Softground etching, hardground, aquatint, burnishing, and openbite: the plate was cut in half at state 7, the other half made XXVII on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
145. XLVIII
- Date:
- 1990
- Materials & Techniques:
- Softground etching, openbite, sugarlift, scraping and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
146. L
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, burnishing, scraping, openbite over whole surface, openbite through litho crayon, drypoint, sugarlift, and deep, ten-hour hardground bite on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1992
- Materials & Techniques:
- Screen print on 300gsm Somerset Satin white wove paper
- Dimensions:
- Sheet: 33 3/4 × 26 3/4 inches (85.7 × 67.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
148. UNO City

- Date:
- 1992
- Materials & Techniques:
- Blind embossed print on 300gsm Somerset Satin white textured wove paper
- Dimensions:
- Sheet: 28 × 29 1/4 inches (71.1 × 74.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1992
- Materials & Techniques:
- Screen print with mezzotint on 300gsm Somerset Satin white wove paper
- Dimensions:
- Sheet: 28 × 34 3/4 inches (71.1 × 88.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
150. XVIII
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, aquatint, openbite, and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
151. XLVII
- Date:
- 1990
- Materials & Techniques:
- Aquatint and stop-out varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
152. XLIX
- Date:
- 1990
- Materials & Techniques:
- Initial faint hardground, aquatint to 7 states and creeping aquatint bite, openbite etching, burnishing, sugarlift, softground and drypoint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1996
- Materials & Techniques:
- Blind embossed print on 300gsm Somerset Satin white wove paper
- Dimensions:
- Sheet: 29 7/8 × 28 3/8 inches (75.9 × 72.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
154. Plate 1
- Date:
- 1993
- Materials & Techniques:
- Woodcut; second impression on 300gsm BFK Rives white wove paper
- Dimensions:
- Sheet: 35 × 27 inches (88.9 × 68.6 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art; Gift of Charles Booth-Clibborn
155. Plate 10
- Date:
- 1993
- Materials & Techniques:
- Woodcut on 300gsm BFK Rives white wove paper
- Dimensions:
- Sheet: 27 × 35 inches (68.6 × 88.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art; Gift of Charles Booth-Clibborn
156. Untitled (Plate 3)
- Date:
- 1995
- Materials & Techniques:
- Three color soft-ground etching on 300gsm Somerset Satin white wove paper
- Dimensions:
- Sheet: 37 1/4 × 30 1/2 inches (94.6 × 77.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art; Gift of Charles Booth-Clibborn
157. Shepherd's Purse 4
- Date:
- 2002
- Materials & Techniques:
- Etching on 350gsm Hahnemühle Roll Bright white wove paper
- Dimensions:
- Sheet: 35 × 30 3/8 inches (88.9 × 77.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
158. Thale Cress
- Date:
- 2002
- Materials & Techniques:
- Etching on 350gsm Hahnemühle Roll Bright white wove paper
- Dimensions:
- Sheet: 35 × 30 3/8 inches (88.9 × 77.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
159. Annual Wall-Rocket
- Date:
- 2002
- Materials & Techniques:
- Etching on 350gsm Hahnemühle Roll Bright white wove paper
- Dimensions:
- Sheet: 35 × 30 3/8 inches (88.9 × 77.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
160. Smooth Hawks Beard
- Date:
- 2002
- Materials & Techniques:
- Etching on 350gsm Hahnemühle Roll Bright white wove paper
- Dimensions:
- Sheet: 35 × 30 3/8 inches (88.9 × 77.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
161. Colophon
- Date:
- 2002
- Materials & Techniques:
- Letterpress on 350gsm Hahnemühle Roll Bright white wove paper
- Dimensions:
- Sheet: 35 × 30 3/8 inches (88.9 × 77.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
162. Common Groundsel 1
- Date:
- 2002
- Materials & Techniques:
- Etching on 350gsm Hahnemühle Roll Bright white wove paper
- Dimensions:
- Sheet: 35 × 30 3/8 inches (88.9 × 77.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
163. Common Groundsel 2
