Collection: Prints and Drawings / Height [cm]: 39 - YCBA Collections Search Search Results

301. Two Figures

Creator:: Print made by John Copley, 1875–1950
Date:: 1950
Materials & Techniques:: Etching with gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 9 5/16 inches (39.3 x 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

302. A Figure in Distress

Creator:: Print made by John Copley, 1875–1950
Date:: 1944
Materials & Techniques:: Etching with gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 11 5/8 inches (39.4 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

303. Worth Matravers, Dorset

Creator:: Paul Nash, 1889–1946
Date:: 1936
Materials & Techniques:: Watercolor, graphite, black chalk and blue chalk on thick, moderately textured, white wove paper
Dimensions:: Sheet: 15 1/2 x 23 inches (39.4 x 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

304. Christophorus vander Lamen

Creator:: Print made by Peeter Clouwet, 1629–1670
Date:: ca. 1635
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 3/16 × 11 inches (38.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. D. Anna Wake

Creator:: Print made by Peeter Clouwet, 1629–1670
Date:: ca. 1635
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 3/16 × 11 1/16 inches (38.6 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. Christiano, Duci Brunsuicensi

Creator:: Print made by Robert van Voerst, 1597–1636
Date:: ca. 1635
Materials & Techniques:: Line engraving, stipple engraving and etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 15 1/2 × 11 3/8 inches (39.4 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. Venus and Cupid

Creator:: Print made by John Greenwood, 1727–1792
Date:: ca. 1768
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/2 x 12 15/16 inches (44.4 x 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

308. Priam. The Winner of the Derby Stakes at Epsom

Creator:: Edward Duncan, 1803–1882
Date:: 1830
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/4 x 20 1/4in. (38.7 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. Harkaway. A Chesnut horse, foaled in Ireland in 1834, was bred by Thomas Ferguson, Esq. His sire Economist, his dam, a chesnut mare bred by Lord Cremorne, in 1823, ...

Harkaway. A Chesnut horse, foaled in Ireland in 1834, was bred by Thomas Ferguson, Esq. His sire Economist, his dam, a chesnut mare bred by Lord Cremorne, in 1823, ...

Creator:: Edward Duncan, 1803–1882
Date:: 1840
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 3/8 x 19 3/8in. (39.1 x 49.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. Portrait of the Celebrated Short Horned Cow Bracelet / The Property of John Booth, Esquire, Killerby, Yorkshire

Creator:: Thomas Landseer, 1795–1880
Date:: ca. 1850
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 15 5/16 x 19 3/4in. (38.9 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Racing: Deception, Winner of the Oaks' Stakes at Epsom, 1839

Creator:: Edward Duncan, 1803–1882
Date:: 1839
Materials & Techniques:: Aquatint, hand-colored with varnish over color on horse
Dimensions:: Sheet: 15 3/16 x 19 1/4in. (38.6 x 48.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. Short Horned White Ox

Creator:: Thomas Fairland, 1804–1852
Date:: 1843
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 15 5/16 x 19 5/8in. (38.9 x 49.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. Night Illuminations

Creator:: Michael Rothenstein, 1908–1993
Date:: 1953
Materials & Techniques:: Color lithograph
Dimensions:: Sheet: 15 1/2 x 21in. (39.4 x 53.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Michael Rothenstein

314. Cadland, the Winner of the Derby Stakes at Epsom, 1828

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1828
Materials & Techniques:: Hand colored aquatint
Dimensions:: Sheet: 15 1/2 x 19 3/4in. (39.4 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. Racing : "Don John" / Winner of The Great St. Leger Stakes at Doncaster, 1838, rode W. Scott. / Bred in 1835, by Mr. Garforth ...

Creator:: Charles Hunt, 1803–1877
Date:: 1838
Materials & Techniques:: Aquatint, hand-colored with varnish over color on horse
Dimensions:: Sheet: 15 1/4 x 19 1/4in. (38.7 x 48.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Fireworks

Creator:: Michael Rothenstein, 1908–1993
Date:: 1953
Materials & Techniques:: Etching
Dimensions:: Sheet: 15 1/4 x 22 1/2in. (38.7 x 57.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Michael Rothenstein

317. Racing: "Harkaway", Winner of the Gold Cup at Goodwood, 1838

Creator:: Charles Hunt, 1803–1877
Date:: 1838
Materials & Techniques:: Color printed aquatint
Dimensions:: Sheet: 15 1/4 x 18 3/4in. (38.7 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. Animals [a pair]: 1. Lioness

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1799
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 15 1/2 x 20 5/8in. (39.4 x 52.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. Ascot Heath Race for His Majesty's Gold Plate

