Collection: Prints and Drawings / Width [cm]: 57 - YCBA Collections Search Search Results

301. The Trial Before Herod

Creator:: Francis Hoyland, born 1930
Date:: 2000
Materials & Techniques:: Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:: Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

302. The Crowd Call for Barabbas

Creator:: Francis Hoyland, born 1930
Date:: 2000
Materials & Techniques:: Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:: Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

303. The Journey to Emmaus

Creator:: Francis Hoyland, born 1930
Date:: 2000
Materials & Techniques:: Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:: Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

304. The Deposition

Creator:: Francis Hoyland, born 1930
Date:: 2000
Materials & Techniques:: Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:: Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

305. The Supper at Emmaus

Creator:: Francis Hoyland, born 1930
Date:: 2000
Materials & Techniques:: Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:: Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

306. The Appearance to Thomas

Creator:: Francis Hoyland, born 1930
Date:: 2000
Materials & Techniques:: Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:: Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

307. The Crucifixion

Creator:: Francis Hoyland, born 1930
Date:: 2000
Materials & Techniques:: Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:: Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

308. ‘Feed My Sheep’

Creator:: Francis Hoyland, born 1930
Date:: 2000
Materials & Techniques:: Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:: Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

309. The Ascension

Creator:: Francis Hoyland, born 1930
Date:: 2000
Materials & Techniques:: Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:: Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

310. The Resurrection

Creator:: Francis Hoyland, born 1930
Date:: 2000
Materials & Techniques:: Line engraving and drypoint on thick, moderately textured, white wove paper
Dimensions:: Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972, and Theodore C. and Elizabeth Barlow Rogers, Yale MCP 1964

311. Indo-Classical Residential Compound

Creator:: Unknown artist (Company style)
Date:: between 1795 and 1810
Materials & Techniques:: Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Image: 12 3/4 × 20 1/4 inches (32.4 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

312. Study of Fishermen and Gear

Creator:: Edward Duncan, 1803–1882
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, graphite, and white gouache on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 15/16 × 18 5/16 inches (30.3 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. Study of Foreground near Betws-y-Coed

Creator:: Henry White, 1819–1903
Date:: ca. 1858
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 3/4 inches (17.5 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

314. Bramble

Creator:: Richard Smith, 1931–2016
Date:: 1970
Materials & Techniques:: Lithograph and collage on thick, moderately textured, white wove paper
Dimensions:: Sheet: 29 1/4 × 22 1/4 inches (74.3 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Barbara Sunderman Hoerner

315. The Battle-Array of Carberry-hill Near Edinburgh with the Surrender of Mary Queen of Scots to the Confederate Lords of Scotland, and the Escape of Earl Bothwell, 1567

The Battle-Array of Carberry-hill Near Edinburgh with the Surrender of Mary Queen of Scots to the Confederate Lords of Scotland, and the Escape of Earl Bothwell, 1567

Creator:: George Vertue, 1684–1756
Date:: 1742
Materials & Techniques:: Engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 23 1/8 × 34 1/16 inches (58.7 × 86.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

316. Going to the Hayfield

Creator:: David Cox, 1783–1859
Date:: early 1850s
Materials & Techniques:: Watercolor, graphite, black chalk and scratching out on thick, rough, cream wove paper
Dimensions:: Mount: 16 × 22 1/2 inches (40.6 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Head of Christopher Dark

Creator:: Frank Auerbach, 1931-2024
Date:: 1977
Materials & Techniques:: Charcoal and black chalk on moderately thick, moderately textured, white Arches wove paper
Dimensions:: Sheet: 29 3/4 × 22 1/4 inches (75.6 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of R. B. Kitaj

318. Matlock Baths, Derbyshire

Creator:: William Day, 1764–1807
Date:: ca. 1789
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 17 3/8 × 22 1/2 inches (44.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. Study of Feet

Creator:: Duncan Grant, 1885–1978
Date:: undated
Materials & Techniques:: Gouache over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 13 3/8 x 22 1/2 inches (34 x 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948

320. Nimberley (a Nalgater)

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1847
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 22 1/2 inches (41.9 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. Bridge in a Continental Town

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1830
Materials & Techniques:: Watercolor and gouache over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 5/8 x 20 1/2 inches (34.6 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. Funchal Castle Del Oiso (?), Madeira

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 16 5/16 × 22 7/16 inches (41.4 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. The Three Witches from Macbeth: Double, Double, Toil and Trouble

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with black ink and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 20 3/4 x 24 3/16 inches (52.7 x 61.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. The Fall of Satan

Creator:: James Barry, 1741–1806
Date:: 1777
Materials & Techniques:: Etching and aquatint
Dimensions:: Sheet: 32 1/2 x 22 1/4in. (82.6 x 56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. Saturday Evening, the Husbandman's Return From Labour

Creator:: William Nutter, 1754–1802
Date:: 1795
Materials & Techniques:: Stipple engraving, colored on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 20 5/8 × 24 3/16 inches (52.4 × 61.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. The Reconciliation

Creator:: Print made by John Gisborne, active ca. 1800
Date:: 1796
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 27 1/2 inches (54.6 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

327. The Horse Race at Rome During the Carnival

Creator:: Thomas Sandby, 1721–1798
Date:: ca. 1781
Materials & Techniques:: Aquatint and etching on moderately thick, slightly textured, cream wove paper mounted on medium, moderately textured, cream wove paper
Dimensions:: Mount: 15 3/8 x 22 5/16 inches (39.1 x 56.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. A Shipwreck

Creator:: Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1825
Materials & Techniques:: Etching and aquatint with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 × 27 1/2 inches (53.3 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. Idle Idol

Creator:: Michael Challenger, born 1939
Materials & Techniques:: Screen print
Dimensions:: Sheet: 30 3/16 x 22 7/16in. (76.8 x 57cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Richard H. Ullman

330. Inside View of the Theatre Royal, Drury Lane

Creator:: Print made by Benedetto Pastorini, Italian, ca.1746–after 1803
Date:: 1775
Materials & Techniques:: Engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 19 5/16 × 25 13/16 inches (49.1 × 65.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

331. Eclipse

Creator:: Thomas Burke, 1749–1815
Date:: 1772
Materials & Techniques:: Mezzotint, third state
Dimensions:: Sheet: 18 1/8 x 22 1/4in. (46 x 56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. Kingston Bridge

Creator:: Attributed to Gideon Yates, active 1825–1837
Date:: 1832
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 22 1/4 inches (32.1 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. The Golden Age

Creator:: Valentine Green, 1739–1813
Date:: 1777
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 18 3/4 x 22 1/2in. (47.6 x 57.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. Four Aquatints of American Scenery: Passaic Falls in the State of New Jersey

Creator:: Francis Jukes, 1747–1812
Date:: 1802
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 18 11/16 x 22 1/2in. (47.5 x 57.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. A Venetian Festival

Creator:: Print made by William Walcot, 1874–1943
Date:: 1927
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 22 3/8 inches (37.1 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

336. Pilgrim's Progress Illustrated, Uncut Panorama

Creator:: Print made by Ralph Hudson, active ca. 1820
Date:: ca. 1820
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 22 1/2 inches (30.5 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. Downing College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: 1830
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gouache, black chalk, gum arabic, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 19 × 25 3/16 inches (48.3 × 64 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. Castleton Caves, Peak District, Derbyshire

Creator:: Jean Baptiste Pillement, 1727–1808
Date:: ca. 1760
Materials & Techniques:: Watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. Ships and Boats on the River Avon

Creator:: Nicholas Pocock, 1740–1821
Date:: 1786
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 1/4 inches (41.6 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. Castleton Caves, Peak District, Derbyshire

Creator:: Jean Baptiste Pillement, 1727–1808
Date:: ca. 1760
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. Colmar, Chateau Wildenstein, Rue Plumer: Vue Occidentale du Chateau de Wildenstein, Dedie a son Exell le Lieutenent General, Compt Rapp, par son tres Humble Serviteur 1

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 14 7/8 × 22 1/2 inches (37.8 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, graphite, watercolor on textured, moderately thick, beige laid paper
Dimensions:: Sheet: 17 3/8 × 22 1/2 inches (44.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. Untitled

Creator:: John Walker, born 1939
Date:: 1977
Materials & Techniques:: Black ink wash and scratching out
Dimensions:: Sheet: 29 3/4 x 22 1/4in. (75.6 x 56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Anthony and Madeleine Carter

344. Shooting: 1. Rabbit

Creator:: William Henry Simmons, 1811–1882
Date:: 1852
Materials & Techniques:: Hand colored mixed engraving
Dimensions:: Sheet: 11 3/4 x 22 3/8in. (29.8 x 56.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. Ca - TEA LEAVES!

Creator:: John Furnival, 20th century
Date:: 1982
Materials & Techniques:: Screen print
Dimensions:: Sheet: 31 1/2 x 22 7/16in. (80 x 57cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift

346. A Messenger

Creator:: Sir Hubert von Herkomer, 1849–1914
Date:: 1885
Materials & Techniques:: Watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Frame: 18 5/8 × 22 1/2 × 1 3/4 inches (47.3 × 57.2 × 4.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

347. A View in the Island of Jamaica of the Bridge crossing the Cabaritta River on the Estate of William Beckford Esqr.

Creator:: Daniel Lerpiniere, c.1745–1785
Date:: 1778
Materials & Techniques:: Engraving
Dimensions:: Image: 13 3/4 x 20 1/2in. (34.9 x 52.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. A View in the Island of Jamaica, of the Bridge crossing the River Cobre near Spanish Town

Creator:: Daniel Lerpiniere, c.1745–1785
Date:: 1778
Materials & Techniques:: Engraving
Dimensions:: Sheet: 18 1/2 x 22 1/4in. (47 x 56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. St. Albans: Bus 84

Creator:: Fred Taylor, 1875–1963
Date:: 1916
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 29 13/16 x 19 13/16 inches (75.7 x 50.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

350. Shooting: 2. Duck

Creator:: Thomas Oldham Barlow, 1824–1889
Date:: 1852
Materials & Techniques:: Hand colored mixed engraving
Dimensions:: Sheet: 11 3/4 x 22 3/8in. (29.8 x 56.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Shooting: 3. Black Game

Creator:: William Turner Davey, 1818–ca. 1884
Date:: 1852
Materials & Techniques:: Hand colored mixed engraving
Dimensions:: Sheet: 11 3/4 x 22 3/8in. (29.8 x 56.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Shooting: 4. Grouse

Creator:: David George Thompson, active 1852–died 1870
Date:: 1852
Materials & Techniques:: Hand colored mixed engraving
Dimensions:: Sheet: 11 3/4 x 22 3/8in. (29.8 x 56.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. Shooting: 5. Partridge

Creator:: David George Thompson, active 1852–died 1870
Date:: 1852
Materials & Techniques:: Hand colored mixed engraving
Dimensions:: Sheet: 11 3/4 x 22 3/8in. (29.8 x 56.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Shooting: 6. Pheasant

Creator:: David George Thompson, active 1852–died 1870
Date:: 1852
Materials & Techniques:: Hand colored mixed engraving
Dimensions:: Sheet: 11 3/4 x 22 3/8in. (29.8 x 56.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. Black Monday or the Departure for School

Creator:: Published by John Jones, ca. 1745–1797
Date:: 1790
Materials & Techniques:: Mezzotint with hand coloring in watercolor and white gouache on medium, slightly textured, cream laid paper
Dimensions:: Frame: 25 1/8 × 30 × 1 inches (63.8 × 76.2 × 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Celia Hopkinson

356. Southwest Corner of the Kremlin, from the Old Bridge, showing the Arsenal, Treasury, and New Palace, with the Cathedrals & Ivan's Tower

Creator:: Roger Fenton, 1819–1869
Date:: 1852
Materials & Techniques:: Salted paper print on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 8 1/2 inches (17.5 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

357. Blues

Creator:: Print made by Sir Terry Frost, 1915–2003
Date:: 1969
Materials & Techniques:: Color lithograph on medium, slightly textured, cream wove Arches paper
Dimensions:: Sheet: 30 × 22 1/4 inches (76.2 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

358. Untitled

Creator:: Alexander Moffat, born 1943
Date:: 1977
Materials & Techniques:: Pastel on medium, moderately textured wove paper
Dimensions:: Sheet: 30 1/2 x 22 1/2in. (77.5 x 57.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of R. B. Kitaj

359. Untitled

Creator:: Peter de Francia, 1921–2012
Date:: 1968
Materials & Techniques:: Black chalk on moderately thick, textured, cream wove paper
Dimensions:: Sheet: 30 3/4 × 22 1/2 inches (78.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of R. B. Kitaj

360. Ochre/Pink

Creator:: Print made by John Hoyland, 1934–2011
Date:: 1971
Materials & Techniques:: Screen print on medium, slightly textured, white wove hand made paper
Dimensions:: Sheet: 31 × 22 1/4 inches (78.7 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

361. Red, Blue, Orange and Yellow

Creator:: Print made by Sir Terry Frost, 1915–2003
Date:: 1969
Materials & Techniques:: Color lithograph on medium, slightly textured, cream wove Arches paper
Dimensions:: Sheet: 30 × 22 1/4 inches (76.2 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

362. Black, Purple and Blue

Creator:: Print made by Sir Terry Frost, 1915–2003
Date:: 1969
Materials & Techniques:: Color lithograph on medium, slightly textured, cream wove Arches paper
Dimensions:: Sheet: 30 1/8 × 22 1/4 inches (76.5 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

363. Black on Mauve-Grey

Creator:: Print made by Sir Terry Frost, 1915–2003
Date:: 1968
Materials & Techniques:: Screen print on medium, slightly textured, cream wove I & J.H. Kent paper
Dimensions:: Sheet: 40 × 27 inches (101.6 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Indianapolis Museum of Art at Newfields

YCBA Collections Search

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Collection Prints and Drawings

Width [cm] 57

Search Results

301. The Trial Before Herod

302. The Crowd Call for Barabbas

303. The Journey to Emmaus

304. The Deposition

305. The Supper at Emmaus

306. The Appearance to Thomas

307. The Crucifixion

308. ‘Feed My Sheep’

309. The Ascension

310. The Resurrection

311. Indo-Classical Residential Compound

312. Study of Fishermen and Gear

313. Study of Foreground near Betws-y-Coed

314. Bramble

315. The Battle-Array of Carberry-hill Near Edinburgh with the Surrender of Mary Queen of Scots to the Confederate Lords of Scotland, and the Escape of Earl Bothwell, 1567

316. Going to the Hayfield

317. Head of Christopher Dark

318. Matlock Baths, Derbyshire

319. Study of Feet

320. Nimberley (a Nalgater)

321. Bridge in a Continental Town

322. Funchal Castle Del Oiso (?), Madeira

323. The Three Witches from Macbeth: Double, Double, Toil and Trouble

324. The Fall of Satan

325. Saturday Evening, the Husbandman's Return From Labour

326. The Reconciliation

327. The Horse Race at Rome During the Carnival

328. A Shipwreck

329. Idle Idol

330. Inside View of the Theatre Royal, Drury Lane

331. Eclipse

332. Kingston Bridge

333. The Golden Age

334. Four Aquatints of American Scenery: Passaic Falls in the State of New Jersey

335. A Venetian Festival

336. Pilgrim's Progress Illustrated, Uncut Panorama

337. Downing College, Cambridge

338. Castleton Caves, Peak District, Derbyshire

339. Ships and Boats on the River Avon

340. Castleton Caves, Peak District, Derbyshire

341. Colmar, Chateau Wildenstein, Rue Plumer: Vue Occidentale du Chateau de Wildenstein, Dedie a son Exell le Lieutenent General, Compt Rapp, par son tres Humble Serviteur 1

342. Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine

343. Untitled

344. Shooting: 1. Rabbit

345. Ca - TEA LEAVES!

346. A Messenger

347. A View in the Island of Jamaica of the Bridge crossing the Cabaritta River on the Estate of William Beckford Esqr.

348. A View in the Island of Jamaica, of the Bridge crossing the River Cobre near Spanish Town

349. St. Albans: Bus 84

350. Shooting: 2. Duck

351. Shooting: 3. Black Game

352. Shooting: 4. Grouse

353. Shooting: 5. Partridge

354. Shooting: 6. Pheasant

355. Black Monday or the Departure for School

356. Southwest Corner of the Kremlin, from the Old Bridge, showing the Arsenal, Treasury, and New Palace, with the Cathedrals & Ivan's Tower

357. Blues

358. Untitled

359. Untitled

360. Ochre/Pink

361. Red, Blue, Orange and Yellow

362. Black, Purple and Blue

363. Black on Mauve-Grey