- Date:
- 2002
- Materials & Techniques:
- Etching on 350gsm Hahnemühle Roll Bright white wove paper
- Dimensions:
- Sheet: 35 × 30 3/8 inches (88.9 × 77.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
164. Shepherd's Purse 1
- Date:
- 2002
- Materials & Techniques:
- Etching on 350gsm Hahnemühle Roll Bright white wove paper
- Dimensions:
- Sheet: 35 × 30 3/8 inches (88.9 × 77.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
165. Shepherd's Purse 2
- Date:
- 2002
- Materials & Techniques:
- Etching on 350gsm Hahnemühle Roll Bright white wove paper
- Dimensions:
- Sheet: 35 × 30 3/8 inches (88.9 × 77.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
166. Common Toadflax
- Date:
- 2002
- Materials & Techniques:
- Etching on 350gsm Hahnemühle Roll Bright white wove paper
- Dimensions:
- Sheet: 35 × 30 3/8 inches (88.9 × 77.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
167. Creeping Buttercup
- Date:
- 2002
- Materials & Techniques:
- Etching on 350gsm Hahnemühle Roll Bright white wove paper
- Dimensions:
- Sheet: 35 × 30 3/8 inches (88.9 × 77.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
168. Shepherd's Purse 5
- Date:
- 2002
- Materials & Techniques:
- Etching on 350gsm Hahnemühle Roll Bright white wove paper
- Dimensions:
- Sheet: 35 × 30 3/8 inches (88.9 × 77.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
169. Herb-Robert
- Date:
- 2002
- Materials & Techniques:
- Etching on 350gsm Hahnemühle Roll Bright white wove paper
- Dimensions:
- Sheet: 35 × 30 3/8 inches (88.9 × 77.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
- Date:
- 2001
- Materials & Techniques:
- 9 color screen prints, with title page and colophon in buckram-covered wooden box on 410gsm Somerset white wove paper
- Dimensions:
- Sheet: 29 × 29 inches (73.7 × 73.7 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
171. Untitled (Plate 2)
- Date:
- 1995
- Materials & Techniques:
- Two color soft-ground etching on 300gsm Somerset Satin white wove paper
- Dimensions:
- Sheet: 37 1/2 × 30 3/8 inches (95.3 × 77.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art; Gift of Charles Booth-Clibborn
- Date:
- 2002
- Materials & Techniques:
- Etching on 350gsm Hahnemühle Roll Bright white wove paper
- Dimensions:
- Sheet: 35 1/4 x 31in. (89.5 x 78.7cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
- Date:
- 2005
- Materials & Techniques:
- Etching, dust-grain gravure on 270gsm Magnani Hand Made Ivory wove paper
- Dimensions:
- Sheet: 16 x 19 1/2 inches (40.6 x 49.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
- Date:
- 2005
- Materials & Techniques:
- Etching, dust-grain gravure on 270gsm Magnani Hand Made Ivory wove paper
- Dimensions:
- Sheet: 16 x 19 1/2 inches (40.6 x 49.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
- Date:
- 2005
- Materials & Techniques:
- Etching, dust-grain gravure on 270gsm Magnani Hand Made Ivory wove paper
- Dimensions:
- Sheet: 16 x 19 1/2 inches (40.6 x 49.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
- Date:
- 2005
- Materials & Techniques:
- Etching, dust-grain gravure on 270gsm Magnani Hand Made Ivory wove paper
- Dimensions:
- Sheet: 16 x 19 1/2 inches (40.6 x 49.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
- Date:
- 2005
- Materials & Techniques:
- Etching, dust-grain gravure on 270gsm Magnani Hand Made Ivory wove paper
- Dimensions:
- Sheet: 16 x 19 1/2 inches (40.6 x 49.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
- Date:
- 2005
- Materials & Techniques:
- Etching, dust-grain gravure on 270gsm Magnani Hand Made Ivory wove paper
- Dimensions:
- Sheet: 16 x 19 1/2 inches (40.6 x 49.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
- Date:
- 2005
- Materials & Techniques:
- Etching, dust-grain gravure on 270gsm Magnani Hand Made Ivory wove paper
- Dimensions:
- Sheet: 16 x 19 1/2 inches (40.6 x 49.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
- Date:
- 2005
- Materials & Techniques:
- Etching, dust-grain gravure on 270gsm Magnani Hand Made Ivory wove paper
- Dimensions:
- Sheet: 16 x 19 1/2 inches (40.6 x 49.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
- Date:
- 2005