Creator:: James Pollard, 1792–1867
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/4 x 26 3/8in. (38.7 x 67cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. Coaching: The Cambridge Telegraph, Starting from the White Horse

Creator:: George Hunt, active 1820–1840
Date:: 1831
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 3/8 x 20 5/8in. (39.1 x 52.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. Racing Scene: three racehorses with jockeys up

Creator:: Tessa Pullan, born 1953
Date:: 1994
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 22 3/4 inches (39.4 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe

Creator:: William Dickinson, 1746–1823
Date:: 1774
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 3/8 × 11 inches (39 × 28 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. Thames from Richmond

Creator:: Henry Macbeth-Raeburn, 1860–1947
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 15 1/2 x 10 1/4 inches (39.4 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

324. Garrick as Abel Drugger in "The Alchemist"

Creator:: Print finished by John Dixon, ca. 1740–1811
Date:: 1776
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 7/8 x 12 1/4 inches (42.9 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. `Sketches of Mares and Foals' - an illustrated letter addressed to J. S. Barry, Esq., and dated Aug. 11, 1800

Creator:: Francis Sartorius, 1734–1804
Date:: 1800
Materials & Techniques:: Pen and black ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/16 x 12 1/2in. (38.9 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Sketch of English Country Churches

Creator:: John Piper, 1903–1992
Date:: ca. 1950
Materials & Techniques:: Pen and black ink with white gouache on medium, smooth, cream wove paper, mounted to moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 6 5/8 × 8 5/8 inches (16.8 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

327. Selborne Church

Creator:: John Piper, 1903–1992
Date:: 1961
Materials & Techniques:: Gray wash with pen and black ink on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 15 3/8 × 9 3/4 inches (39.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

328. Mortar Battery at Woolwich

Creator:: Charles Hunt, 1803–1877
Date:: undated
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 15 1/4 x 20 1/4in. (38.7 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. The Summit of Cader Idris Mountain

Creator:: Print made by Edward Rooker, 1724–1774
Date:: 1775
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 20 7/16 inches (39.4 × 51.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. Eastwell Park in Kent - Seat of George Finch Hutton, Esquire

Creator:: William Green, 1760–1823
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 15 1/4 x 17 1/4in. (38.7 x 43.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. The Virgin

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1778
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream laid paper laid on modern mount
Dimensions:: Mount: 15 1/4 x 11 1/16 inches (38.7 x 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. MacBeth meeting the Witches

Creator:: William Woollett, 1735–1785
Date:: 1770
Materials & Techniques:: Engraving, proof before all letters on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 × 21 9/16 inches (40.6 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

Creator:: Print made by James Clark, 19th century
Date:: 1812
Materials & Techniques:: Hand colored aquatint with etching on moderately thick, smooth, brown wove paper
Dimensions:: Sheet: 15 3/16 × 16 1/16 inches (38.5 × 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. Alphonso and Aciloe

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/16 x 11 inches (38.5 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. Street Scene in Chelsea, possibly depicting the Tobacconist, J. W. Nicholas, located at No. 75, Cheyne Walk

Creator:: James McNeill Whistler, 1834–1903
Date:: ca. 1888
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper mounted on card
Dimensions:: Sheet: 5 1/4 × 8 7/8 inches (13.3 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. A Milliner's Shop

Creator:: Attributed to Henry Kingsbury, active 1750–1780
Date:: 1787
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 15 1/4 x 20 1/8in. (38.7 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. The Opening of the Seventh Seal

Creator:: John Martin, 1789–1854
Date:: ca. 1837
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 15 1/2 x 16 inches (39.4 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. A View of Hagley Park, belonging to Sir Thomas Lyttelton Bart

Creator:: Francois Vivares, 1709–1780
Date:: 1748
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 1/4 × 21 5/8 inches (38.7 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. Summers Evening

Creator:: Victor Marie Picot, 1744–1805
Date:: 1794
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 × 22 1/4 inches (45.7 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. Marriage A-La-Mode, Plate I: The Contract

Creator:: Gerard Jean Baptiste Scotin, 1671–1716
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/16 x 18 7/16in. (38.6 x 46.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. Marriage A-La-Mode, Plate VI: The Death of the Countess

Creator:: Gerard Jean Baptiste Scotin, 1671–1716
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 1/2 x 18 1/4in. (39.4 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. Great Fall of the Fynach

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1809
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 15 1/2 x 21 1/4in. (39.4 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. The Rural Cott

Creator:: William Woollett, 1735–1785
Date:: 1797
Materials & Techniques:: Engraving with chine collé; proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/8 × 24 1/8 inches (48.6 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. Launch of the Great Britain Steamship, at Bristol, July 19th 1843

Creator:: Henry Papprill, 1816–d.after 1883
Date:: 1843
Materials & Techniques:: Colored lithograph
Dimensions:: Sheet: 15 1/2 x 22in. (39.4 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. Admiral George Edgcumbe, first Earl of Mount Edgcumbe

Creator:: Edward Fisher, 1722–1785
Date:: 1760
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 3/16 × 10 7/8 inches (38.6 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. The Most Noble Granville Leveson, Earl Gower

Creator:: Edward Fisher, 1722–1785
Date:: 1765
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 1/4 × 11 1/16 inches (38.7 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. The Boxes: O woe is me, t' have seen what I have seen Seeing what I see.

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1809
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 15 1/2 x 9 3/4 inches (39.4 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Miss Edith Wetmore

348. Harfleur

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1903
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 8 1/2 inches (38.7 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection, The Edwin M. Herr, Ph.D. 1884, Memorial Collection; Gift of Mrs. Herr

349. Prospect of Hampton Court from the Garden Side

Creator:: Jacques Rigaud, 1681–1754
Date:: 1736
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 3/4 × 28 13/16 inches (42.5 × 73.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. A Gazette Extraordinary from Berkerley Square

Creator:: James Sayer, 1748–1823
Date:: 1794
Materials & Techniques:: Etching and aquatint
Dimensions:: Sheet: 15 3/8 x 10 7/8in. (39.1 x 27.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Thorp Cloud &c., Pyramid Mountain in Derbyshire

Creator:: James Mason, 1710–1783
Date:: 1751
Materials & Techniques:: Hand-colored engraving and etching
Dimensions:: Sheet: 15 1/2 x 21 1/2in. (39.4 x 54.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Benjamin West and His Son Raphael

Creator:: Print made by Valentine Green, 1739–1813
Date:: 1775
Materials & Techniques:: Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 10 15/16 inches (39.1 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

353. A Lancashire River

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1881
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 21 3/4 inches (39.4 x 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

354. The Breaking Up of the Agamemnon, no. 2

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: after 1880
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/16 x 21 7/8 inches (38.6 x 55.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

355. Interior, Abery

Creator:: Print made by N. Hanhart, active 1841–1852
Date:: 1856
Materials & Techniques:: Chromolithograph on moderately thick, smooth, beige wove paper, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Mount: 15 1/4 x 12 3/8 inches (38.8 x 31.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of the Reverend DeWolf Perry

356. The View from One Tree Hill in Greenwich Park

Creator:: Print made by Joseph Wood, 1720–1763 or 1764
Date:: 1744
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 16 3/16 × 26 inches (41.1 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and line engraving on medium, moderately textured, cream laid paper laid on mount
Dimensions:: Mount: 15 1/4 x 19 1/16 inches (38.8 x 48.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

Creator:: Simon François Ravenet, 1706–1774
Date:: 1753
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 7/8 × 21 5/8 inches (42.9 × 55 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. The Review of the Queens Own Regiment of the Yeomanry Cavalry

Creator:: Henry Papprill, 1816–d.after 1883
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 × 25 1/2 inches (46.4 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Cape Coast Castle, a British Settlement on the Gold Coast of Africa

Creator:: John Hill, 1770–1850
Date:: 1806
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/4 x 21 3/4in. (38.7 x 55.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. A Scots Concert!!!

Creator:: Richard Newton, 1777–1798
Date:: 1796
Materials & Techniques:: Etching & aquatint, hand-colored
Dimensions:: Sheet: 15 3/8 x 20 5/8in. (39.1 x 52.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. A Cognocenti Contemplating ye Beauties of ye Antique

Creator:: Print made by James Gillray, 1756–1815
Date:: 1801
Materials & Techniques:: Etching, hand-colored on moderately thick, smooth, cream wove paper mounted on green card
Dimensions:: Sheet: 15 3/8 × 10 11/16 inches (39 × 27.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Barbara and Max Wilk, Yale BA 1941

363. Plan of Longford Castle, Wiltshire; the Seat of the Right Hon'ble the Earl of Radnor

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. John E. Millais

Creator:: Print made by Daniel J. Pound, active ca. 1860
Date:: 1859
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 1/4 x 11 3/8in. (38.7 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. Rosehill

Creator:: Print made by Joseph Constantine Stadler, active 1780–1812
Date:: ca. 1810
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Image: 15 3/8 x 22in. (39.1 x 55.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. View of Sir William Hamilton's Villa at Posilipo

