Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
8602
Henry Thomas Alken, 1785–1851
Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers
between 1818 and 1822
8603
Henry Thomas Alken, 1785–1851
Hooded Damascene Cavalryman Riding
undated
8604
Henry Thomas Alken, 1785–1851
Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
undated
8605
Henry Thomas Alken, 1785–1851
Wounded Turkish Cavalryman in Danger of Failling From His Horse..
undated
8606
Henry Thomas Alken, 1785–1851
Head of a Foxhound, in Profile Right
undated
8607
Henry Thomas Alken, 1785–1851
Head of a Stable Lad, Looking Between the Heads of a Horse, on His Left, and a Donkey, on His Right
undated
8608
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
8609
Henry Thomas Alken, 1785–1851
A Character (? Macbeth) in Renaissance Dress..
undated
8610
Henry Thomas Alken, 1785–1851
Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
undated
8611
Henry Thomas Alken, 1785–1851
Head of a Pointer, in Profile Left
undated
8612
Henry Thomas Alken, 1785–1851
Self-Portrait, Full Face Looking Downwards to Right, Wearing a Top Hat
undated
8613
Henry Thomas Alken, 1785–1851
Head and Neck of a Horse in Fear or Exhaustion, Mane Swept Forwards, Profile Right
undated
8614
Henry Thomas Alken, 1785–1851
Head and Shoulders of a Collie Dog, Wearing a Leash or Tether, Sketchy Sheep in Background
undated
8615
Henry Thomas Alken, 1785–1851
Head and Neck of a Horse, Profile Left
undated
8616
Henry Thomas Alken, 1785–1851
Poachers Surprised
undated
8617
Henry Thomas Alken, 1785–1851
Head and Shoulders of a Boxer Dog, Profile Right
undated
8618
Eric Gill, 1882–1940
Adam and Eve
1926
8619
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
8620
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
8621
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
8622
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
8623
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
8624
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
8625
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
8626
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
8627
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
8628
Eric Gill, 1882–1940
Ex Libris Richard Isdell-Carpenter
1936
8629
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
8630
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
8631
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
8632
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
8633
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
8634
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated
8635
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
8636
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
8637
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Takes a Ride at St. Cloud'
undated
8638
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
undated
8639
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
8640
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
8641
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
8642
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it No How
1818
8643
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
8644
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
8645
Alphonse Legros, 1837–1911
Group de Fermiers
undated
8646
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
8647
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
1818
8648
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
undated
8649
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
undated
8650
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
8651
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
8652
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
8653
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass
undated
8654
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
8655
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
8656
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
8657
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
8658
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
8659
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
8660
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
8661
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
8662
Henry Thomas Alken, 1785–1851
Two Pointers, Facing Right with a Sportsman
undated
8663
Henry Thomas Alken, 1785–1851
Two Pointers, Facing Left
undated
8664
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
8665
Hablot Knight Browne, 1815–1882
Point-to-Point Racing
undated
8666
Henry William Bunbury, 1750–1811
An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'
undated
8667
Peter Casteels, 1684–1749
Three Greyhounds in a Room
undated
8668
Harold Hitchcock, born 1914
Thundersley
1977
8669
Anthony Devis, 1729–1817
American Deer
undated
8670
attributed to Peter DeWint, 1784–1849
Three Cart-Horses in Traces
undated
8671
Thomas Daniell, 1749–1840
A Rhinoceros: Head and Shoulders, Facing Left
undated
8672
Robert Dighton, 1752–1814
William Molyneaux, second Earl of Sefton: on a Box Seat, Holding Reins and Whip
between 1801 and 1802
8673
Robert Dighton, 1752–1814
"The King and Noblemen Before the Stag is Turn'd Out"
undated
8674
Edward Duncan, 1803–1882
Pheasant Shooting
1825
8675
Edward Duncan, 1803–1882
Wild Duck Shooting
1825
8676
unknown artist
Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)
between 1713 and 1718
8677
unknown artist
Studies of a Sleeping Lion
undated
8678
unknown artist
Head of a Male Lion
undated
8679
Sawrey Gilpin, 1733–1807
A Horse Standing, Head Turned, Wearing Quarter Sheet
undated
8680
Sawrey Gilpin, 1733–1807
Studies of Cattle
undated
8681
unknown artist
Head of a Leopard
undated
8682
Sawrey Gilpin, 1733–1807
A Horse Grazing
undated
8683
Sawrey Gilpin, 1733–1807
Two Riders Conversing
undated
8684
Sawrey Gilpin, 1733–1807
Seven Studies of Jockeys' Caps
undated
8685
Sawrey Gilpin, 1733–1807
Rubbing Down a Horse in a Paddock at a Racetrack
undated
8686
Sawrey Gilpin, 1733–1807
Hunting Sketch: Gone to Earth
undated
8687
Sawrey Gilpin, 1733–1807
Two Horses Walking to Left
undated
8688
Sawrey Gilpin, 1733–1807
Man With a Horse Harnessed to a Roller
undated
8689
Sawrey Gilpin, 1733–1807
Rider in Tricorne Hat
undated
8690
Sir Francis Grant, 1803–1878
A Grey Horse Trotting Out of a Wood
undated
8691
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
8692
Sawrey Gilpin, 1733–1807
A Gathering of Horsemen, With Coach, Tents, Flags, etc. (?a horse fair)
undated
8693
William Heath, 1795–1840
Woodcock Shooting
undated
8694
Possibly Samuel Howitt, 1756–1822
The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot
undated
8695
Samuel Howitt, 1756–1822
Nine Foxes Gathered Around a Tree: an Illustration of Aesop's Fable, "The Fox who Lost His Tail"
undated
8696
Samuel Howitt, 1756–1822
An Eagle Perched on a Rock; Lion, Fox, Two Hounds and a Rooster (possibly for "Aesop's Fables")
undated
8697
Charles Cooper Henderson, 1803–1877
A Hay Wagon Drawn by Four Horses
undated
8698
Samuel Howitt, 1756–1822
A Frog Confronting a Circle of Animals
undated
8699
Samuel Howitt, 1756–1822
A Boar, a Leopard, a Lion, a Tiger, a Wolf, a Ram, and Two Eagles