- Materials & Techniques:
- Etching, dust-grain gravure on 270gsm Magnani Hand Made Ivory wove paper
- Dimensions:
- Sheet: 16 x 19 1/2 inches (40.6 x 49.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
- Date:
- 2005
- Materials & Techniques:
- Etching, dust-grain gravure on 270gsm Magnani Hand Made Ivory wove paper
- Dimensions:
- Sheet: 16 x 19 1/2 inches (40.6 x 49.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
- Date:
- 2005
- Materials & Techniques:
- Etching, dust-grain gravure on 270gsm Magnani Hand Made Ivory wove paper
- Dimensions:
- Sheet: 16 x 19 1/2 inches (40.6 x 49.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
- Date:
- 2005
- Materials & Techniques:
- Etching, dust-grain gravure on 270gsm Magnani Hand Made Ivory wove paper
- Dimensions:
- Sheet: 16 x 19 1/2 inches (40.6 x 49.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
- Date:
- 2005
- Materials & Techniques:
- Screen print on thick, moderately textured, white wove paper
- Dimensions:
- Sheet: 16 x 19 1/2 inches (40.6 x 49.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Friends of British Art Fund
186. Fifty Etchings
- Date:
- 1990
- Materials & Techniques:
- Portfolio of 50 etchings on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
187. You Stole My Look!
- Date:
- 1997
- Materials & Techniques:
- Screen print on 300gsm Somerset Satin, white wove paper
- Dimensions:
- Sheet: 35 × 28 3/8 inches (88.9 × 72.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1997
- Materials & Techniques:
- Screen print on 300gsm Somerset Satin, white wove paper
- Dimensions:
- Sheet: 22 3/8 × 34 3/4 inches (56.8 × 88.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
189. Untitled
- Date:
- 1997
- Materials & Techniques:
- Screen print on 300gsm Somerset Satin white wove paper
- Dimensions:
- Sheet: 22 3/4 × 35 inches (57.8 × 88.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1997
- Materials & Techniques:
- Screen print on 300gsm Somerset Satin white wove paper
- Dimensions:
- Sheet: 26 3/4 × 34 7/8 inches (67.9 × 88.6 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
191. Stage
- Date:
- 1997
- Materials & Techniques:
- Screen print on 300gsm Somerset Satin white wove paper
- Dimensions:
- Sheet: 29 1/8 × 35 inches (74 × 88.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
192. The Garden
- Date:
- 1997
- Materials & Techniques:
- Screen print on 300gsm Somerset Satin white wove paper
- Dimensions:
- Sheet: 24 x 35in. (61 x 88.9cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1996
- Materials & Techniques:
- Blind embossed print on 300gsm Somerset Satin white wove paper
- Dimensions:
- Sheet: 29 3/4 x 28 1/4in. (75.6 x 71.8cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1996
- Materials & Techniques:
- Blind embossed print on 300gsm Somerset Satin white wove paper
- Dimensions:
- Sheet: 29 3/4 x 28 1/4in. (75.6 x 71.8cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1996
- Materials & Techniques:
- Blind embossed print on 300gsm Somerset Satin white wove paper
- Dimensions:
- Sheet: 29 3/4 x 28 1/4in. (75.6 x 71.8cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1996
- Materials & Techniques:
- Blind embossed print on 300gsm Somerset Satin white wove paper
- Dimensions:
- Sheet: 29 3/4 x 28 1/4in. (75.6 x 71.8cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1996
- Materials & Techniques:
- Blind embossed print on 300gsm Somerset Satin white wove paper
- Dimensions:
- Sheet: 29 3/4 x 28 1/4in. (75.6 x 71.8cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1996
- Materials & Techniques:
- Blind embossed print on 300gsm Somerset Satin white wove paper
- Dimensions:
- Sheet: 29 3/4 x 28 1/4in. (75.6 x 71.8cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1996
- Materials & Techniques:
- Blind embossed print on 300gsm Somerset Satin white wove paper
- Dimensions:
- Sheet: 29 3/4 x 28 1/4in. (75.6 x 71.8cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1996
- Materials & Techniques:
- Blind embossed print on 300gsm Somerset Satin white wove paper
- Dimensions:
- Sheet: 29 3/4 x 28 1/4in. (75.6 x 71.8cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund