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Collection Prints and Drawings

Width [cm] 26

William Blake "Los shudder'd at beholding Albion..." (Plate 40)

Print made by William Blake, 1757–1827

"Los shudder'd at beholding Albion..." (Plate 40)

1804 to 1820

William Blake "Bath who is Legions..." (Plate 41)

Print made by William Blake, 1757–1827

"Bath who is Legions..." (Plate 41)

1804 to 1820

William Blake "Thus Albion sat, studious of others..." (Plate 42)

Print made by William Blake, 1757–1827

"Thus Albion sat, studious of others..." (Plate 42)

1804 to 1820

William Blake "They saw their Wheels rising up poisonous..." (Plate 43)

Print made by William Blake, 1757–1827

"They saw their Wheels rising up poisonous..." (Plate 43)

1804 to 1820

William Blake "With one accord in love sublime..." (Plate 44)

Print made by William Blake, 1757–1827

"With one accord in love sublime..." (Plate 44)

1804 to 1820

William Blake "Bath, healing City!..." (Plate 45)

Print made by William Blake, 1757–1827

"Bath, healing City!..." (Plate 45)

1804 to 1820

William Blake "Bath, mild Physician of Eternity..." (Plate 46)

Print made by William Blake, 1757–1827

"Bath, mild Physician of Eternity..." (Plate 46)

1804 to 1820

William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

Print made by William Blake, 1757–1827

"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

1804 to 1820

William Blake "These were his last words, and the merciful Saviour in his arms..." (Plate 48)

Print made by William Blake, 1757–1827

"These were his last words, and the merciful Saviour in his arms..." (Plate 48)

1804 to 1820

William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)

Print made by William Blake, 1757–1827

"The secret coverts of Albion & the hidden places of America..." (Plate 49)

1804 to 1820

William Blake "The banks of the Thames are clouded..." (Plate 5)

Print made by William Blake, 1757–1827

"The banks of the Thames are clouded..." (Plate 5)

1804 to 1820

William Blake "The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

Print made by William Blake, 1757–1827

"The Atlantic Mountains where Giants dwelt..." Chapter 2 Tailpiece (Plate 50)

1804 to 1820

William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

Print made by William Blake, 1757–1827

"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

1804 to 1820

William Blake "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)

1804 to 1820

William Blake "In Great Eternity every particular Form..." (Plate 54)

Print made by William Blake, 1757–1827

"In Great Eternity every particular Form..." (Plate 54)

1804 to 1820

William Blake "When those who disregard all Mortal Things..." (Plate 55)

Print made by William Blake, 1757–1827

"When those who disregard all Mortal Things..." (Plate 55)

1804 to 1820

William Blake "Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)

Print made by William Blake, 1757–1827

"Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)

1804 to 1820

William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

Print made by William Blake, 1757–1827

"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

1804 to 1820

William Blake "In beauty the Daughters of Albion divide..." (Plate 58)

Print made by William Blake, 1757–1827

"In beauty the Daughters of Albion divide..." (Plate 58)

1804 to 1820

William Blake "And formed into Four precious stones..." (Plate 59)

Print made by William Blake, 1757–1827

"And formed into Four precious stones..." (Plate 59)

1804 to 1820

William Blake "His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

Print made by William Blake, 1757–1827

"His Spectre driv'n by the Starry Wheels of Albions sons..." (Plate 6)

1804 to 1820

William Blake "The clouds of Albions Druid Temples..." (Plate 60)

Print made by William Blake, 1757–1827

"The clouds of Albions Druid Temples..." (Plate 60)

1804 to 1820

William Blake "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)

Print made by William Blake, 1757–1827

"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)

1804 to 1820

William Blake "Repose on me till the morning of the Grave..." (Plate 62)

Print made by William Blake, 1757–1827

"Repose on me till the morning of the Grave..." (Plate 62)

1804 to 1820

William Blake "Jehovah stood among the Druids..." (Plate 63)

Print made by William Blake, 1757–1827

"Jehovah stood among the Druids..." (Plate 63)

1804 to 1820

William Blake "Of the Mundane Shell which froze..." (Plate 64)

Print made by William Blake, 1757–1827

"Of the Mundane Shell which froze..." (Plate 64)

1804 to 1820

William Blake "To decide Two Worlds with a great decision..." (Plate 65)

Print made by William Blake, 1757–1827

"To decide Two Worlds with a great decision..." (Plate 65)

1804 to 1820

William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

Print made by William Blake, 1757–1827

"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

1804 to 1820

William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)

Print made by William Blake, 1757–1827

"By those who drink their blood & the blood of their Covenant..." (Plate 67)

1804 to 1820

William Blake "O Skofield why art thou cruel?..." (Plate 68)

Print made by William Blake, 1757–1827

"O Skofield why art thou cruel?..." (Plate 68)

1804 to 1820

William Blake "Then all the Males conjoined into One Male..." (Plate 69)

Print made by William Blake, 1757–1827

"Then all the Males conjoined into One Male..." (Plate 69)

1804 to 1820

William Blake "Was living: panting like a frighted wolf..." (Plate 7)

Print made by William Blake, 1757–1827

"Was living: panting like a frighted wolf..." (Plate 7)

1804 to 1820

William Blake "And this the form of mighty Hand..." (Plate 70)

Print made by William Blake, 1757–1827

"And this the form of mighty Hand..." (Plate 70)

1804 to 1820

William Blake "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)

Print made by William Blake, 1757–1827

"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)

1804 to 1820

William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

Print made by William Blake, 1757–1827

"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

1804 to 1820

William Blake "Such are Cathedrons golden Halls..." (Plate 73)

Print made by William Blake, 1757–1827

"Such are Cathedrons golden Halls..." (Plate 73)

1804 to 1820

William Blake "And Rahab Babylon the Great..." (Plate 75)

Print made by William Blake, 1757–1827

"And Rahab Babylon the Great..." (Plate 75)

1804 to 1820

William Blake "The Four Zoa's clouded rage..." (Plate 74)

Print made by William Blake, 1757–1827

"The Four Zoa's clouded rage..." (Plate 74)

1804 to 1820

William Blake Chapter 4 Frontispiece (Plate 76)

Print made by William Blake, 1757–1827

Chapter 4 Frontispiece (Plate 76)

1804 to 1820

William Blake "To the Christians..." (Plate 77)

Print made by William Blake, 1757–1827

"To the Christians..." (Plate 77)

1804 to 1820

William Blake "My tents are fall'n! my pillars are in ruins!..." (Plate 79)

Print made by William Blake, 1757–1827

"My tents are fall'n! my pillars are in ruins!..." (Plate 79)

1804 to 1820

William Blake Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

Print made by William Blake, 1757–1827

Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

1804 to 1820

William Blake "Rose up against me thundering..." (Plate 8)

Print made by William Blake, 1757–1827

"Rose up against me thundering..." (Plate 8)

1804 to 1820

William Blake "Encompass'd by the frozen Net..." (Plate 80)

Print made by William Blake, 1757–1827

"Encompass'd by the frozen Net..." (Plate 80)

1804 to 1820

William Blake "I have mock'd those who refused cruelty..." (Plate 81)

Print made by William Blake, 1757–1827

"I have mock'd those who refused cruelty..." (Plate 81)

1804 to 1820

William Blake "I have heard Jerusalems groans..." (Plate 82)

Print made by William Blake, 1757–1827

"I have heard Jerusalems groans..." (Plate 82)

1804 to 1820

William Blake "Corruptability appears upon thy limbs..." (Plate 83)

Print made by William Blake, 1757–1827

"Corruptability appears upon thy limbs..." (Plate 83)

1804 to 1820

William Blake Satan before the Throne of God

Print made by William Blake, 1757–1827

Satan before the Throne of God

1826

William Blake "Her voice pierc'd Albions clay cold ear..." (Plate 95)

Print made by William Blake, 1757–1827

"Her voice pierc'd Albions clay cold ear..." (Plate 95)

1804 to 1820

Edward Lear Sorrento, 2 August 1838

Edward Lear, 1812–1888

Sorrento, 2 August 1838

1838

Edward Lear Isola di Sora, 31 Mar. 1842

Edward Lear, 1812–1888

Isola di Sora, 31 Mar. 1842

1842

Edward Lear Peppering. 20 October. 1834

Edward Lear, 1812–1888

Peppering. 20 October. 1834

1834

Edward Lear Bassenthwaite

Edward Lear, 1812–1888

Bassenthwaite

1836

Edward Lear Crummock Water

Edward Lear, 1812–1888

Crummock Water

1836

Edward Lear Yewbarrow, Wastwater, 16 September 1836

Edward Lear, 1812–1888

Yewbarrow, Wastwater, 16 September 1836

1836

Edward Lear Brothers Water from Patterdale

Edward Lear, 1812–1888

Brothers Water from Patterdale

1836

Edward Lear The Capo Sant' Angelo, Amalfi

Edward Lear, 1812–1888

The Capo Sant' Angelo, Amalfi

ca. 1885

Edward Lear Salonica, from my Room Window, 11 Sept. 1848, after Sunset

Edward Lear, 1812–1888

Salonica, from my Room Window, 11 Sept. 1848, after Sunset

1848

Edward Lear River pass, between barren rock cliffs

Edward Lear, 1812–1888

River pass, between barren rock cliffs

1867

Edward Lear Abu Simbel, 10:30 am, 9 February 1867 (383)

Edward Lear, 1812–1888

Abu Simbel, 10:30 am, 9 February 1867 (383)

1867

Edward Lear Abu Simbel, 1:00 pm, 9 February 1867 (384)

Edward Lear, 1812–1888

Abu Simbel, 1:00 pm, 9 February 1867 (384)

1867

Edward Lear Tollygunge, Calcutta

Edward Lear, 1812–1888

Tollygunge, Calcutta

undated

Edward Lear Dendera, 15 January 1867 (155)

Edward Lear, 1812–1888

Dendera, 15 January 1867 (155)

1867

Edward Lear Luxor, 7:00 am, 20 January 1867 (198)