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen, and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 12 3/4 inches (39.4 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jeanne-Marie & Homer Byington

367. View of Queen Square

Creator:: Engraved by Robert Pollard, 1755–1838
Date:: 1789
Materials & Techniques:: Etching, line engraving, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/2 × 24 7/16 inches (49.5 × 62.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. Anglia Perdita

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1921
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 10 inches (38.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

369. Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Pen and ink over graphite on slightly textured, medium thick, white laid paper
Dimensions:: Sheet: 15 1/4 × 9 7/8 inches (38.7 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. Temple at Thignica Modern, Ain Tunga now totally Destroyed

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, red pencil on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 21 1/8 inches (39.1 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. XIVI Theatre at Ain Tunga Thignica

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite and gray wash on moderately thick,moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 21 3/8 inches (38.7 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. Corinthian Temple at Assuras

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 21 1/2 inches (39.4 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. XXIV Lybian Mausoleum at Dougga

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Pen and black ink, graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 21 1/2 inches (39.1 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. XXII Side View of Temple at Dougga

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Gray wash, pen and black ink and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 19 3/4 inches (38.7 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. Temple of Jupiter and Minerva, Thugga

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 21 1/2 inches (39.4 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. Tomb de la Chretienne/ Juba and Cleopatra

Creator:: James Bruce, 1730–1794
Date:: ca. 1769
Materials & Techniques:: Watercolor, pen and brown ink, black ink, gouache, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 21 3/8 inches (39.1 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. Temple of Jupiter and Minerva, Thugga

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, red pencil on moderately thick, moderately textured,cream laid paper
Dimensions:: Sheet: 15 3/8 × 19 1/8 inches (39.1 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. Cisterns at Carthage

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 21 1/2 inches (39.1 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. A Monastery Mill

Creator:: George Cattermole, 1800–1868
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on thick, rough, beige wove paper
Dimensions:: Sheet: 15 5/16 × 11 3/8 inches (38.9 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. Freshwater Bay

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching and engraving; Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 inches (38.7 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. Kirkby Lonsdale Churchyard

Creator:: Print made by Charles Heath, 1785–1848
Date:: 1818-1823
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/16 × 21 1/4 inches (38.9 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. Dunwich

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching and engraving with chine collé; late engraver's proof on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/4 × 20 5/8 inches (38.7 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1824
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/2 × 22 inches (39.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

384. Kailasa Temple at Ellora, Exterior View from the Entrance

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: between 1793 and 1795
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 11 1/8 inches (38.7 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. Drawing of a Pillar at Karla

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: 1793
Materials & Techniques:: Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 11 1/4 inches (38.7 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. Memorial to Gideon and Frances Guichenet and their Daughter Sarah also to Silvester Cote

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/16 × 10 7/8 inches (38.6 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. Brass Plate for unidentified Woman from Stoke Newington Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 7/8 inches (38.7 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. Memorial to Thomas Parsons, his Wife Mary and their Daughters, Ann Hamill and Mary Baunton form Stoke Newington Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 10 7/8 inches (39.1 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. Memorial to Loilliam and Ann Frohock from Stoke Newington Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 × 11 1/8 inches (39.1 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. Alnwick Castle, Northumberland

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 20 1/8 inches (39.4 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. Genoa

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 10 5/8 inches (38.7 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Landscape with River and a Bridge

Creator:: William Green, 1760–1823
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, graphite, gum arabic, and stopping out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 22 inches (40.3 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Landscape, Castle by a River

Creator:: William Green, 1760–1823
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 22 1/16 inches (40 × 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. View of Lakes Buttermere and Crummock Water

Creator:: William Green, 1760–1823
Date:: 1803
Materials & Techniques:: Watercolor and gum over graphite on medium, smooth wove paper mounted on card
Dimensions:: Sheet: 14 5/8 x 19 7/8 inches (37.1 x 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

395. View in Wales

Creator:: attributed to Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream card
Dimensions:: Sheet: 15 1/2 x 22 1/2 inches (39.4 x 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Wilmarth Lewis, Yale BA 1918, transfer from the Yale University Art Gallery

396. Stourhead, Wiltshire

Creator:: after Francis Nicholson, 1753–1844
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 22 1/2in. (39.4 x 57.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. Shipping on a Stormy Day

Creator:: Samuel Owen, 1768–1857
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 11 13/16 inches (11.4 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. High Street at Bushey, Hertfordshire

