Collection: Prints and Drawings / Height [cm]: 0 - YCBA Collections Search Search Results

601. St. Malo

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

602. View of Newcastle, upon Tyne, in Northumberland

Creator:: Print made by John Peltro, 1760–1808
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

603. Yoked Horses, No. 32

Creator:: Print made by Thomas Sidney Cooper, 1803–1902
Date:: 1837
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

604. The Learned Antiquarians Puzzl'd, (by an English Epitaph)

Creator:: Print made by unknown artist
Date:: 1770
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

605. The Last Drop

Creator:: Print made by unknown artist
Date:: 1773
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

606. Cape of Good Hope

Creator:: Print made by Samuel Rawle, 1771–1860
Date:: 1800
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

607. Harbour of St. Malo

Creator:: Print made by W. Floyd, active 1845
Date:: 1833
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

608. Credulity, Superstition & Fanaticism

Creator:: Print made by Charles Mottram, 1807–1876
Date:: 1833
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

609. Approach to Royat, France

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1838
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

610. Château de Monas, Near Orange, France

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1836
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

611. Conversation in the Manner of Van Dyck

Creator:: Print made by J. Barlow, active 1791
Date:: 1799
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

612. Approach to Thiers, France

Creator:: Print made by John Cousen, 1804–1880
Date:: 1836
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

613. Maria Theresa Charlotte, Daughter of Louis the Sixteenth

Creator:: Print made by John Jones, ca. 1745–1797
Date:: 1794
Materials & Techniques:: Stipple engraving, aquatint and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

614. No.3 Edmonton, Hark Away Dick

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

615. No.4 The Brothers' Gibbet at Gonerly

Creator:: Print made by unknown framemaker
Date:: undated
Materials & Techniques:: Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

616. No.5 Poor Bess Revived

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

617. No.2 Leaping Hornsey Toll Gate

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

618. No.6 The Phantom Horseman

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

619. Scene at a Banking House in 1745

Creator:: Print made by J. Barlow, active 1791
Date:: 1799
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

620. No.7 Bess Swimming the Ouse

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Wood engraving with hand coloring in watercolor on thin, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

621. Mr. Winkle's Situation When the Door Blew To

Creator:: Print made by Hablot Knight Browne, 1815–1882
Date:: 1837
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

622. Count Bertram's Shipwreck

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1816
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

623. The Antiquarian

Creator:: Published by Mary Darly, active 1762 –1772
Date:: 1773
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

624. A Macaroni

Creator:: after Edward Topham, 1751–1820
Date:: 1771
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

625. The Marquis de Guiscard Attempting to Assassinate Harley

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1844
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

626. A Connoiseur Admiring a Dark Nigh Piece

Creator:: Published by Mary Darly, active 1762 –1772
Date:: 1771
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

627. Distant View of St. Michel

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

628. Chamberry from the Road to Aix

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

629. The Unfortunate Death of Major André

Creator:: Print made by John Goldar, 1729–1795
Date:: 1783
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

630. The King of Brobdingnag and Gulliver

Creator:: Print made by James Gillray, 1756–1815
Date:: 1803
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

631. Cranmer Urging Edward VI to Consent to the Execution of Joan of Kent

Creator:: Print made by William Bromley, 1769–1842
Date:: 1796
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

632. Pass of Sant Alessio between Taormina and Messina, Sicily

Creator:: after Peter DeWint, 1784–1849
Date:: 1821
Materials & Techniques:: Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

633. Pirna and the Castle of Sonnenstein

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1828
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

634. North Queen's Ferry

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

635. Mill on Wimbledon Common

Creator:: Print made by George Cooke, 1781–1834
Date:: 1828
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

636. The Virgin Mother

Creator:: after William Dyce, 1806–1864
Date:: 1854
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

637. The Battle of the Pictures

Creator:: Print made by unknown artist
Date:: 1870
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

638. Wolsey's Well at Esher, Surrey

Creator:: Print made by George Cooke, 1781–1834
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

639. The Altar Piece of St. Clements Danes, Strand: A Fac Similie of Hogarths own Engraving

Creator:: Print made by unknown artist
Date:: ca. 1860
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

640. A View of the Grand Fete on Parker's Piece, Cambridge

Creator:: Print made by George Johann Scharf, 1788–1860
Date:: 1838
Materials & Techniques:: Lithography on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

641. Sèvres

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1820
Materials & Techniques:: Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

642. The Imposture of the Holy Maid of Kent

Creator:: Print made by Isaac Taylor, 1759–1829
Date:: 1796
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

643. For Sale by the Candle at Garraways

Creator:: Print made by unknown artist
Date:: 1733
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

644. Dublin Fireworks

Creator:: Print made by unknown artist
Date:: 1749
Materials & Techniques:: Line engraving and etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

645. Solway Firth from Allonby, Cumberland

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

646. Dodging the Draft

Creator:: Print made by unknown artist
Date:: between 1861 and 1865
Materials & Techniques:: Wood engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

647. Arms of the Dutchess of Kendal

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

648. Ex Libris of George Lambert

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1791
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

649. Tail Piece to the Artist's Catalogue, 1761

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

650. Frontispiece to the Artist's Catalogue

Creator:: Print made by unknown artist
Date:: 1850
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

