Collection: Prints and Drawings / Height [cm]: 36 - YCBA Collections Search Search Results

1. Howard Visiting a Prison

Creator:: George Romney, 1734–1802
Date:: ca. 1790–92
Materials & Techniques:: Black ink with watercolor over graphite on moderately thick moderately textured white laid paper
Dimensions:: Sheet: 14 1/4 x 21 inches (36.2 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
On View:: On view at YUAG

2. A Sussex Barn

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1908
Materials & Techniques:: Watercolor and black chalk on thick, smooth, cream card
Dimensions:: Sheet: 14 1/8 x 18 3/8 inches (35.9 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

3. Rome from San Spirito

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Brown wash black chalk and graphite with white chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 x 23 3/8 inches (35.9 x 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Death of the Doe

Creator:: George Stubbs, 1724–1806
Date:: 1817
Materials & Techniques:: Mezzotint, second state
Dimensions:: Sheet: 14 15/16 x 19 3/4in. (38 x 50.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Horse Dealers (Ward's Repository, No.1)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1919
Materials & Techniques:: Lithograph on laid paper
Dimensions:: Sheet: 14 x 18in. (35.6 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Hay Carts, Cumberland Market (sketch)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1915
Materials & Techniques:: Black chalk on thin, smooth, beige wove tracing paper
Dimensions:: Sheet: 14 × 18 1/4 inches (35.6 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Two Bridges

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1912-1913
Materials & Techniques:: Charcoal and watercolor; squared for transfer on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 1/4 × 18 3/8 inches (36.2 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. A Rake's Progress, Plate V: He Marries

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 16in. (35.6 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Enraged Musician

Creator:: William Hogarth, 1697–1764
Date:: 1741
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 14 1/8 x 16 1/8in. (35.9 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)

Creator:: William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 x 11 3/4in. (35.6 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Analysis of Beauty, Plate I: A Statuary's Yard

Creator:: William Hogarth, 1697–1764
Date:: 1753
Materials & Techniques:: Engraving on paper
Dimensions:: Sheet: 14 1/4 x 19in. (36.2 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Analysis of Beauty, Plate II: A Country Dance

Creator:: William Hogarth, 1697–1764
Date:: 1753
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 1/4 x 19 3/8in. (36.2 x 49.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The First Stage of Cruelty: Children Torturing Animals

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

14. The Fourth Stage of Cruelty: The Reward of Cruelty

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

15. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

16. The Enraged Musician

Creator:: William Hogarth, 1697–1764
Materials & Techniques:: Engraving on wove paper
Dimensions:: Sheet: 20 1/2 x 22in. (52.1 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale School of Music

17. The Deluge

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Mezzotint, printed in brown ink; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 18 inches (35.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1832
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 8 1/2 inches (28.6 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Simon, Lord Lovat

Creator:: after William Hogarth, 1697–1764
Date:: 1746
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 9 1/4 inches (36.2 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Visions of the Daughters of Albion; Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. "And none but Bromian can hear my lamentations..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Visions of the Daughters of Albion; Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief and white-line etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. "But when the morn arose, her lamentation renewd..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Joseph and Potiphar's Wife

Creator:: William Blake, 1757–1827
Date:: 1803 to 1805
Materials & Techniques:: Watercolor, with pen, and black ink gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 1/16 × 12 1/2 inches (35.7 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows

Creator:: Prints made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Volume of 11 relief etchings printed in green ink, with hand coloring in watercolor
Dimensions:: Spine: 14in. (35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Corpo di Cava, 28 June 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Oil and gouache on moderately thick, moderately textured, green-gray wove paper
Dimensions:: Sheet: 14 1/8 x 9 13/16 inches (35.9 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

29. Val di Roppa, Corfu, 22 May 1868

Creator:: Edward Lear, 1812–1888
Date:: 1868
Materials & Techniques:: Pen and brown ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 × 20 inches (35.6 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

30. Santa Decca, Corfu, 28 May 1848 (126)

Creator:: Edward Lear, 1812–1888
Date:: 1848
Materials & Techniques:: Pen and brown ink, and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 14 x 19 7/8 inches (35.6 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

31. Prison Scene

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

32. Howard Visiting a Prison

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Black ink with gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

33. Lady Leaning on a Plinth (Possibly a Sketch for "Miss Woodley")

Creator:: George Romney, 1734–1802
Date:: late 1770s
Materials & Techniques:: Brown wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 8 1/8 inches (34 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899

34. Tom Hayley and William Meyer

Creator:: George Romney, 1734–1802
Date:: between 1749 and 1802
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 x 9 1/4 inches (35.6 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

35. Fainasollis, Borbar and Fingal

Creator:: James Parker, 1750–1805
Date:: 1783
Materials & Techniques:: Line-engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 20 inches (44.5 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Francis Atterbury, Bishop of Rochester & Dean of Westminster

Creator:: unknown artist
Date:: 1735-1751
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Henry Bennet, 1st Earl of Arlington

Creator:: Jacobus Houbraken, 1698–1780
Date:: 1739
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 9 3/4 inches (39.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Scene of a Bacchanalia

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, groache and graphite on medium, moderately textured, cream wove paper
Dimensions:: Image: 5 5/16 × 4 1/4 inches (13.5 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Study of a Roman Banquet Scene

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 3/16 × 4 1/2 inches (13.2 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Study of a Soldier Attacking a Woman

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 5/16 × 4 1/2 inches (13.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Revolt of the Fleet, 1642

Creator:: John Harris, active 1686–1740
Date:: ca. 1710
Materials & Techniques:: Line engraving with hand coloring in watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 5/8 × 19 5/16 inches (42.2 × 49 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Parent Restor'd or the Blessings of Peace

Creator:: William Nutter, 1754–1802
Date:: 1797
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 14 x 11 5/8in. (35.6 x 29.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. View of the Clifton Suspension Bridge

Creator:: James Duffield Harding, 1798–1863
Date:: undated
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Vice-Admiral Sir Edward Codrington, GCB

Creator:: Charles Turner, 1774–1857
Date:: 1830
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 14 x 10in. (35.6 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. J. Richardson Dilworth

45. A French Petit Maître and His Valet

Creator:: Charles Grignion, 1717–1810
Date:: 1771
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper, pasted on medium, moderately textured, cream Asian paper
Dimensions:: Mount: 16 1/4 x 11 5/16 inches (41.3 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. A Small Breeze

Creator:: Print made by Thomas Boydell, active 1750–1751
Date:: 1753
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 20 1/16 inches (36.2 x 50.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Morning

Creator:: Print made by John Boydell, 1720–1804
Date:: 1753
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 14 1/4 x 20 1/16 inches (36.2 x 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Evening

Creator:: Print made by John Boydell, 1720–1804
Date:: 1755
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/16 x 20 3/16 inches (36.3 x 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Greenland Fishery

Creator:: Print made by John Boydell, 1720–1804
Date:: 1754
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/16 x 20 3/16 inches (36.3 x 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. An Officer in the Light Infantry, driven by his Lady to Cox-Heath

Creator:: unknown artist
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 14 x 10in. (35.6 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Print made by L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Print made by L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 3/16 x 18 3/8in. (36 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 3/16 x 18 3/8in. (36 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. A Dell, Helmingham Park, Suffolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830
Materials & Techniques:: Mezzotint and drypoint with chine collé; Progress proof (e) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 14 7/8 inches (35.6 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Caen - Eglise Saint-Sauveur

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with yellow tint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 1/16 x 11 5/16 inches (35.7 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

64. The River at Dusk

Creator:: Albert Goodwin, 1845–1932
Date:: 1865
Materials & Techniques:: Watercolor and gouache on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 19 3/8 inches (35.6 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of The Friends of British Art at Yale

65. Chepstow Castle on the River Wye

Creator:: Francis Jukes, 1747–1812
Date:: ca. 1802
Materials & Techniques:: Aquatint, colored
Dimensions:: Sheet: 14 x 18in. (35.6 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Brunswick Terrace, Bellevue Mansion, Town Hall, the Albion, Old Steine, Chapel Royal, German Place

Creator:: Print made by Day & Co., 1824–1913
Date:: 1839
Materials & Techniques:: Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 20 7/8 inches (35.5 x 53.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Le Port de Rochefort: Vu Du Point A Marque sur le Plan:

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 14 5/16 × 21 9/16 inches (36.4 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

68. Le Havre and Le Manche: A Map of Le Havre

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, red ink, gray wash and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 15 × 20 15/16 inches (38.1 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

69. Dieppe

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, red ink, green ink, brown ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 15 1/16 × 20 1/2 inches (38.3 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

70. L'Orient 1776: Map of the Port of Orient

Creator:: unknown artist
Date:: 1776
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, red ink, yellow ink, gray wash and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Mount: 15 7/8 × 20 3/8 inches (40.3 × 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

71. Rochefort 1776

Creator:: unknown artist
Date:: 1776
Materials & Techniques:: Watercolor, pen and black ink, red ink, gray wash and graphite on thick, rough, beige laid paper
Dimensions:: Mount: 14 7/16 × 19 7/8 inches (36.7 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

72. Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: 1789
Materials & Techniques:: Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Contemporary drawn border: 14 x 18 5/8 inches (35.6 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Set of sixteen: Outlines of Figures and Landscapes

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790-1792
Materials & Techniques:: Etching, colored by hand
Dimensions:: Sheet: 14 1/4 x 10 1/4in. (36.2 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Miss Ann Parry

Creator:: Print made by John Dean, 1754–1798
Date:: 1777
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.9 x 26.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

75. A Shepherd Boy

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1781
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper, laid in mount
Dimensions:: Sheet: 16 11/16 x 11 15/16 inches (42.4 x 30.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. The Temptation of Saint Anthony

Creator:: Print made by Abraham Blooteling, 1640–1690
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Mount: 18 13/16 × 11 11/16 inches (47.8 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

77. Head of St. John Baptist on a Charger

Creator:: Print made by Theodore Casper von Furstenberg, ca. 1615–1675
Date:: ca. 1656
Materials & Techniques:: Mezzotint and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 18 1/4 inches (35.9 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. Amelia Elisabetha, landgravine of Hesse

Creator:: Print made by Ludwig von Siegen, 1609–c.1680
Date:: 1643
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 × 12 7/8 inches (43.2 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

79. Mrs. Chambers

Creator:: Print made by C. Corbutt
Date:: ca. 1756
Materials & Techniques:: Mezzotint (first state) on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 15 9/16 × 11 7/16 inches (39.5 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

80. Lady Dashwood & Child

Creator:: Print made by Charles Howard Hodges, 1764–1837
Date:: 1785
Materials & Techniques:: Mezzotint, 3rd state with aquatint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 × 10 7/16 inches (35.6 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

81. Her Grace the Duchess of Devonshire, and the Rt Honble Lady Georgiana Cavendish

Creator:: Print made by George Keating, 1762–1842
Date:: 1787
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 × 17 1/4 inches (37.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. Lady Gertrude Fitzpatrick as Sylvia

Creator:: Print made by John Jones, ca. 1745–1797
Date:: 1791
Materials & Techniques:: Stipple engraving, aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 15/16 × 10 13/16 inches (37.9 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

83. Miss Fordyce

Creator:: Print made by C. Corbutt
Date:: between 1762 and 1766
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/16 × 10 1/8 inches (36 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

84. Lady Fortescue

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: 1757
Materials & Techniques:: Mezzotint on medium, slightly textured, laid paper
Dimensions:: Sheet: 14 9/16 × 10 3/8 inches (37 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

85. Viscountess Duncannon

Creator:: Print made by Joseph Grozer, ca. 1755–1798
Date:: ca. 1785
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 5/16 x 11 11/16 inches (41.4 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

86. Miss Emma Hart (afterwards Lady Hamilton) as a Bacchante

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 10 7/16 inches (36.2 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

87. Emily Countess of Kildare

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: 1754
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 10 1/8 inches (35.9 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

88. Phoebe Hoppner as Caroline de Lichtfield

Creator:: Print made by John Dean, 1754–1798
Date:: 1786
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/16 x 11 9/16 inches (36.3 x 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

89. Still Life with Broom

Creator:: attributed to Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Black chalk, white gouache and graphite on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 14 1/4 x 19 3/8 inches (36.2 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Still Life with Rake

Creator:: attributed to Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Charcoal and white gouache on medium, smooth, beige wove paper
Dimensions:: Sheet: 14 1/4 x 19 1/2 inches (36.2 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Toon Tree (Toona ciliata)

Creator:: Janet Dick, active 1794–1806
Date:: between 1799 and 1809
Materials & Techniques:: Watercolor, pen and gray ink, gouache, gum arabic, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 21 1/8 inches (36.2 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. A Shower

Creator:: Print made by John Hoppner, 1758–1810
Date:: 1785
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/16 × 11 inches (38.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

93. A Shepherdess

Creator:: Print made by John Dean, 1754–1798
Date:: 1786
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 1/16 x 11 1/8 inches (40.8 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

94. Lady Beresford

Creator:: Print made by Thomas Hodgetts, active 1801–1846
Date:: undated
Materials & Techniques:: Mezzotint (proof before all letters) on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 15/16 × 13 13/16 inches (45.6 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

95. Fishing Boats at Anchor

Creator:: Edward Alfred Goodall, 1819–1908
Date:: undated
Materials & Techniques:: Watercolor, graphite and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/4 × 21 1/8 inches (36.2 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Miss Croker

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1828
Materials & Techniques:: Mezzotint (first published state) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/8 × 15 1/4 inches (48.6 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

97. A View of the remains of St. Stephen's Chapel, Houses of Parliament on the morning after the Fire of the 16th October 1834

Creator:: John Taylor Jr., 1819–1884
Date:: 1836
Materials & Techniques:: Pen and black ink and watercolor on moderately thick, slightly textured, creram wove paper
Dimensions:: Sheet: 14 1/8 × 21 1/2 inches (35.9 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. The Pet Rabbit

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1835
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 26 1/8 × 19 3/4 inches (66.4 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

99. Master Skinner

Creator:: Print made by James Wilson, c.1735–c.1786
Date:: 1770
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 1/8 × 10 1/16 inches (35.9 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

100. Miss Harriet Serocold

Creator:: Print made by Henry Kingsbury, active 1750–1780
Date:: 1779
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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Collection Prints and Drawings

Height [cm] 36

Search Results

1. Howard Visiting a Prison

2. A Sussex Barn

3. Rome from San Spirito

4. Death of the Doe

5. Horse Dealers (Ward's Repository, No.1)

6. Hay Carts, Cumberland Market (sketch)

7. Two Bridges

8. A Rake's Progress, Plate V: He Marries

9. The Enraged Musician

10. The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)

11. Analysis of Beauty, Plate I: A Statuary's Yard

12. Analysis of Beauty, Plate II: A Country Dance

13. The First Stage of Cruelty: Children Torturing Animals

14. The Fourth Stage of Cruelty: The Reward of Cruelty

15. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

16. The Enraged Musician

17. The Deluge

18. Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

19. Simon, Lord Lovat

20. Visions of the Daughters of Albion; Frontispiece (Plate 1)

21. Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

22. "And none but Bromian can hear my lamentations..." (Plate 6)

23. Visions of the Daughters of Albion; Title Page (Plate 2)

24. "But when the morn arose, her lamentation renewd..." (Plate 8)

25. "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

26. Joseph and Potiphar's Wife

27. Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows

28. Corpo di Cava, 28 June 1838

29. Val di Roppa, Corfu, 22 May 1868

30. Santa Decca, Corfu, 28 May 1848 (126)

31. Prison Scene

32. Howard Visiting a Prison

33. Lady Leaning on a Plinth (Possibly a Sketch for "Miss Woodley")

34. Tom Hayley and William Meyer

35. Fainasollis, Borbar and Fingal

36. Francis Atterbury, Bishop of Rochester & Dean of Westminster

37. Henry Bennet, 1st Earl of Arlington

38. Scene of a Bacchanalia

39. Study of a Roman Banquet Scene

40. Study of a Soldier Attacking a Woman

41. The Revolt of the Fleet, 1642

42. The Parent Restor'd or the Blessings of Peace

43. View of the Clifton Suspension Bridge

44. Vice-Admiral Sir Edward Codrington, GCB

45. A French Petit Maître and His Valet

46. A Small Breeze

47. Morning

48. Evening

49. Greenland Fishery

50. An Officer in the Light Infantry, driven by his Lady to Cox-Heath

51. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

52. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

53. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

54. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

55. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

56. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

57. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

58. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

59. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

60. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

61. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

62. A Dell, Helmingham Park, Suffolk

63. Caen - Eglise Saint-Sauveur

64. The River at Dusk

65. Chepstow Castle on the River Wye

66. Brunswick Terrace, Bellevue Mansion, Town Hall, the Albion, Old Steine, Chapel Royal, German Place

67. Le Port de Rochefort: Vu Du Point A Marque sur le Plan:

68. Le Havre and Le Manche: A Map of Le Havre

69. Dieppe

70. L'Orient 1776: Map of the Port of Orient

71. Rochefort 1776

72. Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger

73. Set of sixteen: Outlines of Figures and Landscapes

74. Miss Ann Parry