Creator:: Henry Monro, 1791–1814
Date:: 1812
Materials & Techniques:: Pen and black ink, gray wash, and white gouache on medium, slightly textured, blue-gray laid paper
Dimensions:: Sheet: 15 3/16 x 19 13/16in. (38.6 x 50.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. The Sailor's Departure

Creator:: Nicholas Pocock, 1740–1821
Date:: ca. 1795
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 22 1/4 inches (39.4 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. Classical Scene: Minerva as the Goddess of Arts and Sciences

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash with black and red chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 15 3/16 × 11 1/8 inches (38.5 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Collection Prints and Drawings

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301. Two Figures

302. A Figure in Distress

303. Worth Matravers, Dorset

304. Christophorus vander Lamen

305. D. Anna Wake

306. Christiano, Duci Brunsuicensi

307. Venus and Cupid

308. Priam. The Winner of the Derby Stakes at Epsom

309. Harkaway. A Chesnut horse, foaled in Ireland in 1834, was bred by Thomas Ferguson, Esq. His sire Economist, his dam, a chesnut mare bred by Lord Cremorne, in 1823, ...

310. Portrait of the Celebrated Short Horned Cow Bracelet / The Property of John Booth, Esquire, Killerby, Yorkshire

311. Racing: Deception, Winner of the Oaks' Stakes at Epsom, 1839

312. Short Horned White Ox

313. Night Illuminations

314. Cadland, the Winner of the Derby Stakes at Epsom, 1828

315. Racing : "Don John" / Winner of The Great St. Leger Stakes at Doncaster, 1838, rode W. Scott. / Bred in 1835, by Mr. Garforth ...

316. Fireworks

317. Racing: "Harkaway", Winner of the Gold Cup at Goodwood, 1838

318. Animals [a pair]: 1. Lioness

319. Ascot Heath Race for His Majesty's Gold Plate

320. Coaching: The Cambridge Telegraph, Starting from the White Horse

321. Racing Scene: three racehorses with jockeys up

322. The Honorable Richard Edgcumbe, Second Earl of Mount Edgcumbe

323. Thames from Richmond

324. Garrick as Abel Drugger in "The Alchemist"

325. `Sketches of Mares and Foals' - an illustrated letter addressed to J. S. Barry, Esq., and dated Aug. 11, 1800

326. Sketch of English Country Churches

327. Selborne Church

328. Mortar Battery at Woolwich

329. The Summit of Cader Idris Mountain

330. Eastwell Park in Kent - Seat of George Finch Hutton, Esquire

331. The Virgin

332. MacBeth meeting the Witches

333. View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

334. Alphonso and Aciloe

335. Street Scene in Chelsea, possibly depicting the Tobacconist, J. W. Nicholas, located at No. 75, Cheyne Walk

336. A Milliner's Shop

337. The Opening of the Seventh Seal

338. A View of Hagley Park, belonging to Sir Thomas Lyttelton Bart

339. Summers Evening

340. Marriage A-La-Mode, Plate I: The Contract

341. Marriage A-La-Mode, Plate VI: The Death of the Countess

342. Great Fall of the Fynach

343. The Rural Cott

344. Launch of the Great Britain Steamship, at Bristol, July 19th 1843

345. Admiral George Edgcumbe, first Earl of Mount Edgcumbe

346. The Most Noble Granville Leveson, Earl Gower

347. The Boxes: O woe is me, t' have seen what I have seen Seeing what I see.

348. Harfleur

349. Prospect of Hampton Court from the Garden Side

350. A Gazette Extraordinary from Berkerley Square

351. Thorp Cloud &c., Pyramid Mountain in Derbyshire

352. Benjamin West and His Son Raphael

353. A Lancashire River

354. The Breaking Up of the Agamemnon, no. 2

355. Interior, Abery

356. The View from One Tree Hill in Greenwich Park

357. Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

358. Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

359. The Review of the Queens Own Regiment of the Yeomanry Cavalry

360. Cape Coast Castle, a British Settlement on the Gold Coast of Africa

361. A Scots Concert!!!

362. A Cognocenti Contemplating ye Beauties of ye Antique

363. Plan of Longford Castle, Wiltshire; the Seat of the Right Hon'ble the Earl of Radnor

364. John E. Millais

365. Rosehill

366. View of Sir William Hamilton's Villa at Posilipo

367. View of Queen Square

368. Anglia Perdita

369. Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec

370. Temple at Thignica Modern, Ain Tunga now totally Destroyed

371. XIVI Theatre at Ain Tunga Thignica

372. Corinthian Temple at Assuras

373. XXIV Lybian Mausoleum at Dougga

374. XXII Side View of Temple at Dougga