651. Frontispiece to the Artist's Catalogue

Creator:: Print made by unknown artist
Date:: 1850
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

652. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, 1744–1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

653. Frontispiece to the Artist's Catalogue, 1761

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

654. Frontispiece to the Artist's Catalogue, 1761

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

655. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, 1744–1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

656. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, 1744–1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

657. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, 1744–1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

658. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, 1744–1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

659. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, 1744–1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

660. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

661. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

662. A Third Modern Military Punishment

Creator:: Print made by Samuel Ireland, 1744–1800
Date:: 1794
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

663. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

664. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

665. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

666. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

667. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

668. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

669. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

670. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

671. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

672. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

673. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

674. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

675. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

676. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

677. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

678. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

679. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

Creator:: Print made by A. M. Ireland, active before 1801
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

680. Plate I, Pikemen

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1809
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

681. Plate II, Halberd Men

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1809
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

682. Specimens of Beaver's Military Punishments, 1725

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1809
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

683. Plate II, Halberd Men

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1809
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

684. Specimens of Beaver's Military Punishments, 1725

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1809
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

685. Specimens of Beaver's Military Punishments, 1725

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1809
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

686. A Country Inn Yard

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1808
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

687. The Invasion, Plate II, England

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

688. Ticket of the London Hospital

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1809
Materials & Techniques:: Etching, line engraving, and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

689. None

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1808
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

690. The Right Hon. Gustavus Lord Viscount Boyne &c

Creator:: Print made by A. M. Ireland, active before 1801
Date:: before 1800
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

691. The Invasion, Plate I, France

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

692. The Invasion, Plate I, France

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

693. The Gate of Calais, O the Roast Beef of Old England

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

694. The Invasion, Plate I, France

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

695. Gate of Calais, O the Roast Beef of Old England

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

696. Gate of Calais, O the Roast Beef of Old England

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

697. Gate of Calais, O the Roast Beef of Old England

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

698. First Stage of Cruelty

Creator:: Print made by T. E. Nicholson, active early 19th century
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

699. Humours of an Election Entertainment

Creator:: Print made by T. E. Nicholson, active early 19th century
Date:: 1833
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

700. First Stage of Cruelty

Creator:: Print made by Thomas Cook, 1744–1818
Date:: 1807
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

YCBA Collections Search

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601. St. Malo

602. View of Newcastle, upon Tyne, in Northumberland

603. Yoked Horses, No. 32

604. The Learned Antiquarians Puzzl'd, (by an English Epitaph)

605. The Last Drop

606. Cape of Good Hope

607. Harbour of St. Malo

608. Credulity, Superstition & Fanaticism

609. Approach to Royat, France

610. Château de Monas, Near Orange, France

611. Conversation in the Manner of Van Dyck

612. Approach to Thiers, France

613. Maria Theresa Charlotte, Daughter of Louis the Sixteenth

614. No.3 Edmonton, Hark Away Dick

615. No.4 The Brothers' Gibbet at Gonerly

616. No.5 Poor Bess Revived

617. No.2 Leaping Hornsey Toll Gate

618. No.6 The Phantom Horseman

619. Scene at a Banking House in 1745

620. No.7 Bess Swimming the Ouse

621. Mr. Winkle's Situation When the Door Blew To

622. Count Bertram's Shipwreck

623. The Antiquarian

624. A Macaroni

625. The Marquis de Guiscard Attempting to Assassinate Harley

626. A Connoiseur Admiring a Dark Nigh Piece

627. Distant View of St. Michel

628. Chamberry from the Road to Aix

629. The Unfortunate Death of Major André

630. The King of Brobdingnag and Gulliver

631. Cranmer Urging Edward VI to Consent to the Execution of Joan of Kent

632. Pass of Sant Alessio between Taormina and Messina, Sicily

633. Pirna and the Castle of Sonnenstein

634. North Queen's Ferry

635. Mill on Wimbledon Common

636. The Virgin Mother

637. The Battle of the Pictures

638. Wolsey's Well at Esher, Surrey

639. The Altar Piece of St. Clements Danes, Strand: A Fac Similie of Hogarths own Engraving

640. A View of the Grand Fete on Parker's Piece, Cambridge

641. Sèvres

642. The Imposture of the Holy Maid of Kent

643. For Sale by the Candle at Garraways

644. Dublin Fireworks

645. Solway Firth from Allonby, Cumberland

646. Dodging the Draft

647. Arms of the Dutchess of Kendal

648. Ex Libris of George Lambert

649. Tail Piece to the Artist's Catalogue, 1761

650. Frontispiece to the Artist's Catalogue

651. Frontispiece to the Artist's Catalogue

652. A Third Modern Military Punishment

653. Frontispiece to the Artist's Catalogue, 1761

654. Frontispiece to the Artist's Catalogue, 1761

655. A Third Modern Military Punishment

656. A Third Modern Military Punishment

657. A Third Modern Military Punishment

658. A Third Modern Military Punishment

659. A Third Modern Military Punishment

660. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

661. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

662. A Third Modern Military Punishment

663. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

664. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

665. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

666. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

667. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

668. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

669. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

670. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

671. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

672. Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

673. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

674. Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery