Plan of Westminster Showing the Coronation Route of George II
ca. 1727
8503
Studio of Sir John Soane, 1753–1837
Section of the Court of Common Pleas and the Robery Room
1823
8504
unknown artist
Plan of the Old Parliament Houses, Westminster
1820
8505
unknown artist
Mr. Lee's House After the Fire, House of Lords
ca. 1835
8506
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
8507
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
8508
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
8509
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
8510
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
8511
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
8512
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
8513
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
8514
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
8515
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
8516
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
8517
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
8518
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
8519
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
8520
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
8521
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
8522
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
8523
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
8524
unknown artist
Grave of the Supposed William Lyndewode
1852
8525
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
8526
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
8527
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
8528
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
8529
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
8530
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
8531
George Harley, 1791–1871
Ruins of Westminster Palace
1834
8532
unknown artist
Near Chiavenna
ca. 1796
8533
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
8534
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
8535
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
8536
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
8537
Attributed to John Carter, 1748–1817
South Side of Princes Chamber West
between 1800 and 1807
8538
Attributed to John Carter, 1748–1817
Window Detail, Princes Chamber
between 1800 and 1807
8539
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
8540
Frederick Mackenzie, 1788–1854
Old Palace Yard
1809
8541
Charles James Richardson, 1806–1871
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
8542
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
8543
Monro School
Buildings Overlooking Water, near Naples
ca. 1796
8544
unknown artist
Henry VII Chapel, Westminster Abbey
undated
8545
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
8546
unknown artist
Sky study
undated
8547
unknown artist
Sky study
undated
8548
Thomas Rowlandson, 1756–1827
The Vicar Selling his Horse
ca. 1817
8549
Thomas Rowlandson, 1756–1827
The Surprise
ca. 1817
8550
Thomas Rowlandson, 1756–1827
The Family Picture
1817
8551
unknown artist
Sky study
undated
8552
Thomas Rowlandson, 1756–1827
The Fair Penitent
ca. 1817
8553
Thomas Rowlandson, 1756–1827
Attendance on a Nobleman
ca. 1817
8554
Thomas Rowlandson, 1756–1827
The Scold, with News of Olivia
ca. 1817
8555
Thomas Rowlandson, 1756–1827
The Vicar Preaching to the Prisoners
ca. 1817
8556
Thomas Rowlandson, 1756–1827
The Sailor's Return
undated
8557
unknown artist
The Pottery Shop
undated
8558
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Concert
1798
8559
Thomas Rowlandson, 1756–1827
Comforts of Bath: Coaches Arriving
1798
8560
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Pump Room
1798
8561
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Music Master
1798
8562
attributed to Peter DeWint, 1784–1849
Houses at Kingston on the Thames
undated
8563
Ambrose Poynter, 1796–1886
Sketches from Life in Paris: Seated Woman and Standing Man
ca. 1835
8564
attributed to Peter DeWint, 1784–1849
Houses at Teddington on the Thames
1809
8565
attributed to Peter DeWint, 1784–1849
View of the Thames at Kingston
1809
8566
Richard Redgrave, 1804–1888
Ile de la Cité, the Pont au Change, and the Conciergerie, Paris, 1837
1837
8567
Willey Reveley, 1760–1799
Views in the Levant: The Colossus of Barletta
ca. 1785
8568
Thomas Rowlandson, 1756–1827
Comforts of Bath: Private Practice Previous to the Ball
1798
8569
Thomas Rowlandson, 1756–1827
Butterfly Hunting
ca. 1806
8570
Thomas Rowlandson, 1756–1827
The Enraged Vicar
undated
8571
Thomas Rowlandson, 1756–1827
Comforts of Bath: Gouty Persons Fall on Steep HIll
1798
8572
David Cox, 1783–1859
Pirate's Isle
1826
8573
David Cox, 1783–1859
The Poplar Avenue, after Hobbema
ca. 1835
8574
Thomas Rowlandson, 1756–1827
A Dead Horse on a Knacker's Cart
undated
8575
Thomas Rowlandson, 1756–1827
A Death-Bed Scene
undated
8576
Peter le Vasseur, Born 1938
Portrait of William Shakespeare, 1965
1965
8577
Thomas Rowlandson, 1756–1827
Women Drinking Punch
undated
8578
Thomas Rowlandson, 1756–1827
Sleeping Woman Watched by a Man
undated
8579
Thomas Rowlandson, 1756–1827
A Legal Wrangle
undated
8580
Mrs. P. D. H. Page, 20th century
Puffer, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 100 A]
undated
8581
Mrs. P. D. H. Page, 20th century
Head of a Brown Pelican, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 57]
undated
8582
Lionel Grimston Fawkes, 1849–1931
Eucharis or Spider Lily
undated
8583
Lionel Grimston Fawkes, 1849–1931
Windward Islands, Barbados: Our gardener Bourne at Queen's House
undated
8584
Lionel Grimston Fawkes, 1849–1931
Windward Islands, Barbados: Weeks, General Gamble's coachman
undated
8585
Lionel Grimston Fawkes, 1849–1931
Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881
1881
8586
Lionel Grimston Fawkes, 1849–1931
Nutmeg, Trinidad
undated
8587
Lionel Grimston Fawkes, 1849–1931
White Hibiscus
undated
8588
Tessa Pullan, born 1953
Racing Scene: three racehorses with jockeys up
1994
8589
James Seymour, 1702–1752
Six Studies of Horses and Riders
undated
8590
unknown artist
Morning
1799
8591
unknown artist
Evening
1799
8592
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
8593
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc
1821
8594
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
8595
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
8596
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
8597
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
8598
Henry Thomas Alken, 1785–1851
Horse and Dog
undated
8599
Henry Thomas Alken, 1785–1851
"Scraps", No. 8: Scenes of a Lancer and Other Cavalry
1823
8600
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck