Collection: Prints and Drawings / Width [cm]: 41 - YCBA Collections Search Search Results

301. Portrait of Caravaggio

Creator:: Henry Simon Thomassin, 1687–1741
Date:: between 1710 and 1741
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 5/8 × 16 1/16 inches (54.9 × 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of James A. Bergquist

302. A View of St. James's Park, taken near the Stable Yard

Creator:: Print made by James Smith, active 1733–1759
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 1/2 x 16in. (26.7 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. The Royal Palace of Hampton Court

Creator:: Print made by unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 x 16 1/4in. (27.9 x 41.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. A View of the Fleet at Spithead; taken from the Platform at Portsmouth (A) the Watch Tower at Portsmouth (B) Gilkiker upon Gosport Shoar (C) The Sea Mark on Ashey Down

A View of the Fleet at Spithead; taken from the Platform at Portsmouth (A) the Watch Tower at Portsmouth (B) Gilkiker upon Gosport Shoar (C) The Sea Mark on Ashey Down

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 1/2 × 16 inches (26.7 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. Blenheim House. Erected at the Publick Expence in Commemoration of the Victory at Blenheim, and setled on the Great Duke of Marlborough and his Descendents for ever

Blenheim House. Erected at the Publick Expence in Commemoration of the Victory at Blenheim, and setled on the Great Duke of Marlborough and his Descendents for ever

Creator:: Paul Fourdrinier, 1698–1758
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 × 16 1/8 inches (25.4 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. A View of the Fleet at Spithead, Taken from Stone Common near Exbury Distant upwards of 3 Leagues. A, Spithead. B, The Mother Bank. C, Ashey Sea Mark. D, Mouth of Southampton River. E, Portsmouth Tower. F, Gilkiker. G, Castle of Cows

A View of the Fleet at Spithead, Taken from Stone Common near Exbury Distant upwards of 3 Leagues. A, Spithead. B, The Mother Bank. C, Ashey Sea Mark. D, Mouth of Southampton River. E, Portsmouth Tower. F, Gilkiker. G, Castle of Cows

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 1/2 × 16 inches (26.7 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. A View of the Rt. Hon'ble the Lord of Burlington's House at Chiswick; taken from the Road

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 1/4 × 16 1/4 inches (26 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

Creator:: Print made by Robert Thew, 1758–1802
Date:: 1792
Materials & Techniques:: Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 29 3/8 × 20 1/16 inches (74.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . . .

Creator:: Print made by Charles Gauthier Playter, died 1809
Date:: 1793
Materials & Techniques:: Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 28 1/2 × 20 1/8 inches (72.4 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)

Creator:: Print made by Jean B. Michel, active 1803
Date:: 1791
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 29 1/2 × 19 3/4 inches (74.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. The Lord Mayor's Mansion House, shewing the Front of the House & the West Side

Creator:: Print made by unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. Racing Scene

Creator:: Samuel Howitt, 1756–1822
Date:: 1792
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, smooth, cream wove paper
Dimensions:: Mount: 11 9/16 × 15 15/16 inches (29.4 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. Quilleboeuf

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. Between Quilleboeuf and Villequier

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. Château de la Mailleraie

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slighty textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 16 1/4 inches (28.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Château Gaillard, from the East

Creator:: Print made by John Smith, 1799–1843
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/8 × 16 1/4 inches (28.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Inverness

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. Reaper and Sower

Creator:: Print made by Charles Shannon, 1863–1937
Date:: 1904
Materials & Techniques:: Lithograph on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 16 inches (38.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

319. The Benevolent Cottager

Creator:: William Nutter, 1754–1802
Date:: 1788
Materials & Techniques:: Stipple
Dimensions:: Sheet: 21 3/4 x 16in. (55.2 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. Going out Milking

Creator:: Charles Turner, 1774–1857
Date:: 1800
Materials & Techniques:: Mezzotint, in colors on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 × 17 7/8 inches (55.9 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. The Return from Milking

Creator:: Charles Turner, 1774–1857
Date:: 1800
Materials & Techniques:: Mezzotint, in colors on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 × 17 13/16 inches (55.9 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. New Reformers, Or Corporal Bardolph's New-Raised Corps of Active Citizens

Creator:: Print made by William Dent, active 1784–1793
Date:: 1792
Materials & Techniques:: Etching with watercolor on laid paper
Dimensions:: Sheet: 10 x 16 5/16in. (25.4 x 41.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

323. Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will

Creator:: Print made by James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching with hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 x 15 3/4 inches (22.9 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations

Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 5/8 x 16 1/4in. (29.5 x 41.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. Dr. Batty's House at Twickenham as View'd from the opposite Shore of the River Thames

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 10 1/4 × 16 1/4 inches (26 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. `Hold Back, Sir!'

Creator:: Cecil Charles Windsor Aldin, 1870–1935
Date:: 1904
Materials & Techniques:: Pen and black ink, graphite, black chalk, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 15/16 inches (25.1 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. Some Have Greatness Thrust Upon Them

Creator:: George Denholm Armour, 1864–1949
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache, with pen and brown ink on linen
Dimensions:: Sheet: 19 5/8 × 14 1/8 inches (49.8 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. A View of Rotterdam, and the River Maese with Variety of Shipping

Creator:: Print made by unknown artist
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/2 × 16 1/4 inches (29.2 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. A View of the Palace of Triano towards the Flower Garden

Creator:: unknown artist
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 9 3/4 × 16 1/4 inches (24.8 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. The Cover

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, printed in color and colored by hand
Dimensions:: Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. Breaking Cover

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, printed in color and colored by hand
Dimensions:: Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. The Death

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, printed in color and colored by hand
Dimensions:: Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. Full Cry

Creator:: George Hunt, active 1820–1840
Date:: 1823
Materials & Techniques:: Aquatint, printed in color and colored by hand
Dimensions:: Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. A View of St. Martin's Church, Also of the Arch of Septimius Severus, through which the Roman Generals marched in their Triumphs to the Capitol.

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Date:: undated
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/4 × 16 1/4 inches (28.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. Clare College, Cambridge

Creator:: George-Haydock Dodgson, 1811–1880
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, and scratching out on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 10 3/8 × 16 3/16 inches (26.4 × 41.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. tms:4641

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore...

Creator:: Print made by J. Carwitham, active 1720–1740
Date:: 1778
Materials & Techniques:: Line engraving with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 18 inches (31.1 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. Encampment at Maestricht

Creator:: Thomas Sandby, 1721–1798
Date:: 1747
Materials & Techniques:: Pen and black ink, graphite and gray wash on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 2 1/2 × 16 1/16 inches (6.4 × 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. East India House

Creator:: Thomas Malton the Younger, 1748–1804
Date:: undated
Materials & Techniques:: Watercolor over etched outline on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 9/16 × 16 inches (31.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. The Admiralty

Creator:: Thomas Malton the Younger, 1748–1804
Date:: undated
Materials & Techniques:: Watercolor over etched outline on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 12 7/16 × 16 inches (31.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. Archers

Creator:: J. H. Wright, active 1795–1838
Date:: 1799
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 19 7/8 x 15 15/16in. (50.5 x 40.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. Plan of the West India Docks

Creator:: Print made by Benjamin Baker, 1766–1841
Date:: 1802
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 x 16 1/4 inches (30.5 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. Blenheim House

Creator:: J. Mynde, active 1740–1770
Date:: undated
Materials & Techniques:: Engraving on medium, slightly textured, cream wove paper
Dimensions:: Mount: 17 1/4 × 24 inches (43.8 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. Five People Praying

Creator:: Louisa Augusta Greville, 1743–active 1762
Date:: 1760
Materials & Techniques:: Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 9/16 x 18 1/4 inches (31.9 x 46.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. Smuggling - Corn from Egypt!!!

Creator:: Print made by John Cawse, 1779–1862
Date:: 1800
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 7/8 x 16 1/8in. (22.5 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. A View of the City of Oporto

Creator:: Print made by unknown artist
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. A Black Rabbit

Creator:: Joseph Crawhall, 1861–1913
Date:: undated
Materials & Techniques:: Watercolor, gouache, and gum arabic on linen
Dimensions:: Image: 9 7/8 × 13 1/2 inches (25.1 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. View of a Park with Deer

Creator:: William Byron, fourth Baron Byron, 1669–1736
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gouache, and gold on medium, slightly textured, cream laid paper
Dimensions:: Mount: 12 1/2 × 16 1/16 inches (31.8 × 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. William Turner's House at Valence, Kent

Creator:: John Donowell, active 1753–1786
Date:: undated
Materials & Techniques:: Pen and black ink, graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/8 × 16 5/8 inches (26.4 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. Steeplechasing: Five Riders Galloping Right

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 16 1/8 inches (25.1 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Steeplechasing: The Field Coming up to a Ditch

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 16 3/16 inches (25.1 × 41.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Steeplechasing: Four Riders Taking a Ditch and an Oxer

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 × 16 3/16 inches (25.2 × 41.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. Ferreting

Creator:: Samuel Alken, 1756–1815
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/4 × 16 1/4 inches (26 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Whipper-in With a Hound, the Field Ahead at Left

Creator:: Samuel Alken, 1756–1815
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/8 × 16 1/16 inches (25.7 × 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. A Stable Boy rubbing down a Racehorse

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Black chalk and stumping on medium, moderately textured, cream laid paper
Dimensions:: Mount: 12 7/8 × 19 1/8 inches (32.7 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. The London-Dumphries Royal Mail

Creator:: Charles B. Newhouse, fl. c.1820–1836
Date:: between 1830 and 1840
Materials & Techniques:: Watercolor, pen and brown ink, black ink, red ink, graphite, gouache, and gum arabic on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 11 5/16 × 16 1/4 inches (28.7 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. Three Racehorses Approaching the Winning Post

Creator:: William Lock II, 1767–1847
Date:: undated
Materials & Techniques:: Pen and brown ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 16 inches (26 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. Forth Bridge, Scotland

Creator:: Print made by William Walcot, 1874–1943
Date:: 1918
Materials & Techniques:: Etching, aquatint, and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

359. Miss Farren in the Character of Hermione

Creator:: Edward Fisher, 1722–1785
Date:: 1781
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 24 3/8 x 16 1/4 inches (61.9 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Interior, St. Etienne

Creator:: Hedley Fitton, 1859–1929
Materials & Techniques:: Etching
Dimensions:: Plate: 22 x 16in. (55.9 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. Stillman Kuhns

361. View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

Creator:: Print made by James Clark, 19th century
Date:: 1812
Materials & Techniques:: Hand colored aquatint with etching on moderately thick, smooth, brown wove paper
Dimensions:: Sheet: 15 3/16 × 16 1/16 inches (38.5 × 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall

Creator:: Print made by John Fairburn, active 19th century
Date:: 1796
Materials & Techniques:: Etching and line engraving, hand-colored on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 10 3/8 × 16 inches (26.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. Principal Entrance to the Gas Works, Westminster

Creator:: Print made by Thomas Faulkner, active 1825–1838
Date:: ca. 1830
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 13 7/8 x 19 inches (35.2 x 48.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. The Royal Palace of Windsor

Creator:: Thomas Major, 1714–1799
Date:: 1745
Materials & Techniques:: Engraving on medium, slightly textured, beige laid paper
Dimensions:: Mount: 17 1/4 × 24 inches (43.8 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. The Opening of the Seventh Seal

Creator:: John Martin, 1789–1854
Date:: ca. 1837
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 15 1/2 x 16 inches (39.4 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. Richard III: Act IV, Scene III, Tower of London

Creator:: Print made by William Skelton, 1763–1848
Date:: 1795
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 29 3/8 × 20 1/8 inches (74.6 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. How to Gammon the Deep, Ones or the Way to Overturn a Coach Ac(c)ording to Act of P(ar)l(ia)m(en)t (from: Caricature, vol. 4)

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1794
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 1/2 x 16 1/8in. (19.1 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. A View of the Vestibule of St. Peter at Rome

Creator:: Print made by Georges François Blondel, 1730–ca. 1791
Date:: 1765 to 1767
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 22 3/8 x 16in. (56.8 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. A View of the Vestibule of St. Mary at Rome

Creator:: Print made by Georges François Blondel, 1730–ca. 1791
Date:: 1765 to 1767
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 22 3/8 x 16in. (56.8 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. A View of the Inside of the New Prison at Rome

Creator:: Print made by Georges François Blondel, 1730–ca. 1791
Date:: 1765 to 1767
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 22 3/8 x 16in. (56.8 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. A View of the Temple of Bacchus at Rome

Creator:: Print made by Georges François Blondel, 1730–ca. 1791
Date:: 1765 to 1767
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 22 3/8 x 16in. (56.8 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. A View of the Inside of a Church

Creator:: Print made by Georges François Blondel, 1730–ca. 1791
Date:: 1765 to 1767
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 22 3/8 x 16in. (56.8 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. A View of the Inside of a Sepulchrale Church

Creator:: Print made by Georges François Blondel, 1730–ca. 1791
Date:: 1765 to 1767
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 22 3/8 x 16in. (56.8 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. Ships in Distress

Creator:: Richard Bernard Godfrey, 1728–op.1794
Date:: 1796
Materials & Techniques:: Line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/8 x 16 11/16 inches (30.8 x 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. The Dukes Of Northumberland And Suffolk Praying Lady Jane Gray To Accept The Crown

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Stipple engraving, proof before title on thick, rough, beige wove paper
Dimensions:: Sheet: 13 9/16 × 16 5/16 inches (34.4 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. Bardolph Badger'd Or the Portland Hunt

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 x 16 1/4in. (25.4 x 41.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. Elizabeth Duchess of Manchester and George Mandeville Her Son

Creator:: James Watson, 1740–1790
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 24 13/16 × 16 1/8 inches (63 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. Hardraw Fall

Creator:: Print engraved by John Pye, 1782–1874
Date:: 1818
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 × 16 1/4 inches (27.5 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. Under the Brühl Terrace, Dresden

Creator:: Mortimer L. Menpes, 1860–1938
Materials & Techniques:: Etching and drypoint
Dimensions:: Sheet: 10 x 16in. (25.4 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

380. Sister Anna's Probation

Creator:: Sir John Everett Millais, 1829–1896
Date:: 1862
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 9 1/8 x 16 1/4in. (23.2 x 41.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

381. Mill near the Grand Chartreuse, Dauphiny

Creator:: Print made by Henry Dawe, 1790–1848
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 16 inches (27 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. Temples of Paestum

Creator:: Charles Oliver Murray, 1842–1923
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 10 3/4 x 16 1/4in. (27.3 x 41.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

383. The Preacher

Creator:: Print made by Ernest Stephen Lumsden, 1883–1948
Date:: 1921
Materials & Techniques:: Etching on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/4 × 16 inches (28.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

384. Marine View

Creator:: Print made by Elisha Kirkall, ca. 1682–1742
Date:: between 1720 and 1730
Materials & Techniques:: Mezzotint, printed in blue-green colored ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/8 × 16 5/16 inches (33.4 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. Jericho

Creator:: Print made by William Finden, 1787–1852
Date:: 1836
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. The Red Sea, at Suez

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1836
Materials & Techniques:: Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. Lebanon from Tripoli

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835
Materials & Techniques:: Etching and engraving with chine-collé; first state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. Nazareth

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1836
Materials & Techniques:: Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. The Ferry Inn

Creator:: Print made by Robert Walker Macbeth, 1848–1910
Date:: 1881
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

390. La Guidecca

Creator:: Print made by James McBey, 1883–1959
Date:: 1925
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 16 inches (25.4 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

391. Brussels, Distant View

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Norham Castle - Moonrise

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Church of St. Salve, Montreuil

Creator:: Print made by Sir Frank William Brangwyn, 1867–1956
Date:: 1907
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 21 × 16 1/8 inches (53.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

394. Trees and Factory at Hammersmith

Creator:: Print made by Sir Frank William Brangwyn, 1867–1956
Date:: 1903
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Plate: 13 × 16 inches (33 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

