Collection: Prints and Drawings / Height [cm]: 50 - YCBA Collections Search Search Results

101. 5: The Election Campaign (with Dark Message) from A Rake's Progress

Creator:: David Hockney, born 1937
Date:: 1963
Materials & Techniques:: Color-printed etching and aquatint
Dimensions:: Plate: 11 15/16 x 15 7/8in. (30.3 x 40.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

102. The East Prospect of the Cathedral of St. Pauls

Creator:: Remi Parr, 1743–after 1750
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 5/8 x 14 1/4in. (49.8 x 36.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. La fille éveillée

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 9/16 x 15 1/16 inches (49.7 x 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

104. Sisters, Contemplating on Mortality

Creator:: Robert Dunkarton, 1744–1811
Date:: 1770
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 13/16 x 14 1/8in. (50.3 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Childish Amusement

Creator:: George Morland, 1763–1804
Date:: 1789
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 19 13/16 x 13 7/8in. (50.3 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Youth Diverting Age

Creator:: George Morland, 1763–1804
Date:: 1789
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 19 13/16 x 13 7/8in. (50.3 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Set of four: (3) A Litter of Hares

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1811
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 19 1/2 x 24 3/4in. (49.5 x 62.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. 2. Two Hunters / Deux Chevaux de Chasse

Creator:: Pierre Charles Canot, ca. 1710–1777
Date:: 1770
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 3/4 x 15 3/4in. (50.2 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]

Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]

Creator:: L. Truchy, 1721–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 1/2 x 15 3/4in. (49.5 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. 3. The Whipper-In Trown Out / Piqueur qui a Perdu la Piste

Creator:: Pierre Charles Canot, ca. 1710–1777
Date:: 1770
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 3/4 x 15 3/4in. (50.2 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. 1. Going Out / Depart de Chasse

Creator:: Pierre Charles Canot, ca. 1710–1777
Date:: 1770
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 3/4 x 15 3/4in. (50.2 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. 6. The Death of the Fox / Mort du Renard

Creator:: Pierre Charles Canot, ca. 1710–1777
Date:: 1770
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 3/4 x 15 3/4in. (50.2 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. 5. Coming at the Death / Halte de Chasse

Creator:: Pierre Charles Canot, ca. 1710–1777
Date:: 1770
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 3/4 x 15 3/4in. (50.2 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. 4. The Earthing of the Fox / Renard dans son Terrier

Creator:: Pierre Charles Canot, ca. 1710–1777
Date:: 1770
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 3/4 x 15 3/4in. (50.2 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. 7. Returning from the Chase / Retour de Chasse

Creator:: Pierre Charles Canot, ca. 1710–1777
Date:: 1770
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 3/4 x 15 3/4in. (50.2 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]

Creator:: L. Truchy, 1721–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 1/2 x 15 3/4in. (49.5 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]

Creator:: L. Truchy, 1721–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 1/2 x 15 3/4in. (49.5 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]

Creator:: L. Truchy, 1721–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 1/2 x 17 3/4in. (49.5 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]

Creator:: L. Truchy, 1721–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 1/2 x 15 3/4in. (49.5 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]

Creator:: L. Truchy, 1721–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 1/2 x 15 3/4in. (49.5 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]

Creator:: L. Truchy, 1721–1764
Date:: 1735
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 1/2 x 17 3/4in. (49.5 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Lady Elizabeth and Lady Henrietta Montagu

Creator:: Print made by Henry Hoppner Meyer, ca. 1782–1847
Date:: 1812
Materials & Techniques:: Mezzotint on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 20 1/2 × 14 7/16 inches (52.1 × 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

123. The Penn Family

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1819
Materials & Techniques:: Mezzotint (second state) on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 24 13/16 × 17 inches (63 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

124. Lady Charles Spencer

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1776
Materials & Techniques:: Mezzotint (first state) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

125. William Henry Cavendish Scott-Bentinck, Duke of Portland, when Marquess of Titchfield

Creator:: Print made by William Walker, 1791–1867
Date:: undated
Materials & Techniques:: Mezzotint (proof, private plate) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/16 × 16 1/4 inches (53.5 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

126. Caleb Whitefoord, F.R.S., F.S.A.

Creator:: Print made by John Jones, ca. 1745–1797
Date:: 1793
Materials & Techniques:: Mezzotint (first state) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 5/8 × 18 1/8 inches (65.1 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

127. Cupid and Psyche

Creator:: Print made by William Say, 1768–1834
Date:: 1816
Materials & Techniques:: Mezzotint (second state) on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 21 1/4 inches (49.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

128. Caroline, Countess of Carlisle

Creator:: Print made by James Walker, 1748–1808
Date:: 1781
Materials & Techniques:: Mezzotint (second state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 23 × 15 13/16 inches (58.4 × 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

129. The Gower Family: The Children of Granville, 2nd Earl of Gower

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1781
Materials & Techniques:: Mezzotint (impression cut and inlaid) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 × 23 9/16 inches (53.3 × 59.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

130. Joseph Sold by his Brethren

Creator:: Print made by Robert Dunkarton, 1744–1811
Date:: 1782
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/8 × 25 inches (54.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

131. Interior of Milan Cathedral

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor with scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/2 × 13 1/2 inches (49.6 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Foreshore and Figures

Creator:: Keith Vaughan, 1912–1977
Date:: 1948
Materials & Techniques:: Monotype
Dimensions:: Sheet: 19 3/4 x 24in. (50.2 x 61cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

133. Sir Joseph Banks, 1st Baronet

Creator:: Niccoló Schiavonetti, 1771–1813
Date:: 1812
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/8 × 15 1/8 inches (51.1 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Reverend. Shute Barrington L.L.D.

Creator:: William Say, 1768–1834
Date:: 1812
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 3/4 × 13 13/16 inches (50.2 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Messrs. Truman, Hanbury, Burton & Co.'s Brewery

Creator:: unknown artist
Date:: 1842
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 19 3/4 x 24 5/8in. (50.2 x 62.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. Henry Brougham, 1st Baron Brougham and Vaux

Creator:: Henry Hoppner Meyer, ca. 1782–1847
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 5/8 × 13 7/8 inches (49.8 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. 1: The Arrival from A Rake's Progress

Creator:: David Hockney, born 1937
Date:: 1963
Materials & Techniques:: Color-printed etching and aquatint
Dimensions:: Plate: 11 15/16 x 15 7/8in. (30.3 x 40.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

138. 5A: Viewing a Prison Scene from A Rake's Progress

Creator:: David Hockney, born 1937
Date:: 1963
Materials & Techniques:: Color-printed etching and aquatint
Dimensions:: Plate: 11 15/16 x 15 7/8in. (30.3 x 40.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

139. 6: Death in Harlem from A Rake's Progress

Creator:: David Hockney, born 1937
Date:: 1963
Materials & Techniques:: Color-printed etching and aquatint
Dimensions:: Plate: 11 15/16 x 15 15/16in. (30.3 x 40.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

140. 6A: The Wallet Begins to Empty from A Rake's Progress

Creator:: David Hockney, born 1937
Date:: 1963
Materials & Techniques:: Color-printed etching and aquatint
Dimensions:: Plate: 11 15/16 x 15 7/8in. (30.3 x 40.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

141. 7: Disintigration from A Rake's Progress

Creator:: David Hockney, born 1937
Date:: 1963
Materials & Techniques:: Color-printed etching and aquatint
Dimensions:: Plate: 11 15/16 x 15 15/16in. (30.3 x 40.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

142. 7A: Cast Aside from A Rake's Progress

Creator:: David Hockney, born 1937
Date:: 1963
Materials & Techniques:: Color-printed etching and aquatint
Dimensions:: Plate: 11 15/16 x 15 13/16in. (30.3 x 40.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

143. 8: Meeting the Other People from A Rake's Progress

Creator:: David Hockney, born 1937
Date:: 1963
Materials & Techniques:: Color-printed etching and aquatint
Dimensions:: Plate: 12 x 15 15/16in. (30.5 x 40.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