Edward Lear, 1812–1888

Luxor, 7:00 am, 20 January 1867 (198)

1867

Edward Lear Luxor, 7:30 am, 20 January 1867 (199)

Edward Lear, 1812–1888

Luxor, 7:30 am, 20 January 1867 (199)

1867

Edward Lear Amada, 7:30 am, 12 February 1867 (423)

Edward Lear, 1812–1888

Amada, 7:30 am, 12 February 1867 (423)

1867

Edward Lear Dendour

Edward Lear, 1812–1888

Dendour

1867

Edward Lear Boats on the Nile

Edward Lear, 1812–1888

Boats on the Nile

1867

Edward Lear Kurayim

Edward Lear, 1812–1888

Kurayim

1867

Edward Lear Mt. Orfano

Edward Lear, 1812–1888

Mt. Orfano

1867

Edward Lear A View of Cannes

Edward Lear, 1812–1888

A View of Cannes

1882

George Romney Back View of a Standing Classical Male Figure

George Romney, 1734–1802

Back View of a Standing Classical Male Figure

1773-1775

Robert Smirke Sketch of a Dog

Robert Smirke, 1752–1845

Sketch of a Dog

undated

James McArdell Thomas Ashton D.D.

James McArdell, ca. 1729–1765

Thomas Ashton D.D

1756

Robert Smirke Study of the Head of a Snake

Robert Smirke, 1752–1845

Study of the Head of a Snake

undated

Robert Smirke Study of a Woman, Imploring for the Return of Her Captive Child

Robert Smirke, 1752–1845

Study of a Woman, Imploring for the Return of Her Captive Child

undated

Robert Smirke [One from] Illustrations to Shakespeare

Robert Smirke, 1752–1845

[One from] Illustrations to Shakespeare

undated

Robert Smirke Study of a Woman, being Taken Away by a Winged Being

Robert Smirke, 1752–1845

Study of a Woman, being Taken Away by a Winged Being

undated

Robert Smirke Study of Armored Knights in Battle with Horses

Robert Smirke, 1752–1845

Study of Armored Knights in Battle with Horses

undated

Robert Smirke Studies from a French MSS Bible Register

Robert Smirke, 1752–1845

Studies from a French MSS Bible Register

undated

Robert Smirke MSS Bible Regia

Robert Smirke, 1752–1845

MSS Bible Regia

undated

Robert Smirke Skech for Timon of Athens

Robert Smirke, 1752–1845

Skech for Timon of Athens

undated

Robert Smirke Studies From a French MSS Bible Registry

Robert Smirke, 1752–1845

Studies From a French MSS Bible Registry

undated

Robert Smirke Study for a Piece of Furniture

Robert Smirke, 1752–1845

Study for a Piece of Furniture

undated

Robert Smirke Study of a Chair

Robert Smirke, 1752–1845

Study of a Chair

undated

Robert Smirke Two Women Enjoying Their Time by a Stream

Robert Smirke, 1752–1845

Two Women Enjoying Their Time by a Stream

undated

Robert Smirke Scene of a Bacchanalia

Robert Smirke, 1752–1845

Scene of a Bacchanalia

undated

Robert Smirke Pan, Spying, From Behind a Tree, at Putti, Shooting Arrows

Robert Smirke, 1752–1845

Pan, Spying, From Behind a Tree, at Putti, Shooting Arrows

undated

Robert Smirke Study of a Roman Banquet Scene

Robert Smirke, 1752–1845

Study of a Roman Banquet Scene

undated

Robert Smirke Study of a Soldier Attacking a Woman

Robert Smirke, 1752–1845

Study of a Soldier Attacking a Woman

undated

James Charles Armytage Eastnor Castle

Print made by James Charles Armytage, 1802–1897

Eastnor Castle

ca. 1835

Robert Smirke Untitled: Classical Scene

Robert Smirke, 1752–1845

Untitled: Classical Scene

George Siegmund Facius The Birth of Venus

George Siegmund Facius, 1750–1804

The Birth of Venus

ca. 1778

James Barry Repose in Egypt

Print made by James Barry, 1741–1806

Repose in Egypt

ca. 1776

James Barry Repose in Egypt

Print made by James Barry, 1741–1806

Repose in Egypt

ca. 1776

Robert Williams The Right Honourable Sir George Rooke Vice Admiral of England

Robert Williams, active 1680–1704

The Right Honourable Sir George Rooke Vice Admiral of England

1704

Henry Dawe Mill near the Grand Chartreuse, Dauphiny

Print made by Henry Dawe, 1790–1848

Mill near the Grand Chartreuse, Dauphiny

1816

Samuel Freeman Mamma at Romps

Print made by Samuel Freeman, 1773–1857

Mamma at Romps

1810

Rudolph Stanley-Brown Woman Praying in Church

Print made by Rudolph Stanley-Brown, 1889–1944

Woman Praying in Church

undated

Thomas Goff Lupton Little Devil's Bridge over the Russ above Altdorft, Switzerland

Print made by Thomas Goff Lupton, 1791–1873

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1858