395. Milan

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

396. Field of Waterloo, with Lightning

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. Edinburgh from St. Anthony's Chapel

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 16 inches (27 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. Glencoe

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. Rouen - Distant View

Creator:: Print made by William Richardson, active 1842–1877
Date:: 1836
Materials & Techniques:: Etching and engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. Eight Groups of Designs for Gothic holy Objects

Creator:: Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 9 7/8 × 16 1/8 inches (25.1 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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301. Portrait of Caravaggio

302. A View of St. James's Park, taken near the Stable Yard

303. The Royal Palace of Hampton Court

304. A View of the Fleet at Spithead; taken from the Platform at Portsmouth (A) the Watch Tower at Portsmouth (B) Gilkiker upon Gosport Shoar (C) The Sea Mark on Ashey Down

305. Blenheim House. Erected at the Publick Expence in Commemoration of the Victory at Blenheim, and setled on the Great Duke of Marlborough and his Descendents for ever

306. A View of the Fleet at Spithead, Taken from Stone Common near Exbury Distant upwards of 3 Leagues. A, Spithead. B, The Mother Bank. C, Ashey Sea Mark. D, Mouth of Southampton River. E, Portsmouth Tower. F, Gilkiker. G, Castle of Cows

307. A View of the Rt. Hon'ble the Lord of Burlington's House at Chiswick; taken from the Road

308. King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

309. Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . . .

310. King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)

311. The Lord Mayor's Mansion House, shewing the Front of the House & the West Side

312. Racing Scene

313. Quilleboeuf

314. Between Quilleboeuf and Villequier

315. Château de la Mailleraie

316. Château Gaillard, from the East

317. Inverness

318. Reaper and Sower

319. The Benevolent Cottager

320. Going out Milking

321. The Return from Milking

322. New Reformers, Or Corporal Bardolph's New-Raised Corps of Active Citizens

323. Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will

324. Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations

325. Dr. Batty's House at Twickenham as View'd from the opposite Shore of the River Thames

326. `Hold Back, Sir!'

327. Some Have Greatness Thrust Upon Them

328. A View of Rotterdam, and the River Maese with Variety of Shipping

329. A View of the Palace of Triano towards the Flower Garden

330. The Cover

331. Breaking Cover

332. The Death

333. Full Cry

334. A View of St. Martin's Church, Also of the Arch of Septimius Severus, through which the Roman Generals marched in their Triumphs to the Capitol.

335. Clare College, Cambridge

336. tms:4641

337. An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore...

338. Encampment at Maestricht

339. East India House

340. The Admiralty

341. Archers

342. Plan of the West India Docks

343. Blenheim House

344. Five People Praying

345. Smuggling - Corn from Egypt!!!

346. A View of the City of Oporto

347. A Black Rabbit

348. View of a Park with Deer

349. William Turner's House at Valence, Kent

350. Steeplechasing: Five Riders Galloping Right

351. Steeplechasing: The Field Coming up to a Ditch

352. Steeplechasing: Four Riders Taking a Ditch and an Oxer

353. Ferreting

354. Whipper-in With a Hound, the Field Ahead at Left

355. A Stable Boy rubbing down a Racehorse

356. The London-Dumphries Royal Mail

357. Three Racehorses Approaching the Winning Post

358. Forth Bridge, Scotland

359. Miss Farren in the Character of Hermione

360. Interior, St. Etienne

361. View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

362. Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall

363. Principal Entrance to the Gas Works, Westminster

364. The Royal Palace of Windsor

365. The Opening of the Seventh Seal

366. Richard III: Act IV, Scene III, Tower of London

367. How to Gammon the Deep, Ones or the Way to Overturn a Coach Ac(c)ording to Act of P(ar)l(ia)m(en)t (from: Caricature, vol. 4)

368. A View of the Vestibule of St. Peter at Rome

369. A View of the Vestibule of St. Mary at Rome

370. A View of the Inside of the New Prison at Rome

371. A View of the Temple of Bacchus at Rome

372. A View of the Inside of a Church

373. A View of the Inside of a Sepulchrale Church

374. Ships in Distress