144. 8A: Bedlam from A Rake's Progress

Creator:: David Hockney, born 1937
Date:: 1963
Materials & Techniques:: Color-printed etching and aquatint
Dimensions:: Plate: 12 x 15 13/16in. (30.5 x 40.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

145. 1A: Receiving the Inheritance from A Rake's Progress

Creator:: David Hockney, born 1937
Date:: 1963
Materials & Techniques:: Color-printed etching and aquatint
Dimensions:: Plate: 11 15/16 x 15 7/8in. (30.3 x 40.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

146. 2: Meeting the Good People (Washington) from A Rake's Progress

Creator:: David Hockney, born 1937
Date:: 1963
Materials & Techniques:: Color-printed etching and aquatint
Dimensions:: Plate: 12 x 15 15/16in. (30.5 x 40.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

147. 2A: The Gospel Singing (Good People) Madison Square Garden from A Rake's Progress

Creator:: David Hockney, born 1937
Date:: 1963
Materials & Techniques:: Color-printed etching and aquatint
Dimensions:: Plate: 11 15/16 x 15 15/16in. (30.3 x 40.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

148. 3: The Start of a Spending Spree and the Door Opening for a Blond from A Rake's Progress

Creator:: David Hockney, born 1937
Date:: 1963
Materials & Techniques:: Color-printed etching and aquatint
Dimensions:: Plate: 11 15/16 x 15 15/16in. (30.3 x 40.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

149. 3A: The 7 Stone Weakling from A Rake's Progress

Creator:: David Hockney, born 1937
Date:: 1963
Materials & Techniques:: Color-printed etching and aquatint
Dimensions:: Plate: 11 15/16 x 15 7/8in. (30.3 x 40.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

150. 4: The Drinking Scene from A Rake's Progress

Creator:: David Hockney, born 1937
Date:: 1963
Materials & Techniques:: Color-printed etching and aquatint
Dimensions:: Plate: 11 13/16 x 15 7/8in. (30 x 40.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

151. The Battle at La Hogue

Creator:: William Woollett, 1735–1785
Date:: 1781
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 19 3/4 × 25 1/16 inches (50.2 × 63.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

152. Action off Cape St. Vicent, 14 February 1797

Creator:: Robert Dodd, 1748–1816
Date:: ca. 1797
Dimensions:: Sheet: 19 1/2 x 29in. (49.5 x 73.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. His Majesty's Ship Glatton Attacking a French Squadron

Creator:: Robert Dodd, 1748–1816
Date:: 1796
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 19 1/2 x 26 1/4in. (49.5 x 66.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. His Majesty's Ship Glatton Shewing her Situation

Creator:: Robert Dodd, 1748–1816
Date:: 1796
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 19 1/2 x 26 1/4in. (49.5 x 66.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. The Durham White Ox / Of the improved Tees Water Breed, / by John Nesham, Esqr. / Bred and fed / of Houghton le Spring, Durham

Creator:: William Ward, 1766–1826
Date:: 1813
Materials & Techniques:: Mezzotint, printed in color
Dimensions:: Sheet: 19 3/4 x 23 11/16in. (50.2 x 60.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Fox Hunting

Creator:: Charles Knight, 1743–c.1826
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 19 5/8 x 26 1/8in. (49.8 x 66.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Racing: The Derby, 1847/ ... / Cossack, Winner, the Property of T. H. Pedley, Esq. Ridden by S. Templeman. / Orange, Scarlet sleeves and cap. / Trained by John Day ... [above print] Ackermann's Series of National Races No.1 ...

Racing: The Derby, 1847/ ... / Cossack, Winner, the Property of T. H. Pedley, Esq. Ridden by S. Templeman. / Orange, Scarlet sleeves and cap. / Trained by John Day ... [above print] Ackermann's Series of National Races No.1 ...

Creator:: Charles Hunt, 1803–1877
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 19 3/4 x 30in. (50.2 x 76.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Hawking: The Falconer. Mr. Sam'l. Northcote of Plymouth

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: 1797
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/4 x 13 7/8in. (50.2 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . . .

Creator:: Print made by Charles Gauthier Playter, died 1809
Date:: 1793
Materials & Techniques:: Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 28 1/2 × 20 1/8 inches (72.4 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)

Creator:: Print made by Robert Thew, 1758–1802
Date:: 1789
Materials & Techniques:: Stipple engraving and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/8 × 29 3/8 inches (51.1 × 74.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Twelfth Night, Act V, Scene I: The Street

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1803
Materials & Techniques:: Etching and stipple engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 20 x 29 1/2 inches (50.8 x 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Nelly O'Brien (Lady Mary O'Brien)

Creator:: John Dixon, ca. 1740–1811
Date:: 1774
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 19 13/16 × 13 7/8 inches (50.4 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. John Masefield No. 3

Creator:: Print made by William Strang, 1859–1921
Date:: 1909
Materials & Techniques:: Mezzotint with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 24 × 20 7/8 inches (61 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

164. A Vegetable Market

Creator:: William Ward, 1766–1826
Date:: 1803
Materials & Techniques:: Colored mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 1/2 × 25 1/8 inches (49.5 × 63.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. Sir Robert Chambers

Creator:: Print made by Frederick Bromley, active 1856–1860
Date:: 1862
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 5/8 x 13 13/16 inches (49.8 x 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

166. King Lear: Act III, Scene IV

Creator:: William Sharp, 1749–1824
Date:: 1793
Materials & Techniques:: Line-engraving and etching, engraver's proof
Dimensions:: Plate: 19 1/2 x 24 5/8in. (49.5 x 62.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Anthony Webster as Comus

Creator:: Print made by Henry Kingsbury, active 1750–1780
Date:: 1781
Materials & Techniques:: Mezzotint, printed in colors, with hand coloring
Dimensions:: Sheet: 19 1/2 × 13 3/4 inches (49.5 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Shakespeare Sacrificed; or, The Offering to Avarice

Creator:: Print made by James Gillray, 1756–1815
Date:: 1789
Materials & Techniques:: Etching with hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 3/4 x 15 1/8 inches (50.2 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. Some Have Greatness Thrust Upon Them

Creator:: George Denholm Armour, 1864–1949
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache, with pen and brown ink on linen
Dimensions:: Sheet: 19 5/8 × 14 1/8 inches (49.8 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. The Inside of the Pantheon in Oxford Road

Creator:: Richard Earlom, 1743–1822
Date:: 1772
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 19 1/2 x 21 7/8in. (49.5 x 55.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. View of Gloucestershire Country House

Creator:: Thomas Robins the elder, 1715–1770
Date:: ca. 1755
Materials & Techniques:: Opaque watercolor on vellum
Dimensions:: Sheet: 16 3/8 × 24 3/8 inches (41.6 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. An Elevated View of the New Docks & Warehouses now Constructing on the Isle of Dogs

Creator:: Print made by William Daniell, 1769–1837
Date:: 1802
Materials & Techniques:: Etching and aquatint, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/2 × 32 3/4 inches (49.5 × 83.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Samma the Demoniac weeping over the ashes of his youngest son Benoi

Creator:: Thomas Burke, 1749–1815
Date:: 1772
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 19 3/4 x 14in. (50.2 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. MacBeth, Act I, Scene III: "A Heath"

Creator:: Print made by Thomas Trotter, ca. 1750–1803
Date:: 1803
Materials & Techniques:: Engraving, progress proof
Dimensions:: Sheet: 19 5/8 x 25in. (49.8 x 63.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection, Transfer from the Beinecke Rare Book and Manuscript Library

175. King Richard II Act IV, Scene I: "King Richard, Bolingbroke, Yorke, etc."

Creator:: Benjamin West, 1738–1820
Date:: 1803
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 9/16 x 24 5/8in. (49.7 x 62.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. MacBeth, Act I,V Scene I: "A Dark Cave in the Middle a Cauldrom Boiling"

Creator:: Robert Thew, 1758–1802
Date:: 1803
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 9/16 x 24 3/4in. (49.7 x 62.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection, Transfer from the Beinecke Rare Book and Manuscript Library

177. Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."

