Collection: Prints and Drawings / Width [cm]: 36 - YCBA Collections Search Search Results

301. A Ground Plan of Bermondsey Abbey

Creator:: unknown artist
Date:: 1822
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 12 13/16 × 14 inches (32.5 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. North Front of Bedford House, Bloomsbury Square

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1822
Materials & Techniques:: Engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 11 9/16 × 14 inches (29.4 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. Joseph Deane Bourke, 3rd Earl of Mayo

Creator:: John Raphael Smith, 1752–1812
Date:: 1784
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 20 9/16 × 15 11/16 inches (52.2 × 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. H. M. George IV Proclaimed King at Carlton House

Creator:: Robert Havell, 1769–1832
Date:: 1824
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 18 1/2 x 14 1/4in. (47 x 36.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. Lieutenant General Bowater

Creator:: Print made by William Ward, 1766–1826
Date:: 1804
Materials & Techniques:: Mezzotint on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 20 3/4 × 14 5/8 inches (52.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. Pink Vase (Self-Portrait)

Creator:: Print made by John Copley, 1875–1950
Date:: 1949
Materials & Techniques:: Etching with gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 13/16 x 14 3/16 inches (47.8 x 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

307. Fiesta Mallorquina

Creator:: Print made by John Copley, 1875–1950
Date:: 1932
Materials & Techniques:: Etching with gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 14 3/16 inches (26.1 x 36.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

308. Pooley Bridge

Creator:: Joseph Farington, 1747–1821
Materials & Techniques:: Pen and ink and watercolor over graphite on wove paper
Dimensions:: Image: 9 x 14 inches (22.9 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. Ullswater, Col. Robinson's

Creator:: Joseph Farington, 1747–1821
Materials & Techniques:: Pen and ink and watercolor over graphite on wove paper
Dimensions:: Image: 9 x 14 inches (22.9 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. General View of Lake of Derwent Water

Creator:: Joseph Farington, 1747–1821
Materials & Techniques:: Pen and ink and watercolor over graphite on wove paper
Dimensions:: Image: 8 15/16 x 14 inches (22.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Lodore Rocks falls cottage distant

Creator:: Joseph Farington, 1747–1821
Materials & Techniques:: Pen and ink and watercolor over graphite on wove paper
Dimensions:: Image: 8 7/8 x 14 inches (22.5 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. Lodore Rocks & fall front view

Creator:: Joseph Farington, 1747–1821
Materials & Techniques:: Pen and ink and watercolor over graphite on wove paper
Dimensions:: Image: 8 7/8 x 14 1/16 inches (22.5 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. Lodore Cottage rocks & fall

Creator:: Joseph Farington, 1747–1821
Materials & Techniques:: Pen and ink and watercolor over graphite on wove paper
Dimensions:: Image: 8 15/16 x 14 1/16 inches (22.7 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. The Grange of Borrodale

Creator:: Joseph Farington, 1747–1821
Materials & Techniques:: Pen and ink and watercolor over graphite on wove paper
Dimensions:: Image: 8 1/16 x 14 1/16 inches (20.5 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. North Entrance to Keswick & Bridge

Creator:: Joseph Farington, 1747–1821
Materials & Techniques:: Pen and ink and watercolor over graphite on wove paper
Dimensions:: Image: 8 15/16 x 14 inches (22.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Thirlmere

Creator:: Joseph Farington, 1747–1821
Materials & Techniques:: Pen and ink and watercolor over graphite on wove paper
Dimensions:: Image: 8 15/16 x 14 inches (22.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. [Landscape]

Creator:: Joseph Farington, 1747–1821
Materials & Techniques:: Pen and ink and watercolor over graphite on wove paper
Dimensions:: Image: 8 15/16 x 14 inches (22.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. Ambleside

Creator:: Joseph Farington, 1747–1821
Materials & Techniques:: Pen and ink and watercolor over graphite on wove paper
Dimensions:: Image: 8 7/8 x 14 inches (22.5 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. Lower waterfall Rydal

Creator:: Joseph Farington, 1747–1821
Materials & Techniques:: Pen and ink and watercolor over graphite on wove paper
Dimensions:: Image: 8 15/16 x 14 inches (22.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. View over Windermere from above Barig

Creator:: Joseph Farington, 1747–1821
Materials & Techniques:: Pen and ink and watercolor over graphite on wove paper
Dimensions:: Image: 8 7/8 x 14 inches (22.5 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. Grassmere

Creator:: Joseph Farington, 1747–1821
Materials & Techniques:: Pen and ink and watercolor over graphite on wove paper
Dimensions:: Image: 8 15/16 x 14 inches (22.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. Brathay Bridge

