Collection: Prints and Drawings / Work Type: intaglio print / Width [cm]: 33 - YCBA Collections Search Search Results

<< YCBA Home << YCBA Home

Start Over

You searched for:

Collection Prints and Drawings

Work Type intaglio print

Width [cm] 33

Ben Nicholson Two Bottles and Glass

Ben Nicholson, 1894–1982

Two Bottles and Glass

1967 (1973)

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881

The Sepulchre

etching begun ca. 1800; impression printed in 1924

George Stubbs A Horse Affrighted by a Lion

Print made by George Stubbs, 1724–1806

A Horse Affrighted by a Lion

1788

George Stubbs Plate VII, Human Body, Lateral View

Print made after George Stubbs, 1724–1806

Plate VII, Human Body, Lateral View

1804

Samuel Palmer The Early Ploughman

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

etching begun before 1861; impression printed in 1926

Joseph Mallord William Turner Mer de Glace, Valley of Chamouni, Savoy

Print made by Joseph Mallord William Turner, 1775–1851

Mer de Glace, Valley of Chamouni, Savoy

1812

Joseph Mallord William Turner Sheep-Washing, Windsor

Print made by Joseph Mallord William Turner, 1775–1851

Sheep-Washing, Windsor

between 1813 and 1823

Joseph Mallord William Turner The Stork and Aqueduct

Etched by Joseph Mallord William Turner, 1775–1851

The Stork and Aqueduct

between 1813 and 1823

Joseph Mallord William Turner The Straw Yard

Etched by Joseph Mallord William Turner, 1775–1851

The Straw Yard

1808

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

William Blake Night the First. On Life, Death, and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death, and Immortality; Title Page

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

John Raphael Smith The Schinderlin

John Raphael Smith, 1752–1812

The Schinderlin

1777

Valentine Green Louisa Finch (née Thynne), Countess of Aylesford

Valentine Green, 1739–1813

Louisa Finch (née Thynne), Countess of Aylesford

1783

Thomas Shotter Boys Hotel de Sens, Paris

Print made by Thomas Shotter Boys, 1803–1874

Hotel de Sens, Paris

1830

Agostino Brunias The West India Washer-Women

Print made by Agostino Brunias, 1728–1796

The West India Washer-Women

1779

Agostino Brunias A Negroes Dance in the Island of Dominica

Print made by Agostino Brunias, 1728–1796

A Negroes Dance in the Island of Dominica

1779

James Bretherton The Slumbers of Ragotin Interrupted

Print made by James Bretherton, ca. 1730–1806

The Slumbers of Ragotin Interrupted

1773

James Bretherton Strephon and Chloe

Print made by James Bretherton, ca. 1730–1806

Strephon and Chloe

1801

William Dickinson The Relief

William Dickinson, 1746–1823

The Relief

1781

George Cuitt Presented by the Officers

Print made by George Cuitt, 1779–1854

Presented by the Officers

after 1813

James Caldwall The Cotillion Dance

Print made by James Caldwall, 1739–1819

The Cotillion Dance

1771

Valentine Green Mrs. Cosway

Print made by Valentine Green, 1739–1813

Mrs. Cosway

1787

John Jones John Henderson

Print made by John Jones, ca. 1745–1797

John Henderson

1783

Ludwig von Siegen Amelia Elisabetha, landgravine of Hesse

Print made by Ludwig von Siegen, 1609–c.1680

Amelia Elisabetha, landgravine of Hesse

1643

Jan van Somer Tric-trac Players

Print made by Jan van Somer, ca. 1645–after 1699

Tric-trac Players

1671

James Watson Mrs. Henry Bunbury

Print made by James Watson, 1740–1790

Mrs. Henry Bunbury

1778

Valentine Green Miss Sarah Campbell

Print made by Valentine Green, 1739–1813

Miss Sarah Campbell

ca. 1779

Thomas Watson Warren Hastings

Print made by Thomas Watson, 1743–1781

Warren Hastings

ca. 1777

James Watson Right Hon. John Hely Hutchinson, LL.D.

Print made by James Watson, 1740–1790

Right Hon. John Hely Hutchinson, LL.D

1778

William Doughty Samuel Johnson, L. L. D.

Print made by William Doughty, 1757–1782

Samuel Johnson, L. L. D

1779

William Doughty The Honorable Augustus Keppel, Admiral of the Blue

Print made by William Doughty, 1757–1782

The Honorable Augustus Keppel, Admiral of the Blue

1779

Samuel Cousins The Countess of Blessington

Print made by Samuel Cousins, 1801–1887

The Countess of Blessington

1837

Samuel Cousins Master Henry Thomas Hope

Print made by Samuel Cousins, 1801–1887

Master Henry Thomas Hope

1836

Valentine Green Mrs. Cosway

Print made by Valentine Green, 1739–1813

Mrs. Cosway

1787

Thomas Burke Lady Rushout and Daughter

Print made by Thomas Burke, 1749–1815

Lady Rushout and Daughter

1784

William Henry Worthington Sir Humphrey Davy

Print made by William Henry Worthington, ca. 1790–active 1839

Sir Humphrey Davy

1827

John Raphael Smith The Hon. Mrs. O'Neill

Print made by John Raphael Smith, 1752–1812

The Hon. Mrs. O'Neill

1778

Charles White Le Moment de la Reflexion

Print made by Charles White, active 1784

Le Moment de la Reflexion

1784

Valentin Daniel Preissler Der Geiz sucht Fäden

Print made by Valentin Daniel Preissler, 1717–1765

Der Geiz sucht Fäden

undated

John Blackmore Sigismonda

Print made by John Blackmore, active 1740–1780

Sigismonda

between 1769 and 1771

Jonathan Girtin Coastal Scene

Jonathan Girtin, ca.1780–aft.1820

Coastal Scene

undated

Samuel Hieronymus Grimm A View of the Fire in Covent Garden

Samuel Hieronymus Grimm, 1733–1794

A View of the Fire in Covent Garden

1769

John Hassell Autumn - Sowing Grain

Print made by John Hassell, 1767–1825

Autumn - Sowing Grain

1812

Thomas Gainsborough Wooded Landscape with Herdsman and Cows

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsman and Cows

1797

John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

John Dixon, ca. 1740–1811

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

Thomas Burke Content and Innocence

Print made by Thomas Burke, 1749–1815

Content and Innocence

1797

Thomas Burke Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

Robert Blyth An Aga of the Janizaries

Print made by Robert Blyth, 1750–1784

An Aga of the Janizaries

1779

Valentine Green John Hamilton Mortimer, Esq.

Valentine Green, 1739–1813

John Hamilton Mortimer, Esq

1779

John Hamilton Mortimer Lear, from King Lear, Act III, Scene ii

John Hamilton Mortimer, 1740–1779

Lear, from King Lear, Act III, Scene ii

1776

James Watson Mrs.Catherine Bunbury (née Horneck)

James Watson, 1740–1790

Mrs.Catherine Bunbury (née Horneck)

1778

George Cruikshank A Scene in the New Farce - as Performed at the Royalty Theatre!

Print made by George Cruikshank, 1792–1878

A Scene in the New Farce - as Performed at the Royalty Theatre!

1821

James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802