Creator:: Samuel Middiman, ca. 1750–1831
Date:: 1803
Materials & Techniques:: Engraving
Dimensions:: Sheet: 19 5/8 x 24 7/8in. (49.8 x 63.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)

Creator:: Print made by Robert Thew, 1758–1802
Date:: 1801
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/8 × 29 1/2 inches (51.1 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Niobe

Creator:: Figures engraved by William Sharp, 1749–1824
Date:: 1792
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/4 x 26 1/8 inches (50.2 x 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. St. Nil

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1762
Materials & Techniques:: Etching on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 19 9/16 x 12 15/16 inches (49.7 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Cupid Disarmed by Venus

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1804
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 13/16 x 15 3/16 inches (50.4 x 38.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. Portrait of Mr. James Brindley

Creator:: Robert Dunkarton, 1744–1811
Date:: 1770
Materials & Techniques:: Mezzotint, first state of two with dedication printed from a separate plate
Dimensions:: Sheet: 19 1/2 x 12 7/8in. (49.5 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. Richard III: Act IV, Scene III, Tower of London

Creator:: Print made by William Skelton, 1763–1848
Date:: 1795
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 29 3/8 × 20 1/8 inches (74.6 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. Chevy Chase

Creator:: John Young, 1755–1825
Date:: 1813
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 19 3/4 x 28 1/4in. (50.2 x 71.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. A View of Windsor Castle

Creator:: unknown artist
Date:: 1813
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 19 1/2 x 24 1/2in. (49.5 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. Chevy Chase

Creator:: John Young, 1755–1825
Date:: 1813
Materials & Techniques:: Etched proof
Dimensions:: Sheet: 19 3/4 x 28 1/4in. (50.2 x 71.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. Three Actors in a Play

Creator:: Peltro W. Tomkins, 1760–1840
Date:: 1785
Materials & Techniques:: Stipple engraving on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 9/16 × 16 7/8 inches (49.7 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. The Surrender of Callais

Creator:: John Young, 1755–1825
Date:: 1815
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 19 1/2 x 28in. (49.5 x 71.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. The Surrender of Callais

Creator:: John Young, 1755–1825
Date:: 1815
Materials & Techniques:: Etched outline proof
Dimensions:: Sheet: 19 1/2 x 28in. (49.5 x 71.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. British Queen Steam Ship

Creator:: Henry Papprill, 1816–d.after 1883
Date:: 1838
Materials & Techniques:: Colored aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 3/4 × 26 7/8 inches (50.2 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. Geometrical Plan of his Majesty's Dockyard, Deptford

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1755
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 28 9/16 inches (54.6 × 72.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. Geometrical plan of his Majesty's Dockyard near Portsmouth

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1754
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 18 3/4 x 25 1/4in. (47.6 x 64.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. Geometrical Plan of his Majesty's dockyard, at Sheerness

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1755
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 22 1/8 × 28 11/16 inches (56.2 × 72.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. Geometrical Plan of his Majesty's Dockyard, at Chatham

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1755
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 22 1/8 × 28 13/16 inches (56.2 × 73.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. Geometrical Plan of his Majesty's Dockyard, at Woolwich

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777
Date:: 1753
Materials & Techniques:: Line engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 22 1/8 × 28 9/16 inches (56.2 × 72.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. View of Old Aberdeen, Including King's College and the Cathedral

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1808
Materials & Techniques:: Colored aquatint on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 21 1/4 × 28 3/8 inches (54 × 72.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. Lady Amabel and Lady Mary, Daughters of Lord Royston and the Marchioness of Grey

Creator:: Edward Fisher, 1722–1785
Date:: 1762
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 19 3/4 × 14 1/4 inches (50.2 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. Admiral Augustus Keppel, Viscount Keppel

Creator:: Edward Fisher, 1722–1785
Date:: 1759
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 19 13/16 × 13 15/16 inches (50.3 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. Hope Nursing Love

Creator:: Edward Fisher, 1722–1785
Date:: 1771
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 19 7/8 × 14 1/8 inches (50.5 × 35.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. Her Royal Highness, Augusta, Hereditary Princess of Brunswick and Lunenburg

Creator:: James McArdell, ca. 1729–1765
Date:: 1764
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 19 11/16 x 13 15/16 inches (50 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Collection Prints and Drawings