Creator:: Joseph Farington, 1747–1821
Materials & Techniques:: Pen and ink and watercolor over graphite on wove paper
Dimensions:: Image: 8 7/8 x 14 inches (22.5 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. Rydalmere

Creator:: Joseph Farington, 1747–1821
Materials & Techniques:: Pen and ink and watercolor over graphite on wove paper
Dimensions:: Image: 8 15/16 x 14 inches (22.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. Office of the Sudder Board of Revenue from Kyd Street - Calcutta

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: between 1833 and 1838
Materials & Techniques:: Watercolor, gray wash, white gouache, and graphite on moderately thick, moderately textured, blue-gray wove paper
Dimensions:: Mount: 8 11/16 × 15 1/8 inches (22.1 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Geography

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 14 inches (25.4 × 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

327. The Morning Rose, What Shall Poor Harpax Do!

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1744
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/4 x 14 5/16 inches (31.1 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

328. Sylvio and Dorinda

Creator:: Print made by William Faithorne the Younger, ca. 1669–1703
Date:: between 1752 and 1768
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/16 x 14 1/8 inches (26.2 x 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

329. The Choice

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1737
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 x 15 1/8 inches (27 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

330. Speculum Romanae Magnificentiae

Creator:: Antonio Lafreri, 1512–1577
Date:: 1546-1590
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 × 14 1/4 inches (48.3 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. Arch of Septimus Severus

Creator:: Print made by unknown artist
Date:: 1546-1590
Materials & Techniques:: Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 × 14 1/8 inches (49.2 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. Peter the Wild Boy

Creator:: Print made by Valentine Green, 1739–1813
Date:: between 1765 and 1771
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 1/16 × 14 3/16 inches (50.9 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. Dover

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint and graphite; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. Portrait of a Man Wearing Turban

Creator:: Print made by Thomas Frye, 1710–1762
Date:: 1760
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 20 5/16 × 14 1/8 inches (51.6 × 35.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. Hunting, Shooting, etc. [set of four]: 1. Grouse Shooting

Creator:: Samuel Howitt, 1756–1822
Date:: 1793
Materials & Techniques:: Aquatint, hand-colored with aquatint border
Dimensions:: Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. Riding [a pair]: 1. The Time O'Day

Creator:: Edward Hull, 1810–1877
Date:: 1820
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 9 1/2 x 14 1/4in. (24.1 x 36.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. Monsieur Masson the Tennis Player

Creator:: Richard Brookshaw, 1736–1804
Date:: 1769
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 19 7/8 x 14in. (50.5 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. Fox-Hunting [set of three of four]: 1.Unkennelling

Creator:: James Pollard, 1792–1867
Date:: 1822
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 4 1/2 x 14in. (11.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. Racing [set of four]: 1. Training

Creator:: James Pollard, 1792–1867
Date:: 1821
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 4 1/2 x 14 1/4in. (11.4 x 36.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. A Sea Engagement between the English and Algerines

Creator:: Print made by Paul Fourdrinier, 1698–1758
Date:: ca. 1743
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 × 18 inches (31 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

Creator:: Print made by Remi Parr, 1743–after 1750
Date:: undated
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 18 1/16 inches (31.8 × 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. Sweet William's Farewell to Black Eyed Susan

Creator:: Print made by Paul Fourdrinier, 1698–1758
Date:: undated
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/16 × 18 1/8 inches (31.2 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. Birds of a Feather Flock Together. Diversions of Purley (scored through & replaced by) Brighton

Creator:: Charles Williams, active 1796–1830
Date:: 1802
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 14 1/4in. (22.2 x 36.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. The Dutch in an Uproar or the Batavian Republic Crying for Winter

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 5/16 x 14 1/8in. (23.7 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. The Enraged Politician or the Sunday Reformer or a Noble Bellman Crying Stinking Fish

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1797
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/4 x 14 1/4in. (22.2 x 36.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. Six Studies of Horses and Riders

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 11 1/2 inches (19.1 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. A Hay Wagon Drawn by Four Horses

Creator:: Charles Cooper Henderson, 1803–1877
Date:: undated
Materials & Techniques:: Watercolor, with pen, in brown ink, over graphite with traces of, white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 9 7/8 × 14 inches (25.1 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds

Creator:: James Pollard, 1792–1867
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 14 1/16 inches (14.9 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. The Earthquake Scare in Piccadilly

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: 1750
Materials & Techniques:: Pen and brown ink, graphite, and brown wash on medium, moderately textured, cream laid paper
Dimensions:: Mount: 10 5/8 × 16 1/2 inches (27 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. Racing Scene

Creator:: Samuel Howitt, 1756–1822
Date:: 1792
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, smooth, cream wove paper
Dimensions:: Mount: 11 9/16 × 15 15/16 inches (29.4 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Jaipur Evening No. 2