Height [cm] 50

Search Results

101. 5: The Election Campaign (with Dark Message) from A Rake's Progress

102. The East Prospect of the Cathedral of St. Pauls

103. La fille éveillée

104. Sisters, Contemplating on Mortality

105. Childish Amusement

106. Youth Diverting Age

107. Set of four: (3) A Litter of Hares

108. 2. Two Hunters / Deux Chevaux de Chasse

109. Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]

110. 3. The Whipper-In Trown Out / Piqueur qui a Perdu la Piste

111. 1. Going Out / Depart de Chasse

112. 6. The Death of the Fox / Mort du Renard

113. 5. Coming at the Death / Halte de Chasse

114. 4. The Earthing of the Fox / Renard dans son Terrier

115. 7. Returning from the Chase / Retour de Chasse

116. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]

117. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]

118. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]

119. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]

120. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]

121. A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]

122. Lady Elizabeth and Lady Henrietta Montagu

123. The Penn Family

124. Lady Charles Spencer

125. William Henry Cavendish Scott-Bentinck, Duke of Portland, when Marquess of Titchfield

126. Caleb Whitefoord, F.R.S., F.S.A.

127. Cupid and Psyche

128. Caroline, Countess of Carlisle

129. The Gower Family: The Children of Granville, 2nd Earl of Gower

130. Joseph Sold by his Brethren

131. Interior of Milan Cathedral

132. Foreshore and Figures

133. Sir Joseph Banks, 1st Baronet

134. Reverend. Shute Barrington L.L.D.

135. Messrs. Truman, Hanbury, Burton & Co.'s Brewery

136. Henry Brougham, 1st Baron Brougham and Vaux

137. 1: The Arrival from A Rake's Progress

138. 5A: Viewing a Prison Scene from A Rake's Progress

139. 6: Death in Harlem from A Rake's Progress

140. 6A: The Wallet Begins to Empty from A Rake's Progress

141. 7: Disintigration from A Rake's Progress

142. 7A: Cast Aside from A Rake's Progress

143. 8: Meeting the Other People from A Rake's Progress

144. 8A: Bedlam from A Rake's Progress

145. 1A: Receiving the Inheritance from A Rake's Progress

146. 2: Meeting the Good People (Washington) from A Rake's Progress

147. 2A: The Gospel Singing (Good People) Madison Square Garden from A Rake's Progress

148. 3: The Start of a Spending Spree and the Door Opening for a Blond from A Rake's Progress

149. 3A: The 7 Stone Weakling from A Rake's Progress

150. 4: The Drinking Scene from A Rake's Progress

151. The Battle at La Hogue

152. Action off Cape St. Vicent, 14 February 1797

153. His Majesty's Ship Glatton Attacking a French Squadron

154. His Majesty's Ship Glatton Shewing her Situation

155. The Durham White Ox / Of the improved Tees Water Breed, / by John Nesham, Esqr. / Bred and fed / of Houghton le Spring, Durham

156. Fox Hunting

157. Racing: The Derby, 1847/ ... / Cossack, Winner, the Property of T. H. Pedley, Esq. Ridden by S. Templeman. / Orange, Scarlet sleeves and cap. / Trained by John Day ... [above print] Ackermann's Series of National Races No.1 ...

158. Hawking: The Falconer. Mr. Sam'l. Northcote of Plymouth

159. Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . . .

160. King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)

161. Twelfth Night, Act V, Scene I: The Street

162. Nelly O'Brien (Lady Mary O'Brien)

163. John Masefield No. 3

164. A Vegetable Market

165. Sir Robert Chambers

166. King Lear: Act III, Scene IV

167. Anthony Webster as Comus

168. Shakespeare Sacrificed; or, The Offering to Avarice

169. Some Have Greatness Thrust Upon Them

170. The Inside of the Pantheon in Oxford Road

171. View of Gloucestershire Country House

172. An Elevated View of the New Docks & Warehouses now Constructing on the Isle of Dogs

173. Samma the Demoniac weeping over the ashes of his youngest son Benoi

174. MacBeth, Act I, Scene III: "A Heath"