Creator:: Print made by Ernest Stephen Lumsden, 1883–1948
Date:: 1913
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 17 1/4 inches (28.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

352. William Robertson, D.D.

Creator:: Print made by John Dixon, ca. 1740–1811
Date:: 1772
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 19 7/8 × 14 1/16 inches (50.5 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. On the Thames

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1875
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 15 5/8 inches (29.8 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. The Hand Maid

Creator:: Jacob Hogg, active 1751
Date:: 1785
Materials & Techniques:: Stipple engraving, colored
Dimensions:: Plate: 16 x 14in. (40.6 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"

Creator:: James Gillray, 1756–1815
Date:: 1807
Materials & Techniques:: Etching on thin, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 15 inches (29.2 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Etching with hand coloring in watercolor
Dimensions:: Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. Le Coup de Maitre

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 14 3/16 inches (26.4 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. The Salute, - Vide, The Parade

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Etching with hand coloring in watercolor
Dimensions:: Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 14in. (25.4 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Presages of the Millenium

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 14 13/16 inches (33 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. Up and Over

Creator:: Cecil Charles Windsor Aldin, 1870–1935
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Image: 9 13/16 × 13 15/16 inches (24.9 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Full Cry

Creator:: Cecil Charles Windsor Aldin, 1870–1935
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Image: 9 11/16 × 14 3/16 inches (24.6 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. Some Have Greatness Thrust Upon Them

Creator:: George Denholm Armour, 1864–1949
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache, with pen and brown ink on linen
Dimensions:: Sheet: 19 5/8 × 14 1/8 inches (49.8 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. The Lodge Gate

Creator:: Lionel Edwards, 1878–1966
Date:: 1922
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 13 7/8 x 9 13/16in. (35.2 x 24.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. Fox Hunting: The Meet

Creator:: John Harris, 1811–1865
Date:: 1844
Materials & Techniques:: Aquatint, printed in color and by hand
Dimensions:: Sheet: 16 5/8 x 14 1/4in. (42.2 x 36.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. Fox-hunting: The Brook!

Creator:: John Harris, 1811–1865
Date:: 1844
Materials & Techniques:: Aquatint, printed in color and by hand
Dimensions:: Sheet: 16 5/8 x 14 1/4in. (42.2 x 36.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. London Chatham and Dover Railway Viaduct, S Mary Cray, Kent, Feb. 16, 1881 - Dec. 15, 1882

Creator:: George Buchanan Wollaston, Active 1879–1886
Date:: 1881
Materials & Techniques:: Watercolor and gouache with brown ink and black ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. The Front of a Town House

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: 1785
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 19 1/4 inches (29.8 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. Banqueting House, Whitehall

Creator:: Thomas Malton the Younger, 1748–1804
Date:: undated
Materials & Techniques:: Watercolor over etched outline, and graphite; verso: pen and black ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 3/8 × 15 3/4 inches (31.4 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. Belisarius

Creator:: Robert Strange, 1721–1792
Materials & Techniques:: Engraving on laid paper
Dimensions:: Plate: 20 x 14in. (50.8 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

377. Samma the Demoniac weeping over the ashes of his youngest son Benoi

Creator:: Thomas Burke, 1749–1815
Date:: 1772
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 19 3/4 x 14in. (50.2 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. South West View of Saint Paul's Cathedral and Blackfrairs Bridge

Creator:: William James Bennett, 1787–1844
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 16 x 14in. (40.6 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 × 14 1/16 inches (24.5 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. Ultima, One of Lord Maynard's Mares

Creator:: William Henry Davis, active 1803–1849
Date:: 1815
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 7/8 × 18 1/16 inches (35.2 × 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. The Death: Huntsman Holding Fox Aloft

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 5/16 inches (26 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. Snipe Shooting

Creator:: Robert Dighton, 1752–1814
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/16 × 14 7/16 inches (25.6 × 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. The Night Riders of Nacton: Whoop! and Away! The large field near Biles Corner

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, brown wove paper mounted to thick card
Dimensions:: Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

384. The Race

Creator:: unknown artist
Date:: ca. 1850
Materials & Techniques:: Watercolor, graphite, and gouache on medium, slightly textured, gray/green, wove paper
Dimensions:: Mount: 5 1/16 × 14 inches (12.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. The Night Riders of Nacton: The Last Field near Nacton Heath

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, brown wove paper, mounted to card
Dimensions:: Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. The Night Riders of Nacton: The Finish. Nacton Church and Village

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. Foxhunting: Gone to Ground

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 × 14 1/4 inches (25.4 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. The 'Royal' Coach Outside the White Lion Inn

Creator:: William Evans of Bristol, 1809–1858
Date:: ca. 1845
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Mount: 13 1/16 × 17 3/8 inches (33.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. A Dappled Horse in a Stable

Creator:: style of Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Black and white chalk on moderately thick, slightly textured, gray wove paper
Dimensions:: Mount: 15 × 18 1/4 inches (38.1 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. Snipe Shooting

Creator:: James Pollard, 1792–1867
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 14 5/16 inches (15.2 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. The Derby Day: Tits and Trampers on the Road to Epsom

Creator:: Possibly James Pollard, 1792–1867
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 15/16 × 15 1/16 inches (25.2 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Fallen Horse and Rider, The Hunt Disappearing Left

Creator:: George Morland, 1763–1804
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 10 11/16 × 14 1/8 inches (27.1 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Grouse Shooting

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/16 × 14 inches (25.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. A Race on the Knavesmire at York

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and gray ink on thick, slightly textured, brown wove paper
Dimensions:: Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. The St. Leger, Doncaster: Preparing to Start

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 5/16 inches (27.3 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

396. A Horseman and Other Figures at a Race-Course

Creator:: Raphael Lamar West, 1769–1850
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 13 5/8 × 16 15/16 inches (34.6 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. Two Saddled Horses in Stalls in a Stable

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 16 × 22 inches (40.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. Pheasant Shooting

Creator:: Robert Dighton, 1752–1814
Date:: before 1801
Materials & Techniques:: Watercolor, pen and black ink, gray ink, graphite and gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/16 × 14 1/2 inches (25.6 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. Dray Horses

Creator:: Print made by Charles F. Tunnicliffe, 1901–1979
Date:: undated
Materials & Techniques:: Etching on laid paper
Dimensions:: Plate: 8 3/4 × 12 inches (22.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Isabelle Hollister Tuttle for the Emerson Tuttle Memorial Collection

400. The Library of San Marco, Venice

Creator:: Print made by William Walcot, 1874–1943
Date:: 1920
Materials & Techniques:: Etching, aquatint, and drypoint on medium, slighly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 14 inches (24.1 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

YCBA Collections Search

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Collection Prints and Drawings

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Search Results

301. A Ground Plan of Bermondsey Abbey

302. North Front of Bedford House, Bloomsbury Square

303. Joseph Deane Bourke, 3rd Earl of Mayo

304. H. M. George IV Proclaimed King at Carlton House

305. Lieutenant General Bowater

306. Pink Vase (Self-Portrait)

307. Fiesta Mallorquina

308. Pooley Bridge

309. Ullswater, Col. Robinson's

310. General View of Lake of Derwent Water

311. Lodore Rocks falls cottage distant

312. Lodore Rocks & fall front view

313. Lodore Cottage rocks & fall

314. The Grange of Borrodale

315. North Entrance to Keswick & Bridge

316. Thirlmere

317. [Landscape]

318. Ambleside

319. Lower waterfall Rydal

320. View over Windermere from above Barig

321. Grassmere

322. Brathay Bridge

323. Rydalmere

324. Office of the Sudder Board of Revenue from Kyd Street - Calcutta

325. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

326. Geography

327. The Morning Rose, What Shall Poor Harpax Do!

328. Sylvio and Dorinda

329. The Choice

330. Speculum Romanae Magnificentiae

331. Arch of Septimus Severus

332. Peter the Wild Boy

333. Dover

334. Portrait of a Man Wearing Turban

335. Hunting, Shooting, etc. [set of four]: 1. Grouse Shooting

336. Riding [a pair]: 1. The Time O'Day

337. Monsieur Masson the Tennis Player

338. Fox-Hunting [set of three of four]: 1.Unkennelling

339. Racing [set of four]: 1. Training

340. A Sea Engagement between the English and Algerines

341. The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

342. Sweet William's Farewell to Black Eyed Susan

343. Birds of a Feather Flock Together. Diversions of Purley (scored through & replaced by) Brighton

344. The Dutch in an Uproar or the Batavian Republic Crying for Winter

345. The Enraged Politician or the Sunday Reformer or a Noble Bellman Crying Stinking Fish

346. Six Studies of Horses and Riders

347. A Hay Wagon Drawn by Four Horses

348. Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds

349. The Earthquake Scare in Piccadilly

350. Racing Scene

351. Jaipur Evening No. 2

352. William Robertson, D.D.

353. On the Thames

354. The Hand Maid

355. A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"

356. St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone

357. Le Coup de Maitre

358. The Salute, - Vide, The Parade

359. God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton

360. Presages of the Millenium

361. Up and Over

362. Full Cry

363. Some Have Greatness Thrust Upon Them

364. The Lodge Gate

365. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is

366. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is

367. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be

368. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was

369. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was

370. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are

371. Fox Hunting: The Meet

372. Fox-hunting: The Brook!

373. London Chatham and Dover Railway Viaduct, S Mary Cray, Kent, Feb. 16, 1881 - Dec. 15, 1882

374. The Front of a Town House